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 Portrait of the Hon. Mrs Ernest Guinness (Frank Dicksee, 1912) oil on canvas

Of all the colors in my paintbox I am most dissatisfied with blue.  There are a lot of strong greens and there are vivid cadmium yellows, oranges, and reds.  There is ivory black which as dark as the depths of the void and dioxazine violet which is a great purple, but blue is a difficult color.  The brightest blues of the sky are from sunlight which has been scattered by the atmosphere.  The blues of bird feathers and butterfly wings are from careful refraction of light from reflective structures in the wings: if you ground peacock feathers fine enough there is no more blue….

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The main blue pigments in the painter’s palette are cobalt blue (which is ancient and robust but a trifle subdued) ultramarine blue (a sulfur-containing sodium-silicate) which inclines toward purple, and cerulean blue a sky blue cobalt stannate which is painfully expensive.  Oh! there is a manganese blue out there in the paint stores, but I never used it until I bought a little tube a month ago,  so we’ll see how it turns out: it is sort of a tropical powder blue.  They are each beautiful but they each have their problems and none is the pure royal blue in the center of the spectrum which is bright, non-toxic, and lightfast (although the poisonous cobalts and…ultramarine too… last through the long ages).  This is why I was excited when my old painter friend Brendan (a raven painting specialist) sent me a link to an article about a new blue pigment.

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YInMn blue

The new blue is called YInMn blue.  Discovered a couple of years ago by Robin Young, the new blue is lightfast, stable, and seemingly nontoxic (although sometimes in the past problems have taken a while to become evident).  The new blue is made of yttrium oxide, indium oxide, and manganese oxide.  It seems to be extremely lasting, and best of all it is very very blue.  Unfortunately, right now it is expensive (and the paint companies are still testing it out), but I have a feeling it might hit the market soon, and whatever its faults it can’t be worse for one’s health than carcinogenic cobalt.

Kudos to Robin Young for the new color.  I can’t wait to get a tube and paint some truly blue flounders…speaking of which, i better head back to the easel.

 

Holi Celebrations

Yesterday, March 20th, 2011 was the Hindu festival of Holi, the festival of colors. According to myth, Hiranyakashipu, a king among the demons, was granted a boon by Brahma after undergoing a long period of intense asceticism.  Brahma decreed that Hiranyakashipu could not be killed “during day or night; inside the home or outside, not on earth or in the sky; neither by a man nor an animal.”  Emboldened by his apparent invulnerability, Hiranyakashipu initiated an evil scheme to supplant the gods (because of his wickedness, I am going to include him in my “deities of the underworld” category as I customarily do whenever I write about the Asura).  He demanded that all beings worship him instead of the rightful deities and he visited hideous torments upon those who disobeyed.  The demon’s own son Prahlada was one such protestor. Prahlada maintained stalwart and absolute devotion to Vishnu, despite his father’s threats.  In order to make an example for the rest of the world, Hiranyakashipu poisoned his son, but the poison turned to nectar.  Enraged the demon ordered Prahlada put to death by being crushed by elephants, but this too went awry.  After several other attempts to kill Prahlada also failed, Hiranyakashipu decided to burn his son on a great pyre.  In order to ensure that nothing went amiss Hiranyakashipu decreed that his sister Holika, who had her own boon of fire resistance from Brahma, would hold Prahlada in the flames.  However when the fire was lit Holika, despite her gift of being completely flame resistant, was burnt to death and her nephew Prahlada was spared.

Lord Narasimha Killing the Demon Hiranyakashipu

Vishnu, the demon-slayer (who from time to time assumed mortal shapes such as human, pig, or turtle) then came to Hiranyakashipu as a lion avatar, Narasimha.   Narasimha attacked the demon king at twilight as the latter was on the steps to his dwelling. Vishnu in his Narashima avatar-form clawed the renegade demon to death while holding him (the demon) on his (Vishnu’s) lap.  The conditions of the boon were met because a god incarnated as a lion monster is neither man nor animal and Vishnu was holding the demon above the ground but not in the sky. Additionally twilight is neither day nor night and steps are neither in nor out of a dwelling.  However, what exactly went wrong for Holika and caused the utter failure of her special power still remains a topic of debate among Hindu theologians

Holi with old-fashioned color squirt guns

These fateful events are celebrated on Holi which also celebrates the passing of winter and the coming of spring. Holi is the festival of color and the first day of the festival (which is always a full moon) is celebrated by all manner of dying, painting, and friendly pelting of family and friends with colorful pigments. As an artist I love the idea of a festival of color and spring is clearly the perfect time for such a celebration. I have tried to fill this void in my life with Easter-egg dying but the color has been leaching out of Easter as it loses its preeminence among Christian festivals.  So, to celebrate Holi, and the return of color to the world after the austerity of winter, I am going to devote the rest of this week to some of my favorite colors and pigments.  Feel free to chime in with your favorite colors of any sort, this is a topic which I love dearly.

I haven't been to India yet, but I think I'm going to love it.

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