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Let’s take a moment to celebrate some good news! Pedestrian deaths in New York City dropped in a meaningful way during 2016 (this refers to people killed by motor vehicles, not people who just keeled over while walking home with their groceries–but you probably already figured that out) . This statistic runs counter to larger trends: at a national level, U.S. drivers have been killing more pedestrians than in years past, yet in New York, the level of people killed by motorists has gone down (as you can see in the following NYC table).
The fall in pedestrian deaths is occurring as the subway descends in quality (which we will get to later) and as the streets are filling up with non-professional, unqualified livery drivers who use Uber and suchlike apps to connect with patrons, so I think it is safe to attribute the trend to Vision Zero, a campaign to make the streets much safer. Kudos to Mayor DeBlasio! This is a real triumph for him, and I want to thank him.
The basic hallmarks of Vision Zero are lowering street speeds within the city, increasing driver awareness through road designs pioneered in the cities of northern Europe (where it is much safer to walk or bike but where efficient automobile traffic also keeps goods and services flowing) and enforcing traffic laws with automated systems–particularly speed cameras. Street signals were also re-timed so that it is more difficult to build up dangerous speeds and so that pedestrians cross roads ahead of turning cars. At first the changes were politically unpopular, but the fact that this is saving the lives of the elderly and children is winning over politicians who were initially opposed. Bob Holden, a city counsel member, who has regularly opposed street changes, new bike lanes, and safety improvements went on record saying “You can’t argue with saving lives. You can never argue that that’s the paramount here…I was wrong, I want to admit that.” (this is really praiseworthy too: if we had more politicians capable of looking at evidence, admitting errors, and changing direction, everything would be improving in innumerable ways).
Of course bicycle fatalities in New York City have gone up, and, though I blame car drivers (who are, after all, the ones traveling through the most populous region in the country in difficult-to-control metal death chariots which run on poisonous explosions), this may also be because more people are bicycling. Indeed more people are walking, driving, and bicycling overall–both in the city and beyond. More Americans are killed every year in traffic fatalities than died during whole course of the Korean War (and during the apogee of car culture in the 70s and 80s that number was closer to all the American fatalities in Vietnam…every year). Maybe taking a page from DeBlasio’s book and re-examining some systems and behaviors long taken for granted on the road would save more people than a whole host of new miracle drugs and super surgeries. It is definitely worth thinking about!
Color transcends history. The wavelengths of light…the chemical compositions of the pigments…these things are part of the physical universe. Yet how we apprehend color is a part of our eyes, and our minds, and our upbringings (and involves some quirks unique to human physiology—as demonstrated by the colors magenta and stygian blue). Most of the colors I write about were first mentioned in the 18th or 19th century. Some colors are vastly older—like Han purple (which I like more all the time, by the way). However today I am writing about a color first mentioned in the distant year of…2009. This color found a name after the rise and fall of Britney Spears. The great recession had already set in by the time this color made the scene. I am talking, of course about “Arctic Lime” which was invented by Crayola’s for its “eXtreme” line of ultra-bright colored pencils.
At first gasp, Arctic lime seems like a sad effort by a marketer who was not at the top of his game. Chartreuse and the Arctic do not initially go together in the popular imagination (nor do tropical limes belong in the frozen tundra). Yet the more one looks at this hue, the more it makes sense. It is not the color of ice, but it is the color of the aurora as it sweeps past inhuman vistas of alien frozen waste. Also, Arctic lime may not have a beautiful name, but it is a beautiful color (in its own unnatural and eXtreme way). Perhaps people of the far future will think of this color the way we think of Han Purple and they will imagine us going about our lives in Arctic Lime leisure clothes and neckties. Come to think of it, the color is pretty similar to the high-visability fluorescent green of my bike helmet. Maybe the imaginary people of the future are imagining us more accurately than we imagine ourselves!
It has been a while since Ferrebeekeeper has presented a post about color. Therefore, to liven up the gray monotony of midwinter, today’s post features one of the most vivid colors out there. International orange is a brilliant deep orange which is in widespread use throughout the world. Strangely enough, this eye-popping color was created and adopted for practical reasons. International orange (a dark orange with hints of red) is the contrasting color with sky blue (pale blue with tinges of green). The military and aerospace industry use international orange to make planes and personnel distinct from their surroundings. Many famous test planes have been painted international orange including Chuck Yeager’s X-1 (above). The color is also commonly used for flight suits, rescue equipment, and high-visibility maritime equipment.
Thanks to the high contrast of the color against the background, crews were more able to track the progress of test craft against the sky. Additionally, if something went wrong, rescue and recovery became easier if the craft stood out against the sky, ocean, and land.
Aside from its use in spacecraft and supersonic test planes, international orange also makes tall structures stand out against the skyline (and therefore protects against accidental collision). A darker “architectural” version of the color is instantly recognizable as the orange of the golden gate bridge. The Tokyo Tower was painted in international orange and white in order to comply with safety regulations of the time. The bright orange of both structures has become an integral part of their recognizability and appeal.
Although it is not branded as such, the natural world also has a use for international orange and a surprising number of poisonous creatures can be found in similar shades. Bright orange makes the creatures visible and advertises their toxicity to potential predators. It is funny to think that tiny frogs and huge towers share the same color.