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My roommate Rennie is also a flower gardening enthusiast, but what he likes is morning glories. To make this work in Brooklyn, where space is limited, he gardens in the front yard (where there is lots of light and lots of things to climb on) and I plant my shade garden in the tree-filled back yard (admittedly, I plant a few morning glories to climb up onto the broken down structure behind the Haitian Church behind us).

Anyway, last year, Rennie ran around collecting all of the seeds from the morning glories he raised in the front yard (Grandpa Ott, chocolate cocoa, & flying saucers) and the ones I raised in the back (crimson rambler, Carnevale di Venezia, and Harlequin). He planted them all in big plastic planters and throughout the long hot summer of drought he has lugged out bucket after bucket of dehumidifier water straight from the dank basement for the thirst tropical flowers.

Unfortunately these pictures do not do them justice–the pure glowing colors are almost psychedelic–but even through the lens of my cellphone the beauty is still evident. His morning glory garden is such a triumph and it has been giving me a few seconds of unbridled joy each morning as I run past trying to get to my morning subway (mornings are not my best time–but the flowers help a bit).

I even unexpectedly captured a special visitor. Perhaps you remember this post from the depths of 2020 about rescuing a little carpenter bee which keeled over from exertion. Well, I noticed that a carpenter bee was rooting around in one of the cocoa-colored trumpets and took a close-up picture before rushing off to work. The picture came out far better than I would have expected (who knew my cheap phone had such a good macro function?). Admittedly, I only captured the carpenter bee’s behind (beehind?) but the lens picked out all of the individual grains of pollen caught up on the bee’s fur. Additionally, you can see the glistening luster of the cells which make up the flower.

September may be the second best garden month in Brooklyn: I will see if I can get some more pictures from the back yard and from the front one, before the magic fades. In the mean time, I will just assume that this bee is a direct descendant of that earlier one, just like these vines are all children of last year’s flowers. Also, thanks Rennie!

A fortnight ago, Ferrebeekeeper put up a review of “Requiem for a Good Machine” a science-fiction novel by friend and collaborator, Daniel Claymore. The book describes a future police officer’s attempts to solve a chain of murders (and related crimes) in Mirabilis, an ideal city built by robots to serve as a habitat for the faltering biological humans of the post-singularity age.

As of today, Claymore’s work is now on sale and you can get an e-copy (or better yet, a real copy!) of his book by going to any purveyor of fine literature. Different parts of stories stick with different people, and ever since reading Claymore’s novel, I have been thinking about the gleaming city at the heart of his work. Paradoxically, thinking about this future city is causing us to go backwards in time for the subject of this post.

Back in 2015, I built/drew the Apollo and Marsyas miniature theater, a theater for 1:18 figures (mainly the Kenner Star Wars figures…but it turns out there are lots of other little actors at this scale jockeying for position on stage too). Anyway, the fun of that project was drawing some strange background scenes (like a medieval castle, a pleasure garden, Timbuktu, a spooky cemetery, Hell, etc.). One of the backdrops I drew was a glowing city of the future filled with robots, meta-humans, droids, and transgenic chimera animals. Here it is:

Future Megalopolis (Wayne Ferrebee, 2015) ink and colored pencil on paper

My recollection of this work is that I enjoyed drawing all of the future beings (look at that quantum computer clock guy (or thing?) at the left side beneath the pink organ wall…or the purple owl woman standing above the metal dog-robot at right!) but then I got lost coloring in the asphalt and threw the whole thing aside in disgust. Looking at it afresh, however, it is better than I remember. You are getting an impossible peek into the world of the far future thanks to the one power capable of opening such a window–the imagination!

Yet, although the imagination is capable of peering through deep time, it is also fallible (just look at all of that confusing, hard-to-color future asphalt!). I was hoping to portray a city made of cities–where super-arcologies stand next to each other, rank upon rank, stretching to the horizon. I wanted an effect which was akin to the troubling urban art of George Grosz–with all of the maddened machine-people and transgenic organisms spilling out of the architecture like confetti and tainted candy pouring out of a psychedelic piñata.

The fun of painting like Grosz is creating a river of chaotic heterogeneous lunatics! But the peril of creating such an artwork is getting lost in a world of visual clutter (which is a less-flattering way of describing a river of chaotic heterogeneous lunatics). With this work I certainly experienced the fun…but I also fell prey to the peril. Even so, this glowing drawing captures some of the effect of looking into a bewilderingly complicated social ecosystem.

The dancing, crawling, and flying robots running from dome to dome in a world of strange machines may not be exactly what the future holds…but they inspire us to think about where we are going (and we need to think about that a lot harder). Maybe I need to get my fluorescent ink back out and paint some more fantastical cities glowing in the purple twilight of ages we will never get to see.

This beautiful earthenware ossuary is a Sogdian piece from the 7th century AD.  It was unearthed from the ruins of ancient Samarkand (in what is today Uzbekistan) and reflects the Zoroastrian faith of the Sogdian traders who flourished along the Silk Road in that era.

Zoroastrians believe that both fire and the earth are sacred, and thus human remains can be neither interred nor cremated.  Instead, corpses are laid out in “houses of silence” open to the heavens above, or otherwise exposed to the hungry creatures of the wasteland.   Once the vultures, jackals, maggots, and other scavengers had finished their repast, the bones were gathered up and placed into an ossuary like this one.

The figures on the front of the box (see detail immediately above) are Mazdaean priests dressed in flowing white robes as they tend the sacred flame burning upon the stepped altar.  The mouths of the priests are covered with “padam”–facemasks which prevent their breath from polluting the sacred flame.  Upon the pyramid-shaped lid are female dancers, each of whom holds plants and strange dance implements.

At the apex of the ossuary is a radiant circle and a crescent–the sun and the moon. Like the dancers, the fire, and the priests, they seem also to be turning into flowers, foliage, and herbs. The whole ossuary is colorless, dry, lifeless, and fire-themed–yet its secret meaning seems to be about greenery, wild dance, and the flowing sensuous lines of life!

Ferrebeekeeper has been over-reliant on garden posts lately. Yet the last days of spring/first days of summer are such a beautiful time, that I thought I would put up some more pictures anyway. Most years I select tulips to bloom at the same time as the cherry tree, but, last autumn I apparently picked out whatever took my fancy and paid no attention to the timeline. As a result there were lots of frilly, fringed, or otherwise baroque tulips blooming in late May!

As the tulips faded, the roses, impatiens, and torenias started to bloom. The rose pictured below has the splendid name “Cherry Frost” which sounds like a sinister James Bond girl or a punk band or something. Because it was transgenically tinkered with, the little rose is surprisingly resistant to blackspot and molds. Additionally, it does well in low light and cold (at least so far). This rose was blooming back in February…but I did not post the pictures because the blossoms were not nearly as beautiful (and the rest of the garden was fallow).

Speaking of lying fallow, I recognize that I did not post a great deal for the last few weeks, and I apologize.  Sometimes it is necessary to take a little break to think of new ways to express oneself.  This in no way indicates that I have lost my enthusiasm for writing about art and science or opining about the affairs of the world!  It does however mean that I have been working on some new artistic themes (maybe the poor misunderstood flounders need to lie fallow for a little while too).  In the meantime, I have been sitting in the garden working on new ideas…and how to explain/popularize them.

We will explore this more in soon-to-follow posts, but for right now, I hope you are enjoying June too (and maybe have some lovely flowers of your own). Don’t give up on coming here for posts (nor on anything else for that matter).  Sometimes things take their own time to germinate (just like this year’s late tulips).

Every year Ferrebeekeeper features posts about the voluminous cherry blossoms from the splendid Kwanzan cherry tree which grows in the back garden. For a week or two the garden becomes an unearthly place of lambent beauty which resembles the western paradise of Amitabha Buddha. But what about the week after?

Well, the answer is all too clear from these photos. The blossoms fall. In the week after they bloom there is a crazy shag carpet of princess pink all across the garden and in the neighbor’s lawn. Also this carpet is far stickier and wetter than it looks. After I took these pictures, I went inside to get something and then came downstairs to see that great pathways of pink blossoms were cast upon the hardwood floors and carpets. The first stunned thought I had was that someone had let a Roman emperor (and his blossom-throwing votaries) into the house. Only after a moment did it occur to me that the distinctly-non-imperial petal-treader was actually this author (and then I went for the even-more-non-imperial dustpan).

Despite the fact that it is composed of hundreds of thousands of tiny moist decals waiting to adhere to everything, the blossom carpet has its own sort of beauty. The real letdown comes in the days afterwards–when it all turns to taupe goo. Fortunately we should have some May flowers by then to distract our attention to elsewhere in the garden! Maybe the Brooklyn weather will finally become May-like as well. In the meantime I will continue to pretend I am in the court of Elagabalus (a fiction which grows easier by the minute as our republic descends into political incoherence) and hope that my roommates are not too incensed by the petals which the dustpan missed.

he Roses of Heliogabalus (Lawrence Alma-Tadema, 1888), oil on canvas

Every year when the cherry blossoms bloom, I like to draw and paint pictures of the garden. Although I am never satisfied with the pictures when I am working on them (since they only capture the tiniest fraction of the garden’s beauty), I am often pleased later in the year. It is almost like canning fruit: fresh fruit is obviously much better, but at least you have a little preserved portion of the heavenly taste later on. Additionally, painting the same subject year after year also provides a sort of benchmark to assess the media and techniques I am using. At any rate here are two of the pictures I painted. Above is a full watercolor sketch of the yard and below is a little drawing in pink, gray, and black ink which I made in my pocket sketchbook. Let me know what you think!

Hi everyone! Happy Earth Day! For now, I will spare you from the posts about the state of our planetary ecosystem and its fraught relationship with the intelligent invasive primate causing so much trouble everywhere (although you can read some past thoughts about that here), and instead show some garden photos. The gorgeous Kwanzan tree which lives in my backyard in Brooklyn is abloom and I have been sitting beneath the tree enjoying fleeting feelings of ineffable beauty instead of writing blog posts. We will return in full force at some pint next week. In the meantime I have tried to capture some of the garden beauty in the pictures below.

The cherry tree is starting to get older and most of the eye-level branches have died out, but there are still gorgeous blossoms higher up where the limbs get sun! More about the tree next week, when I hopefully have some artworks finished…

Some people regard pansies and violas as sort of tawdry flowers, but I think they are as beautiful as the most exotic Miltonia in terms of sheer prettiness. If they were more rare we would probably think they are the most gorgeous blossoms in the garden. But they are not rare…because they are super tough! I planted the little black violas back in October and they shrugged off the full force of winter’s blast with shocking indifference.

Another favorite plant which is blooming right now is the bleeding heart. I planted a white one too, but it is presently only 5 centimeters high, so you may have to wait to see its blossoms.

It looks like the tulips will bloom later, but some species tulips and volunteers have come up. Below are more pictures of tulips and Johnny-jump-ups.

There is an ornamental crabapple in the back of the garden which is as lovely as the cherry (in some respects). Unfortunately it is less photogenic, but you can see some of the pretty magenta blooms above the hellebore and the single lonely muscari.

And here is a picture of the gardener, looking peeved that everything did not bloom at once (he never seems perfectly happy, no matter how wonderfully the flowers perform). In the near future, we will return to traditional Earth Day themes of the proper path humankind must chart in order not destroy the living systems of Earth (we all need to think a lot more about that and push back against powerful interests which assert that it is not a thing to be thought about). The garden is a way to start thinking about such things (for it is a problematic artificial ecosystem), but for the moment, let’s just enjoy the blossoms.

The spring garden is right on the verge of bursting into an astonishing riot of cherry blossoms, dogwood flowers, tulips, and azaleas. I can see the buds thickening and getting ready to burst into floral splendor!

However, before we get to that stage, let’s enjoy the first flowers of spring, the hellebores and jonquils/daffodils.

I planted 3 hellebores, (AKA lenten roses) the first autumn I moved to my current location, and they have putting down roots for more than ten years. It will surprise nobody that I bought the cheapest possible hellebores–a mysterious “grab bag” selection of whatever was left over at the seed company, and so it has been exciting to find out what color they are! One plant with lovely natural pink single blossoms (top) has grown into a superb specimen plant (it has flowered before and I have written about it in the past). The second plant (which is seen in the next two photos) is finally starting to bloom. It turns out that is has incredible double flowers which are a lovely caput mortuum purple color. Hellebores have beautiful subtle colors of pink, purple, cream, brown, and green in matte tones. Somehow they simultaneously look like the brown fallen leaves of the forest floor yet also like beautiful haunted wildflowers. The two I have make me think of an emperor’s blood when seen in the twilight or an underworld wedding or something. The third hellebore has still not bloomed…but is still alive so perhaps it is another exquisite earthen hue…only time will tell. Oh and also it seems like there are some hellebore seedlings soming along. I wonder about them too.

In addition to the hellebores, a jonquil/daffodil of subtle primrose yellow popped up this year. This was a real surprise since I planted such flowers five years ago and then gave up on them when nothing appeared. I wonder if there will be more next year. These flowers are a reminder of why gardening is so frustrating (because it requires ridiculous patience), but they are also a reminder of what makes gardening such a thrill (patience actually can be rewarded in the most beautiful ways). I wonder if there were other things I did ten years ago which will unexpectedly pay off or if some lovely disturbing poison flowers are all I can hope for.

Winter always stays a bit too long, and, after the blustery snow storms of March, you can always find me out in the garden frowning at the mud and waiting the first living things to pop up out of the thawing earth. Usually the hellebores bloom first followed by the crocuses, and then the whole symphony of blooms truly begins in earnest. This year, however, featured an unexpected player sounding the first note of the overture. After a light snow, I went out into the garden and found that the dark, cold earth was packed with pretty little mushrooms strewn across a portion of the garden about the size of a queen sized mattress. The mushrooms ranged in size from pencil eraser to a quarter-dollar-piece and were a lovely shade of burnt sienna.

Mushrooms are really the fruiting bodies of much larger underground organisms which are composed of delicate networks of threadlike hyphae. These elaborate filament networks are mutualistic with the roots & bacteria which make up the mysterious subterranean ecosystem. I would tell you more about this, but I don’t know more. Mushrooms are a truly mysterious hidden kingdom of life to me. I know some strange factoids about their cellular structure: primitive fungal cells are motile (!) whereas higher fungi have cellular septae, which allow organelles to be shared by many cells! I know the largest living organism known is a fungus. And of course everyone knows about the aesthetic (and chemical) range of mushrooms which come in all sorts of shapes and sizes (and can be poisonous, medicinal, nutritious, or horrid, depending on mushroom type).

These mushrooms were quite pretty (in an earthy way) however my camera was not very good at differentiating them from the bark and leaf litter. In real life, they did stand out to the human eye, which raises yet more questions about their nature and composition. I am glad they are there, waiting underground and I will think about them as a larger part of the true garden (along with strange wasps, brown creepers, pseudoscorpions and tiny fluorescent dayflowers). If anyone knows any actual facts about these little fungi, kindly let me know. We will commence the regularly scheduled floral part of the spring symphony in the immediate future!

This is the season where winter has outstayed its welcome but spring has only made the most halting and rudimentary progress (although there is progress–more on that next week). In order to fulfill the pent-up need for garden beauty, here is a still life painting by one of the greatest Dutch masters of the golden era. This is Still Life with Rose Branch, Beetle and Bee which was painted in 1741 (the work can today be found in the Kunstmuseum Basel). I wrote about Ruysch’s remarkable career in an earlier post, but her exquisite work demands further attention. Although she is famous among painters for her flower painting, within medical/bioscience circles she is known for the work she made in collaboration with her father, the great anatomist. Those works are…uh…found object installation art (?) made of exquisitely arranged and preserved human body parts (particularly stillborn infants). They are too disquieting and extreme (and probably poisonous) for contemporary art tastes, but believe me they are among the most remarkable works in the whole pantheon.

Still Life with Rose Branch, Beetle and Bee (Rachel Ruysch, 1741)

But let’s talk about this wonderful rose painting! Although the composition is small and modest (for a floral still life), it is also extremely beautiful and showcases the strengths which made Ruysch one of the greatest flower painters in art history. For one thing, the characteristic black background of golden age Dutch flower paintings is gone and has been replaced by a neutral parapet against a neutral wall bathed in sunlight. The glass vase–which typically forms the compositional foundation of still life paintings–is likewise gone! Instead we have a great translucent pink rose surrounded by supporting flowers cut and cast straight onto the platform. A stag beetle leers up in dismay at the fulsome disaster (looking quite a lot like a Dutch burgher throwing up his hands at the scene of a shipwreck). The high baroque drama of radiant glowing colors against darkest black has been replaced with greater realism which invites us to contemplate the radical difference of the textures of petals, leaves, and thorns. The viewer can almost feel the prickle of that rose stem. The fading light and the bee burrowing into the cut flower for a last sip of nectar remind us of the transience of the things of this world.

Ruysch’s artwork, however, is not transient–it stands the test of time (and is so well painted that every thorn, stamen, and antennae endures). Ruysch herself was more immune to time than most artists and she continued painting (as well as ever) into her eighties.

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