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oak aging

The color burgundy is named after Burgundy, the famous red wine.  Burgundy, the famous red wine, is named after Burgundy a historical territory in eastern-central France.  Burgundy, the historical region of France, is named after the Burgundians, an ancient Norse people who allied with the Romans, back when the Roman Empire ruled Gaul.  The Burgundians, like the Goths, seem to have originated in Scandinavia in pre-history.  Whereas the Goths moved from Scandinavia to the Baltic island of Gottland (which means Goth Land), the original Burgundians apparently moved to the Baltic island of Bornholm (which means Burgundian Home).  From Bornholm, they become involved in the affairs of northern Europe first as raiders and mercenaries, then (as the Roman Empire blew apart) they became colonists and administrators. At least that is more-or-less what historians believe happened… During the Middle Ages Burgundians became divorced from their Scandinavian/Gothic roots and they have long been French (Burgundian nobles sometimes playing a big role in French history).

A burgundy gown in the style of late Medieval Burgundy... (from sevenstarwheel)

A burgundy gown in the style of late Medieval Burgundy… (from sevenstarwheel)

Irrespective of the origins of the name, the color burgundy is a gorgeous deep red hue entirely fitting for an ancient race of cutthroat warriors.  Burgundy is darker than cordovan and a truer red than oxblood or maroon.   It is the magnificent dark red of undiluted alizarin crimson.  Because it is such a vivid color, it tends to stand for sensuality, power, and violence.

Burgundy_Duet_Satin

Despite this wildness and darkness (or maybe because of it), burgundy is a very popular color in fashion and beauty.  It was particularly en vogue in the late 1990s and early 2000s, when it was my then-girlfriend’s favorite color for lipstick and clothes.  I distinctly remember seeing it everywhere back then.   Today, the radiant sun of fashion does not shine quite so directly on burgundy, but it is still a popular color in sports, automobiles, and homegoods.   According to the internet, burgundy remains a favorite color for lipstick in the Goth subculture (i.e. among teenagers and young adults who enjoy melodramatic and fetishistic costumes). So burgundy has made a full circle from the Goths of Roman times to the Goths of today.

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Please Don't Go (Maria Tomasula, 2010, oil on panel)

Please Don’t Go (Maria Tomasula, 2010, oil on panel)

Maria Tomasula is a contemporary artist who paints strange collections of beautiful items coalescing into miniature glowing geometric systems (usually against an empty black outer space backdrop).  Dew, flowers, and fruit are the most frequent items in these compositions, but sculptures, amphibians, skulls, mollusks, weapons, and disembodied organs (among other things) also find their way into these little microcosms.

Ground of Being (Maria Tomasula, 2010, oil on panel)

Ground of Being (Maria Tomasula, 2010, oil on panel)

Tomasula paints the shining or dewy objects which make up her still life works with finicky photorealism, yet the abstract structure of the works takes these images towards mathematical abstraction. Her delightful little paintings give us the aesthetics of the natural world as viewed through a dark melting kaleidoscope.

Intercession (Maria Tomasula, 2007, oil on panel)

Intercession (Maria Tomasula, 2007, oil on panel)

Tomasula has a particular flair for teasing humankind’s magpie-like fascination with shininess and bright colors.  From across the gallery, her works beguile the viewer closer and closer.  Only when one is next to them does one notice the carnivorous pitcher plants and bird skulls among the velvet, petals, and jewels.   However the dark imagery does not outshine the sensuous appeal of these fastidious spirals, loops, and curtains.  Tomasula invites us to reach into the dark fractal pattern of beauty to grab the waxy flowers, the moist fruits, the polished gems…if we dare.

Second Nature (Maria Tomasula, 2011, oil on panel)oil on panel

Second Nature (Maria Tomasula, 2011, oil on panel)
oil on panel

 

 

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