You are currently browsing the tag archive for the ‘spring’ tag.

As you can imagine, this year, my garden has been a particular source of solace and inspiration!  Alas, spring’s explosion of flowers is already fading away for another year.  As always, I tried desperately to hold onto the beauty through the magic of art, but (also as always) the ineffable beauty slipped away as I tried to capture it with paint. In fairness, the true thrust of my artwork lately concerns the crisis of life in the modern oceans (which is a rather different subject than pretty pleasure gardens).

A few weeks ago I posted the watercolor paintings which I made of the garden’s cherry blossom phase.  Here are some little sketches I made during the tulip florescence which followed.

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Leen Van Der Mark Tulips in Brooklyn (Wayne Ferrebee, 2020) Watercolor on paper

These tulips are called Leen Van der Mark, and they are my favorite (since they look even more Dutch than they sound).  Initially there were even more tulips than this, but the squirrels beheaded quite a lot of them.  The strange metal mushroom is some sort of industrial vent/fan thing. Probably best not to think about it too much.

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The Broken Pot with Crabapple Blossoms (Wayne Ferrebee, 2020) Watercolor on Paper

Here is a melancholic picture of the non-flower part of the garden.  The neighbor’s cypress wall fell down in a spring gale revealing the wire, garbage, and urban chaos on the other side. I tried to capture the madness (along with the poignant broken pot and withered elephant ear), but I feel like I only managed to draw a blue halo around the fake plastic urn.

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Bleeding Heart Sphinx (Wayne Ferrebee, 2020) Watercolor on Paper

There are some small casts of classical sculptures in my garden.  This little sphinx always topples over unless it is secured to a brick or a paver.  The strange taupe “hands” are meant to be hellebore flowers–which are actually that color but which possess a winsome troubling beauty wholly absent here (although I guess they are a bit troubling). Once again we can see bits of the detritus in the neighbor’s exposed yard.

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Rhododendron in Spring Flower Bed (Wayne Ferrebee, 2020) Watercolor on Paper

Here is the opposite side of the garden,with some summer impatiens popping up.  I have forgotten what these orange and yellow tulips are called, but they remind me forcefully of my childhood (when I gave one to my schoolbus driver in kindergarten). The extreme right of the composition features a very beautiful and robust fern (although we can only see one of the surviving fronds from winter). In front of the frond is a species tulip, Tulipa clusiana, which is native to Afghanistan, Iran, Iraq, Pakistan and the western Himalayas.  Those places are usually much scarier than Brooklyn, so perhaps it will naturalize and take over.

Thanks for looking at these pictures.  I am a flounderist rather than a garden painter, but it was good to have a pretext to just sit in the sunny garden and stare at the flowers for hours.  I will see if I can take the watercolor set out to the stoop and do a street scene as summer gets closer.  The police have been scuffling with quarantine scofflaws out front, so that painting might actually be an exciting picture (if I can watercolor fast enough to paint a near-riot).  Speaking of which, stay safe out there and best wishes for continuing health and some floral joy of your own.

 

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We are living in a glorious new era of super marketing. Usually the results of this are rather hideous: our livelihoods are hostage to “keyword position metrics” and “analytic toolbars”.  Every day the press is filled with histrionic drivel about threats which are statistically unlikely to hurt us (but which clearly drive hits). Yet there is a silver lining of a sort: in order to keep people’s attention, quotidian phenomena are being lavished with grandiloquent new names (or old poetic names which have been rediscovered and given new prominence).  Speaking of which, don’t forget to check out tonight’s spring equinox super worm moon!

These days, the full moon on each month is given a sobriquet which is reputedly derived from ancient Native American lore. Here is a table of these names:

January: Wolf moon

February: Snow Moon

March: Worm Moon

April: Pink Moon

May: Flower Moon

June: Strawberry Moon

July: Buck Moon

August: Sturgeon Moon

September: Corn Moon

October: Hunter’s Moon

November: Beaver Moon

December: Cold Moon

Now I don’t remember any of this from when I was growing up (although this is possibly because I was playing Pacman rather than hunting migratory elk).  The first time I remember hearing anything like this was in Disney’s “Pocahontas”.  Yet the names have an obvious and evocative allure which speak to ancient annual rhythms.

The “Worm Moon” of March is called that because the ground softens and worms start to appear  (although, come to think of it, the pinkish brown earthworms we all know so well are actually comparatively recent Eurasian invaders), but I like to imagine that it is the WORM moon when Lord Nergal, the God of Pestilence decides whether to winnow the overpopulated Earth.  Or perhaps it is the Wyrm Moon, when dragons come out of their winter eyries in the south and fly off to their accustomed fantasy realms…

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Ahem. At any rate, tonight marks an unusual occasion when the vernal equinox occurs at the same time the moon is full and at its perigee.  This will be the final super moon of 2019 so go outside and enjoy it while you drink traditional spring spirits and discuss beautiful nomenclature.

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I have been excited to start blogging about my spring garden as it awakens from the uncharacteristically frigid Brooklyn winter of ’17/18…and although the tulips are starting to sprout up, we have had a nor’easter “bomb cyclone” EVERY week for as long as I can remember (admittedly, winter is robbing me of memories of warmth, light, and joy).  Anyway here is a picture of my garden on March 21st…the second day of spring.  Hmmm…it is pretty (surprisingly so: my point-and-click photos don’t do it justice), but it is not especially springlike yet.  We will revisit this vista soon, I hope, as the world comes back to life.  In the mean time I hope you at least enjoy the snow photos.

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My iris is blooming today. I have blogged about it in the past (it’s a dark violet iris named “Night Ruler”), but it is so beautiful. It reminds me of how much I like irises (for the one week or less when they bloom).

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In celebration, I went to an amazing iris catalog online and looked up some other irises to fantasize what else I would plant if I had more sunny space in the garden. The online iris shop was amazing: each iris was more beautiful than the last and I soon became besotted with ruffles of magenta, black, caramel, icterine, and blue. Yet the best aspect of the whole endeavor were the beautiful madcap names. It turns out that weird computer algorithms cannot keep pace in any way with the visionary poets who name irises.
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A single random sweep gives us names such as “Vizier”, “Daughter of Stars”, “P.T. Barnum”, “Vigilante”, “Halo Everybody”, and “Sordid Lives.” These are not random names either—each of the irises has a moral quality which makes the reason they are named instantly recognizable. “Mango Queen” (above)looks like a female sovereign made entirely of mango flesh. “Sordid Lives” (below) is a big flouncy, heady mixture of plum, ivory, and stained brown. “Beach Dance” looks like an 80s movie I saw on cable once.
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My overall favorite (in case you have your credit card out and have decided to show your love of this blog in rhizome form) is a big German Iris named “Beefy” (at bottom) which looks like a bleeding hunk of rare roast beef in the form of an exquisite flounder. There are aesthetic marvels of beauty, horror, and wonder out there in the garden my friends. Let me know which ones are your favorites!
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In America, the last Friday of April is traditionally Arbor Day, a day for planting and conserving trees. I probably should have written about the cherry tree today…but the blossoms have already largely fallen off so I am going to choose a different blossoming tree to concentrate on—the common hawthorn Crataegus monogyna. The Hawthorn is another of the most beautiful flowering trees of the northern hemisphere. Like cherry trees, hawthorns are members of the rose family. They are small to medium sized trees of great beauty which have thorns and grey-brown bark with orange fissures. Hawthorns bear red pome fruit which is said to taste like overripe apples (the fruit of North American species of Hawthorns was a major food source for North America peoples before familiar Eurasian fruit arrived). The common hawthorn tree was originally native to Europe, North Africa, and Western Asia.
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The Hawthorn is known for beautiful glistening blossoms which appear in May or June and resemble five petaled roses (although the vase-shaped tree is lovely year-round. More prosaically, the trees have been used as hedges because of their dense growth, hard wood, and thorns.
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The tree features prominently in the folklore of Europe and western Asia. The Greeks esteemed it enormously—it was the symbol of hope and blossoming boughs were carried in wedding processions. In Northern Europe, the Hawthorn was identified with ancient gods. For a long time, even after Europe was Christianized, hawthorn trees were reckoned to be found near entrances to the otherworld—the realm of elves, fairies, and magical folk. It was allegedly bad luck to kill—or even cut a hawthorn tree, and the misfortunes of Delorean motor company are said to have started when they cut down a grove to build their factory.
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In Christian mythology, the crown of thorns of Jesus was putatively made from hawthorn wood. Despite this, Christians, apparently stayed fond of Hawthorn and there were medieval legends connecting it with various Saints and miracles. Hawthorn is certainly a miraculously beautiful tree. I would totally plant one for Arbor Day…if I had a sapling…or a place to plant it.
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I saw some jonquils getting ready to bloom and it made me happy and excited.  I am ready for spring.  Winter was mild until the end but it has really been lingering around and we need spring flowers.  Jonquils are domesticated ornamental flowers descended from are a specific sort of daffodil: “Narcissus jonquil.” They have dark green, tube-shaped leaves (compared to other types of daffodils which have flat leaves).  They tend to be smaller and their central tube is flared and flattened like a little saucer or cup.  There are so many sorts and I hope to see them all within a few weeks!

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Remember back when it was February and the world was a tattered veil of gray misery?  Well now it is glorious May, and it is hard to recall those dark times. The birds are singing.  The flowers are blooming. Shepherdesses float through Wall Street dressed in summer frocks. Fortunately we have poetry to keep us ever mindful of the darkness & perfidy of the world.

Below is the May installment of Shepheardes Calender: the poem starts out gloriously with exquisite descriptions of Arcadian revels.  There could hardly be a more sumptuous evocation of spring in the country.  If you cannot smell the blooming flowers and hear the songs of the happy youths, then your heart is devoid of pastoral poetry.

But then Spenser starts in with the animal metaphors and we sense that even in May we are not in a Disney movie.  First we have the ape which loves her baby so much that she throttles it by hugging it. Then there is the parable of the young kid who ignores his nanny goat’s stern warnings and opens up his door to the crafty fox..who has come dressed as a pathetic salesman.  This story has all sorts of double meanings, but right now there are so many foxes at the door it is hard to know what to make of it.   Spenser lived in England, where commerce rules…and he died penniless, so perhaps there is a lesson about business and businesspeople from the sly merchant fox.

Yet, even if this segment ends with a dark fable, there are many delights to be had herein.  Besides all of this sorry business about barely disguised tricksters lying and manipulating a gullible audience in order to make a meal of them couldn’t be valid in contemporary America…could it?

GOP 2016 Debate

Well…

Anyway, here is

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Shepheardes Calender V: Maye

PALINODE. PIERS.

Is not this the merry Month of May,
When Love-Lads masken in fresh Array?
How falls it then, we no merrier been,
Ylike as others, girt in gawdy Green?
Our blonket Liveries been all too sad
For thilk same Season, when all is yclad
With Pleasance; the Ground with Grass, the Woods
With green Leaves, the Bushes with blossoming Buds.
Youth’s Folk now flocken in every where,
To gather May-Buskets, and smelling Breere:
And home they hasten the Posts to dight,
And all the Kirk-Pillers e’er Day-light,
With Hawthorn Buds, and sweet Eglantine,
And Girlonds of Roses, and Sops in Wine.
Such Merry-make holy Saints doth queam:
But we here sitten as drown’d in a Dream.

PIERS.
For Yonkers, Palinode, such Follies fit,
But we tway been Men of elder Wit.

PALINODE.
Siker this morrow, no longer ago,
I saw a Shole of Shepherds out-go,
With singing and shouting, and jolly Cheer:
Before them yode a lusty Tabrere,
That to the Many a Horn-pipe plaid,
Whereto they dauncen each one with his Maid.
To see these Folks make such Jouisaunce,
Made my Heart after the Pipe to daunce.
Tho to the green Wood they speeden them all,
To fetchen home May with their Musical;
And home they bringen in a Royal Throne,
Crowned as King: and his Queen attone
Was Lady Flora, on whom did attend
A fair Flock of Fairies, and a fresh Bend
Of lovely Nymphs. (O that I were there
To helpen the Ladies their May-Bush bear!)
Ah! Piers, been not thy Teeth on edge, to think
How great Sport they gainen with little Swink?

PIERS.
Perdy, so far an I from Envy,
That their Fondness inly I pity:
Those Faitours little regarden their Charge,
While they, letting their Sheep run at large,
Passen their time, that should be sparely spent,
In Lustihed, and wanton Merriment.
Thilk same been Shepherds for the Divel’s sted,
That playen while their Flocks be unfed.
Well it is seen their Sheep be not their own,
That letten them run at random alone.
But they been hired for little Pay,
Of other, that caren as little as they,
What fallen the Flock, so they han the Fleece,
And get all the Gain, paying but a Piece.
I muse, what Account both these will make,
The on for the Hire, which he doth take,
And th’ other for leaving his Lord’s Task,
When great Pan Account of Shepherds shall ask.

PALINODE.
Siker now I see thou speakest of Spight,
All for thou lackest some dele their Delight.
I (as I am) had rather be envied,
All were it of my Foe, that fonly pitied:
And yet, if need were, pitied would be,
Rather than other should scorn at me;
For pitied is Mishap that nas Remedy,
But scorned been Deeds of fond Foolery.
What shoulden Shepherds other things tend,
Than sith their God his Good does them send,
Reapen the Fruit thereof, that is pleasure,
The while they here liven at ease and leisure?
For when they been dead, their Good is ygo,
They sleepen in Rest, well as other moe;
Tho with them wends, what they spent in Cost,
But what they left behind them, is lost.
Good is no Good, but if it be spend;
God giveth Good for none other end.

PIERS.
Ah! Palinode, thou art a World’s Child:
Who touches Pitch, mote needs be defil’d.
But Shepherds (as Algrind used to say)
Mought not live ylike, as Men of the Lay.
With them it fits to care for their Heir,
Enaunter their Heritage do impair:
They must provide for means of Maintenance,
And to continue their wont Countenance.
But Shepherd must walk another way,
Sike worldly Sovenance he must fore-say.
The Son of his Loins, why should he regard
To leave enriched with that he hath spar’d?
Should not thilk God, that gave him that Good,
Eke cherish his Child, if in his ways he stood?
For if he mislive, in Lewdness and Lust,
Little boots all the Wealth and the Trust,
That his Father left by Inheritance,
All will be soon wasted with Misgovernance.
But through this, and other their Miscreance,
They maken many a wrong Chevisance,
Heaping up Waves of Wealth and Woe,
The Floods whereof shall them overflow.
Sike Mens Folly I cannot compare
Better than to the Ape’s foolish Care,
That is so enamoured of her young one,
(And yet God wote, such Cause hath she none)
That with her hard Hold, and straight embracing,
She stoppeth the Breath of her Youngling.
So oftentimes, whenas Good is ment,
Evil ensueth of wrong Intent.

The time was once, and may again retorn,
(For ought may happen that hath been beforn)
When Shepherds had none Inheritance,
Ne of Land, nor Fee in Sufferance;
But what might arise of the bare Sheep,
(Were it more or less) which they did keep.
Well I wis was it with Shepherds tho;
Nought having nought feared they to forgo,
For Pan himself was their Inheritance,
And little them served for their Maintenance.
The Shepherd’s God so well them guided,
That of nought they were unprovided:
Butter enough, Honey, Milk, and Whey,
And their Flocks Fleeces them to array.
But Tract of Time, and long Prosperity,
(That Nource of Vice, this of Insolency)
Lulled the Shepherds in such Security,
That not content with loyal Obeysance,
Some ‘gan to gape for greedy Governance,
And match themselves with mighty Potentates,
Lovers of Lordships, and Troublers of States.
Tho ‘gan Shepherds Swains to look aloft,
And leave to live hard, and learn to lig soft.
Tho under colour of Shepherds, some-while,
There crept in Wolves, full of Fraud and Guile,
That often devoured their own Sheep,
And often the Shepherd that did hem keep.
This was the first Sourse of Shepherds Sorrow,
That now nill be quit with bale, nor borrow.

PALINODE.
Three things to bear, been very burdenous,
But the fourth to forbear, is outrageous.
Women that of Love’s Longing once lust,
Hardly forbearen, but have it they must:
So when Choler is enflamed with Rage,
Wanting Revenge, is hard to assuage:
And who can counsel a thirsty Soul,
With Patience to forbear the offer’d Boul?
But of all Burdens, that a Man can bear,
Most is, a Fool’s Talk to bear and to hear.
I ween the Giant has not such a Weight,
That bears on his Shoulders the Heaven’s Height.
Thou findest fault, where nys to be found,
And buildest strong Wark upon a weak Ground:
Thou railest on Right, without Reason,
And blamest hem much, for small Encheason.
How woulden Shepherds live, if not so?
What, should they pinen in Pain and Woe?
Nay, say I thereto, by my dear Borrow,
If I may rest, I nill live in Sorrow.

Sorrow ne need to be hastened on:
For he will come without calling anon.
While Times enduren of Tranquillity,
Usen we freely our Felicity:
For when approachen the stormy Stowers,
We mought with our Shoulders bear off the sharp Showres.
And sooth to sain, nought seemeth sike Strife
That Shepherds so twiten each others Life,
And layen their Faults the Worlds before,
The while their Foes done each of hem scorn.
Let none mislike of that may not be amended:
So Conteck soon by Concord mought be ended.

PIERS.
Shepherd, I list no Accordance make
With Shepherd, that does the right way forsake:
And of the twain, if Choice were to me,
Had lever my Foe, than my Friend he be.
For what Concord hen light and dark sam?
Or what Peace has the Lion with the Lamb?
Such Faitours, when their false Hearts been hid,
Will do, as did the Fox by the Kid.

PALINODE.
Now Piers, of fellowship, tell us that Saying:
For the Lad can keep both our Flocks from straying.

PIERS.
Thilk same Kid (as I can well devise)
Was too very foolish and unwise.
For on a time, in Sommer Season,
The Goat her Dam, that had good Reason,
Yode forth abroad unto the green Wood,
To brouze, or play, or what she thought good:
But, for she had a motherly Care
Of her young Son, and Wit to beware,
She set her Youngling before her Knee,
That was both fresh and lovely to see,
And full of Favour, as Kid mought be.
His velvet Head began to shoot out,
And his wreathed Horns ‘gan newly sprout:
The Blossoms of Lust to bud did begin,
And sprung forth rankly under his Chin.

My Son (quoth she) and with that ‘gan weep:
(For careful Thoughts in her Heart did creep)
God bless thee, poor Orphan, as he mought me,
And send thee Joy of thy Jollity.
Thy Father (that Word she spake with Pain,
For a Sigh had nigh rent her Heart in twain)
Thy Father, had he lived this Day,
To see the Branches of his Body display,
How would he have joyed at this sweet Sight?
But ah! false fortune such Joy did him spight,
And cut off his Days with untimely Woe,
Betraying him unto the Trains of his Foe.
Now I a wailful Widow behight,
Of my old Age have this one Delight,
To see thee succeed in thy Father’s stead,
And flourish in Flowers of Lustihead.
For even so thy Father his Head upheld,
And so his haughty Horns did he weld.

Tho marking him with melting Eyes,
A thrilling Throb from her Heart did arise,
And interrupted all her other Speech,
With some old Sorrow that made a new Breach:
Seemed she saw in her Youngling’s Face
The old Lineaments of his Father’s Grace.
At last, her sullen Silence she broke,
And ‘gan his new-budded Beard to stroke.
Kiddy (quoth she) thou kenst the great Care
I have of thy Health and thy Welfare,
Which many wild Beasts liggen in wait,
For to entrap in thy tender State:
But most the Fox, Maister of Collusion:
For he has vowed thy last Confusion.
For-thy, my Kiddy, be ruled by me,
And never give trust to his Treacheree:
And if he chance come when I am abroad,
Spar the Yate fast, for fear of Fraud.
Ne for all his worst, nor for his best,
Open the Door at his Request.

So schooled the Goat her wanton Son,
That answered his Mother, All should be done.
Tho went the pensive Dame out of door,
And chaunc’d to stumble at the Threshold-Floor:
Her stumbling Step somewhat her amazed,
(For such as Signs of ill luck been dispraised)
Yet forth she yode, thereat half aghast,
And Kiddy the Door sparred after her fast.
It was not long after she was gone,
But the false Fox came to the Door anone.
Not as a Fox, for then he had be kend,
But all as a poor Pedlar he did wend:
Bearing a Truss of Trifles at his Back,
As Bells, and Babies, and Glasses in his Pack,
A Biggen he had got about his Brain,
For in his Head-piece he felt a sore Pain.
His hinder Heel was wrapt in a Clout,
For with great Cold he had got the Gout.
There at the Door he cast me down his Pack,
And laid him down, and groaned, alack! alack!
Ah! dear Lord, and sweet Saint Charity,
That some good body would once pity me.

Well heard Kiddy all this sore Constraint,
And leng’d to know the Cause of his Complaint:
Tho creeping close, behind the Wicket’s Clink,
Privily he peeped out through a Chink:
Yet not so privily but the Fox him spied,
For deceitful Meaning is double-eyed.

Ah! good young Maister (then ‘gan he cry)
Jesus bless that sweet Face I espy,
And keep your Corps from the careful Stounds,
That in my Carrion Carcass abounds.

The Kid, pitying his Heaviness,
Asked the Cause of his great Distress,
And also who, and whence that he were.

Tho he, that had well ycond his Lear,
Thus medled his Talk with many a Tear:
Sick, sick, alas! a little lack of dead,
But I be relieved by your beastly-head.
I am a poor Sheep; albe my Colour dun:
For with longer Travel I am brent in the Sun.
And if that my Grandsire me said, be true,
Siker I am very sybbe to you:
So be your Goodlihead do not disdain
The base Kinred of so simple Swain.
Of Mercy and Favour then I you pray,
With your Aid to forestall my near Decay.

Tho out of his Pack a Glass he took;
Wherein while Kiddy unwares did look,
He was so enamoured with the Newel,
That nought he deemed dear for the Jewel.
Tho opened he the Door, and in came
The false Fox, as he were stark lame.
His Tail he clapt betwixt his Legs twain,
Lest he should be descryed by his Train.

Being within, the Kid made him good Glee,
All for the Love of the Glass he did see.
After his Chear, the Pedlar ‘gan chat,
And tell many Leasings of this and that:
And how he could shew many a fine knack.
Tho shewed his Ware, and opened his Pack,
All save a Bell, which he left behind
In the Basket, for the Kid to find.
Which when he stooped down to catch,
He popt him in, and his Basket did latch:
Ne stayed he once, the Door to make fast,
But ran away with him in all haste.

Home when the doubtful Dame had her hide,
She mought see the Door stand open wide.
All aghast, loudly she ‘gan to call
Her Kid: but he nould answer at all.
Tho on the Floor she saw the Merchandise,
Of which her Son had set too dear a Price.
What Help? her Kid she knew well is gone:
She weeped and wailed, and made great moan.
Such end had the Kid, for he nould warned be
Of Craft coloured with Simplicity:
And such end perdy does all hem remain,
That of such Falsers Friendship been fain.

PALINODE.
Truly Piers, thou art beside thy Wit,
Furthest fro the Mark, weening it to hit.
Now I pray thee, let me thy Tale borrow
For our Sir John, to say to-morrow,
At the Kirk, when it is Holiday:
For well he means, but little can say.
But and if Foxes been so crafty, as so,
Much needeth all Shepherds hem to know.

PIERS.
Of their Falshood more could I recount,
But now the bright Sun ‘ginneth to dismount:
And for the dewy Night now draw’th night,
I hold it best for us home to hie.

PALINODE’S EMBLEM.
Pas men apistos apistei.

PIERS’S EMBLEM.
Tis d’ ara pistis apisto.

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Somehow April is nearly gone.  I can’t believe time is running so swiftly! You have probably been worrying about where the April entry is for The Shephearde’s Calender is (although, I guess if you are truly anxious or really want to read ahead, it was published nearly half a millennium ago, and can now be found online).  The April entry is uncommonly beautiful, but it also highlights a problem with 16th century poetry—namely that poets had to suck up to aristocrats so hard.  Fortunately this is not a problem in the modern world, where the great masters do not care for poetry and sucking up to them does no good.  However ancient poems are filled with long eloquent digressions about the merits of some long dead lord or king…or in this case a queen.

At any rate, the poem starts promisingly, with the aged shepherd Hobbinoll lamenting an amorous misfortune to his friend, Thenot.  It seems that Hobbinoll’s favorite beautiful young shepherd, Colin, has fallen in love with a lovely young woman, Rosalind.  However before we can explore gender issues among 16th century English fops…er, I mean shepherds… the poem abruptly veers off.  Hobbinoll wants to demonstrate Colin’s skill at poetry by reciting a poem which he (Colin) made for Elisa, the Queene of shepheardes (a fairly transparent sobriquet for real-world sovereign Elizabeth, Queen of England).  The remainder of the poem is a beautiful mixture of spring imagery, classical allusions, and panegyric metaphors flattering Elizabeth, who was Spenser’s great patron (he certainly didn’t starve to death while she was alive).   The ramifications of the curious framing device are left unstated and unpursued…at least during April. However we now know that Colin and Rosalind are out there and that Hobinoll has a sharp interest in them.… We also know that daffodils used to be called “daffadowndillies” (and I think we should return to that 5 syllable usage immediately).  I guess that’s enough of an introduction.  Without further preliminaries,  here is

The Shepheardes Calender: April

 

[Woodcut for April]

 Ægloga Quarta.

 A R G V M E N T.

THis Æglogue is purposely intended to the honor and prayse of our most gracious souereigne, Queene Elizabeth. The speakers herein be Hobbinoll and Thenott, two shepheardes: The which Hobinoll being before mentioned, greatly to haue loued Colin, is here set forth more largely, complayning him of that boyes great misaduenture in Loue, whereby his mynd was alienate and with drawen not onely from him, who moste loued him, but also from all former delightes and studies, aswell in pleasaunt pyping, as conning ryming and singing, and other his laudable exercises. Whereby he taketh occasion, for proofe of his more excellencie and skill in poetrie, to recorde a song, which the sayd Colin sometime made in honor of her Maiestie, whom abruptely he termeth Elysa.

Thenot.       Hobbinoll.

TEll me good Hobbinoll, what garres thee greete?
What? hath some Wolfe thy tender Lambes ytorne?
Or is thy Bagpype broke, that soundes so sweete?
Or art thou of thy loued lasse forlorne? Or bene thine eyes attempred to the yeare,
Quenching the gasping furrowes thirst with rayne?
Like April shoure, so stremes the trickling teares
Adowne thy cheeke, to quenche thye thirstye payne.
 
 

Hobbinoll.

Nor thys, not that, so muche doeth make me mourne,
But for the ladde, whom long I lovd so deare,
Nowe loues a lasse, that all his loue doth scorne:
He plonged in payne, his tressed locks dooth teare. Shepheards delights he dooth them all forsweare,
Hys pleasaunt Pipe, whych made vs meriment,
He wylfully hath broke, and doth forbeare
His wonted songs, wherein he all outwent.
 
 

Thenot.

What is he for a Ladde, you so lament?
Ys loue such pinching payne to them, that proue?
And hath he skill to make so excellent,
Yet hath so little skill to brydle loue?
 
 

Hobbinoll.

Colin thou kenst, the Southerne shepheardes boye:
Him Loue hath wounded with a deadly darte.
Whilome on him was all my care and ioye,
Forcing with gyfts to winne his wanton heart. But now from me hys madding mynd is starte,
And woes the Widdowes daughter of the glenne:
So now fayre Rosalind hath bred hys smart,
So now his frend is chaunged for a frenne.
 
 

Thenot.

But if his ditties bene so trimly dight,
I pray thee Hobbinoll, record some one:
The whiles our flockes doe graze about in sight,
And we close shrowded in thys shade alone.
 
 

Hobbinol.

Contented I: then will I singe his laye
Of fayre Elisa, Queene of shepheardes all:
Which once he made, as by a spring he laye,
And tuned it vnto the Waters fall.YE dayntye Nymphs, that in this blessed Brooke
doe bathe your brest,
Forsake your watry bowres, and hether looke,
at my request:
And eke you Virgins, that on Parnasse dwell,
Whence floweth Helicon the learned well,
Helpe me to blaze
Her worthy praise,
Which in her sexe doth all excell.

 Of fayre Elisa be your siluer song,
that blessed wight:
The flowre of Virgins, may shee florish long,
In princely plight.
For she is Syrinx daughter without spotte,
Which Pan the shepheards God of her begot:
So sprong her grace
Of heauenly race,
No mortal blemishe may her blotte.

 See, where she sits vpon the grassie greene,
(O seemly sight)
Yclad in Scarlot like a mayden Queene,
And Ermines white.
Vpon her head a Cremosin coronet,
With Damaske roses and Dafadillies set:
Bayleaues betweene,
And Primroses greene
Embellish the sweete Violet.

 Tell me, haue ye seene her angelick face,
Like Phoebe fayre?
Her heauenly haueour, her princely grace
can you well compare?
The Redde rose medled with the White yfere,
In either cheeke depeincten liuely chere.
Her modest eye,
Her Maiestie,
Where haue you seene the like, but there?

 I sawe Phoebus thrust out his golden hedde,
vpon her to gaze:
But when he sawe, how broade her beames did spredde,
it did him amaze.
He blusht to see another Sunne belowe,
Ne durst againe his fyrye face out showe:
Let him, if he dare,
His brightnesse compare
With hers, to haue the ouerthrowe.

 Shewe thy selfe Cynthia with thy siuer rayes,
and be not abasht:
When shee the beames of her beauty displayes,
O how art thou dasht?
But I will not match her with Latonaes seede,
Such follie great sorow to Niobe did breede.
Now she is a stone,
And makes dayly mone,
Warning all others to take heede.

 Pan may be proud, that euer he begot
such a Bellibone,
And Syrinx reioyse, that euer was her lot
to beare such an one.
Soone as my younglings cryen for the dam,
To her will I offer a milkwhite Lamb:
Shee is my goddesse plaine,
And I her shepherds swayne,
Albee forswonck and forswatt I am.

 I see Calliope speede her to the place,
Where my Goddesse shines:
And after her the other Muses trace,
with their Violines.
Bene they not Bay braunches, which they doe beare,
All for Elisa, in her hand to weare?
So sweetely they play,
And sing all the way,
That it a heauen is to heare.

 Lo how finely the graces can it foote
to the Instrument:
They daucen deffly, and singen soote,
in their merriment.
Wants [not] a fourth grace, to make the daunce euen?
Let that rowme to my Lady be yeuen:
She shalbe a grace,
To fyll the fourth place,
And reigne with the rest in heauen.

 And whither rennes this beuie of Ladies bright,
raunged in a rowe?
They bene all Ladyes of the lake behight,
that vnto her goe.
Chloris, that is the chiefest Nymph of al,
Of Oliue braunches beares a Coronall:
Oliues bene for peace,
When wars doe surcease:
Such for a Princesse bene principall.

 Ye shepheards daughters, that dwell on the greene,
hye you there apace:
Let none come there, but that Virgins bene,
to adorne her grace.
And when you come, whereas shee is in place,
See, that your rudenesse doe not you disgrace:
Binde your fillets faste,
And gird in your waste,
For more finesse with a tawdrie lace.

 Bring hether the Pincke and purple Cullambine,
With Gelliflowres:
Bring Coronations, and Sops in wine,
worne of Paramoures.
Strowe me the ground with Daffadowndillies,
And Cowslips, and Kingcups, and loued Lillies:
The pretie Pawnce,
And the Cheuisaunce,
Shall match with the fayre flowre Delice.

 Now ryse vp Elisa, decked as thou art,
in royall aray:
And now ye daintie Damsells may depart
echeone her way,
I feare, I haue troubled your troupes to longe:
Let dame Eliza thanke you for her song.
And if you come hether,
When Damsines I gether,
I will part them all you among.
 
 

Thenot.

And was thilk same song of Colins owne making?
Ah foolish boy, that is with loue yblent:
Great pittie is, he be in such taking,
For nought caren, that bene so lewdly bent.
 
 

Hobbinol.

Sicker I hold him, for a greater fon,
That loues the thing, he cannot purchase.
But let vs homeward: for night draweth on,
And twincling starres the daylight hence chase.
 

Thenots Embleme. O quam te memorem virgo?

 Hobbinols Embleme.

 O dea certe.

yellow

Chartreuse Cloud Monster (Wayne Ferrebee, 2016, cardboard and paint)

Hypothetically, sometimes, at one’s day job one has a pushy colleague who loudly demands things and stridently lobbies for oh say…all new office furniture.  It is a conundrum whether to simply bow to the wishes of the assertive colleague who demands a credenza from the internet, or whether one should go to one’s superiors and assess whether this is the right use for the office credit card.  One could potentially be caught between bickering superiors fighting over a cheap credenza. Hypothetically.

In unrelated news, office credenzas come packed in extremely heavy cardboard boxes.  This cardboard seemed perfect for building something, so instead of throwing it into a landfill, I cut it out and brought it home to build into strange new life (thereby erasing any unpleasant office politics which may or may not have been involved in its acquisition).

orange monster

Tawny Elder Monster (Wayne Ferrebee, 2016, cardboard and paint)

Last year I crafted a three-dimensional anglerfish/horse type monster in bright fluorescent colors to go with the blooming cherry tree.  This year I decided to build three ambiguously shaped blossom monsters out of the heavy cardboard from some, uh, office furniture.   The first monster (chartreuse, at the top), was meant to represent the life giving power of spring clouds.  He is a cloud creature squirming with tadpoles–or maybe Yin/Yang spirit energy…however the guests at my party thought he was a three eyed camel with sperm on him (which I guess is also true, from a certain point of view).  I wonder if Henry Moore had to deal with this sort of rough-and-ready interpretation of his abstract sculptures.

The second statue, which may be the best, is an orange figurine somewhere between a wise bird and a tribal warrior.  It has the cleanest lines and the best paint job and it is only marred by a slight tendency to curl up (there is always something!  Especially if one is dealing with cardboard sculpture).

pink blossom monster

Pink Sphinx Figure(s?) (Wayne Ferrebee, 2016, cardboard and paint)

Finally I made a sort of pink octopus/sphinx with a glowing pink interior. Again one friend looked at it and said “It’s a Pierson’s puppeteer!” (this being a meddlesome three-footed, two-headed extraterrestrial super-being from Larry Niven science fiction novels).

Another friend looked at it and said “Why is it so explicit?  I can’t believe you would show such violent erotic ravishment at your cherry festival!”

So, I guess my blossom monsters are more evocative and more ambiguous than I meant for them to be (I was sort of thinking of them as a cross between Dr. Seuss and African carvings).  Please let me know what you think!  Oh and here is a colored pencil drawing of the orange one cavorting beneath the cherry tree!

Untitled-1

Blooming Cherry Tree (Wayne Ferrebee, 2016, colored pencil and ink)

garden

A photo of my garden in Brooklyn (April 17th, 2016)

Until last week it was a slow cold spring in Brooklyn—but, then, suddenly, the season sprang into action in a flurry of beautiful colors.  The tulips leaped up out of nowhere–although the accursed squirrels are beheading them as fast as they bloom–and the cherry tree blossoms are just beginning to open (more about that later).  Here is a picture of my garden the other day: you can see some of the classic Dutch-style tulips and the bleeding hearts over in the left corner.

220px-Muscari_Neglectum

However I wanted to draw your attention downwards to a flower that barely makes it into the picture because of its delicate tininess: the muscari or grape hyacinth—a diminutive but exceedingly lovely plant.  Muscari originated in Central Asia, Asia Minor, North Africa, and the Mediterranean Basin.  The little flowers bloom in temperate woodlands of the region’s forests early in spring before the trees have a chance to set leaves. They propagate easily and can become beautiful purple, blue, and white carpets on the woodland floor.  Muscari have escaped the garden and naturalized in parts of North America, Asia, Africa, and Australia.

6004_GrapeHyacinthBlend_CGC4706w

Grape hyacinths have that name for a reason:  they are botryoidal and take the form of a pyramidal cluster of grapes (although each individual blossom is actually a tiny urn).  The effect is enchanting up close.  At a distance the little urns become indistinguishable. In fact the individual plants blend together into an amalgamated mass of color–and what a color. The finest feature of grape hyacinths are the exquisite hues.  They come in pale blue, white, and (lately) steely pink, but the most characteristic color is also the finest—an incredible blue-violet with a glaucous shimmer.

grape-hyacinths-and-daffodils--keukenhof-gardens--lisse--holland

I have always wanted a vast field of muscari, because they begin to take on the otherworldy haunting qualities of their relatives, the bluebells. From a distance, large numbers of muscari look like rivers or oceans or the surface of alien aquatic worlds.  They are just beautiful!  Hopefully mine will keep expanding so that future springs will be even more dramatic.

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