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We are coming up on the Fourth of July, our national holiday here in America when we all get together to celebrate being American. Mostly we celebrate by blowing things up, eating fattening food, and getting drunk—but whatever…we are after all American and those activities suit our national character. Yet lately there are real troubles in the USA: everyone is always fighting with everyone else over everything. The rich and the poor apparently regard each other as separate species (most unwisely in my humble opinion, since those states, seemingly so infinitely distant are not nearly so far apart as one might suppose). Ethnic and racial groups are sorting apart and clustering together even as like-minded individuals enter into their own echo chambers on the web. Drivers hate pedestrians. Dog owners and cat owners tsk at each other (although both sorts of animals are lovely pets). And beyond everything else there is the yawning chasm down the middle—the chasm between blue and red. This widening political gulf between left and right is paralyzing our nation and leaving us all poorer—both financially and in terms of experience, friendship, and opportunities. I have been disquieted by America’s growing animosity and fractiousness and I really hope you share my unhappiness. This is bad.

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What is going to happen when the latest economic bubble breaks and all of these divisions are thrown into sharp contrast as the money all sluices off to wherever it goes? I am a West Virginian who grew up In southern Ohio, Mainline Philadelphia, and Virginia. I went to college in South Chicago. I have seen red and blue America and they aren’t even that different! I feel like this tribal nastiness is being manufactured just so a bunch of narcissistic freaks can cling to power.
We are going to talk more about how to deal with this in later posts. If our country was united we could solve all of these logistical, moral, and fiscal problems which bedevil us in short order and resume building a future of beauty, meaning, and wonder. We will get there, but to celebrate the Fourth, let’s flee into a starkly different political climate: the past.
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For the 4th of July I decided to peak back through the history of my congressional district, which today is arguably the most diverse in the United States (consisting of unimaginably rich burgher-paradise of Park Slope, the inner city ‘hoods of Brownsville, the vast orthodox Jewish enclaves of Midwood, and the Russian and Central Asian immigrant districts of Sheepshead Bay).
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The history of the 9th Congressional District of New York was hilarious and remarkable. This congressional district has changed shape, color, and composition again and again like a cuttlefish at a rave. It has been redistricted and torn apart and pasted into so many different coalitions and coteries.
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Although it has mostly been a Democratic stronghold (with some congressmen and women who became famous (or infamous)—like Chuck Schumer, Geraldine Ferraro, and Anthony Weiner), there have been a fair number of Republicans representing the 9th District too. However, if you go back far enough there were other affiliations as well: Federalists, Whigs, and more than one candidate who were simply Anti-Jacksonian or “Opposition”. All the first representatives had Dutch names!
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The famous journalist Joseph Pulitzer was a congressman of the ninth district so was Thomas Bradley, a Tammany-era lawyer who died of cirrhosis of the liver at the age of 31. There were remarkable beards and moustaches aplenty: there were weirdoes and heroes and forgettable placeholders. The only constant was change.
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We Americans aren’t just different in different regions: we change a lot not over time. If you are unhappy now, keep your chin up and keep lobbying to keep the democracy fair, civil, educated, and unbiased. Affairs will work out in the end so long as we remain democratic and bound by fair rules. History keep changing faster than you might think and mostly for the better. That trend will resume and we can start being the UNITED States of America again. We can build bridges instead of walls and canyons (which suits Brooklyn better anyway). Happy Fourth of July!
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Ok, spring is moving by pretty fast. Where does the time go? However, despite the false spring back in February, the tulips in my garden came out really well this year! I thought I would share the pictures of the late tulips with you. These are lily flowering tulips. The delicate orange ones are named “Ballerina.” I bought them from a Dutch company which shipped the bulbs across the ocean last autumn. I lovingly planted them in a prime spot in the golden light of October.
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Yet, I think the pink and white ones are even prettier. Their name is apparently “Lowe’s Discount Bin.” I bought them for three dollars and forgot they were in a plastic bag under my bed until I found them in January beginning to sprout among my socks and science fiction novels. I rushed out into the slush and hastily buried them in cold shallow divots and assumed they would all die. You get what you pay for, right?
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Apparently not. The beauty of these tulips was undiminished by their low price and my slipshod gardening. I wonder if they will come back next year, and I wonder how I will ever find more of them.

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To celebrate the blossoming cherry tree, I made a big painting on cheap canvas and hung it beside the cherry tree. It’s a little hard to get the sense of the scale, but it is the largest work I have made on canvas.

The painting is an allegory of humankind’s place in the natural world (like most of my paintings). Against an ultramarine background, a giant glowing furnace monster is prancing on the back pf an aqua colored flounder. Inside the furnace chamber a little blossom person bursts into flames, powering the great contraption. Behind this tableau, a titan’s head festooned in weeds sinks into the mud (an amphora in the left corner is likewise settling into the muck). A cherry tree blooms against the night sky…along with a piece of kelp and a glass sponge. A goosefish watches the entire scene from the right foreground.
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Sadly, I forgot to paint the giant clam which was supposed to be beneath the flounder. Fortunately there is a sad squid at left to represent the mollusks within the painting (although I am not sure why he is standing around). Although the work is less finished than I would like, I think it successfully combines humor with a certain wistful pathos. Let me know what you think (or if you have a wall which needs a giant mural).
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I love spring. Whoever designed the garden behind the Brooklyn townhouse I live in felt the same way. This unknown benefactor from the past planted three beautiful flowering trees which come into blossom at the same time (um, and a holly, but we’ll talk about that another time). The king of these trees (and maybe of all flowering trees is the Kwanzan flowering cherry (which I have celebrated in spring of years past, but there is also a dogwood and a purple crabapple.
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I have been trying to plant flowers which come into blossom at the same time as the trees so as to have a perfect week of flowers. The tulips which I have found that work best are Leen Van Der Mark and Don Quichotte. Miami Sunset also unexpectedly bloomed at the same time (as did some white jonquils, which I rescued from a neighbor’s garden when it was replaced with turf).
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This year the bleeding hearts (a perfect Brooklyn flower) also bloomed at the same time as the tree. There are also some primroses, hellebores, violas, and pansies in there too, but being a different scale, it is hard to see them. The April blossom garden is a success, but May should have some delights too, in the form of the iris, the peonies, and the azalea. Hopefully my Hydrangea was not nipped by the March blizzard to the point it will have no blossoms, this year. I guess we’ll find out. In the mean time enjoy the flowers!

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Here in the northern hemisphere, we’re moving to the darkest time of the year.  I don’t have any white robes or giant megaliths on hand to get us through the solstice, but I thought I might at least cheer up the gloomy darkness with some festive decorations!  As in years past, I put up my tree of life filled with animal life of the past and the present (see above).  This really is my sacred tree: I believe that all Earth life is part of a larger cohesive gestalt (yet not in a stupid supernatural way–in a real and literal way).  Looking at the world in review, I am not sure most people share this perspective, so we are going to be philosophizing more about our extended family in the coming year.  For right now though, lets just enjoy the colored lights and the Christmas trilobite, Christmas basilosaurus, and Christmas aardvark.

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I also decorated my favorite living tree–the ornamental cherry tree which lives in the back yard.  Even without its flowers or leaves it is still so beautiful.  I hope the shiny ornaments and toys add a bit of luster to it, but really I know its pulchritude is equally great at the end of January when it is naked even of ornaments.

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Here are some Javanese masks which my grandfather bought in Indonesia in the 50s/60s. Indonesian culture is Muslim, but there is a deep foundation of Hinduism (the masks are heroes from the Mahabharata and folk heroes of medieval Indonesia).  Decorating this uneasy syncretism up for Christmas is almost nonsensical–and yet look at how good the combination looks.  Indeed, there might be another metaphor here.  We always need to keep looking for beautiful new combinations.

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Finally here is a picture of the chandelier festooned with presents and hung with a great green bulb.  The present may be dark, but the seasons will go on shifting and there is always light, beauty, and generosity where you make it.  I’m going to be in and out, here, as we wrap up 2016 and make some resolutions for 2017.  I realize I have been an inconsistent blogger this year, but I have been doing the best I can to keep exploring the world on this space and that will continue as we go into next year. I treasure each and every one of you.  Thank you for reading and have a happy solstice.

Autumn3.jpgI’m sorry.  November is flying by on russet wings and still I have posted no photos of autumn color!  i meant to write about beautiful autumn foliage, but, with one thing or another, I never managed to get out of New York. So…the only thing to do was to head out to my garden in Brooklyn and take some leaf pictures at home.

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Autumn gardens have their own chaotic beauty of fallen leaves, brown spots, and jagged red vines.  Plus it has been warm this year so there are still plenty of flowers.

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However the queen of the garden, as always, is the ornamental Kwanzan cherry tree, which is nearly as beautiful covered in glowing yellow leaves as it is in summer wearing bright grass green…or even in spring when it is a lambent pink cloud.  I love that tree!

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It has been a while since I blogged about my garden—which is a shame since it has been unusually beautiful this year.  Alas, I am not an especially good photographer, but here are two little garden pictures so you can relive the end of May and the beginning of June with colored pencil drawings.

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Night Ruler Iris (Wayne Ferrebee, 2016, colored pencil and ink on paper)

Here is “Night Ruler” the dark violet iris which I blogged about last year.  It had about two good days before a rainstorm knocked down the 4 foot flower spikes—but they were two GOOD days.  There is hardly a flower more beautiful than the near-black German iris.

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Livin’ Easy Rose (Wayne Ferrebee, 2016, colored pencil and ink on paper)

Here is another beautiful flower, a floribunda rose named “Livin’ Easy” which is sort of a fluorescent coquelicot color.  It is hard to get the vibrancy of the color of this beautiful little rose (and even more difficult to capture the heavenly smell).  Maybe you will have to imagine the joy of rose season here in late spring/ early summer.

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Chartreuse Cloud Monster (Wayne Ferrebee, 2016, cardboard and paint)

Hypothetically, sometimes, at one’s day job one has a pushy colleague who loudly demands things and stridently lobbies for oh say…all new office furniture.  It is a conundrum whether to simply bow to the wishes of the assertive colleague who demands a credenza from the internet, or whether one should go to one’s superiors and assess whether this is the right use for the office credit card.  One could potentially be caught between bickering superiors fighting over a cheap credenza. Hypothetically.

In unrelated news, office credenzas come packed in extremely heavy cardboard boxes.  This cardboard seemed perfect for building something, so instead of throwing it into a landfill, I cut it out and brought it home to build into strange new life (thereby erasing any unpleasant office politics which may or may not have been involved in its acquisition).

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Tawny Elder Monster (Wayne Ferrebee, 2016, cardboard and paint)

Last year I crafted a three-dimensional anglerfish/horse type monster in bright fluorescent colors to go with the blooming cherry tree.  This year I decided to build three ambiguously shaped blossom monsters out of the heavy cardboard from some, uh, office furniture.   The first monster (chartreuse, at the top), was meant to represent the life giving power of spring clouds.  He is a cloud creature squirming with tadpoles–or maybe Yin/Yang spirit energy…however the guests at my party thought he was a three eyed camel with sperm on him (which I guess is also true, from a certain point of view).  I wonder if Henry Moore had to deal with this sort of rough-and-ready interpretation of his abstract sculptures.

The second statue, which may be the best, is an orange figurine somewhere between a wise bird and a tribal warrior.  It has the cleanest lines and the best paint job and it is only marred by a slight tendency to curl up (there is always something!  Especially if one is dealing with cardboard sculpture).

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Pink Sphinx Figure(s?) (Wayne Ferrebee, 2016, cardboard and paint)

Finally I made a sort of pink octopus/sphinx with a glowing pink interior. Again one friend looked at it and said “It’s a Pierson’s puppeteer!” (this being a meddlesome three-footed, two-headed extraterrestrial super-being from Larry Niven science fiction novels).

Another friend looked at it and said “Why is it so explicit?  I can’t believe you would show such violent erotic ravishment at your cherry festival!”

So, I guess my blossom monsters are more evocative and more ambiguous than I meant for them to be (I was sort of thinking of them as a cross between Dr. Seuss and African carvings).  Please let me know what you think!  Oh and here is a colored pencil drawing of the orange one cavorting beneath the cherry tree!

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Blooming Cherry Tree (Wayne Ferrebee, 2016, colored pencil and ink)

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Crystal Owls (Wayne Ferrebee, 2016, colored pencil and ink)

Here are some more images of beauty, depravity, whimsy , and the mundane from my little sketchbook. The first picture above shows crystal owls flying through a jeweled night.

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Flounder and Doughnut (Wayne Ferrebee, 2016, colored pencil and ink)

This is an artificial tribal world of doughnuts, flounders, and jittery totems. It is a dual world of dark teal and apricot.

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Friend’s Backyard (Wayne Ferrebee, 2016, colored pencil and ink)

This is a sketch of my friend Reis’ backyard in Park Slope at dusk. I particularly like the Serbian spruce in the center.

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Backyard in Spring (Wayne Ferrebee, 2016, colored pencil and ink)

This is a whimsical interpretation of my backyard in early spring as seen by Max Fleischer in a bad dream.  Look at my chiminea walking around talking to the plants!

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Tropical Dancer (Wayne Ferrebee, 2016, colored pencil and ink)

This was a lot prettier in the real world.  It is a beautiful tropical dance recital with people checking their programs.

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Untitled (Wayne Ferrebee, 2016, colored pencil and ink)

No comment.

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Whim-etery (Wayne Ferrebee, 2016, colored pencil and ink)

I love paisleys and I have been trying to incorporate them into little landscapes with animals and scenery.  Thanks for looking.  As always, your comments are greatly appreciated!

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Brooklyn Heights (Wayne Ferrebee, 2016, colored pencil and ink)

Here are three little pictures from the sketchbook book I carry around with me.  The first picture is a view across the East River from the Wall Street Wharf.  In the second picture dark shadows and monsters are calling out my name. Hmm…With typical art world narcissism, I took the title of today’s post from this picture.

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Shadowy Friends (Wayne Ferrebee, 2016, colored pencil and ink)

Finally here is a radiant sky deity enjoying some beer and a doughnut. He is attended by doting cherubim and towering heavenly clouds as he partakes.  Only a lamprey and a fly spoil the image somewhat.  A plover beholds the entire tableau with amazement.

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Skygod Doughnut (Wayne Ferrebee, 2016, colored pencil and ink)

 

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