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Apples (Malus pumila) originated in Central Asia somewhere around Turkey/Georgia/Armenia–where the wild apple (Malus sieversii) still grows. These delightful members of the rose family have been continuously cultivated, hybridized, grafted, and cloned since prehistory. Apples are shockingly promiscuous and their seeds are different (sometimes extremely different) from the parent, so varieties (“cultivars”) are cloned and grafted. There are more than 7500 cultivars of apples grown and each is really a clone—or a still living clonal scion–of the original tree they come from. The history and meaning and delight of the apple is beyond my ability to even begin to discuss, however I want to talk about the best variety of apple which is widely available in the United States, the Golden Delicious, because it comes from the same place as me. The first Golden Delicious tree comes from Clay County, an obscure county in West Virginia where my whole family hales from (well, at least for the last 250 years or so, I guess we are from Africa by way of Europe originally).
Golden Delicious apples are a bright yellow (or yellow green) apple which are extremely sweet and fragrant. The original tree was found on the Mullins’ family farm in Clay County and the fruit was locally known as “Mullin’s Yellow Seedling” and “Annit apple” until 1914/15 when it was renamed the Golden Delicious by Stark Brothers Nursery to whom Anderson Mullins sold the cultivation rights and the tree (for the then princely sum of $5000).
Golden delicious apples are wonderful for cooking, salads, and sauces, but their sweet taste makes them perfect for eating too (although their bright crisp flesh and nearly transparent skin makes them susceptible to bruising). Wikipedia tells us that “In 2010, an Italian-led consortium announced they had decoded the complete genome of the Golden delicious apple. It had the highest number of genes (57,000) of any plant genome studied to date.” To my eye, Golden Delicious apples also look like the golden apples of Aphrodite which sometimes play a saucy role in Greek mythology or even the forbidden apples of the Hesperides which conferred immortality (if you could get past Hera’s dragon). Anyway I picked a bunch of them upstate this past weekend and I can’t stop thinking about them…or eating them. After Halloween week is done, I will share my favorite apple pie recipe. However next week is not about apples…it is about snakes!
Back during a week devoted to small furry herbivores, Ferrebeekeeper sketched in the general outlines of pikas—close relatives of rabbits. Pikas live in the mountains among high cliffs and alpine meadows where they practice a sort of rudimentary farming. They collect hay in order to dry and store it for the harsh mountain winters. You can read the general natural history here, however today we concentrate on a specific species of pika–the Ili pika (Ochotona iliensis) of northwest China. In 1983, a team of biologists and natural scientists discovered Ili pika in the rough and arid mountain terrain of western Xinjiang province. Then the animal was then not seen or documented by science again until last year (2014).
During the intervening years nobody necessarily thought the Ili pika was extinct (unlike the Gilbert’s potoroo which was thought to be deceased until rediscovered against all hope), instead the pika was not seen because almost nobody went into the remote mountain fastnesses where it lives. Having said that, almost nothing is known about the Ili pika. It was rediscovered in the bleak Tian Shan mountains but conservationists fear that it may have been extirpated from the Jilimalale and Hutubi mountains (even bleaker mountains which are subject to human resource extraction).
Although we know little about the behavior or ecology of the Ili pika, we have pictures of it, and it is exceedingly adorable—like a cross between a terrier, a rabbit, and a tiny sage. It seems to have all of the charisma of the panda, the golden pheasant, the tragic baiji, and the gibbon. Perhaps Chinese mythmakers and cultural arbiters could surreptitiously slip it into the folklore pantheon. I would love to read some stories starring the Ili pika as a trickster or a magical mountain wise man.
Now that the Dawn spacecraft has actually reached the dwarf planet Ceres, Ferrebeekeeper has been writing less about it! Today we will remedy that with a spectacular photo taken from the robot probe. Remember the strange reflected light from Ceres which the world was so fascinated by? Well now that Dawn is a mere 1500 kilometers (900 miles) from Ceres, we have discovered that the reflections come from a huge glistening mountain—a strange anomaly on the puckered cratered terrain of the dwarf world. This mound is likely made of some sort of ice and is about the same size as Mount McKinley—the highest mountain in North America (approximately 6,000 meters (20,000 feet) tall). Geologists (or I guess I should say astrophysicists) are baffled by why the mountain is there—but I am sure that theories will be forthcoming.
Pundits and media personalities talk about this singular ice mountain as a pyramid (possibly to get hits), but to me it looks like a huge limpet made of ice. Here is a 360 degree panoramic sweep around of the mountain (which needs a name!). I wonder what other odd things are hiding in less plain sight on the little world.
Today is World Turtle Day when we celebrate all things chelonian. “That is wonderful, but what does it have to do with the fabulous Hindu tableau above?” you are probably asking. Well, the second avatar of Lord Vishnu, the preserver of all life, (who appears again and again in the world as different incarnations) was the turtle deity Kurma. The story is told above, but here is a streamlined narration to go with the painting.
The story begins with an elephant mishap: the great sage Durvasa presented a magnificent garland to Indra, king of the gods, who in turn presented the wreath to his magnificent war elephant. Unfortunately the elephant had limited aesthetic appreciation of the gift and trampled it. Deeply offended, Durvasa cursed the gods to lose their strength, radiance, and immortality. Thus cast down, the gods desperately looked for a solution from Vishnu, who advised them to quaff the nectar of immortality. Sadly there was no nectar available and the only way to produce more was to churn the ocean of milk with such force that the sacred milk clarified into the elixir.
To complete the task, the gods allied themselves with the demon Asuras (power-hungry beings of near divinity who frequently fought the gods). The gods took the pillar-like Mount Mandara as a great butter churn and, with help from Vasuki, the king of all snakes, they began to churn the ocean of milk. So great was the force of gods and Asuras combined that Mount Mandara begin to sink into the ocean. Vishnu then transformed himself into the vast turtle Kurma and swam beneath the Mountain. His flippers churned the froth. The gods, demons, and great snake all exerted themselves to their utmost, and the turbulent ocean of milk became refined. Fourteen precious treasures arose from the sea, culminating in the sacred nectar of immortality.
The picture at the top (which you should enlarge!) shows the gods on the left and the Asuras on the right. The king of nagas is acting as a drill rope wrapped around Mount Mandara. Vishnu sits atop the mountain and does not seem especially turtle-like. Fortunately I have included some paintings and drawings of him as a great turtle.
Hopefully you can learn a valuable lesson from this powerful myth! (Do not give treasured wreathes to elephants? Milk is healthy? Be kind to turtles? I don’t know…)
Anyway Happy World Turtle Day!

The high Himalayas seen above the village of Ghandruk, Nepal (photo from http://holeintheclouds.net)
The world’s largest honeybee, the controversial Himalayan cliff honey bee (Apis dorsata laboriosa) lives high in the Himalaya Mountains among the craggy peaks of Bhutan, Yunnan, Nepal, and the Himalayan provinces of India. The large honeybees are renowned for building large nests/hives within the inaccessible overhangs of huge cliffs. These nests tend to be found at altitudes between 2,500 and 3,000 m (8,000 and 10,000 feet) built into cliffs which face to the southwest.
Although Himalayan cliff honey bees have complicated lives within a densely layered hierarchical colony, they are not controversial because of their social complexity, but rather because of taxonomical quibbles. Before 1980, Apis dorsata laboriosa was classified as a subspecies of Apis dorsata (the giant honeybee of Soth Asia), but during the eighties and nineties, the Himalayan cliff honey bee was thought to be a unique species (Apis laboriosa). In 1999, the species was demoted back to a subspecies of Apis dorsata (although some genetics-minded entomologists argue that it is a distinct species). Hopefully you followed all of that—it sounds like more vertiginous twists of naming might still lie in the near future.
Perhaps some of this confusion comes from how inaccessible the bees are. Only gifted mountaineers and free-climbers could ever hope to reach the lofty hives where the bees deposit their precious honey and larvae. From their towering homes, the bees are able to forage nectar and pollen from upland meadows of the Himalayas (which burst into extravagant fields of flowers during the brief seasons of spring and summer).
Sadly for the bees, there is a terrible catch—the spring honey which they harvest from the high mountains comes partially from the nectar of white rhododendrons (which contain a grayanotoxin). The spring honey from rhododendrons is red in color and, when fresh, reputedly has a narcotic effect on humans. Honey hunters risk life and limb to climb high up the mountains. They then use long poles to rob the bee hives–all while teetering hundreds or thousands of feet above a sheer precipice and being attacked by angry giant bees! The honey fetches a huge premium among the rich of Japan, Singapore, and China even though grayanotoxins are, you know, toxins, and can cause cardiac problems in addition to the soothing intoxicating effects.
Meng Haoran was born in Xiangyang in 689 or 691 BCE. He passed the all-important civil service test at the age of 39, but his brief political career was an abject failure. He spent the rest of his life socializing with his friends and writing poetry about the winsome landscapes of his native Hubei. Today, he is fondly remembered as one of the luminaries of Tang dynasty poetry and his works went on to have a big impact on subsequent poets and landscape painters in China and in Japan.
In his poems, Meng Haoran usually concentrates on the people who inhabit the mountains and rivers rather than describing the landscape itself. His poems are filled with longing for the summits of the mountains—the haunt of unseen sages—however the poet never quite seems to ascend the peaks but rather ends up writing about rice wine and poetry. Below is a characteristic poem addressed to his friend Zhang which veers from the soaring heights of aspiration to the day-to-day beauty of life and finally ends with the comforts of friendship:
To Zhang, Climbing Orchid Mountain on an Autumn Day
Meng Haoran
The northern mountain is hidden in white cloud,
A happy place for hermits to retire.
So we can meet, I try to climb the heights,
My heart is fading like a goose in flight.
My sorrow’s prompted by the creeping dusk,
But then clear autumn spurs on my desires.
At length we see the villagers return,
They walk the sand and rest at the river crossing.
The trees against the sky are like shepherd’s purse,
An islet by the shore just like the moon.
I hope you have some wine to celebrate,
We’ll spend the autumn festival drunk together.

The Life Cycle of Phengaris rebeli (image via http://sciencythoughts.blogspot.com)
It’s October—the month of costumes, masks…and monsters. To start out this year’s Halloween season on an appropriately ghastly note, today’s post deals with a horrifying creature which relies upon disguise to feed itself: namely, the Mountain Alcon Blue butterfly (Phengaris rebeli).
Native to temperate grasslands of Central Europe, the Mountain Alcon Blue has silvery blue which are stippled in little black spots with delicate white edges. The butterfly flits harmlessly about in gentle meadows, finds a mate, and then the female lays her eggs on a pretty gentian flower.
So why is this delicate alpine beauty a creature of nightmares? When the Mountain Alcon blue larva hatches, it eats the gentian until it reaches a certain size whereupon it falls to the ground and releases an allomone—a deceptive chemical which makes it seem identical to an ant larva. Foraging ants discover the caterpillar and tenderly carry it deep within the protection of the ant hive to the nursery room where the ant larvae are fed and cared for. Then the caterpillar reveals another dark talent: it produces a sound which perfectly mimics the ant queen. Subject to this all-powerful voice of authority, the ants care for the caterpillar as though it were the queen–even going so far as to attack the actual queen. Obeying the dictates of the awful song, the ants feed the still living ant larvae to the caterpillar which devours the helpless young ants like so many little wiggling burritos (well, if juvenile butterflies ate burritos).
When the butterfly pupates into an adult, it loses its ability to mimic ant chemicals or produce the queen’s voice. The ants recognize it as an invader and attack, but the butterfly’s scales are designed to resist their mandibles. It flees the crippled and abused ant colony and begins the cycle over again.
Yet monsters still must fear other monsters and there is an even more invidious predator which seeks out the Alcon larvae deep within ant hives. This is the parasitic wasp, Ichneumon eumerus, which infiltrates ant colonies which are being preyed on by Phengaris rebeli larvae. The wasp locates the caterpillar and then releases an allomone which causes the ants to go insane and attack one another. Then in the chaos that follows, the wasp injects its eggs into the living caterpillar. When the eggs hatch they eat the interloper from inside and then burst out of its carcass.
The Mohonk Mountain House is a monstrous Victorian castle built between 1879 and 1910 on Lake Mohonk in upstate New York. I was there this weekend to attend my friends’ wedding in the sprawling gardens, and I was forcefully struck by the Ghormenghast grandeur of the house and properties which are simultaneously beautiful and cheerful yet exude a haunting wistfulness.
Located just beyond the southern boundary of the Catskills, the hotel features multiple ornate turrets and towers festooned with finials and oddly shaped weather vanes (squids maybe?). The inside is a baffling labyrinth of hallways, sitting rooms, libraries, and porches. Outside, numerous rustic gazebos and folly buildings are spread through gorgeous gardens and vertiginous meadow rambles. Beyond the hotel, lovely forests stretch up into the mountains or down into the spooky wooded fens which feed the mighty Hudson.
Speaking of spooky, the hotel and the surrounding hills have amassed all sorts of reports concerning specters of varying temperaments and classes, from giggling children, to poltergeists, to wispy flames, to lurking drown victims, to dark toothy shadows in the hedge maze: the Mohonk seems to have every sort of ghost story.
It is said that a young, poor Stephen King visited the house and that shadows of the building linger in The Shining, The Regulators, and The Talisman. The Mohonk was also used as the set for the Victorian Sanitarium in the movie The Road to Wellville.
Apparently there were once a great many lumbering Victorian edifices like the Mohonk spread through America, but almost all of them have now burnt down. The Smiley brothers, who constructed the building, were early advocates of safety and environmental awareness, so their huge flammable heap was equipped with all sorts of sprinklers and fire hoses. We should probably feel that the big burned-up spots where the other hotels used to be are haunted and celebrate the lovely Mohonk as the safest and least disaster-prone resort of its era.
The Song Dynasty (960 AD to 1279 AD) is revered as an aesthetic high-water mark in Chinese civilization. During this period (and later during the Yuan Dynasty) the city of Quanzhou in Fujian was one of the largest seaports in the world–if not the largest. Although Quanzhou was the starting point of the maritime silk route, diverse ships from around Asia came to the port to trade for tea, herbs, lychees, rice, paper, porcelain, and art as well as for precious silk. At some point during this Song era of prosperity, unknown craftsmen carved a magnificent 20 foot tall statue of an old man on the nearby Qingyuan Mountain (which means Pure Water-source Mountain).
Originally known as the “Rock of Immortals”, the statue is believed to represent Laozi, the founder of Taoism. The carved stone sage still looks surprisingly good despite its approximate thousand year age. The great statue of Qingyuan Mountain was originally at the heart of a complex of temples and related buildings. Although these architectural structures were destroyed a few hundred years later, the statue was carved from the durable bedrock of the mountain itself and so it survived. The statue still stands looking down on Quanzhou which is again growing prosperous from the same trade goods and from some new ones including footwear, fashion apparel, packaging, machinery, and petrochemicals.
Covered in lichen, Laozi is surrounded by freely growing flowers and trees. The great green bulk of Qingyuan mountain rises up behind the serene old sage. Laozi wears a peaceful but solemn expression. His fine flowing robes cascade down over his solid form like waterfalls 9which proliferate from local springs) and his hand rests on a table as he looks off into the clouds. Although the kind face and grandfatherly beard of the sage speak of benevolence, the antiquity of the statue and its penetrating gaze hint at otherworldly secrets. Laozi was famed for his knowledge of the secrets of magic and his mastery of the elixir of immortality. The statue at Qingyuan is surely one of the loveliest in the world. Surrounded by nature but overlooking an ever changing city, the work is a perfect homage to the founder of Taoism.