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In my many posts about art and painting, I have shamefully slighted the wonderful 18th century. Here is a masterpiece by one of the greatest painters of that era, Jean-Antoine Watteau, whose career was all too brief. Watteau bridged the gap between Baroque and Rococo by bringing the naturalistic color and movement of Correggio to the rigorous classical tradition of great French masters such as Poussin and Lorrain. This beautifully painted oval composition portrays the fertility goddess Ceres shimmering among the lambent clouds in the long pink evenings of summer. Her garb of gold and shell color perfectly suits the joyous abundance of the season. Around her, youths are gathering the precious life-giving wheat while the astrological beasts of the summer sky gambol at her side.
Of course I did not just pull this choice of subjects out of some crazy 18th century hat! As I write this, the NASA spacecraft Dawn is hurtling through the asteroid belt toward the dwarf planet Ceres, the largest body in the asteroid belt. Ceres (the dwarf planet) is located in the strange region between Mars and Jupiter. It is large enough to be spherical due to its own gravity but something seems to have gone horribly wrong there. It appears to be the shattered core of a world which either never quite formed or which was destroyed during the making—a miscarriage four and a half billion years old. Scientists have speculated about what the little world is composed of and how it was created, but telescopes have only revealed so much, and no spacecraft has visited prior to Dawn. This is a time of true exploration like the 18th century! Already Dawn’s cameras have spotted bizarre ultra-bright reflections from Ceres. Are they sheets of ice or metal…something else? We will have to wait till the probe enters orbit in April to find out, but I am excited to learn more about the formation of Ceres (which is to say the formation of the solar system) and to finally solve some of the mysteries of this under-appreciated heavenly neighbor.
Of course I am also heartily sick of this endless disappointing winter. The sooner Ceres (the allegorical figure of abundance and warmth) brings life back to Brooklyn, the happier I will be. Let’s all keep our fingers crossed for exciting news from space and for the return of life and growth here on (the north part of) Earth after a long winter. Also anybody who wishes for the return of classical beauty and allegorical subtlety in the dismal world of ill-conceived & poorly-executed contemporary art will have my heartfelt appreciation and best wishes!