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Since I was a child, I have loved the Olympics, but a lot has changed in the world since the black-and-white moral conflict of the cold war (and a lot has changed for me since I was a child living in blood-red rural America). As one of the few venues where the nations of the Earth convene, the Olympics gives us a god’s eye view of the international order (albeit through the darkened lens of corporate sponsorship and whatever NBC thinks will appeal to the most American viewers). As the games proceed we can talk about some of what we are viewing. For example, I think the Tokyo Olympics will illustrate how America’s ongoing political crisis is leading to precipitous national decline even more starkly than say the manifold failures of our navy or the savage buffoonery of our national legislature. But we will see! The games have yet to be played and there are always surprises. First let’s talk about the opening ceremony.
One of the ways the Olympics outshine quotidian sports contests is by throwing little tidbits to other disciplines like fashion, music, technology, art, and dance. The original Olympics had medals for music, literature, and the arts, and, although such cultural contests have been subsumed by the dictates of modern broadcasting, elements remain within the pageantry and protocol of the games. Nowhere is this more evident than in the opening ceremony–which certainly showcased Japan’s continuing expertise at robotics (and also featured some delightfully preposterous dance routines). However the real spectacle worth watching is the parade of nations! We get to see almost all of the other nations of Earth and a sample of how they dress for fancy occasions, not to mention a prime lineup of extremely fit human beings of all shapes and varieties.

It was wonderful, like it always is. Also, after a year or more of watching anxious and sick people on TV, the athletes looked particularly happy and healthy. I don’t know about you, but my heart soared with delight seeing that flag holder from Ghana dance into the stadium with such graceful & proud bearing.

And there was so much more! There were Bermudans in Bermuda shorts! There were magnificent gleaming Hercules chests (these days, Tonga is not the only nation headlined by a magnificent oiled muscleman!)

There were jewels and gold from the Persian Gulf.


Of course there were also fashion choices which failed to “stick the landing” too. Hungary is an amazing country but their outfits made them look like the title sequence of the gory film I watched in driver’s ed! Maybe let’s try to avoid red spatters in future costumes.

Sartorial magnificence of every flavor was on display. However to my eyes, the most beautiful costumes belonged to the athletes from…Benin? Their regal embroidered tunics and dresses of royal blue featured fluorescent pink and aqua floral icons. These matched their magnificent satin hats (of name unknown to me). I wasn’t expecting the word’s 163rd wealthiest nation to win the international fashion contest (in fact half of my favorite things from my notes are from nations on the Gulf of Guinea!), but like I said, half of the delight of the Olympics comes from joyful surprises.

America’s outfits were fine, I suppose, but the dark navy blue on top of dark denim read as almost black. Also, I always worry that our nation mistakes casual comfort for elegance, which is to say I thought we maybe looked a bit like lazy villains (which suits the past four years, I guess).
Anyway, the opening parade is over and we can get back showing off in venue which primatologists (or bio-scientists of any stripe) will instantly recognize: physical competition. But before we get too competitive I hope we hold onto a bit of the international amity and open delight in the appearance and actions of foreigners which characterized the opening ceremony. Something tells me we are going to need to love each other a lot more if we are going to survive what is coming (much less make it through to a glowing future of thriving forests, healthy oceans, joyful children, and giant space arks). But somewhere in that Olympics parade there are always things that make me think that such a world is at least possible.

Long time readers know that Ferrebeekeeper has a keen (albeit understated) interest in mascots. They are the heraldic beasts of our corporate times…and, like the present, they represent a peculiar synthesis of what is endearing, banal, zany, and oppressive all wrapped up together. The royalty of the mascot world are Olympics mascots, although admittedly they come from hardscrabble roots and they don’t reign for long (I am sorry I was only two years old when Schneeman came and went at Innsbruck—but maybe we can get in the wayback machine and visit that goofy goofy snowman one of these days). A couple of years ago we blogged about Soohorang the overly-simplified white tiger of Korea, and it was a pleasure to see this bland beast spring into action. What with all of the excitement back in February though, I failed to show you a peak at the future.

As you have probably guessed, this is a long-winded way of introducing the 2020 Olympics mascots. The 2020 summer Olympics will be held in Tokyo, Japan, the epicenter of the land of mascots. Japan has learned a thing or two since they brought us Sento-kun, Nara’s disquieting deer-child of magic and ridicule. For 2020 the designers looked deep into the web and brought us some of the things the internet loves best: cats and nerdy futuristic technology.

Here are the mascots of 2020. They are so new they do not yet have names, but I really like them. The blue tomcat in the suit from that Tom Petty video is the Olympics mascot, and the pink kitty with the retro-future cape and the red eyes is the Paralympics mascot (by the way, congratulations to all of the proud strong athletes of the 2018 Paralympics).
I really like these Tokyo mascots: they are just the right amount of futuristic. Thank goodness we are not replaying the whole Wenlock and Mandeville fiasco. Just looking at these spacecats makes happy eighties synthesizer noises go off inside my head. The cats look really friendly and they have clean bold lines (without being too scaled back like poor Soohoorang, who barely exists because of the unholy collaboration of digital designers and management committees). In fact, these guys look like somebody with some pencils might have sketched them out before reaching for Illustrator. I also like the white, navy, and magenta color combination. It seems like they came from a clean contest instead of one that Vladimir Putin tampered with. Speaking of which, that post was from 2014: how come we didn’t learn anything then?

But back to the future mascots… With their hover suits and feline arrogance, there is an element of the Great Gazoo in both these cats (for young people, the Gazoo was a patronizing gnome from space or the future or something who was always tormenting Fred and Barney during the final post shark-jump seasons of the Flintstones). Additionally, there is a lot of Pokemon and Neopets in these cats. Here are the finalists from which the two winners were selected.

It seems like the Japanese really love cats, and I am right there on the same page with them. White cats wearing spacesuits are particular favorites since we had a family of white cats when I was growing up (although I don’t remember if they wore spacesuits or not). My grandparents had a white cat named Pharaoh who was one of the real characters of my youth. Pharaoh’s sister Lily was one of my favorite cats too and she would sleep on my feet sometimes and purr in my arms when I was 9, although she died far too young, killed by a cruel and indifferent motorist (as will happen to all of us unless they hurry up with robot cars). Oh…I made myself sad. Fortunately these mascot cats will not be let outside before 2020 (plus they are deathless cartoons) and I am excited to learn their crazy names and backstory. Most of all I am excited to see them in Olympics action: 2020 can NOT come soon enough (if you know what I mean). We can put all sorts of disreputable stuffed head branding dummies in the past.
