Mask, Boa, Late 19th/early 20th c., wood, kaolin, and pigment, Democratic Republic of the Congo.

Mask, Boa, Late 19th/early 20th c., wood, kaolin, and pigment, Democratic Republic of the Congo.

The Boa people (AKA Baboa, Bwa, Ababua) live in the northern savannah region of the Democratic Republic of Congo. Today, as in the past, the majority of Boa make a living by hunting, fishing, and subsistence farming. They speak a Bantu language which shares the same name(s) as their tribe. The Boa once had a reputation as fearsome warriors. When Azande spearmen from southern Sudan invaded Boa lands during the nineteenth century, the Boa successfully repelled the invasion. Subsequently, in 1903 the Boa rebelled against Belgian colonial occupation. Even though they were woefully underequipped and poorly armed, the warriors stood up to the industrialized Belgian forces for seven years. After the rebellion, extensive missionary proselytizing caused the tribe to convert to Christianity.

Boa Mask (carved wood, contemporary)

Boa Mask (carved wood, paint, contemporary)

The Boa are internationally famous for making exquisite wood carvings—particularly eerily beautiful masks and harps with human faces. Original carvings from the pre-Christian era are especially rare and precious. These works usually portray ferocious faces painted with black and white checkerboard patterns. Sadly, the ritual meaning of such masks is now unclear–presumably they were sacred to secret societies or used in the magical/religious ceremonies of warrior cults. Since the original religious cultural context is lost, we are forced to regard these masks solely as art objects—and what spectacular art they are! The mysterious black and white patterns, the feral mouths, and the delicately carved owl-like faces all point to a syncretism between humankind and the wider living world. The animistic masks symbolize not just the spiritual forces of the living animals and plants but also the forces of the night, the river, the weather, the ancestors, and the underworld. To put on such a mask would be to subsume oneself in a vast spiritual totality—to convene with vast forces beyond the purview of a single human life…maybe…or maybe they had an entirely different meaning to their makers. They are a beautiful dark enigma.

Mask, Boa, Late 19th/early 20th c., wood, kaolin, and pigment, Democratic Republic of the Congo.

Mask, Boa, Late 19th/early 20th c., wood, kaolin, and pigment, Democratic Republic of the Congo.