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We are nearing the darkest time of the year, and I wanted to post some Gothic architecture all lit up with festive lights, but, though I searched and searched, the Gothic Revival mansions of my fantasy just weren’t out there on the internet. There were some actual Gothic cathedrals from the middle ages which were all lit up with lasers though! Here is a little holiday gallery. We’ll see if we can scrape up some better content tomorrow (and let me know if you find a site with Gothic cottages all lit up for Christmas). Oh! If it Christmas-themed Gothic architecture you need you could always go back in time and check out this Gothic gingerbread post from yesteryear’s Yuletide!
This is the elephant foot palm. Despite the name, it is not a true palm (nor an elephant!) but is instead a member of the asparagus family. The genus name is Beaucarnea and the most common of the 10 or so species is Beaucarnea recurvata, which is widely grown as an ornamental houseplant.

Beaucarnea recurvata
This species is from Eastern Mexico (from the states of Tamaulipas, Veracruz and San Luis Potosí) where it grows in dry lowland forests. It is capable of reaching a height of 5 meters (15 feet) but is usually much smaller and it grows slowly (although it is capable of living for centuries). The most striking feature of the little tree is the swollen caudex at the base of the trunk, which is used for storing water in the trees arid home range.

Beaucarnea gracilis in the Huntington Garden, Pasadena
This caudex, combined with the punk rock leaves/fronds gives the tree an irresistible Dr. Seuss-esque appearance which has made the plants popular in the nursery trade (if you get one, be sure to keep it warm and don’t overwater it). Alas, its popularity has been detrimental to the wild trees which have been overharvested for sale to nurseries and ornamental gardens. However with the world’s climate warming up as fast as it is, maybe they will take over Texas or California or France or something. Who knows anymore?

Beaucarnea recurvata in Parrot Jungle, Miami
It has been a while since I wrote about flowering trees for the garden. April and May have passed (and the garden’s most extravagant flower show), but are there trees which flower in June. Allow me to present the Japanese snowbell (Styrax japonica) a lovely small tree from Southeast Asia and Japan which blooms with a proliferation of one inch long white bells along its graceful branches all throughout June. The tree is small, growing only to 5 meters (15 feet) in height and width. The tree is known for asymmetry and has the appearance of a large bonsai tree covered in white blossoms. As the summer gets hotter these blossoms give way to rock-hard seeds which look like pearl pendants.
I don’t have a Japanese snowbell, but one can always dream…and we have these lovely pictures to look at until the opportunity arises to plant one.
We are coming up to Halloween time and Ferrebeekeeper always features a special theme week to celebrate the spooky season. Start getting ready for next week’s dark excitement! For today though I want to present a half-spooky, half-beautiful Gothic post (since it has been too long since we visited that category).
One of my favorite things are fountains—the aesthetic (and, usually, the actual) focal point of gardens and town squares. Fountains represent vitality, comfort, and healing—they are the place where people go to quench their spiritual thirst (and, you know, get water).
The most famous fountains tend to be in Baroque, modern, and Greco-Roman styles, but there are also many lovely Gothic fountains throughout Europe. Some of these are almost wholly religious in character, but others are spidery and ornate or feature dragons, monster, and gargoyles.
Here is a little gallery of random Gothic fountains. Most of them are real, but it seems like a couple may have been built by computer programmers to enliven online worlds of magic and fantasy. They are all exciting and interesting and they provide an early taste of Halloween fun (and hopefully quench your need for Gothic hydration).
Today’s post combines the splendor of summer, the loveliness of gardens, and the foreboding beauty of gothic architecture. How can we accomplish such a juxtaposition? By featuring a small gallery of Gothic summerhouses from estate gardens of the great and powerful (mostly in England).
A summerhouse is a garden feature found in grander gardens than mine! It is a sort of folly building: a small open building in a garden or park where someone can sit during the summer time. Of course great aristocrats of yore had a different idea of what constitutes “small” or “open” than I do, so some of the summer houses in European gardens are practically houses in their own right. Looking at certain examples here makes me realize that for an Earl or Duke, summerhouse probably means “surplus house where you can party with a viscount and 20 retainers.” Still some of these houses are actually on the smaller side and could almost be gazeboes, playhouses, or “cots” (as simple huts were sometimes called).
My old roommate Jennifer has decamped to the great Smokey Mountains to work remotely for a month and I am told she is doing all of her work from a splendid summerhouse. I wonder if she has something like these. Unfortunately the lords of Wall Street won’t let me out of the building during summer (which is most wise, since I would undoubtedly wander off or start drawing or gardening if not shackled to my workstation). Still one can dream about these beautiful structures and lazing away the golden months on high summer in such opulent magnificence!
It’s cherry blossom season again! Every year for a magical week, the ornamental cherry tree in the back yard garden blooms and the world is filled with happiness, joy, and beauty. In past years I have already explained the historical roots of the Japanese hinami festival (which celebrates the beauty of the cherry blossoms) and rhapsodized about “Mono No aware” the awareness of transient beauty. This year maybe we don’t need to read a philosophical post to appreciate the beauty of the blossoms. We can skip straight to the garden pictures.
In case you are wondering, the big strange mummy/fish/monster thing at the bottom of the 2nd picture is a sculpture project which I am working on. It is the subject of my next post (but I need to put some glitter and fluorescent paint on it first, so that it doesn’t look like it crawled out of a forgotten tomb). In the meantime, savor the pink blossoms. It’s all so fleeting and exquisite…
I was looking at a list of color names when my eyes lit upon “cosmos pink.” Wow! What color could be more amazing than a glowing shade of pink named after all of creation? Surely cosmos pink must be the color of pulsars as they wink out, the ineffable shade at the heart of a supernova…the color of god’s polo shirt! However when I looked more closely into the matter, I discovered that I had jumped to a dreadful misapprehension. Cosmos pink is not named for the swirling firmament of all that is or will ever be: instead it is named after a small Mexican flower somewhat related to the sunflower.
This is a disappointment, but not a crushing one, since I love flowers nearly as much as I love cosmology! Botanically speaking, Cosmos is a genus of flowers which live in the Americas from Paraguay in the south up through Central America, Mexico, and into the United States southwest. They have naturalized to various other parts of the world by means of escaping from gardens or even from contaminated livestock feed. Since cosmos are members of the aster family, they tend to be extremely hardy. There are about 40 species which range in size from 30 centimeters to 2 meters (1 foot to 6 feet 7 inches). They grow easily and can be planted in vast colorful fields (which is probably what I would do if I had vast farmlands and endless resources).
Cosmos flowers look very much like the classic daisy-type flower which all schoolchildren draw. They have a ring of ray shaped petals around a central eye (which is actually a disc of tiny florets). Cosmos flowers come in a variety of colors such as blue, white, red, yellow, orange…and, of course, pink. The color cosmos pink is a bright medium pink with a dash of blue. Come to think of it, who is to say God’s polo shirt is not that color?
It is early September: the golden beauty of summer is still much in evidence, but summer is now being touched by the first stirrings of autumn. It is a beautiful time of year here in Brooklyn—maybe the prettiest of all. What better time to combine two of our obsessions—gardens and all things gothic?
When I fantasize about limitless personal wealth, I imagine building a garden which perfectly combines the spooky angular beauty of Gothic architecture and decoration with the luxuriant fecund beauty of flowers and plants. Of course we have already seen how lovely Gothic garden structures are in this well-received post about Gothic greenhouses. Today we are looking instead at Gothic gazebos.
The internet defines a gazebo as “a roofed structure that offers an open view of the surrounding area, typically used for relaxation or entertainment.” Since they are pleasure buildings built entirely for aesthetic reasons, gazebos are often made in elaborate ornamental styles—including the Gothic style of ornate arches, pitched roofs, and intricate detail. Here is a little gallery of Gothic gazebo pictures which I found on the web. Unfortunately I really mean little! For some reason, people do not wish to post large images of Gothic revival garden structures (maybe they are rightfully afraid that I will steal them).
You can put these amazing buildings in your fantasy garden and wonder into them in your imagination whenever you need a break from the opprobrious ugliness of the real world!
Allow me to present a truly magnificent breed of show chickens! Polish chickens are known for their plumage—especially their splendid bouffant crests. Despite the name, Polish chickens were apparently bred in the Netherlands (although there are some apocryphal stories about how they first arrived in Europe with Mongol raiders!). Some historians speculate that they are known as Polish chickens because their feathery crest resembles the flared hat of the Polish lancers, but the real reasons for the name are lost in time.
Like many of the truly chic, Polish chickens suffer for their beauty: their feathery crests impede their vision—which often makes them skittish and flighty. They have good reason to be anxious: because of their reduced eyesight, they are easy prey for foxes and other predators (and, if kept with other doughtier breeds of chickens, they fall low on the pecking order).
Polish chickens are mild-mannered and can make good pets (if you happen to want a pet chicken). Additionally they can be decent egg-layers–though nothing like modern egg-laying breeds like the leghorns. As you can see from the images included in this post, there are many different colors and varieties of polish chickens to suit your palette and your ornamental tastes!
Kindly accept my apologies for not writing a post last Friday: the sad exigencies of the world prevented me from finishing my week-long overview of ornamental knot designs (which included the valknut, knot gardens, the Saint Jame’s arms, and the endless knot). Today I am returning to the theme for a final post concerning Celtic knotted designs– which represent the beautiful apogee of decorative knots (with the possible exception of certain gorgeous Islamic calligraphy and artwork).
Like leprechauns and shamrocks, ornate knot designs are an iconic and instantly recognizable aspect of Gaelic culture. Yet the history of how these designs came to be synonymous with all things Hibernian is far from clear. Interlace patterns have been found in mosaics and tile work from many different parts of the Roman Empire during the fifth and sixth centuries. It has been speculated that these designs may have originated from Coptic Egyptian manuscripts, but whatever the case, the sinuous interconnected ribbons with animal heads certainly appealed to the people of Northern Europe in the waning days of Roman hegemony.
During the so-called Migration period (the period from 400 AD to 800 AD) waves of Germanic, Slavic, Mediterranean, and Steppe peoples intermingled and pushed into each other’s territory. As these peoples intermingled (and battled), looped, braided, and geometric styles of decoration grew in popularity throughout what had been the Western Roman Empire. Frequently these designs were elaborate knotted ribbons which terminated in interlocking animal heads.
By 700 AD, the style was becoming less prominent on continental Europe, however it continued to evolve in Britain, Ireland, and Scandinavia. The insular art of Irish monasteries produced unrivaled treasures such as numerous ancient stone crosses and the world famous Book of Kells, an illuminated Vulgate gospel from around 800 AD, which defies belief due to the microcosmic intricacy of its knotwork men, animals, and sacred figures.
Although the Book of Kells marks an apogee of lacework illumination, geometrical knots continued to be popular in Ireland thereafter. Right on down until today, intricate ornamental knots are a hallmark of Irish culture. For your enjoyment here is a little gallery of Celtic knots, ancient and modern.