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It is October, the scary season of the year, and Ferrebeekeeper is working towards our annual Halloween special feature at the end of the month. Before we get there however, let’s pause to appreciate an exceedingly beautiful snake, Drepanoides anomalus, the black-collared snake of South America. The tiny but handsome snake can be found in the neotropical forests of the great Southern continent in a range stretching from French Guyana across Brazil, and from Colombia down through Peru, Ecuador, and Bolivia. For those of you following along on a globe, that is an epic range…and yet, so little is known about this tiny snake here in the north (or anywhere online, for that matter) that it is hard to speak sensibly about its habits and proclivities. It is a rear-fanged snake notable for a nocturnal lifestyle and for its propensity for eating eggs of he many many sorts found in its region. This genus contains only the single living species. What we can say for certain is that this is an endearingly winsome little snake with appealing eyes and a gorgeous red body. I can’t decide whether its tiny white headband looks like a clergyman’s collar or like a cartoon bandage, but it does make me think we could do better in English than “black collared snake.” If anyone out there knows anything about this mysterious creature, please let us know!

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Back in the day, my grandfather was in Vietnam.. Although he lived in Saigon, he worked closely with the Hmong, the people of the forested mountains which run up the country like a green spine. Sometimes he would rhapsodize about the otherworldly beauty of these tropical cloud forests where he saw sights that seemed to come from times long gone. Beyond the bronze age settlements and floating villages of the Hmong Grandpa said he saw jewel-like orchids and mysterious plants there which were wholly unknown. He also said he witnessed amazing birds, insects, and reptiles and heard rumors of strange animals that seemed to belong in myths (maybe like the saola, which is real (barely)…or maybe like the baku, which is not).

All of which brings us to contemporary news! Back in 2019, a group of American and Vietnamese biologists were studying Vietnam’s northern Ha Giang province (which borders south China) when they found a bizarre snake. The snake did not have bright-light photoreceptors in its eyes and it had strange scales like smooth river pebbles arranged in odd patterns The snake was fossorial–a burrower like the amphibian caecilians. Most strangely of all it had iridescent scales but the colorful opal iridescence was atop dark scales of indigo, lavender, brown, and gray. The snake was unknown to science and it has just been announced as an entirely new species–Achalinus zugorum. It is a member of the genus of snakes called Achalinus, the odd scaled snakes, a poorly understood genus which previously only had 13 known species.

Snakes of the Achalinus genus do not have overlapping scales, instead their scales spread out (perhaps to facilitate a life spent hunting beneath the leaf litter and the forest duff). They seem to be a basal lineage which branched from the evolutionary tree of snakes before the ancestors of other snakes did. Not only their appearance. but also their behavior is very different from that of other snakes. Unfortunately, because of their burrowing lifestyle, the odd-scaled snakes hold tight to their mysteries. A Vietnamese herpetologist who was describing the new species said that during decades of collecting snakes in Vietnam’s snake-filled jungles he has only captured half a dozen Achalinus snakes.

The discovery highlights how much we do not know about creatures and ecosystems which are disappearing quickly. Fortunately, researchers at the Smithsonian sequenced the DNA for Achalinus zugorum before returning the single specimen to Vietnam. We may know nothing about this carnival glass serpent from the underworld, but we also know everything about it (if we ever learn to truly read what we have written down). It excites me to imagine these snakes and other unknown species pursuing their secret and unintelligible lives among the orchid roots, and myceli of unknown fungi in these forests. It makes me anxious though, too. How long will this cryptic & beautiful hidden world even exist before it is all swept away?

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Tonight is the last night of Carnival…tomorrow is Ash Wednesday which begins the ritual austerities of Lent (which means spring is now truly on the way).  I grew up reading eye-popping tales set in Venice during Carnival (or in Medieval France, or New Orleans, or Rio de Janeiro), yet somehow I always miss out on carnival’s over-the-top pageantry and mad frolics.  I blame this on my Methodist upbringing: Protestants conceive of Lent very differently than Catholics! (even fallen Methodists) but maybe I should blame the weird schedule. I am sure there are carnival festivities going on somewhere in Brooklyn right now, but, come on, it is Tuesday night.  I just got home from work: there is no time to put on 50,000 beads and learn a samba routine.

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\Anyway, to capture this strange mixture of temptation, wariness, sin, redemption, and multi-color ultra-spectacle (and as a call-back to yesterday’s rainbow serpent post), I have decided to post pictures of some snake themed carnival floats from around the world/internet.

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The snake is obviously an important carnival animal, and I can see no other interpretation of the reptile other than in its Biblical role as a representative of temptation and sin (which are obviously themselves major components of carnival).  Perhaps the snake’s ribbon morphology is a secondary component (since this is a great shape for floats).  It is worth noting though the the West African religions which syncretized with Christianity to create the vodou faiths of the New World are very snake oriented.  One of the most august Vodou loas is the great fertility/father figure Dumballah, who is represented as a great serene river serpent.  I wonder if  he might be an influence on some of these displays.

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PuppetsUp Parade 2013

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Hopefully these ARE carnival snakes.  As I was looking for them, I kept finding Chinese “Year of the Snake” floats and Saint Patrick’s Day “Get these snakes out of Ireland” snakes (to say nothing of Hindu cobras and Australian snakes of some unknown provenance).  Maybe parade-goers simply love snakes because all parades kind of are snakes at some level.  Or perhaps there is a deeper cultural connection which eludes me on Tuesday night and must be looked into further in snake-themed posts of the future.  In the meantime Happy Shrove Tuesday!  Go eat some colorful cake and start getting ready for a new season!

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Happy Halloween! Here at Ferrebeekeeper we continue working through a list of snake monsters from around the world.  Today’s monster is from South African lore—but it is a little unclear what tradition it hales from.  Maybe, as in the case of, say, Bigfoot, the legends of indigenous people got mashed together with the aspirations and fears of European explorers, miners, and settlers to create an unsettling hybrid being…At any rate, this creature, the Grootslang, is said to be a colossal hybrid of an elephant and a serpent left over from the primordial building of the world.  The gods created a creature of enormous size, colossal intellect, dark cunning, and insatiable greed…oh and bendiness.  Grootslangs were soon destroying the newly created world, and the gods realized they had made a terrible mistake.  They separated the beings into different categories, giving size & intellect to the great elephants and supple cunning and greed to snakes.

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Yet some (or one?) Grootslang escaped and lived on to trouble humankind.  Myths assert that the Grootslang was even more avaricious, parsimonious, and cunning than diamond prospectors and Dutch colonial merchants (so obviously the stories are fake).  The Grootslang    is said to live in a cave filled with infinite diamonds somewhere in the Richtersveld of South Africa.  It is enormously wealthy and delights in cruelly torturing unwary prospectors to death, however its greed is it weakness and victims can prolong their life by offering it treasure and deals.  Alas, the Grootslang kept not just the cruelty strength and wealth of the ancient gods it also had their unearthly acumen and cunning, so deals made with it tended to go horribly wrong, in the manner of dragon curses from medieval tales.  So, if you run into the Grootslang you can potentially save yourself by offering it diamonds, but probably everything will come apart and you will be in a worse situation than you were originally.

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Hmm, maybe this thing is actually a metaphor for DeBeers…

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In Hindu mythology there was an entire class of intelligent beings who were snakes—the nāgas (a male is a nāga: a female is a nāgī or nāgiṇī). In contemporary Hinduism the nagas are regarded as the protectors of springs, wells, streams, and rivers.  Sometimes nagas assume human form (with all of the abilities, appurtenances, and liabilities) but largely they are huge beautiful king cobras. The nagas tend to live in their own realm, Pātāla, the seventh of the nether kingdoms, yet they appear in other places too and interact with gods, mortals, demons, and animals.  Neither evil nor entirely good, the nagas have their own enmities, problems, and tales (although these intersect sometimes with the human protagonists of Hinduism’s great epics and myths).

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A particular problem of the nagas is the swift and terrible eagle god Garuda, who is an enemy to the serpent people. He despises them because once he was their slave (through a complex family geas which you will have to look up on your own).  Garuda escaped this servitude by bringing the potion of immortality to the nagas, but, as soon as he presented it to them and escaped his servitude, he spilled the potion upon the sword grass.  The nagas desperately licked up the remnants from the razor grass…but it is a bit unclear whether they attained immortality or not—the grasss certainly cut their tongues most cruelly and nagas (and snakes) have forked tongues up to this day.

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The world itself rests on the head of a naga. The naga prince Shesha practiced such astringent asceticism that Brahma became amazed by him.  Shesha’s body (which was already that of a snake) became so knotted and powerful and slender that he slipped downward into a hole which lead all the way to the bottom of the world.  There Brahma entrusted him with the sacred burden of holding the entire planet and all of us.

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With this in mind, it is unsurprising that in certain parts of India, Bali, and Nepal, the naga are worshiped.  Nag stones are a particular object of cultic reverence. Cobras likewise are venerated.

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My grandfather grew up in West Virginia (where snakes are taboo in accordance with longstanding Judeo-Christian cultic practice) but his work took him around the world–which was not quite so homogeneous in the 40s, 50s, and 60s! When I was a child he used to tell me stories of the nagas and their struggles.  He also told me that one of the defining moments of strangeness in his life was when he was passing through South India and saw a woman put out a saucer for (what grandpa assumed was) a pet.  He was surprised when she squeezed some breast milk into it, but stunned when a huge glistening cobra crawled out of a wall and lapped up the milk.

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OK! Today’s serpent monster is from Zambia from stories told by the Lozi people.  This manufactured supernatural snake is called the llomba (in no way to be confused with a llama) and, according to lore, it can be constructed by a powerful witch doctor from his (or her?) own fingernails, skin and blood.  When these disgusting ingredients are properly mixed with magical herbs a baby llomba is born.  The witch doctor must feed the serpent with eggs and porridge until the monster’s fangs develop, whereupon the sorcerer can sic the creature upon their enemies.  To disinterested third parties, the llomba merely looks like a giant terrifying snake, however it appears as a snake version of the witch doctor to the designated target (and to the witch doctor himself).  When the llomba finds its prey, it consumes their soul in an orgy of primal serpentine terror! Woah!

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So far all of this sounds great (uh, insomuch as black magic homicide goes), yet there are drawbacks for the witch doctor as well.  The llomba stays hungry and must constantly be fed. Once it has tasted human souls, eggs and porridge and Zambian breakfast foods no longer do the job.  If the witch doctor lets it starve, he dies too.  If the witch doctor gets weary of constantly feeding souls to a giant snake which looks like a snake version of himself, he can kill it through magic, but then he will be forever haunted by the llomba’s victims (not that this would necessarily bother someone killing people with evil power).  Also, you may want to take this talk of magic snakes made of fingernails and dark wizardry with a grain of salt: my sources identified the llomba as a sea snake and Zambia is extremely landlocked.

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Here is a very beautiful painting by Pre-Raphaelite luminary Evelyn de Morgan.  This work is titled The Angel with the Serpent and it was completed between 1870 and 1875. Although the work is a religious allegory, its meaning is surprisingly elusive.  In Judeo-Christian myth, the serpent represents sexuality, subversiveness, knowledge (and evil). These meanings certainly pertain to this work, yet the angel’s tenderness for the snake seems to suggest that God has wrought these aspects of existence too.

Admittedly this painting might depict a world before the fall (the sumptuous flowering bush and the bare lands beyond hint at this possibility).  Is the handsome angel in the red robes Lucifer before he was cast down?  Even if this painting does depict the time of Eden, it still suggests that the snake was always part of God’s plan and is dear to the Divinity and his agents (a forbidden idea which raises numerous troubling questions).

I am presenting the painting not just so you ponder the metaphorical meanings of Genesis (although I hope you are doing so), but also to introduce my Halloween week theme of supernatural snakes.  Ferrebeekeeper is no stranger to snake deities and monsters at all levels, but snakes have always been part of every mythos except for those of the farthest north and so there are plenty more to get to.  Enjoy Evelyn de Morgan’s lovely painting and get used to numinous snakes–we are going to see some amazing scales and forked tongues before next Tuesday!

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I wanted to do a short post about a snake from my childhood: Heterodon platirhinos, the eastern hog-nosed snake.  This snake is a harmless fossorial colubrid snake which lives from New Hampshire to Minnesota and ranges from the southern parts of Canada down to northern Florida.  It lives in woodlands and dense meadows where it burrows in sandy and loamy soil and hides in leaf litter hunting for its favorite prey—amphibians–especially toads.

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The hog-nosed snake is mildy poisonous, but its fangs are in the back of its mouth (the better to grip struggling toads) and its venom is not harmful to humans.   The snake is incorrectly known as a puff adder because, when threatened, it hisses, puffs itself up, and flattens its neck out like a little cobra.  Do not confuse the hog-nosed snake for a real puff adder, Bitis arietans, a deadly viper indigenous to Africa south of the Sahal.

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The hog nosed snake also has another theatrical trick for evading predators: it plays dead with such gusto that it begins to reek of death, expels foul slime, and even bleeds from the mouth.  The snake is so very convincing at looking dead that, when I was a boy-scout, we were warned not to harass the entertaining little reptile lest it harm itself with its zeal(although perhaps this was mere PR for the master thespian).

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“He was so young….Whyyyy?”

The hog-nosed snake is also very cute, with beautiful ruddy leaf patterns, a blunt little nose and eyes at the front of its head.  I haven’t seen one in decades—I wonder how they are doing out there in the woods of southern Ohio.

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Untitled-6.jpgSaturday (January 28th, 2017) was Chinese New Year! It’s now year 4714, the year of the fire rooster! Holy smokes, that sounds like an intense animal.  Ferrebeekeeper is going to celebrate the spring festival with a whole week devoted to chickens (especially roosters).  I write a lot about other animals, but I owe a truly inconceivable debt to chickens, since chicken and rice are my staple foods. Indeed, I eat so many chickens that, I am probably going to get to the afterlife and find hundreds of thousands of angry spirit chickens waiting for me with flame eyes and needle sharp ghost beaks.  A week of pro-chicken posts can only help when that day comes.

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Tomorrow we will talk about the ancestral wild chickens—the red junglefowl of the subcontinent—and how they became humankind’s favorite bird (if you look at the scale of chicken farming, I think you will agree that no mighty eagle, or super-intelligent pet parrot can compare in our collective esteem). We have some other observations to make about chickens as domestic animals and some rooster anecdotes. A brain-damaged rooster was the animal sidekick in Disney’s latest (amazing) princess film.  My parents have an ugly multicolor rooster who is somehow endearing himself to them.  Before then though, so I have something on this first workday of, uh, 4714, I would like to present these 4 chicken themed flounders.

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The one at the top is a fairly straightforward rooster, greeting the dawn from the back of a turbot which is swimming between classical urns and stars which look like flowers.  We will talk more later about the second flounder/chicken hybrid (which not only evokes the lost world of zoomorphs, but also speaks to my roommate’s latest creative/spiritual/magical pursuits (?).  This leaves the third flatfish (in glowing green), a clear allegory of the serpent tempting humankind to taste chickens (as various mythical animals and imps excluded from creation look on from beyond the charmed circle).

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Finally, there is a contortionist aiming her bow at a target beyond this world as a glowing multicolor cock stares her beadily in the eye.  The sable flounder is surrounded by bats in the crepuscular sky as well as an armadillo and a horny toad.  We will talk more about chickens tomorrow, but these images should give you plenty to think about as you start off the new year.

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The ancient Babylonians looked up at the glittering night stars and saw the shapes they knew from nature and from the myths of Mesopotamian civilization: a lion, a maiden, a scale, a scorpion, a centaur archer, a water goat (?),  a water bearer, a pair of fish, twins, a ram, a bull, and a solipsistic crab.  For thousands of years, these ancient emblems fascinated the imagination and represented the changing influence of the heavens upon humankind throughout the year.   Roman astronomers and calendar makers formally enshrined the twelve symbols as a circle of twelve 30° divisions of celestial longitude: a calendar for the whole year.  This zodiac has been with us for a long time. The twelve figures lie at the center of the fun pseudoscience of astrology (which has no rational validity but which is a great way to strike up conversations and analyze the most fascinating subject of our times: the self).

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But what if the Babylonians and the Romans got it wrong?  There was always some awkward wiggle room in their calculations.  Was there a 13th zodiac sign which ancient magi/natural philosophers skipped out of ignorance, fear, or fascination with the number 12?  This is the provocative but largely meaningless question posed by NASA in a spectacular announcement of a newly found thirteenth constellation!  Well actually they have not so much found this constellation Ophiuchus, as reinstated it in the circle of the night sky as illustrated in the stunning graphic below.

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Orpiurchus, “The Snake-bearer” has long been in the heavens—although it is hard to see from northern latitudes–and astrologists and iconographers have flirted with the idea of including him in the classic zodiac (which kind of only works in the northern hemisphere anyway).   The snake bearer does have an emotional resonance with Mesopotamian, Greco-Roman, AND Judaeo-Christian cultures, all of which have intense snake-themed myths about knowledge, hubris, and humankind’s uneasy place in the cosmos.

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ZodiacBooks.com presents us with an overview of the emotional traits of these new snake carriers as, “spirited, magnetic, impulsive, clever, flamboyant, and at times jealous, power-hungry, and temperamental [people born in this sign] want to heal the world of all ills and bring everyone closer together.” Hmm, it sort of sounds like everyone I know except for my crabby Cancer friend.  Obviously shoehorning a whole 13th symbol into the calendar has moved everything around, so here are the new dates, if you are afraid you might actually have some other personality than the one you have always had:

Capricorn: January 20-February 16

Aquarius: February 16-March 11

Pisces: March 11-April 18

Aries: April 18-May 13

Taurus: May 13-June 21

Gemini: June 21-July 20

Cancer: July 20-August 10

Leo: August 10-September 16

Virgo: September 16-October 30

Libra: October 30-November 23

Scorpio: November 23-November 29

Ophiuchus: November 29-December 17

Sagittarius: December 17-January 20

Of course a cynical natural scientist might surmise that random patterns of stars (which lie many many light years from each other) have no influence whatsoever on our little lives.  NASA, which deals in real science and engineering, but which desperately needs ATTENTION to thrive in our chaotic late-stage democracy says as much on their website.  They have essentially slapped a “for novelty purposes only” asterisk on this entire story (AND on astrology). We will see if Orpiurchus becomes a lasting part of the heavens or if he slinks back into dark obscurity like he did in the 1970s (or in this beautiful Rouseeau painting below which has nothing to do with this attention-seeking story). In the meantime, this is a fine opportunity to talk to people about their personalities and their birthdays and about what they want from the world. Whatever his nature, the snake-bearer can thus help us fulfil the true purpose of astrology!

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