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This artist needs no introduction. Gustave Doré was the preeminent illustrator of the 19th century. Although he became rich and successful, he was a workaholic, who took joy in his work rather than riches. He never married and lived with his mother until he died unexpectedly of a brief severe illness.
Doré illustrated everything from the Bible, to Nursery Rhymes, to Dante (one of my friends decided to become an artist upon looking at Doré’s version of Dante’s hell). Likewise he provided images for the great poetry and novels of his time. We could write a whole novel about Doré’s life (well we could if it wasn’t entirely spent sitting at a drafting table creating astonishing visual wonderment), but let’s concentrate instead on three especially dark images from his great oeuvre. First, at the top is an image of the end of the crusades. Every paladin and holy knight lies dead in a colossal heap. Collectively they grasp a great cross with their dead limbs as a glowing dove surrounded by a ring of stars ascends upward from the carnage. It is a powerful image of religious war–made all the more sinister by Doré’s apparent approval (and by the fact that it looks oddly like an allegory of the present state of the EU.
Next we come to a picture from European fairy tales: a traveler bedecked in sumptuous raiment stands surrounded on all sides by writhing corpses trapped inside their caskets by bars. The coffins rise high above the lone man in an apparently endless architecture of death. Strange tricky spirits dance at the edges of his sight as he takes in his ghastly location. This is clearly an image of…I…uh…I have no idea…what the hell sort of nightmare fairy tale is this? How did Doré think of this stuff?
Here finally, from Revelations, the final book of the New Testament, is an image of Death himself leading forth the horsemen of the apocalypse and the dark angels. This disturbing posse is descending from the sky to harrow the world of all living things and usher in a static and eternal era of divine singularity (which is the upsetting and unexpected end to a book about a kindly young rabbi who teaches people to be compassionate). Look at Death’s proud cold mien, which alone is composed and immutable in a desperate jagged composition of moving wings, scrabbling claws, ragged clouds, and blades of every sort.
It has been a while since Ferrebeekeeper has presented a post about color. Therefore, to liven up the gray monotony of midwinter, today’s post features one of the most vivid colors out there. International orange is a brilliant deep orange which is in widespread use throughout the world. Strangely enough, this eye-popping color was created and adopted for practical reasons. International orange (a dark orange with hints of red) is the contrasting color with sky blue (pale blue with tinges of green). The military and aerospace industry use international orange to make planes and personnel distinct from their surroundings. Many famous test planes have been painted international orange including Chuck Yeager’s X-1 (above). The color is also commonly used for flight suits, rescue equipment, and high-visibility maritime equipment.
Thanks to the high contrast of the color against the background, crews were more able to track the progress of test craft against the sky. Additionally, if something went wrong, rescue and recovery became easier if the craft stood out against the sky, ocean, and land.
Aside from its use in spacecraft and supersonic test planes, international orange also makes tall structures stand out against the skyline (and therefore protects against accidental collision). A darker “architectural” version of the color is instantly recognizable as the orange of the golden gate bridge. The Tokyo Tower was painted in international orange and white in order to comply with safety regulations of the time. The bright orange of both structures has become an integral part of their recognizability and appeal.
Although it is not branded as such, the natural world also has a use for international orange and a surprising number of poisonous creatures can be found in similar shades. Bright orange makes the creatures visible and advertises their toxicity to potential predators. It is funny to think that tiny frogs and huge towers share the same color.