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Our Inktober special feature of Halloween-adjacent pen-and-ink drawings continues with this enigmatic golden orchid monastery piece which I drew with colored inks on yellow paper.
Lately I have been drawing a series of intricate altarpiece-style compositions after the style of Medieval illuminators (whose seminal contributions to art, culture, and media have been underappreciated because of the post-Vasari cult of celebrity). Hopefully writing about these illustrations in these posts will help contextualize the themes I am trying to highlight.
Here is a little monastic microcosm of the world. In one monastery, a white-haired abbot lords it over his little flower novices. In a sister monastery, the mother superior and her votaries carefully send out an intimate message to the monks by means of technology. Sundry lizard people, extinct animals, and cloaked figures roam about in the space between the two houses as a rain of yellow orchid blossoms falls down from the heavens.
To my mind, the most important part of this composition is the tiny strip of nature in the foreground–a little ecosystem of weeds, wildflowers, seeds, nemotodes, myriapods, and maggots (who are furiously breaking down a mouse skull). The human world of sly courtships, status posturing, and religious grandstanding grows up out of this substrate and pretends to be superior to it (while actually being entirely dependent on the microscopic cycles of life). All of the pompous & made-up things which humankind uses to dress up our savage primate drives do not change the fact that ecosystems are of paramount importance.
The religions of Abraham (among others) put animals and the natural world at the bottom of their moral hierarchy. I believe they are ultimately doomed because of this stupid outlook. Whether they will take us all to a garbage-strewn grave with them remains an open question.
ferrebeekeeper 