You are currently browsing the tag archive for the ‘summer’ tag.
Labor Day is over. Another summer is dying away. I wanted to celebrate the summer (it is my favorite season!) without giving into the elegiac feelings of fall, so I drew this sunset drawing of merriment in Central Park. As always my muse is the incomparable Lillian Newberg, doyenne of the resurrected New York roller disco scene (would that I could participate–but I can no more dance…or walk…or stand still…on roller skates than I can fly like Superman). Around her are strange & mysterious circus folk with hotdogs and ice cream, while a rather splendid toucan preens at the treeline. The sloth is not a roller skater either, but at least he can drag himself to the party on a skateboard. A langur turns the magical disco jack-in-the-box, while various angelic folk fly around the heavens as per their wont. The scene is delightful except for the tragic sentient lemon and the rubber chicken (which has been accidentally discharged from a novelty cannon). The snake represents moral choice whereas the flounder suggests that our appetites will always be lurking in the immediate foreground of anything we do. I don’t know what is up with that fancy garter belt. Somebody probably dropped it there by accident and it has nothing to do with the larger parable…
My flower garden in Brooklyn is overshadowed by three blossoming trees (cherry, crabapple, and dogwood) which all bloom at the same time. I plant spring flowers to blossom in tandem the trees, which means the garden opens with a minor note overture (pansies and hellebores) and then suddenly becomes a stupendous symphony of tulips and flowering trees. it is glorious…but it is over so fast, and then there is a terrible hangover of fallen petals slowly turning brown and nothing blooming. After a few weeks of recovery the summer garden begins to bloom as the roses start (usually at the very end of May). That is where the garden is at right now, and although my favorite little pink hobbit carpet roses have not yet bloomed, the rose garden has started out beautifully with this pink/orange (bittersweet color?) rose named “Sunblaze” miniature rose.
This is one of numerous beautiful orange small roses which I have bought over the years, and each has expired quite swiftly (although the rootstock of “Gingersnap” came back from the dead, albeit as an unknown seasonal rose the color of dried blood). Perhaps Sunblaze will outlast the year…or maybe this is all I will get. Whatever the case, the glorious little orange roses against the dark green background are delightful right now and have given new life and vitality to the garden. I will post more rose pictures as the older roses bloom and there I have planted other summer surprises and delights. Keep your eyes peeled for more gardening beauty and let me know what your favorite May/June flowers are in the comments.
Today (June 21st 2018) is a sacred day. In the northern hemisphere it is the first day of summer, the longest day of the year. I love each season a great deal…but I unabashedly love summer the most. At evening the sky is alive with fireflies and bats. The garden is filled with roses, lilies, and hydrangeas which gleam like particolored stars in the long fluorescent twilight. As the weather warms the oceans, New York City is revealed to be a beach paradise. I live in a West Indian neighborhood and for a season it is like I live on a Caribbean island: everywhere there are stalls filled with tropical fruits, women in bright sarongs, bike rides to the coast and the dulcet songs of the islands lingering in the air as children laugh and cicadas chirp. Summer!
But there is a sadness to the solstice too, which I guess is part of life. The first day of summer is the longest, and from there, the days get shorter and shorter. If the winter solstice is the effective beginning of the year, the summer solstice is an end too. Things have peaked. Even as the nights get hotter they get longer. Before you know it, it will be autumn and then winter again. And all of our days are getting shorter too.
Lately I have felt sad. Year by year my dreams slip further away from the tips of my fingers, and there is no going back to rectify anything, even if I wanted to (and I don’t want to: what else would I be? Some crooked banker who is ruining the world? An ignored ichthyologist discovering minute differences in triggerfish peduncles? The least popular literature professor in a miniscule liberal arts college somewhere?) I have always felt a deep affinity for my nation, but lately I feel like a foreigner…even in Brooklyn, to say nothing of West Virginia! I have always felt that art was important…a guidepost to the numinous in our world of unfeeling stone, but lately it just seems like another empty battle for status.
The summer solstice is a day when you can see the past…and the future too, shimmering like Fata Morgana above the pink ocean waves. It is possible for a second to hear the horse carriages and trolleys passing up old Flatbush…or even to imagine Brooklyn as a patchwork of farms, or a forest with a few hunter-gatherers…or as the terminal moraine of the Wisconsin Ice sheet. Think of it! a wall of ice taller than the skyscrapers was here. Or you can look the other direction and imagine the sun setting beyond cities of tumbled down towers and ruined concrete cenotaphs.
The solstice reminds us of oceans of time all around us. Cronus is standing at our elbow with his scythe and hourglass (or is that bearded old man a druid? Or is it the mirror on my dresser?) We have to catch this fleeting moment as the years wheel away. We have to do something important! But what?
I have been wanting to write about a troubling news story from the summer, but every time I start, I get frustrated by the shortsighted selfishness which has overtaken our culture. Sometimes it seems like the very fate of our society and our planet is writ in this regional fishing controversy. Naturally it is a story about flounder—more specifically, the summer fluke, (Paralichthys dentatus). These fish are beloved by commercial and recreational fishermen who catch millions of pounds of the flatfish between Maine and the Carolinas.
Unfortunately, the ever-growing hordes of fishermen have grown too numerous and rapacious for the poor flounder to replenish themselves. The summer fluke fishery on the East Coast of the United States has been collapsing this summer (2017). The Greater Atlantic Regional Fisheries Office “has determined that fluke are being overfished, with an estimated population that is 42 percent below the level regulators consider to be sustainable.” To keep the flounder alive for future generations of anglers, the Greater Atlantic Regional Fisheries Office imposed new restrictions on how many fish can be caught and killed.
Here is where the story takes a peculiar turn. Wilbur Louis Ross Junior “The King of Bankruptcy” is a billionaire banker and vulture capitalist. When Donald Trump’s casinos went bankrupt due to mismanagement, overspending, and bad deals, Ross stepped in to restructure the casinos, bail out Trump, and dump the bad debt onto others. This has had a lot of consequences, but one of them is that Ross is now the United States Secretary of Commerce.
When New Jersey’s charter captains, commercial fishermen, and sundry interested parties who make a living off flounder, heard about this year’s reduced catch limits, they wrote up a counter-proposal (which involved catching a lot more fish than recommended)—and they presented this plan directly to the Secretary of Commerce (who is originally from New Jersey and has some of his palatial mansions and nine figure art collection there).
Naturally Wilbur Louis Ross Junior could not care less about the fate of a species of fish. He happily overrode the catch limitations on summer fluke. After all it makes fishermen happy and who cares about the opinion of NOAA scientists? Indeed, the NOAA is a division of the Commerce Department and it turns out that its real purpose is not to understand the ocean and the atmosphere but to make people like Ross much richer. He is probably out there somewhere right now tenting his fingers and saying “exxxxcelllent!”
[Here he is marveling at how the subjects of the Saudi king do not dare to protest because they are beautifully afraid]
If only New Jersey and its reckless and uncaring anglers flout the rules and fish their stocks to extinction, summer fluke on the East Coast can probably still rebound, however Ross’ cavalier disregard for the ordinary procedure of fisheries limits and his inability to care about (or understand) the scientists’ rationale for fishing limits raises the all-too-real possibility that other state and national fisheries will no longer be bound by evidence-based rules.
I suspect many people will regard the summer fluke as an immaterial victim of the corruption which is a more and more the principal feature of American business and politics, yet the flatfish is a keystone species which is located between the small prey and the large predators (I sort of look at them as the middle class of the ocean). Wilbur Louis Ross Junior was born in the thirties. What does he care if one of the dominant species of teleosts in our part of the Atlantic is overfished to the point of vanishing? Yet one would think that the watermen who live in tandem with these flounder and have made their lives off the lives of the fish might care somewhat whether the species lives or dies. I guess that is wrong though. There is a reason Wilbur Ross, The Bankruptcy King” is rich beyond reckoning. He knows how far people will go (way too far) and he knows how to exploit that for himself. I wonder what other decisions will come from the Commerce Department.
Today’s post combines the splendor of summer, the loveliness of gardens, and the foreboding beauty of gothic architecture. How can we accomplish such a juxtaposition? By featuring a small gallery of Gothic summerhouses from estate gardens of the great and powerful (mostly in England).
A summerhouse is a garden feature found in grander gardens than mine! It is a sort of folly building: a small open building in a garden or park where someone can sit during the summer time. Of course great aristocrats of yore had a different idea of what constitutes “small” or “open” than I do, so some of the summer houses in European gardens are practically houses in their own right. Looking at certain examples here makes me realize that for an Earl or Duke, summerhouse probably means “surplus house where you can party with a viscount and 20 retainers.” Still some of these houses are actually on the smaller side and could almost be gazeboes, playhouses, or “cots” (as simple huts were sometimes called).
My old roommate Jennifer has decamped to the great Smokey Mountains to work remotely for a month and I am told she is doing all of her work from a splendid summerhouse. I wonder if she has something like these. Unfortunately the lords of Wall Street won’t let me out of the building during summer (which is most wise, since I would undoubtedly wander off or start drawing or gardening if not shackled to my workstation). Still one can dream about these beautiful structures and lazing away the golden months on high summer in such opulent magnificence!
In the northern hemisphere, today is the longest day of the year–the summer solstice! Go out and worship the sun and enjoy summer. To help guide you in your revels, here is a fantasy picture of wild druidic rituals among the megaliths of Stonehenge. I love summer, so this truly is a sacred holiday for me. For readers in the southern hemisphere, congratulations it just gets brighter from here.
August is almost over…and we have yet to present the August eclogue of Shepheardes Calender. Mercifully, the situation for the 8th (and fairest) month doesn’t require too much explanation: two shepherds sing a song while the third shepherd, the redoubtable Cuddy, judges who sings better. Cuddy refuses to truly choose and instead recites an exceedingly sad poem of unrequited love. The meter throughout this eclogue is more songlike and the meanings more straightforward than in previous months. Also Cuddy’s sad poem is truly plaintive and beautifully evokes classical Greco-Roman poetry. The whole August eclogue is strong and fair, and prefigures the complexity and elegance of Shakespeare, who must surely have looked to this as an example (and whose songs echo the songs of the shepherds). But judge for yourself…and enjoy the remainder of August!
Shepheardes Calender VIII: August.
WILLY. PERIGOT. CUDDY.
Tell me, Perigot, what shall be the Game,
Wherefore with mine thou dare thy Musick match?
Or been thy Bagpipes ren far out of frame?
Or hath the Cramp thy Joints benumb’d with ach?
PERIGOT.
Ah Willy, when the Heart is ill assay’d,
How can Bagpipe or Joints be well apay’d?
WILLY.
What the foul Evil hath thee so bestad?
Whylom thou west peregal to the best,
And wont to make the jolly Shepherds glad,
With piping and dancing did past the rest.
PERIGOT.
Ah, Willy, now I have learn’d a new Dance;
My old Musick marr’d by a new Mischance.
WILLY.
Mischief mought to that Mischance befall,
That so hath raft us of our Meriment:
But read me, What pain doth thee so appall?
Or lovest thou, or been thy Yonglings miswent?
PERIGOT.
Love hath misled both my Yonglings and me:
I pine for pain, and they my plaint to see.
WILLY.
Perdy and weal away! ill may they thrive;
Never knew I Lovers Sheep in good plight:
But and if Rimes with me thou dare strive,
Such fond Fantasies shall soon be put to flight.
PERIGOT.
That shall I do, though mouchel worse I far’d:
Never shall be said that Perigot was dar’d.
WILLY.
Then lo, Perigot, the pledge which I plight,
A Mazer ywrought of the Maple Ware;
Wherein is enchased many a fair sight,
Of Bears and Tygers, that maken fierce War:
And over them spred a goodly wild Vine,
Entrail’d with a wanton Ivy Twine.
Thereby is a Lamb in the Wolve’s Jaws:
But see, how fast renneth the Shepherd’s Swain,
To save the Innocent from the Beast’s Paws;
And here with his Sheep-hook hath him slain.
Tell me, such a Cup hast thou ever seen?
Well mought it beseem any harvest Queen.
PERIGOT.
Thereto will I pawn yonder spotted Lamb,
Of all my Flock there nis sike another;
For I brought him up without the Damb:
But Colin Clout raft me of his Brother,
That he purchast of me in the plain Field:
Sore against my Will was I forst to yield.
WILLY.
Siker make like account of his Brother:
But who shall judg the Wager won or lost?
PERIGOT.
That shall yonder Herd-groom, and none other,
Which over the Pousse hitherward doth post.
WILLY.
But for the Sun-beam so fore doth us beat,
Were not better, to shun the scorching Heat?
PERIGOT.
Well agreed Willy: then sit thee down Swain;
Sike a Song never heardest thou, but Colin sing.
CUDDY.
‘Gin, when ye list, ye jolly Shepherds twain:
Sike a Judg, as Cuddy, were for a King.
PER. It fell upon a holy Eve,
WILL. Hey ho Holiday!
PER. When holy Fathers wont to shrive:
WILL. Now ‘ginneth this Roundelay.
PER. Sitting upon a Hill so high,
WILL. Hey ho the high Hill!
PER. The while my Flock did feed thereby,
WILL. The while the Shepherd self did spill:
PER. I saw the bouncing Bellibone;
WILL. Hey ho Bonnibel!
PER. Tripping over the Dale alone,
WILL. She can trip it very well.
PER. Well decked in a Frock of grey,
WILL. Hey ho grey is greet!
PER. And in a Kirtle of green Say,
WILL. The green is for Maidens meet.
PER. A Chaplet on her Mead she wore,
WILL. Hey ho Chapelet!
PER. Of sweet Violets therein was store,
WILL. She sweeter than the Violet.
PER. My Sheep did leave their wonted Food,
WILL. Hey ho seely Sheep!
PER. And gaz’d on her, as thy were wood;
WILL. Wood as he, that did them keep.
PER. As the bony Lass passed by,
WILL. Hey ho bony Lass!
PER. She rov’d at me with glauncing Eye,
WILL. As clear as the crystal Glass:
PER. All as the sunny Beam so bright,
WILL. Hey ho the Sun-beam!
PER. Glanceth from Phoebus’ Face forthright,
WILL. So Love into thy Heart did stream;
PER. Or as the Thunder cleaves the Clouds,
WILL. Hey ho the Thunder!
PER. Wherein the lightsom Levin shrouds,
WILL. So cleaves thy Soul asunder:
PER. Or as Dame Cynthia’s silver Ray,
WILL. Hey ho the Moon-light!
PER. Upon the glittering Wave doth play;
WILL. Such play is a piteous Plight.
PER. The Glance into my Heart did glide,
WILL. Hey ho the Glider!
PER. Therewith my Soul was sharply gride,
WILL. Such Wounds soon wexen wider.
PER. Hasting to raunch the Arrow out,
WILL. Hey ho Perigot!
PER. I left the Head in my Heart-root:
WILL. It was a desperate shot.
PER. There it rancleth aye more and more,
WILL. Hey ho the Arrow!
PER. Ne can I find Salve for my Sore:
WILL. Love is a careless Sorrow.
PER. And though my Bale with Death I bought,
WILL. Hey ho heavy Chear!
PER. Yet should thilk Lass not from my thought:
WILL. So you may buy Gold too dear.
PER. But whether in painful Love I pine,
WILL. Hey ho pinching Pain!
PER. Or thrive in Wealth, she shall be mine,
WILL. But if thou can her obtain.
PER. And if for graceless Grief I die,
WILL. Hey ho graceless Grief!
PER. Witness, she slew me with her Eye,
WILL. Let thy folly be the prief.
PER. And you that saw it, simple Sheep,
WILL. Hey ho the fair Flock!
PER. For prief thereof, my Death shall weep,
WILL. And mone with many a Mock.
PER. So learn’d I love on a holy Eve,
WILL. Hey ho Holy-day!
PER. That ever since my Heart did grieve,
WILL. Now endeth our Roundelay.
CUDDY.
Siker, sike a Roundle never heard I none,
Little lacketh Perigot of the best,
And Willy is not greatly over-gone,
So weren his under-songs well addrest.
WILLY.
Herd-groom, I fear me, thou have a squint Eye;
Areed uprightly who has the Victory.
CUDDY.
Faith of my Soul, I deem each have gained;
For-thy, let the Lamb be Willy his own:
And for Perigot so well hath him pained,
To him be the wroughten Mazer alone.
PERIGOT.
Perigot is well pleased with the Doom:
Ne can Willy wite the witless Herd-groom.
WILLY.
Never dempt more right of Beauty, I ween,
The Shepherd of Ida, that judg’d Beauty’s Queen.
CUDDY.
But tell me, Shepherds, should it not yshend
Your Roundels fresh, to hear a doleful Verse
Of Rosalind (who knows not Rosalind?)
That Colin made? ylke can I you rehearse.
PERIGOT.
Now say it, Cuddy, as thou art a Lad;
With merry thing it’s good to meddle sad.
WILLY.
Faith of my Soul, thou shalt ycrowned be
In Colin’s steed, if thou this Song areed:
For never thing on Earth so pleaseth me,
As him to hear, or matter of his Deed.
CUDDY.
Then listen each unto my heavy Lay,
And tune your Pipes as ruthful as ye may.
Ye wastful Woods bear witness of my Woe,
Wherein my Plaints did oftentimes resound;
Ye careless Birds are privy to my Cryes,
Which in your Songs were wont to make a part:
Thou pleasant Spring hast lull’d me oft asleep,
Whose streams my trickling rears did oft augment.
Resort of People doth my Grief augment,
The walled Towns do work my greater Woe:
The Forest wide is fitter to resound
The hollow Eccho of my careful Cryes;
I hate the House, since thence my Love did part,
Whose wailful Want debars mine Eyes of sleep.
Let Streams of Tears supply the place of Sleep:
Let all that sweet is, void; and all that may augment
My Dole, draw near. More meet to wail my Woe,
Been the wild Woods, my Sorrows to resound,
Than Bed, nor Bower, both which I fill with Cryes,
When I them see so waste, and find no part
Of pleasure past. Here will I dwell apart
In gastful Grove therefore, till my last Sleep
Do close mine Eyes: so shall I not augment
With sight of such as change my restless Woe.
Help me, ye baneful Birds, whose shrieking sound
Is sign of dreery Death, my deadly Cryes
Most ruthfully to tune. And as my Cryes
(Which of my Woe cannot bewray least part)
You hear all Night, when Nature craveth Sleep,
Increase, so let your yrksome Yelles augment.
Thus all the Night in Plaints, the Day in Woe,
I vowed have to waste, till safe and sound
She home return, whose Voice’s silver Sound
To chearful Songs can change my chearless Cryes.
Hence, with the Nightingale will I take part,
That blessed Bird, that spends her time of sleep
In Songs and plaintive Pleas, the more t’ augment
The memory of his Misdeed, that bred her Woe.
And you that feel no Woe, when as the Sound
Of these my nightly Cryes ye hear apart,
Let break your sounder Sleep, and Pity augment.
PERIGOT.
O Colin, Colin, the Shepherd’s Joy,
How I admire each turning of the Verse:
And Cuddy, fresh Cuddy, the liefest Boy,
How dolefully his Dole thou didst rehearse!
CUDDY.
Then blow Your Pipes, Shepherds, till yon be at home:
The Night hieth fast, it’s time to be gone.
PERIGOT’S EMBLEM.
Vicenti gloria victi.
WILLY’S EMBLEM.
Vinto non vitto.
CUDDY’S EMBLEM.
Felice chi puo.
Watermelon Slices (Wayne Ferrebee, 2015, colored pencil and ink)
It’s another August day that ineluctably slipped away–so here are some illustrations/doodles from the little book I carry around with me. I drew the garden (?) image above today during lunch (half) hour and then illustrated it on the train and at my desk.I think the little toy ghost is cutting watermelons and peaches held aloft by a penguin, but the real nature of what is going on is uncertain. That many-legged larva is probably not as innocent as it is pretending to be.
Sundry (Wayne Ferrebee, 2015, colored pencil and ink)
Here is some detritus from our culture (and beyond) with sea creatures mixed in to prevent our junk from being boring. The three-eyed being peaks in from the future and the ice cream is the promise of sweetness.
Barnyard Characters (Wayne Ferrebee, 2015, colored pencil and ink)
Finally here is a goofy scene of barnyard follies with Mother Goose, a handy goblin man, and a clownish ghost. As happens on the farm, they are all surrounded by geese, ducks, and sundry birds, while a cat looks on with incredulity. Enjoy the drawings and let me know if you have any ideas for tomorrow’s blog. it is officially the silly season of journalism and even our twenty-four-hour news cycle is not kicking up much new material. We’ll have to make our own bucolic summer fun!
Happy Summer Solstice*! Also happy Father’s Day to all of the dads out there! Ferrebeekeeper doesn’t usually publish on Sundays, but because it is a special day, here is a celebratory image of an ancient druid with a golden sickle and a megalith. This is a perfect image for the first day of summer, however it is somewhat more ambiguous as a father’s day image… Still, I feel that it has some paternal magic, and it is certainly better than neckties and golf-themed art. My own father would probably prefer an archer, but I got a bunch of cartoon spies and elfin cosplayers when I googled that…so the wise druid elder will have to do.
I am so excited for summer! Let’s make it a great one!
*Actual solstice may vary by hemisphere.
Ceres (Jean-Antoine Watteau, 1717-1718, oil on canvas)
In my many posts about art and painting, I have shamefully slighted the wonderful 18th century. Here is a masterpiece by one of the greatest painters of that era, Jean-Antoine Watteau, whose career was all too brief. Watteau bridged the gap between Baroque and Rococo by bringing the naturalistic color and movement of Correggio to the rigorous classical tradition of great French masters such as Poussin and Lorrain. This beautifully painted oval composition portrays the fertility goddess Ceres shimmering among the lambent clouds in the long pink evenings of summer. Her garb of gold and shell color perfectly suits the joyous abundance of the season. Around her, youths are gathering the precious life-giving wheat while the astrological beasts of the summer sky gambol at her side.
Artist’s conception of the Dawn spacecraft
Of course I did not just pull this choice of subjects out of some crazy 18th century hat! As I write this, the NASA spacecraft Dawn is hurtling through the asteroid belt toward the dwarf planet Ceres, the largest body in the asteroid belt. Ceres (the dwarf planet) is located in the strange region between Mars and Jupiter. It is large enough to be spherical due to its own gravity but something seems to have gone horribly wrong there. It appears to be the shattered core of a world which either never quite formed or which was destroyed during the making—a miscarriage four and a half billion years old. Scientists have speculated about what the little world is composed of and how it was created, but telescopes have only revealed so much, and no spacecraft has visited prior to Dawn. This is a time of true exploration like the 18th century! Already Dawn’s cameras have spotted bizarre ultra-bright reflections from Ceres. Are they sheets of ice or metal…something else? We will have to wait till the probe enters orbit in April to find out, but I am excited to learn more about the formation of Ceres (which is to say the formation of the solar system) and to finally solve some of the mysteries of this under-appreciated heavenly neighbor.
This image of Ceres was taken by NASA’s Dawn spacecraft on Feb. 19 from a distance of nearly 46,000 kilometers (29,000 miles)
Of course I am also heartily sick of this endless disappointing winter. The sooner Ceres (the allegorical figure of abundance and warmth) brings life back to Brooklyn, the happier I will be. Let’s all keep our fingers crossed for exciting news from space and for the return of life and growth here on (the north part of) Earth after a long winter. Also anybody who wishes for the return of classical beauty and allegorical subtlety in the dismal world of ill-conceived & poorly-executed contemporary art will have my heartfelt appreciation and best wishes!
Ancient Greek stone carving of the goddess Ceres with poppies, shafts of wheat, and snakes
ferrebeekeeper 