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Every year, at or around the summer solstice, Coney Island hosts a festival honoring Poseidon and the oceans…and sea maidens of course (hence this week’s theme). This year’s Mermaid Parade is tomorrow and I have been busy building a flounder float to show my esteem for the watery realms of Planet Earth. I’m sorry I was so busy on it that I didn’t get a chance to write my sirenian post…but don’t worry we’ll get back to dugongs and sea cows soon…

But for now here is the “Great Flounder” parade float. Here are some pictures of me building the giant novelty fish.

One side features a pulchritudinous mermaid waving her tail (since the leitmotif of the parade compelled me to include the titular mythical being). The other side is functional…sort of. There is an oracular wheel with all of the signs of the zodiac. A querant can learn their heavenly destiny (or the zodiac sign of their future mate or something) by merely spinning the wheel.

I have a costume and everything and I really hope that if you are in New York City you can swing by the parade tomorrow, but for right now I have failed to rent a box truck and I need to push my creation from central Brooklyn down to the ocean. Wish me luck and may Lord Poseidon smile upon you and all your ventures.

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I was going to showcase a mermaid painting from the glorious 19th century–a golden age of exquisite oil painting (when the technique of the masters combined with stupendous wealth and the camera made visual refernces available for the first time without yet stealing the show), but then I looked up at the wall and noticed I have my own mermaid painting–it just isn’t finished yet.  So I am afraid the 19th century masters will have to rest on their laurels until another day…and I am also afraid you will have to use your imagination to fill in some of the unfinished details of this work in progress.  This is one of the last of my torus-themed paintings, and you can see the great flounder lurking beneath it, preparing to take over as the central leitmotif of this era of my art.   The torus is made of a coil of strange purple cells (or rope) which is surmounted by an alien lotus blossom.  On the left a classic mermaid sings meltingly of the splendor of the seas, while on the right a trio of sinister dark carnival “mermaids” race towards the enigmatic central shape.  All around them the ocean blooms with life–mollusks and crabs desport themselves as a made-up roosterfish swims by and a moray looks on in wonder. Yet humankind is also present.  The lost lure with its beguilement and hooks hints at our trickery, although a masked diver suggests we are not inured to the lure of the dep in our own right.  Tune in later to see how it looks when it is done!

Space Flounder.jpg

I am still working away at my flatfish project.  Here are four recent drawings/mixed media works which I made.  The flounder above is a cosmic flounder and represents humankind’s aspirations for the stars.  The mathematicians and engineers (here represented as ancient Egyptians) do their best with the tools and calculations they have available, but the universe is so vast.  The flounder represents all Earth life waiting to be lifted to the heavens.  As they struggle, insouciant aliens fly by waving.  The combination of ancient and modern elements make one think of the biblical ark (which is represented in the next picture. The flounder is, of course, a watery beast and is unmoved by divine wrath, although it does look a bit appalled at the inundation.

ark

Next is a picture of a crude and vigorous flatfish made out of thick lines.  The fish swims by a Viking long hall as seabirds wheel about in the sky, but thanks to some trick of the world (or perhaps the artist’s whimsy) a coati is raiding the pumpkins and fruiting vines. Is this scene unfolding in the old world or the new?

coati

Finally, there is a scene of a medieval styleeremitic  brother who has forgotten his scriptures and is now contemplating the life-giving sun.   A saintly duck and a far-flying swallow look kindly on his devotions, but the monk’s cat seems unmoved by his devotion.  Crystals hint that religious fervor is becoming convoluted by the vagaries and appetites of the modern world, which can be witnessed all around the verdant turbot.  Yet the fish and its inhabitants maintain a solemn and studious otherworldliness.  Whatever this mysterious devotion is, it is represented in each of these 4 fish, but the viewer will have to devote some time and thought of their own in order to elucidate the subject of this devout zeal. 

monastic

Cellular Floundpper

Days in May pass so quickly (well maybe not the part in the office…but the part when I got home and was supposed to write my blog).  Instead of writing an essay I am going to put up one of my flounder pictures for you.  This one is a cellular flounder–a reminder that whenever we look at a living thing it is made up of much smaller individual living things.  It is a truth which is hiding in plain sight (like the flounder) but it is continuously astonishing to me.  This amoeba flounder reminds to think on the microscopic level too, as we contemplate the world.

Cave Flounder.jpg

Regular visitors know that my alter-ego/spirit animal is the flounder (or, at any rate, the flatfish is definitely the leitmotif of this period of my ecology/history themed art).  During lunchbreak or on the train I work on little “lesser” flounder drawings.  In the near future I plan to put them all on a little internet store…along with some of the prints of the intricate flounder I have been drawing.  Also there will be an interactive online flounder…it will all be the glorious artistic unveiling I have been hinting at for a while.  You are going to love it!…erm…hopefully. In the mean time though, here are three of the most recent small flounder drawings I do during my busy Midtown days to keep from going crazy.  The one at the top is some sort or oracle emerging from the underworld depths of the flounder itself.  I don’t know what secrets this augur has…or even what gender they are, but they have brought unfathomable mysteries to light from the cave depths. A vile chef-beast lurks to the right roaring of appetites which can never be sated, while, at left a young mother nurses an infant: the next generation arises to take a place within the great weal, yet always there is appetite.

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Speaking of which, this second flounder is meant to evoke the ifrits which always pop out of of ancient middle eastern oil lamps. A mysterious world of gauzy spirits, mystery beasts, and apparitions swirl around the lit lamp, but whether any of these blue spirits offer helpful advice or magical munificence is unclear.

Cell Flounder.jpg

Finally, I made a flounder which represents the bloodstream (my very first readers will recall that I had a childhood epiphany about the nature of living things based on blood).  The cells stream forth to build the organism and carry out needed maintenance, but strange viruses swirl within the plasma.  most ominously a parasitic tapeworm stares in hunger at the feast of little lives.  It is unclear whether the aristocratic woman is a parasite or whether she is the host.  This is a whole little ecosystem with the long-suffering flounder in the middle.

I will add all of these flounder to my Instagram feed (which you should follow), but you can see them here first, and read the perplexing explanations I have offered.

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This past Friday/Saturday was the annual Pratt Drawathon, a 12 hour event which is one of the highlights of the New York City art year. I should clarify:  the event is not a highlight of the New York art world year. The drawathon is not a place where elite moguls drink wine from airport cups and buy multi-million dollar status-items to embellish their hegemony.  The drawathon is, instead, a draftsperson’s event where Pratt students and other people who love to draw get together and draw all night. Mostly the artists are young fashionable 18-20 year olds with fluorescent hair and strange stylish raiment who struggle away at capturing the likeness of the models within the media rubric of whatever undergraduate project they are currently working on.  Yet the greater New York art ecosystem knows about it too; so you also find peculiar outsiders dressed like janitors who draw like Raphael.

This year, I worked for 9 hours at my spreadsheet-themed dayjob and showed up to squeeze in among the miscellaneous artists and do some pencil sketches to stay limber as an artist (it is also nice to draw naked people sometimes instead of allegorical flatfish).  After midnight the event also features pizza, caffeinated beverages, and live drummers to keep everyone’s energy up. But alas, this year my energy was flagging and my back was sore as I squirmed on the drafting stool. I was feeling sorry for working all day and drawing all night. That’s when I a model I hadn’t seen before came in and gave me a new jolt of energy…not because they were a 19 year old beauty unstained by time’s cruel tutelage (although such models indeed participate in the drawathon), but for the opposite reason.   A man older than John McCain came in and then held stock-still for heroic long poses.  Holding perfectly still sounds easy in theory, but as anyone who has been to Methodist church can tell you, it is exceedingly difficult in practice. Yet the heroic model easily stood like a statue in the airless room.  At one point the man jumped up on a teetering bar stool and stood with his feet close together balanced and motionless for twenty minutes as the assembly gasped and begged him to be careful and not to fall and break something.  “You better draw fast then!” is all he said.

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Not only was this strange muse indefatigable and brave, he was also generous.  After the pizzas arrive the event loses its coherence until about one o’clock when the proctors dragoon it back into shape.  There are always some artists who wolf down their pizza and wait impatiently for things to get started.  The model (who was named Mike) came in and said, I’ll pose until things get started again, if anyone wants to draw.”

One has to be impressed by the fortitude and bravery of anyone who can pose nude in front of strangers at all (I am not sure I could).  To jump into such a career later in life is to truly overcome the prejudices of society and the indignant dictates of the aching spine. Mike seemed like he was having a great time.  He was friends with the models and the artists. Even more, he was a friend to art (though I am, naturally dissatisfied by my drawings…speaking of which,  I am sorry I cut off his feet on this last image–my scanner is only letter-sized).

So am I saying that my hero is a weird naked old man? I guess I am. The combination of strength, fortitude, generosity, and bravery are hard to gainsay.

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I am sorry that these pictures don’t do him justice, but my back was tired from sitting in a comfy office chair all day.   It’s a reminder that life is short, but opportunities are more diverse than you think.  And it is a reminder to get to work! If Mike can pose 12 hours straight, from dusk till dawn, all of us can get out of your comfortable ruts and accomplish anything.

Question Flounder

I have been working on a personal animation project (more news to follow) which involves the mysterious color-changing master of the muddy ocean bottom–the flounder.  Regular readers will know that the pleuronectiformes have been my leitmotif for the last couple of years, and sadly, the whole order is woefully under-represented in cartoons: the only flounder anyone knows is Ariel’s annoying sidekick “Flounder” and he was a sergeant-major fish (Abudefduf saxatilis). What a bait-and-switch!

Unfortunately this test gif isn’t quite what I was aiming for.  Animation turns out to be ridiculously hard: how on earth did anyone ever make “Snow White” or “Spirited Away”?  Yet despite the deficiencies,  I think the work conveys some of the great flatfish’s unfathomable grasp of the secrets of the deep.  Kindly let me know what you think.  I desperately need everyone’s help on this project.

igardenflounderHere are two more little flounder doodles which I make during the spare moments of the day.  The one at the top is a garden flounder which makes me think of spring…but with some sort of automated gardening machine that looks like a bug sitting atop of it.  Below is a post-apocalyptic fluke in the middle of the desert badlands of the grim future.  I have no idea what it means.  Maybe these have something to do with that perplexing German flounder fable about what we really want.

iodine flounder

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Okay!  I haven’t been writing about turkeys as much as I should and Thanksgiving is on THURSDAY!  Where did the year go?  Fortunately, I still have some pictures left over from my trip home to my parents’ farm back in September. I have written about the geese and the renegade bourbon turkeys of the past, but this year my parents were passing by the grain store and there were poults for sale.  So now there is a whole new crop of turkeys running around again (which is good because they are my favorite barnyard creatures). Here  are some turkey photos and I show up in them too (both because of the shameful personal vanity which characterizes this era and because the lens on the front of my camera is cracked after an incident with some buttery fingers and an online fruit pie recipe).

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If you are curious what breed of turkeys these guys are, they are putatively broad-breasted bronze, but they don’t really look like the broad breasted bronze turkeys of my youth.  They are all lanky and tall!  These turkeys are pretty endearing and always come over to quizzically see what people are up to, but don’t be fooled–they are not completely domesticated and they are always getting in trouble.  Lately they have taken to escaping the poultry yard by walking way back into the woods where there is no fence and then coming back around the outside of the fence so they can stand in the road.  It isn’t a completely stupid strategy since there are all sorts of fat grasshoppers and suchlike tasty bus by the road, but people drive fast and carelessly and it takes a big bird some time to get off the ground.

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I don’t think my parents have any plans to eat these noble fowl as part of annual giving-of-thanks ritual sacrifice.  These are lucky ornamental (or pet?) turkeys, but they are flagrantly transgressing against America’s love affair with motor carriages, open roadways, and unsafe speeds. So maybe the turkeys are walking up the great pyramid towards sacrifice even if they are spared from the platter.  Hopefully they can learn road safety before it is too late, because I really like them.  Look at those droll facial expressions!

Haywain

It has been a while since I posted any of my flounder drawings on this blog, but don’t worry, ever since my art show back in August I have been working as harder than ever at drawing and sculpting allegorical flatfish.  Indeed, I am working on a new show with some spectacular projects…but more about that later.  For right now here are two small fish drawings.  The first, above, is titled “Haywain Flatfish” and is meant to evoke the splendor of harvest season.  A bewhiskered yokel carries off a sack of millet as the pumpkins ripen in the golden fields.  An industrious beaver has been similarly productive and sits beaming beside his perfectly constructed dam.  Although the scene conveys bucolic tranquility, the hollow black eyes of the fulsome flounder (and the circling vulture) speak of the coming austerity and darkness of winter.

Alienheartsole

This second image “AlienHeartSole” shows a flounder/sole with what looks like a big-hearted alien tentacle monster flying upon it in a personalized saucer.  Although the alien seems benign, the imbecilic sphinx with a javelin, the bomb, and the tattered angel throwing a dart all suggest that this is an amoral and perplexing galaxy.  Only the laid-back rooster offers a modicum of sanguine confidence…and it is unclear whether the gormless bird understands what is going on.  If you enjoy these little tragi-comic images, you should follow me on Instagram (where Ferrebeekeeper goes by the sobriquet “GreatFlounder”).  There you will find a great trove of colorful and enigmatic flatfish art.  As part of the project which I mentioned above, I am trying to bring my various digital /web content into a more tightly networked gestalt, so I would be super appreciative for any Instagram follows!

 

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