You are currently browsing the tag archive for the ‘route’ tag.

Antarctica Seen from Space

Imagine standing high above planet Earth and looking down at the blue and white band of seas surrounding Antarctica.  You are looking at one of the most important features of the Earth’s surface.  The turning of the planet and strong westerly winds drive the cold deep waters of the Southern Ocean into the planet’s largest and most powerful current system, the Antarctic Circumpolar Current (ACC).  The clockwise current isolates the frozen continent into its own self-replicating climate. Since there are no great land masses lying in the ring of open water at these latitudes, the ACC also forces waters from the ocean depths up to the surface.  This upwelling brings rich nutrients from the depths and causes immense blooms of phytoplankton (which in turn nurture life throughout all the world-ocean).  Additionally the current stirs the circulation of the Atlantic, Pacific, and Indian Oceans.

The ACC has been known to sailors for centuries.  A sailing ship can travel west along the current with great speed (if the sailors have the bravery and stamina to confront the fierce winds of “the roaring forties”).   The “clipper route” was the fastest sailing route around the world, but it was dangerous.  The three great capes (Cape Horn, the Cape of Good Hope, and Cape Leeuwin) all claimed innumerable lives as did wind, ice, and storm.  Today the clipper route has been abandoned as self-powered ships bring their cargoes of plastic junk straight across the ocean from China (and then cut across the Panama Canal) but sailing enthusiasts still recognize the fastest way to ride the wind around the planet.  The major circumnavigation sailboat races all travel the clipper route.

“Roaring Forties” (Gordon Frickers, oil on canvas)

The true history and significance of the ACC vastly exceeds the paltry recent concerns of navigation and world trade.  Geologists estimate that the ACC current began spinning around 34 million years ago at the end of the Eocene epoch as Antarctica split from Australia and drifted further south.  Back when Antarctica and Australia were still connected, the great amalgamated continent was a place where cold southern water and chill weather mixed together with tropical warmth—thus causing the whole planet to warm up.  However when Antarctica broke away and drifted south, it started a series of climate feedback loops.  The oceans around the continent began to freeze and ice started to build up on the mountains.  An entire continental ecosystem began to change in the cold.  The tropical forests (which had been filled with strange marsupials) began to die and become tundra.  As the Oligocene progressed and Drake’s Passage widened, the rivers–once filled with catfish–turned to ice.  The landmasses of Antarctica became crushed down under immense glaciers.  Antarctica died in the cold.  By 15 million years ago it became as it is now–home to only tardigrades, lichen, and a handful of visiting birds and seals.

The Transantarctic Mountains (photo by John Goodge)

Even now the Antarctic Circumpolar Current still isolates the continent from the warmth of the rest of the world.  Yet through upwelling of iron and other nutrients, the current bolsters an immense fecundity of phytoplankton–the great primary producer of the ocean.  Masses of copepods and krill feed on the algae and the diatoms and they in turn are eaten by fish, mollusks, mammals, birds, filter feeders…everything.  The great southern oceans are among the most diverse and strange habitats for living things.  It is there that the largest mollusk on the planet is found—which is the subject of an upcoming post.

A Painted Pottery Figure of a Camel (Chinese, Tang Dynasty, from a Christies’ Auction)

Longtime readers know my fondness for Chinese porcelain.  Today’s post features an especially characteristic (and magnificent) style of ceramic art object from the Tang Dynasty–one of the golden ages of Chinese civilization. Founded by the shrewd and intelligent Li family (whom you might remember from this thrilling & violent post), the Tang dynasty lasted from 618 AD-907 AD and was one of the most powerful and prosperous imperial dynasties.  At the apogee of the Tang era, China had over 80 million families and exerted near hegemonic control throughout Southeast Asia and Central Asia.  Additionally, China served as a cultural model for Japan and Korea, where traditions established a thousand years ago still linger, and it controlled North Korea outright for a generation after winning a war against the Goguryeo and Baekje kingdoms (and their Japanese allies).

Camel of Earthenware with sancai glaze (Late 7th-early 8th century, The Avery Brundage Collection at the Asian Art Museum of San Francisco)

Alien visitors to Earth in the 9thcentury AD would have had no difficulties choosing where to land in order to talk to the most prosperous and advanced people of the time.  During this period great medicinal breakthroughs were made, gunpowder was invented, and printing became commonplace.  The silk-road trade, which had been created during the Western Han era, grew in importance and magnitude.

Tang Camel with Turkic Groom/Rider

During the Northern Dynasties period (317-581AD) porcelain camels were first created as grave goods so that merchants could take some of their trade empire with them to the next world (a Buddhist innovation—since previous Chinese potentates were inhumed with actual human and animal sacrifice rather than porcelain stand-ins).  The sculptures are modeled in the shape of Bactrian camels, which were the principle mode of transportation through the great southwestern deserts of China. Caravans of silk, porcelain and other luxury goods would set out through the barren wastes headed ultimately for Persia or Europe.

Gray terracotta camel in a walking stance (from Little River Asian Arts)

Tang camels are magnificently expressive works of art.  Rich tricolor glazes of gold, green and brown were dribbled over the animals and then fired, giving an impression akin to abstract expressionism.  Although initially stiff and geometrical, the camels become more lifelike as the Tang dynasty wore on.  A new sense of realism pervaded art and the camels are portrayed bellowing to each other or striding through the desert sand.  Sometimes the camels include riders like Chinese merchants or Sogdian handlers (equipped with Turkic peaked hats).   Tang porcelain camels make it easy to imagine the exotic trade routes of medieval China, where the wealth of the world poured into the middle kingdom across an ocean of sand.

Another Tang Camel with Triple glaze (and human figure)

Ye Olde Ferrebeekeeper Archives

November 2020
M T W T F S S
 1
2345678
9101112131415
16171819202122
23242526272829
30