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Today features a traditional-style porcelain Russian decanter in elegant blue and white glaze. The decanter is handmade Gzhel porcelain with traditional Russian folk-art patterns. However the vessel is not completely traditional—it is in the shape of a rocket. The piece commemorates Belka and Strelka, two dogs who went in to orbit on Sputnik 5 in 1960 and returned safely to Earth. They were space pioneers in all sorts of ways!
I like this sort of object–which combines except it commemorates an even which happened more than 50 years ago. Our space milestones are receding in the past, and although the robot probes exploring the solar system are learning amazing things, they do not seem to keep the public’s attention the same way that two lovable Soviet dogs did.
It has been far too long since we have featured a mascot themed post. Chicken week (which honors the year of the fire rooster) is an ideal time for such a celebration. Ferrebeekeeper has already featured my favorite chicken-themed business (the amazing South Chicago chicken franchise “Harold’s Chicken”) but there are plenty of other famous chickens out there.
WordPress has stopped giving me the ability to caption things effectively (if there are any passing site admins could you guys look into this) so I am going to just open up the floodgates and set out a flock of weird chicken men.
This open post has the disadvantage of opening up a world of sheer craziness with no effective explanations (as if this had an explanation anyway) but it has the advantage of letting us contemplate just how strange and multitudinous our culture of cartoon images, corporate shills, and brands really is.
Look at all of these dead eyed roosters and sad felt cockerels! This is the first thing that has made me feel the most remote stirrings of job satisfaction since the new year. It may be bad but at least I am not this guy.
Then and again, all of the chicken mascots indicate that chickens are popular and get noticed. And, judging by the news, there is no force in the social world which outshines attention.
Maybe the rooster is a more fitting symbol for society than I initially thought. They say you are what you eat, and we mostly eat chicken. Let’s hope that just means we are truculent attention-seeking braggarts and not that we are yellow!
Uh…not that there is anything wrong with the color.
Throughout October, I had the uneasy feeling that I was missing something….and lo! such was indeed the case… Sadly, I somehow forgot about the Shepheardes Calender October eclogue. I am now faced with an unappealing choice. Either I must publish the October chapter swiftly, before your memory of October fades away forever, or I must wait for next year. The Shephearde’s Calender came out in 1579, and the passage of the years is not making it any easier to understand, so I think we better have a belated little piece of October in November. On the plus side, the October eclogue actually makes sense: Cuddy is lamenting the poet’s life and the meager remuneration thereof. It all sounds too familiar somehow…. Here it is.
A R G V M E N T.
IN Cuddie is set out the perfecte paterne of a Poete, whishe finding no maintenaunce of his state and studies, complayneth of the contempte of Poetrie, and the causes thereof: Specially hauing bene in all ages, and euen amongst the most barbarous alwayes of singular accounpt & honor, & being indeede so worthy and commendable an arte: or rather no arte, but a diuine gift and heauenly instinct not to bee gotten by laboure and learning, but adorned with both: and poured into the witte by a certaine [enthusiasmos], and celestiall inspiration, as the Author hereof els where at large discourseth, in his booke called the English Poete, which booke being lately come to my hands, I mynde also by Gods grace vpon further aduisement to publish.
Cuddy, for shame hold up thy heavy Head,
And let us cast with what delight to chace,
And weary this long lingring Phoebus’ Race.
Whylom thou wont the Shepherd’s Lads to lead,
In Rimes, in Riddles, and in Bidding base:
Now they in thee, and thou in sleep art dead.
Piers, I have piped earst so long with pain,
That all mine Oaten Reeds been rent and wore;
And my poor Muse hath spent her spared Store,
Yet little Good hath got, and much less Gain.
Such Pleasance makes the Grashopper so poor,
And lig so laid, when Winter doth her strain.
The dapper Ditties thee I wont devise,
To feed Youth’s Fancy, and the flocking Fry,
Delighten much: what I the bett for-thy?
They han the Pleasure, I a slender Prize.
I beat the Bush, the Birds to them do fly:
What good thereof to Cuddy can arise?
Cuddy, the Praise is better than the Price,
The Glory eke much greater than the Gain:
O what an honour is it, to restrain
The Lust of lawless Youth with good Advice?
Or prick them forth with Pleasance of thy Vein,
Whereto thou list their trained Wills entice.
Soon as thou ‘gins to set thy Notes in frame,
O how the rural Routs to thee do cleave!
Seemeth thou doost their Soul of Sense bereave,
All as the Shepherd, that did fetch his Dame
From Pluto’s baleful Bower withouten leave:
His Musick’s Might the hellish Hound did tame.
So praysen Babes the Peacock’s spotted Train,
And wondren at bright Argus’ blazing Eye;
But who rewards him ere the more for-thy?
Or feeds him once the fuller by a grain?
Sike Praise is Smoke, that sheddeth in the Sky;
Sike Words been Wind, and wasten soon in vain.
Abandon then the base and viler Clown,
Lift up thy self out of the lowly Dust;
And sing of bloody Mars, of Wars, of Giusts;
Turn thee to those that weld the aweful Crown,
To doubted Knights, whose woundless Armour rusts,
And Helms unbruzed, wexen daily brown.
There may thy Muse display her fluttering Wing,
And stretch her self at large from East to West;
Whither thou list in fair Elisa rest,
Or if thee please in bigger Notes to sing,
Advance the Worthy whom she loveth best,
That first the white Bear to the Stake did bring.
And when the stubborn Stroke of stronger Stounds,
Has somewhat slackt the Tenor of thy String;
Of Love and Lustihead tho mayst thou sing,
And carrol loud, and lead the Millers round;
All were Elisa one of thilk same Ring,
So mought our Cuddy’s Name to Heaven sound.
Indeed the Romish Tityrus, I hear,
Through his Mecoenas left his Oaten Reed,
Whereon he earst had taught his Flocks to feed;
And laboured Lands to yield the timely Ear;
And eft did sing of Wars and deadly Dreed,
So as the Heavens did quake his Verse to hear.
But ah! Mecoenas is yclad in Clay,
And great Augustus long ygo is dead;
And all the worthies liggen wrapt in Lead,
That matter made for Poets on to play.
For ever, who in Derring-do were dread,
The lofty Verse of hem was loved aye.
But after Vertue ‘gan for Age to stoup,
And mighty Manhood brought a bed of ease;
The vaunting Poets found nought worth a Pease,
To put in preace among the learned Troup:
Tho ‘gan the Streams of flowing Wits to cease,
And sunbright Honour pen’d in shameful Coup.
And if that any Budds of Poesy,
Yet of the old Stock ‘gan to shoot again:
Or it Mens Follies mote so force to fain,
And roll with rest in Rimes of Ribaudry;
Or as it sprang, it wither must again:
Tom Piper makes us better Melody.
O peerless Poesie, where is then thy place?
If not in Princes Palace thou dost sit
(And yet is Princes Palace the most fit)
Ne Breast of baser Birth doth thee embrace;
Then make thee Wings of thine aspiring Wit,
And, whence thou cam’st, fly back to Heaven apace.
Ah Percy, it is all too weak and wan,
So high to sore and make so large a flight:
Her peeced Pineons been not so in plight,
For Colin fits such famous Flight to scan;
He, were he not with Love so ill bedight,
Would mount as high, and sing as soot as Swan.
Ah Fon, for Love does teach him climb so high
And lifts him up out of the loathsom Mire:
Such immortal Mirror, as he doth admire,
Would raise one’s Mind above the starry Sky,
And cause a caitive Courage to aspire:
For lofty Love doth loath a lowly Eye.
All otherwise the state of Poet stands;
For lordly Love is such a Tyrant fell,
That where he rules, all Power he doth expell,
The vaunted Verse a vacant Head demands,
Ne wont with crabbed Care the Muses dwell:
Unwisely weaves, that takes two Webs in hand.
Who ever casts to compass weighty Prize,
And think to throw out thundering Words of Threat,
Let pour in lavish Cups and thrifty Bits of Meat;
For Bacchus’ Fruit is friend to Phoebus’ Wise:
And when with Wine the Brain begins to sweat,
The Numbers flow as fast as Spring doth rise.
Thou kenst not, Percie, how the Rime should rage;
O if my Temples were distain’d with Wine,
And girt in Girlonds of wild Ivy Twine,
How I could rear the Muse on stately Stage,
And teach her tread aloft in Buskin line,
With queint Bellona in her Equipage.
But ah, my Courage cools ere it be warm,
For-thy content us in this humble Shade:
Where no such troublous Tides han us assaid,
Here we our slender Pipes may safely charm.
And when my Goats shall han their Bellies laid,
Cuddy shall have a Kid to store his Farm.
Agitante calescimus illo, &c.
OK, I’m not going to sugarcoat it, my idea for today’s blog post did not work out. I was going to write about Gothic mascots—a perfectly serviceable mashup of two favorite Ferrebeekeeper tags—but, when I got home from work and started researching gothic mascots the pickings turned out to be exceedingly slim—a Simpsons gag (the Montreal vampire), a bunch of troubling Lolita cartoons, and those godawful “Capital One” barbarians who are trying to sell you some sort of credit card (are they even Visigoths? Is “Capital One” even really a real credit card?). Apparently nobody wants any sort of gothic mascots except for predatory lenders.
Oh no!–what if Capital One destroys my credit rating for making fun of them? [collapses laughing]
So I ended up looking with increasing desperation at past mascots for anything of any interest and this line of inquiry lead me back to that Simpson’s joke about the Montreal vampire. Montreal is a francophone city—beautiful and evocative—yet prone to making choices which are different from the market-driven choices of other places. What was the mascot of the 1976 Montreal Olympics? And, Bingo! suddenly I had today’s blog post.
This is Amik the beaver. Amik means beaver in Algonquin—so this character (which looks like it was designed by somebody who just spilled an entire bottle of India ink) is really named “Beaver the beaver.” Anik appears with a red stripe with the Montreal Games logo on it or sometimes with a pre (?) pride rainbow strip.
I am making fun of poor Anik because I don’t think beavers lack faces. Nor are they the unsettling pure black of absolute oblivion. Maybe I found my Gothic mascot after all—in the most unlikely of places—Montreal, 1976! I will write a better post tomorrow. In the meantime enjoy the strange juxtaposition of nihilism and naivete which was seventies design.
The ancient Babylonians looked up at the glittering night stars and saw the shapes they knew from nature and from the myths of Mesopotamian civilization: a lion, a maiden, a scale, a scorpion, a centaur archer, a water goat (?), a water bearer, a pair of fish, twins, a ram, a bull, and a solipsistic crab. For thousands of years, these ancient emblems fascinated the imagination and represented the changing influence of the heavens upon humankind throughout the year. Roman astronomers and calendar makers formally enshrined the twelve symbols as a circle of twelve 30° divisions of celestial longitude: a calendar for the whole year. This zodiac has been with us for a long time. The twelve figures lie at the center of the fun pseudoscience of astrology (which has no rational validity but which is a great way to strike up conversations and analyze the most fascinating subject of our times: the self).
But what if the Babylonians and the Romans got it wrong? There was always some awkward wiggle room in their calculations. Was there a 13th zodiac sign which ancient magi/natural philosophers skipped out of ignorance, fear, or fascination with the number 12? This is the provocative but largely meaningless question posed by NASA in a spectacular announcement of a newly found thirteenth constellation! Well actually they have not so much found this constellation Ophiuchus, as reinstated it in the circle of the night sky as illustrated in the stunning graphic below.
Orpiurchus, “The Snake-bearer” has long been in the heavens—although it is hard to see from northern latitudes–and astrologists and iconographers have flirted with the idea of including him in the classic zodiac (which kind of only works in the northern hemisphere anyway). The snake bearer does have an emotional resonance with Mesopotamian, Greco-Roman, AND Judaeo-Christian cultures, all of which have intense snake-themed myths about knowledge, hubris, and humankind’s uneasy place in the cosmos.
ZodiacBooks.com presents us with an overview of the emotional traits of these new snake carriers as, “spirited, magnetic, impulsive, clever, flamboyant, and at times jealous, power-hungry, and temperamental [people born in this sign] want to heal the world of all ills and bring everyone closer together.” Hmm, it sort of sounds like everyone I know except for my crabby Cancer friend. Obviously shoehorning a whole 13th symbol into the calendar has moved everything around, so here are the new dates, if you are afraid you might actually have some other personality than the one you have always had:
Capricorn: January 20-February 16
Aquarius: February 16-March 11
Pisces: March 11-April 18
Aries: April 18-May 13
Taurus: May 13-June 21
Gemini: June 21-July 20
Cancer: July 20-August 10
Leo: August 10-September 16
Virgo: September 16-October 30
Libra: October 30-November 23
Scorpio: November 23-November 29
Ophiuchus: November 29-December 17
Sagittarius: December 17-January 20
Of course a cynical natural scientist might surmise that random patterns of stars (which lie many many light years from each other) have no influence whatsoever on our little lives. NASA, which deals in real science and engineering, but which desperately needs ATTENTION to thrive in our chaotic late-stage democracy says as much on their website. They have essentially slapped a “for novelty purposes only” asterisk on this entire story (AND on astrology). We will see if Orpiurchus becomes a lasting part of the heavens or if he slinks back into dark obscurity like he did in the 1970s (or in this beautiful Rouseeau painting below which has nothing to do with this attention-seeking story). In the meantime, this is a fine opportunity to talk to people about their personalities and their birthdays and about what they want from the world. Whatever his nature, the snake-bearer can thus help us fulfil the true purpose of astrology!
I have been working on a flatfish themed art project! There will be more to announce soon and great fanfare: I promise. However, for now, to tease the wonders that are to come, here are a number of small flatfish artworks that I have been making at lunch and on the train and during similar spare moments. Wordpress hates me with undying vehemence (which is to say, if I label a picture with its name, their program drags it off-center and makes it look ugly), so I am going to write the name in the body of the tex beneath each little fish, and write a short blurb. Please, please let me know what you think, even if it is a one word assessment and I will keep working on my big presentation! Oh–the picture at the top is: Bongo Flounder (Wayne Ferrebee, 2016, colored pencil and ink on paper) it depicts a bongo turning into a flounder through the auspices of the horned god. A baffled yokel hunter watches in astonishment. Morphing animals are a big problem for me (sigh), so this image has deep personal meaning.
Baterpillar fluke (Wayne Ferrebee, 2016, colored pencil and ink on paper): A Sumerian walking at night sees a mystical fluke surrounded by nocturnal garden creatures.
Arcane Flounder (Wayne Ferrebee, 2016, colored pencil and ink on paper): An Armenian mystic walking at night contemplates the intricacies of a magical flatfish surrounded by arcane creatures.
BustaFlounder (Wayne Ferrebee, 2016, colored pencil and ink on paper): a flounder parties too hard and is forced to re-live the disgraces of the 1980s New York art scene. A chained mastiff and disappointed prawn look on with weary resignation.
Flatfish in the Night Garden (Wayne Ferrebee, 2016, colored pencil and ink on paper): through the intercession of various ancient deities, a hive of bees is allowed to plleneate at night. The relentless geometrical shape on the shimmering dab’s back indicates that such a work ethic may have inscrutible consequences.
Gnome City Flatfish (Wayne Ferrebee, 2016, colored pencil and ink on paper): A small colorful city is overtaken by a fungal outbreak as winged beings fly by.
Hopefully you have enjoyed this little flounderful gallery. Like I said, get ready for some exciting news (hint, hint: the launch of an ancillary site for Ferrebeekeeper). keep on commenting and i will keep on floundering. Thanks!
As you have probably guessed, all of my posts this week have been about Brazil because I have been fixated on the Olympics, the worlds’ foremost sports competition. The 2016 Brazil Summer Olympics are the 31st Olympics (or I should maybe write “XXXI” Olympics) of the modern era. That last phrase is significant. There were Olympics of the ancient classical past and today’s Olympics were deliberately created in homage to these Greco-Roman games. The ancient Olympics were held every four years at the sanctuary of Zeus in Olympia Greece. According to myth, the Olympics were founded by Heracles in honor of his father Zeus. After he completed his twelve great labors and thus freed himself of the taint of murder and madness, Heracles built a beautiful stadium in honor of his father, the king of heaven. He then walked 200 heroic paces and proclaimed this distance to be a “stadion” one of the principle units of distance in Greek society. The Panhellenic games were held every four years (a unit of time known as an “Olympiad”). Although the origins of the games are shrouded in epic myth, the games basically lasted from 776 BC until 393 AD–when they were suppressed and ended by Theodosius I in a bout of anti-pagan Christian fundamentalism.
The ancient games featured running, jumping, discus, javelin, wrestling, pentathlon, boxing, pankration (a nightmarish no-holds barred ultimate fighting event), and equestrian events including riding and chariot races. Art and poetry competitions were also held at the Olympics—a notable difference from these modern games!
The athletic events were held in the nude with a few notable exceptions (which I will get to shortly). Only freeborn Greek men were allowed to participate. Some of the greatest athletes of the ancient games are still remembered to this day: Varazdat, the peerless Armenian boxer; the famously handsome Melankomas; the jumper Chionis of Sparta whose distance records held until the modern Olympics; Milo, the greatest wrestler of history (who was also a poet and mathematician); and, perhaps greatest of all, Leonidas of Rhodes–champion runner of 4 Olympiads.
Leonidas of Rhodes competed in four successive Olympics games (164BC, 160BC, 156BC and 152BC). He was peerless at sprinting the stadion (which was about 200 meters). Leonidas was also gifted at running the fast “diaulos” which was twice as long as the stadion. Both of these races were fleet nude foot races which would be more-or-less familiar today (although modern athletes must wear little loincloths or smallclothes and sundry plastic placards branded with the name of rich patrons and sponsors). Leonidas was the victor at the stadion and the diaulos in each of the four Olympics he attended (in the classical Olympics, the winner of an event received a crown made of laurel and there were no silvers and bronzes). What set Leonidas apart from other great runners was that he could also win the hoplitodromos—the race in armor!
The hoplitodromos was a long distance race meant to approximate the rigors of classical infantry maneuvers. Participants raced in 50 pounds of bulky equipment including heavy bronze helmet, breastplate, greaves, and a wooden shield (although the exact details are lost in the mists of history). The runners had to carry all of this kit and execute fast turns in blazing 90 degree heat. It was thought that a light swift runner capable of winning the stadion and the diaulos could not also win the grueling hoplitodromos—but it turned out that conventional wisdom was wrong. Leonidas won the laurel in all three events in all four Olympics he ran in. His record of 12 individual victories—laurels in three distinct events over 16 years–has stood the test of time well. It endured 2168 years until Michael Phelps surpassed it yesterday (August 11th 2016) in the pool. But who can say what deeds of athletic prowess might have supplanted Leonidas’ accomplishment during the dark ages when the Olympics lay dormant? If only Theodosius and grim-mouthed Christians had not ruined the fun for everyone for 1500 years, some Lithuanian lancer or Burgundian coustillier or Scottish yeoman could have won 12 gold medals at jousting or barrel dancing or monk-hurling lo
One of the defining characteristics of warriors in this age of the world is their camouflage garb. The brave men and women of the Army, Marines, and even the Air Force all have combat fatigues which make use of broken stippled patterns of drab colors meant to conceal them from the eyes of enemy combatants…but what about the Navy? Sailors tend to be mercilessly prone to being spotted—since they are generally located on huge floating metal arrays belching out smoke above the flat blue seas. Ferrebeekeeper has written about attempts to camouflage ships, but what about the men aboard these vessels?
Perhaps the absence of camouflage—as much a part of a soldier’s identity as a sword was in the past–is why the US Navy decided to try blue digital camouflage work clothes (aka aquaflage). However that experiment is now coming to an end. The navy is discontinuing the production of the chunky blue-black-gray suits as of October 1st (although the final phase-out of service will be three years from now).
There were a lot of problems with these suits. The tunics and trousers feature a pattern which resembled a ghastly mélange of bluefish chunks and hematite. And the purpose was unclear too. Was this for sailors who were trying to hide in the ocean itself…or in a bad nineties music video?
The outcry against the uniforms was not solely aesthetic. Apparently these awful things were hot and were prone to melting and catching on fire (although I guess those are aesthetic concerns too—who wants to be seen wearing melted sardines and asphalt or running around in a flaming sailor suit?)
The uniforms came into service in the not-very-great year of 2008. Maybe they were part of the same sort of wooly thinking which caused the great recession or, more-likely, the result of an unsavory deal between a vendor and a politician in charge of appropriations. The suits which are formally known as “Navy Working Uniform Type I” will be replaced by green camo known as “Navy Working Uniform Type III” (apparently Type II uniforms were a sort of invisible khaki color). This will solve the sailors’ fashion woes, but now everybody is going to think that they are army guys. Maybe the Navy needs to give up on camouflaged sailors and return to some stylish 18th century horizontal stripes!
If they want to be inconspicuous, they can just stop playing bagpipes….
Last week I blogged about flatfish. These fascinating benthic predators can be found in oceans worldwide…however my interest in the asymmetric masters of blending in transcends pure ichthyology. I have been busy drawing a series of intricate pen and ink drawings of flatfish for a project. I will show you some of these large drawings one of these days, but I have also been drawing a series of small humorous and surreal flatfish in spare moments…during the commute or lunch break. I am putting these whimsical, comical, and absurd flounders in brightly colored frames for fun.
Here is some of the series:
This flounder seems to have an industrial refinery in Kazakhstan on his belly. In accordance with his landlocked status, strange mythical beasts of Central Asia gambol in the twilight skies around him.
This flounder has Greco-Roman objects around him. The chameleon above his back reminds the viewer of the true nature of flatfish. The strange quadripeds on his back betoken a different age of agrarian labor.
This flounder is at home in the ocean (where he is joined by apparitions and animals which look curiously like molecules or primordial forces. Indeed, Gauss’ Law for electrical fields reminds us of the subtle but ineluctable flux which pervades interactions at all levels.
I have been trying to garner greater commercial interest in flatfish-themed art, and what is of greater commercial interest (and general prurient interest) than pop-superstar Miley Cyrus? The famous singer coos atop a stolid turbot in the midst of an exotic and sensuous garden. A musically literate person can play the musical phrase above the singer for a true multimedia experience. Miley’s cowgirl footwear hint at the true nature of this artwork.
Trailing streamers of ragged blue plasma, a wild eyed flatfish covered in squirming parasites rides a beam of yellow energy over an elongated pink woodchuck ghost. What could be more straightforward?
A radiant orange flounder with the sun in his belly soars above some sort of pumping station or acetylene factory. In the sky above him, an overly eager gundam has fired an air-to-air missile at an endangered crane. Oh no! What will happen next?
A long faced flounder made of stitched together toruses looks down upon a futuristic city of arcologies and bioengineered structures.
Mechanical innovation and the aristocratic southern lifestyle begin to seem increasingly at odds. Predatory animals stock the riverine boundaries. A flying machine whirrs through the heavens.
The flounder at the top of the post–which features fanciful animals gathering around an elegant flounder with a brittle star on its belly is my personal favorite since I drew it with a dip pen–a style of drawing which generally results in the total destruction of the piece with the final stroke of the pen (as a huge blot of ink falls out), however in this rare case that did not happen so you can see some of the linear elegance of the medium. All of these flatfish are created with ink and (generally) colored pencil, by yours truly Wayne Ferrebee in this year 2016 AD. I’ll put up the second batch next week. Thanks for looking and kindly leave any comments!