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I am extremely sorry that my posts have been so thin on the ground for the last fortnight. I don’t have very good excuses for last week (although maybe the brain-melting heat wave which swept through the region provides some cover), but last night there was a blackout in Brooklyn, and there was no way I could write anything in the digital realm! Being cast back in time made me reflect on the world before the internet and electricity. Specifically I became fascinated by non-electrical lamps (which you never really think about until you need them).
Although I filled up my darkened house with LED tea candles and glowsticks, other peoples have not always had recourse to such safe options–like the Romans, who were forced to rely on candles, fires, torches, and their favorite night time standby, the oil lamp. Ferrebeekeeper has touched on how the symbols and visual culture of Ancient Rome do not always make sense to us today…and indeed today’s post offers a powerful example of that. Oil lamps came in all sorts of shapes and sizes (some of them seem to have been commemorative, or tourist trap items), but one of the absolute favorite lamp shapes was a foot. These oil foot-lamps were sometimes bare and sometimes super ornate, but most often they are wearing handsome sandals.
So, why are these things shaped like feet? Trying to research this question on Google resulted in me being whisked to various strange theological explanations of the Book of Romans by Dr. Lightfoot! I was hoping that this was the foot of Mercury or something, but I never did get to the bottom of what is going on. Speaking of which, the best hint I got was that the lamps may have been placed at the bottom of a mural so that the painting glittered in the darkness…which is to say these were the original and literal footlights. This makes no sense to me, but it is sort of a modern English pun, I guess. Perhaps it was a pun or a satisfying visual cue to the Romans as well.
Roman Foot Lamp with Sphinx Handle (Excavated in Libya, manufactured ca.1st century AD) Pottery
Whatever the case is, I love the feet! These lamps are truly satisfying to look at, so maybe the Romans were on to something (they got roads and aqueducts right, after all). If anybody wants to make a new old-style lamp company I am opened to that. Also, if there are any classics majors out there who could explain this, please help us out in the comments! I am unhappy with the “footlight” explanation and I long for a real understanding of what is going on with these charming feet!
Roman Imperial Foot-Lamp (Ca. 3RD-4TH Century A.D.) bronze
Mastiff Bat Vessel (Moche, 50-200 AD North Coast, Peru, Earthenware)
Longtime readers will remember that Ferrebeekeeper has a great fondness for the magnificent art and pottery of the Moche, a civilization noted for sophisticated agriculture, ultra-violence, and, um, magnificent art and pottery. The Moche lived in the rich coastal lands of what is now northern Peru. In the past we have written about their art of sea monsters and human sacrifice, and of waterfowl. Today we look at Moche bat-themed art.
Crescent-Shaped Ornament with Bat, C.E. 1 – 300 (from the Brooklyn Museum)
Double lobed whistling bat sculpture (Ca. 450 – 800 A.D.) the bat makes a chirping/whistling noise when water is poured out and air is blown in
Gold Bat Ornament (Moche)
Bats were beloved subjects of much pre-Colombian art (I owe everyone a post about the bat in Aztec art and myth). Although they were great artists, the Moche were scary people who were always sacrificing and garroting and flaying (more about that next week) and excarnating and hanging corpses everywhere. Yeesh… Perhaps unsurprisingly, the bats of Moche art are scary creatures with grimacing monster teeth and near-human expressions of malice and grief.
Early Intermediate (Moche IV), Mochica Molded stirrup-spout vessel, A.D. 500–700 Ceramic with red and white slip North coast, Peru
Moche IV ceramic stirrup spout bat form effigy vessel
Sadly we don’t know precisely what place the bat held in Moche mythology. In fact we don’t know anything about Moche mythology except what we can intuit visually. However there are lots of bats to visually interpret and it seems like a safe bet that they had a chthonic underworld meaning (as they do in Western art and culture). These bats are demons and monsters born of the dark night-side of the human spirit.
Moche Vessel (Early Intermediate period) Bat demon
Probably Moche (?) AD 200-500
All of these grimacing fanged bats with bared claws and anguished eyes make me think of the Moche people themselves—caught up in their centuries-long game of bloody worship and savage status. I wish I could help them, or even understand them, but they are gone. All we have are their skeletons and their beautiful dark art.
Moche – Pair of Gilt Bat Appliques. Loma Negra, Peru.
Gold Nasal Ornament with bat (Moche)
Moche Ceramic Vessel in the form of a Crab (Photo: Museo de América de Madrid)
Yesterday’s post for World Oceans Day did not sate my need to write about the endless blue bounding. I am therefore dedicating all of the rest of this week’s blog posts to marine themes as well (“marine” meaning relating to the sea—not the ultimate soldiers). Today we are traveling back to South America to revisit those masters of sculpture, the Moche, a loose federation of agricultural societies which inhabited the Peruvian coastal valleys from 100 AD – 900 AD.
Moche Vessel: A Human with a Large Fish
I keep thinking about the beauty and power of Moche sculptural art, and the Moche definitely had strong feelings about the ocean. In fact an informal survey of Moche art online indicates that their favorite themes were cool-looking animals, human sacrifice, the ocean, grown-up relations between athletic consenting adults, and crazy nose-piercings.
Golden Moche Nose-Ornament in the shape of Lobsters
Moche Sea Turtle Vessel
You will have to research some of these on your own, but I have included a selection of beautifully made Moche art of sea creatures. Look at the expressiveness of the crab, the turtle, and particularly the beautiful lobsters (which are part of a large pectoral type ceremonial ornament held in place through the nose). Moche ceramics are as rare and beautiful in their way as Roman paintings or Greek sculpture. I wish we knew more about Moche culture and mythology to contextualize these striking works—but the outstanding vigor and grace of the figures is enough to feel something of what this vivid culture was like.
Moche Ceramic Vessel shaped like a Fish
An octopus or squid theme jar from the Knossos Palace in Crete (ca. 1500 BC)
Since the last two posts concerning mollusks have also involved the classical Mediterranean world (where cuttlefish ink was used for writing/drawing and murex mucous was employed as a costly dye), I am going to continue the theme by presenting a gallery of octopus vessels from ancient Greece.
A Mycenaean Octopus Vase (from beyondbooks.com)
Most of these vessels are from the Minoan culture which flourished from 2700 BC -1500 BC or from the Mycenaean city states which were most successful between 2000 BC and 1100 BC (when an incursion of mysterious aggressive “sea people” apparently destroyed the great palace kingdoms). Such vases and jars were made by trained craftsmen and were prized throughout the Levant.
Stirrup jar with octopus, (ca. 1200–1100 b.c.; Late Helladic IIIC, The Metropolitan Museum of Art)
Vase of the Late Minoan I Period (about 1600-1100 B. C.) found on Gournia, Crete Courtesy of the Metropolitan Museum of Art."
Minoan "Palace style," vessel (ca. 15th century BCE, Athens National Museum)
Because we only know tantalizing fragments about life in ancient Crete or in the Mycenaean palace states, the artifacts from that age have been subject to much conjecture and speculation. These lovely octopus vases have led some thinkers into believing that Minoans worshipped the sea and the creatures therein. Other scholars have conjectured that the ancient Cretans looked to octopus tentacles as inspiration for that characteristic Minoan architectural conceit, the labyrinth. The real symbolic or ritual purpose of the octopus motif remains unclear and probably always will. What is certain is that the vases, drinking vessels, and jars are quite lovely. The octopus motif originated around 1500 BC and by the Minoan period the so-called “marine style” of decorating pottery had become even more prevalent and diverse. Some ceramics were covered with fish, octopuses, dolphins, and crabs. In fact there was even a vessel covered with murexes. Perhaps these people simply liked octopuses and sea creatures. I can certainly understand that motivation!
Terracotta rhyton painted in "Marine Style" with murexes (Zakros, Late Minoan IB, ca. 1525/1500-1450 B.C.) (Courtesy Onassis Public Benefit Foundation)
Rhyton, drinking vessel with painted octopus (From the Aegean, found in Ugarit "Minet-el-Beida", Syria. Late Bronze. Terracotta)
Minoan Amphora w Octopus Motif , New Palace Period , Knossos , Crete
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