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Professional wrestling is a very peculiar concoction.   It is a volatile mix of extreme athleticism, flamboyant theater, televised hype, steroids, advertising money, and ludicrous costumes. As you can imagine, this blend sometimes goes extraordinarily awry: professional wrestling can give birth to nightmare children. Keeping this in mind, let us journey back to the distant year of 1990. That autumn, during the weeks leading up to the World Wrestling Federation’s Survivor Series of 1990, wrestling producers stumbled upon a very…unusual…gimmick to drum up excitement for their title bout. A huge egg of indeterminate origin was placed in the middle of the arena. As the ripped, oiled, and be-sequined brawlers fought out their melodramatic matches, more and more hype was lavished upon this strange prop. What sort of wrestling sensation would hatch out of it?

Classy...

Classy…

Many animals lay eggs, so the possibilities were multitudinous and potentially thrilling. What if the giant egg turned out to be a horrifying serpent man or some sort of warrior dinosaur? Since professional wrestling has never been troubled by reality, the egg could even have contained a mythological being like a roc, a griffin, or a baby Godzilla. On Thanksgiving of 1990, the egg hatched and the answer was revealed.

When the egg blew open, out of it leapt…the Gobbledy Gooker–a hapless chump clad in an extraordinarily ugly turkey costume. Not only did the Gooker [ed. Can we even write that word on a family-friendly blog?] look horrid–he did not even wrestle. He capered around the ring and then danced with announcer “Mean” Gene Okerlund to the minstrel hit “Turkey in the Straw”. Understandably, the Hartford audience hooted in derision. It is actually painful to hear “Rowdy“ Roddy Piper (the brilliant lead thespian of the dark allegorical sci-fi masterpiece “They Live”) shouting out canned enthusiasm for the bad gimmick. The Gobbledy Gooker appeared in a few more mercifully brief promotional spots and then was canned for good…

Time to retire with dignity...

Time to retire with dignity…

…or was he? Within the hallowed halls of professional wrestling, ethereal voices began to whisper about the Gobbledy Gooker. What terrible decisions led to the egg and the turkey costume? Who was beneath the patchy feathers? It turns out that the Gobbledy Gooker was a wrestling persona of Hector Guerrero, famed scion of Los Guerreros (arguably the world’s greatest multigenerational dynasty of professional wrestlers). Perhaps it is appropriate that a Mexican-American played the sacred turkey figure–since turkeys were first domesticated by the glorious pyramid civilizations of Mesoamerica.

Hector Guerrero as usually attired (thank goodness professional wrestling is able to avoid crude stereotypes)

Hector Guerrero as usually attired (thank goodness professional wrestling is able to avoid crude stereotypes)

Our culture has a raw appetite for spectacle. And the awfulness of the Gobbledy Gooker fulfilled some primal need. Soon the Gobbledy Gooker was back—albeit sometimes spelled as the Gobbly Gooker. In the 2000s the giant turkey (still played by Guerrero) competed in Wrestlemania X-Seven, a contest between over-the-top gimmick characters (sadly he lost in the second round). He also lent his name to the Gooker Award for the worst wrestling gimmicks. In recent years, he has become a sort of campy mascot of World Wrestling (although his already nebulous turkey identity has blurred a bit further). He even starred in a video about wacky office misadventures at WW headquarters!

Work is demeaning

Work is demeaning

Last Thanksgiving (2013), the Gobbledy Gooker stepped out of retirement and “appeared backstage on WWE Smackdown at a ‘post Thanksgiving party’ thrown by Smackdown General Manager Vickie Guerrero.” Will the Gobbledy Gooker reemerge this Thanksgiving as a magnificent and dismaying symbol of our gluttony, our strength, our vainglory? Keep your eyes peeled to find out…

The Gobbledy Gooker

The Gobbledy Gooker

Mikimoto Pearl Crown

In the classical Roman world, crowns did not represent monarchy in the same way they later came to during the Middle Ages.  Instead crown and wreathes were granted as an award to individuals who had distinguished themselves–much like a trophy or a medal.  Strangely, this ancient tradition continues today in the world of beauty pageants.  Contests like the Miss America contest, the Miss Universe pageant, and numerous other beauty pageants invariably present a crown to the victor (although the Roman custom has been sadly watered down and winners don’t keep their crown but give it to their successor).

Ex-General Alfred Gruenther presents the pageant crown to Jean Marie Lee of Alaska, the 1957 U.S. Cherry Blossom Queen.

The crowns for the Miss America, Miss USA, and Miss World pageant are gaudy affairs made of crystal and synthetic gemstones, however Mikimoto the world’s great manufacturer of cultured pearls also makes pageant crowns and promotional crowns out of their peerless cultured pearls, and some of these headdresses are strangely lovely and striking.

Pearls are formed when the internal mantle tissues of certain shelled mollusks are injured by a predator attack, a parasite incursion, or some other event. In response, the mollusk secretes nacre into the hollow space formed around the injury. The nacre is composed of calcium carbonate and a fibrous protein known as conchiolin.  In the past pearls were very expensive and rare (so much so that the real crown of the Netherlands is made with fake pearls manufactured of fishskin and paste).  However in the beginning of the twentieth century Japanese entrepreneurs mastered a technique for culturing perfect pearls.  The Mikimoto company has been a pearl culturing company and a fine jeweler ever since.

The Cherry Blossom Festival Crown

For the last century, Mikimoto has created many beautiful crowns in order to show off its wares. In 1957, Mikimoto created the elaborate Cherry Blossom crown for the U.S. Cherry Blossom Queen of the National Cherry Blossom Festival held in Washington DC, which has celebrated Japanese-American friendship since 1912 (except for a few periods, when the festival was canceled for sundry reasons). Mikimoto also made two demonstration crowns which do not have any purpose other than to show off their art.   The crown pictured at the top of this post was crafted by Mikimoto in 1978 to commemorate the 85th anniversary of the discovery of their method of culturing pearls.  Another spectacular demonstration crown was made by Mikimo in 1979 based on Byzantine models and designs.

Mikimoto Pearl Crown II

In 2002 Mikimoto constructed the so-called “Phoenix crown” for the Miss Universe pageant out of 500 diamonds and 120 large South Sea and Akoya pearls.  The crown was presented to pageant winners between 2002 and 2007 when it was sold to a private owner.  Although I object to Miss Universe for false advertising (only denizens of Earth are represented), the large pearls of the pageant crown are certainly very striking.

The Phoenix Tiara used to crown Miss Universe between 2002 and 2007

Here the crown is worn by Riyo Mori, the 2007 Miss Universe pageant winner

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