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Lucas Cranach the Elder painted this troubling allegorical panel of melancholia in 1532 at the end of the era of gothic painting. A shrewd but withdrawn angel sits on dark cushion and whittles a long stick into a toy for nude children who are trying to push a large globe through a hoop (the globe may or may not fit). In the middle ground, a silky white spaniel sits on the window sill above a mated pair of partridges. Is one of the birds to become the dog’s dinner?
Beyond the window, the painting’s background offers a terrible spectacle: armed opponents kill one another in a craggy Saxon landscape of walled towns and hill castles. In the skies above the battle, wild pagan deities ride the storm. Astride boars, hounds, and rams, the grim deities relentlessly pursue their hunt with casual indifference to the bloodshed below.
The painting is symbolic of the collective destiny of humankind. The angel’s mien, the animals, and the dark background all suggest that, even with heavenly assistance, the new generation will not succeed at their serious game but are condemned to a circle of violence.