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I am still working away at my flatfish project.  Here are four recent drawings/mixed media works which I made.  The flounder above is a cosmic flounder and represents humankind’s aspirations for the stars.  The mathematicians and engineers (here represented as ancient Egyptians) do their best with the tools and calculations they have available, but the universe is so vast.  The flounder represents all Earth life waiting to be lifted to the heavens.  As they struggle, insouciant aliens fly by waving.  The combination of ancient and modern elements make one think of the biblical ark (which is represented in the next picture. The flounder is, of course, a watery beast and is unmoved by divine wrath, although it does look a bit appalled at the inundation.

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Next is a picture of a crude and vigorous flatfish made out of thick lines.  The fish swims by a Viking long hall as seabirds wheel about in the sky, but thanks to some trick of the world (or perhaps the artist’s whimsy) a coati is raiding the pumpkins and fruiting vines. Is this scene unfolding in the old world or the new?

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Finally, there is a scene of a medieval styleeremitic  brother who has forgotten his scriptures and is now contemplating the life-giving sun.   A saintly duck and a far-flying swallow look kindly on his devotions, but the monk’s cat seems unmoved by his devotion.  Crystals hint that religious fervor is becoming convoluted by the vagaries and appetites of the modern world, which can be witnessed all around the verdant turbot.  Yet the fish and its inhabitants maintain a solemn and studious otherworldliness.  Whatever this mysterious devotion is, it is represented in each of these 4 fish, but the viewer will have to devote some time and thought of their own in order to elucidate the subject of this devout zeal. 

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Regular visitors know that my alter-ego/spirit animal is the flounder (or, at any rate, the flatfish is definitely the leitmotif of this period of my ecology/history themed art).  During lunchbreak or on the train I work on little “lesser” flounder drawings.  In the near future I plan to put them all on a little internet store…along with some of the prints of the intricate flounder I have been drawing.  Also there will be an interactive online flounder…it will all be the glorious artistic unveiling I have been hinting at for a while.  You are going to love it!…erm…hopefully. In the mean time though, here are three of the most recent small flounder drawings I do during my busy Midtown days to keep from going crazy.  The one at the top is some sort or oracle emerging from the underworld depths of the flounder itself.  I don’t know what secrets this augur has…or even what gender they are, but they have brought unfathomable mysteries to light from the cave depths. A vile chef-beast lurks to the right roaring of appetites which can never be sated, while, at left a young mother nurses an infant: the next generation arises to take a place within the great weal, yet always there is appetite.

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Speaking of which, this second flounder is meant to evoke the ifrits which always pop out of of ancient middle eastern oil lamps. A mysterious world of gauzy spirits, mystery beasts, and apparitions swirl around the lit lamp, but whether any of these blue spirits offer helpful advice or magical munificence is unclear.

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Finally, I made a flounder which represents the bloodstream (my very first readers will recall that I had a childhood epiphany about the nature of living things based on blood).  The cells stream forth to build the organism and carry out needed maintenance, but strange viruses swirl within the plasma.  most ominously a parasitic tapeworm stares in hunger at the feast of little lives.  It is unclear whether the aristocratic woman is a parasite or whether she is the host.  This is a whole little ecosystem with the long-suffering flounder in the middle.

I will add all of these flounder to my Instagram feed (which you should follow), but you can see them here first, and read the perplexing explanations I have offered.

igardenflounderHere are two more little flounder doodles which I make during the spare moments of the day.  The one at the top is a garden flounder which makes me think of spring…but with some sort of automated gardening machine that looks like a bug sitting atop of it.  Below is a post-apocalyptic fluke in the middle of the desert badlands of the grim future.  I have no idea what it means.  Maybe these have something to do with that perplexing German flounder fable about what we really want.

iodine flounder

Haywain

It has been a while since I posted any of my flounder drawings on this blog, but don’t worry, ever since my art show back in August I have been working as harder than ever at drawing and sculpting allegorical flatfish.  Indeed, I am working on a new show with some spectacular projects…but more about that later.  For right now here are two small fish drawings.  The first, above, is titled “Haywain Flatfish” and is meant to evoke the splendor of harvest season.  A bewhiskered yokel carries off a sack of millet as the pumpkins ripen in the golden fields.  An industrious beaver has been similarly productive and sits beaming beside his perfectly constructed dam.  Although the scene conveys bucolic tranquility, the hollow black eyes of the fulsome flounder (and the circling vulture) speak of the coming austerity and darkness of winter.

Alienheartsole

This second image “AlienHeartSole” shows a flounder/sole with what looks like a big-hearted alien tentacle monster flying upon it in a personalized saucer.  Although the alien seems benign, the imbecilic sphinx with a javelin, the bomb, and the tattered angel throwing a dart all suggest that this is an amoral and perplexing galaxy.  Only the laid-back rooster offers a modicum of sanguine confidence…and it is unclear whether the gormless bird understands what is going on.  If you enjoy these little tragi-comic images, you should follow me on Instagram (where Ferrebeekeeper goes by the sobriquet “GreatFlounder”).  There you will find a great trove of colorful and enigmatic flatfish art.  As part of the project which I mentioned above, I am trying to bring my various digital /web content into a more tightly networked gestalt, so I would be super appreciative for any Instagram follows!

 

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Thanks so much for your patience while I was working on my art show last week! My first New York solo show was a rousing success (even if it only lasted for a single night). Numerous friends, patrons,and even some strangers showed up to check out the 100 flounder pictures in their fancy Manhattan setting. The fish market was a success as well: far fewer flatfish are back on my walls (and if you reserved a flounder, I am holding it safe in a special secure undisclosed location so it stays fresh until you pick it up). Special thanks to all attendees and well-wishers! I only wish I had had more time to talk about art and the affairs of the world with each of you. Additionally, I really appreciate the emotional support from my readers who couldn’t make it to the Lower East Side. Particular thanks are due to my long-time supporters, Neomys Sapiens, Calender Girl, and above all Mom, who always gets pride of place in any thank you speech! Indeed, thanks to both of my parents for their inxhaustible patience and fortitude. Thanks too to Catinca Tabacaru Gallery for providing a space to grow and experiment (I promised not to use their branding on any promotional materials, but they really helped me out, and their lovely gallery deserves a visit next time you are in the City). My amazing new roommate Stephen Clarke provided this opportunity and did an astonishing job hanging 100 pictures so they look beautiful in a couple of short hours.
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Now I have to figure out how and where to throw the next show. Keep your eyes peeled for art galleries that seem to have a penchant for surrealism, historical tableau, themes of ecology and symbiosis, or fish in general. Here are some images of the show to tide us over till the next time.
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Speaking of moving forwards, I also drew a quick sketch of the solar eclipse as visible from the East River promenade at lunch hour. I didn’t have solar eclipse glasses and didn’t want to stare at the sun too much (also I had to get back to the office), but I think this quick sketch of the partial eclipse is mostly accurate. Hopefully I will have another art show before there is another solar eclipse! I hope to see you at the next shindig, and thanks again!

Partial Eclipse Flounder

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I had a spring cold yesterday and I didn’t post. I’m feeling much better, but I would still like to finish this wonton soup and go to bed…maybe we’ll talk about politics another day when I am feeling stronger. To tide you over though, here are some more little flounder drawings that I have been making. You may think that because I have not posted any lately, I have stopped floundering, but that is not true…not true at all. I have been floundering at a much greater level.0Untitled-1
So I will let you look these over and see what you think, The one at the top is a psychedelic seventies flounder with sundry luscious fruit. The second flounder is apparently a flounder stealing into the alien undersea garden of love. Is Cupid aiming love’s arrow at the poor fish or is it a fishing spear? His back is studded with radiant jewels, so perhaps he is being hunted for cupidity.
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Finally the last of these three was a Christmas present for my roommate who likes heavy metal. he asked for a black metal flounder–so I obliged him with pirate ships and demon babes and a jet black black ocean where this poor ghost flounder is free to rock out to his heart’s content. Let me know what you think and I’ll feature some more flatfish in the near future!

 

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Happy Halloween!  This year, I have been working on a new series of artworks centered on flatfish.  I suppose flatfish have supplanted toruses as the primary focus of my art. People seem to like flounder better than donuts (the asymmetric fish have more personality…or at least they have faces), however the universe is not shaped like a flatfish (according to current models), so it raises the question of what the flounder means symbolically.  Flatfish are regarded as a delicious prey animal by humans, however they are excellent predators in their own right:  they are sort of the middle-class of the oceans.   Like the middle class, the pleurectiformes are experts at blending in, and they change their color and pattern to match their circumstances.  Today’s circumstances, however, are not merely muddy sand flats—the whole world is filled with wild eclectic ambiguity which is hard for anyone to follow (much less a bottom-dwelling fish). My full flounder series thus explore the larger human and natural ecosystems of the late Holocene and early Anthropocene world.  Each one lives in a little predatory microcosm where it is hunting and hunted.

The bizarre asymmetry of the flatfish also appeals to me.  Since my artwork seemingly concerns topology, this may be significant—although a classical knot theorist would blithely observe that a flatfish is homeomorphic with a torus (assuming one regards the digestive tract as a continuous tube).  At any rate it is currently Halloween and the flounder need to blend in with the monsters, goblins, witches, and mummies of the scary season! I made three black and white pen and ink flounders to use as Halloween coloring pages. These are supposed to print out at 8.5 inches x 11 inches, but who knows how wordpress will format them for your device?  Let me know if you want me to send you a JPEG.

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The top flounder is a classical Halloween artwork of haunted houses bats, witches, pumpkins, and mummies. In the center, mortality and the devil grasp for the human soul. The mood of the second artwork  is more elusive and elegiac: dark fungi grow upon the sole as an underling hauls a dead gladiator away in the depths.  Serpent monsters fill up the sky and our lady of the flowers blesses a corpse.  The final pen and ink drawing is unfinished (so you can add your own monster) but it centers around a haunted jack-in-the-box and a ruined windmill. A bog monster, scarecrow and lady ghost haunt the doomed landscape.

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I also threw in three little colored Halloween flounder at the bottom–as a teaser for my Instagram page.  You should check it out for your daily flounder (free of commentary and text, as is increasingly the way of our digital age).  I hope you enjoy these colorful treats and have a wonderful holiday!

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Last week I blogged about flatfish.  These fascinating benthic predators can be found in oceans worldwide…however my interest in the asymmetric masters of blending in transcends pure ichthyology.  I have been busy drawing a series of intricate pen and ink drawings of flatfish for a project.  I will show you some of these large drawings one of these days, but I have also been drawing a series of small humorous and surreal flatfish in spare moments…during the commute or lunch break.  I am putting these whimsical, comical, and absurd flounders in brightly colored frames for fun.

Here is some of the series:

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This flounder seems to have an industrial refinery in Kazakhstan on his belly.  In accordance with his landlocked status, strange mythical beasts of Central Asia gambol in the twilight skies around him.

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This flounder has Greco-Roman objects around him.  The chameleon above his back reminds the viewer of the true nature of flatfish. The strange quadripeds on his back betoken a different age of agrarian labor.

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This flounder is at home in the ocean (where he is joined by apparitions and animals which look curiously like molecules or primordial forces.  Indeed, Gauss’ Law for electrical fields reminds us of the subtle but ineluctable flux which pervades interactions at all levels.

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I have been trying to garner greater commercial interest in flatfish-themed art, and what is of greater commercial interest (and general prurient interest) than pop-superstar Miley Cyrus?  The famous singer coos atop a stolid turbot in the midst of an exotic and sensuous garden.  A musically literate person can play the musical phrase above the singer for a true multimedia experience. Miley’s cowgirl footwear hint at the true nature of this artwork.

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Trailing streamers of ragged blue plasma, a wild eyed flatfish covered in squirming parasites rides a beam of yellow energy over an elongated pink woodchuck ghost.  What could be more straightforward?

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A radiant orange flounder with the sun in his belly soars above some sort of pumping station or acetylene factory. In the sky above him, an overly eager gundam has fired an air-to-air missile at an endangered crane.  Oh no! What will happen next?

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A long faced flounder made of stitched together toruses looks down upon a futuristic city of arcologies and bioengineered structures.

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Mechanical innovation and the aristocratic southern lifestyle begin to seem increasingly at odds.  Predatory animals stock the riverine boundaries. A flying machine whirrs through the heavens.

The flounder at the top of the post–which features fanciful animals gathering around an elegant flounder with a brittle star on its belly is my personal favorite since I drew it with a dip pen–a style of drawing which generally results in the total destruction of the piece with the final stroke of the pen (as a huge blot of ink falls out), however in this rare case that did not happen so you can see some of the linear elegance of the medium.  All of these flatfish are created with ink and (generally) colored pencil, by yours truly Wayne Ferrebee in this year 2016 AD.  I’ll put up the second batch next week.  Thanks for looking and kindly leave any comments!

 

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Hunter/Jumper (Wayne Ferrebee, 2016, colored pencil and ink)

I don’t know what happened but the drawings in my little book seem to have a country/horsey theme lately.  Above is an equestrian jumping over some weird antiques in the middle of a nebula.

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Provincial (Wayne Ferrebee, 2016, colored pencil and ink)

Here are some down-home characters (maybe corporate mascots?) annoying a hard-working farm woman and a quail.

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The Gate (Wayne Ferrebee, 2016, colored pencil and ink)

This is a vignette sketch of the eminent bar in Park Slope.

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Dawn Horse, Culture Vulture, Doughnut Man, & Princess (Wayne Ferrebee, 2016, Colored Pencil and ink)

I guess this is about unwholesome sugary treats maybe?  Frankly I have no idea–I am as surprised and perplexed as the vulture, however I like the expressions on the animals.  The dawn horse looks so pleased.  They usually look scared.

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Horse Treats (Wayne Ferrebee, 2016, Colored Pencil and Ink)

This horse just looks pleased to be presented with such an array of treats.  I think that gray block is a salt lick. I need to draw more horses.  They are pretty but they are not an easy subject!

furnace edifice

Furnace Edifice (Wayne Ferrebee, 2016, colored pencil and ink)

Here are two more funny drawings from my little book.  The first is a drawing from February, when I can never get warm enough.  A strange furnace edifice of ovens and stoves chugs away: its fires produce delightful heat.  Two monsters have come to bask in the warmth (maybe the anglerfish is part of the mechanism for fueling the array).  At the top an attendant pours water onto the furnaces to produce great clouds of steam.  I am not sure if this is about cleanliness or energy or entrapment…or maybe all three.

the cave beneath the icing

The Cave Beneath the Icing (Wayne Ferrebee, 2016, colored pencil and ink)

In the next picture a glistening pink temple made of melting pink icing glistens above a purple cavern.  In the depths of the cavern an addict grovels for drugs and medicine as an anglerfish lures him further down into the darkness.  A glistening glazed doughnut sits in the middle of the composition as an avatar of appetite. Is this picture about illicit drugs or about legitimate medicine or about money?  Does it matter?

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