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Here is one of the most beautiful Gothic houses I could find on the internet: Shandon House, a 19th century Scottish revival manor/castle overlooking Gare Loch in Scotland. The house was built in 1849 on 31 acres of beautiful Scottish hills. It was owned by various grandees (shipping magnates, tobacco merchants, and such), before becoming a boys’ school, but the school then closed in the mid-eighties.
The region where Shandon House is located is dominated by Faslane Naval Base, one of the three ports of the Royal Navy in the United Kingdom (and arguably the most important). So Shandon House was purchased by the Ministry of Defense…but since the Ministry of Defense has no actual use for dark fairy tale castles, the house has been derelict for over a decade, and may now be beyond repair. As far as I can tell, the MOD is incapable of finding buyers and hopes to knock the house down (although its designation as a historical landmark makes such an outcome somewhat unlikely).
It is a shame the house is decaying away, since this is truly an elegant and imposing structure. On the other hand, who would actually live here other than evil sorcerers, mad scientists, Dalmatian coat enthusiasts, and other suchlike Disney villain folk?
This blog has pursued all things gothic, as the open-ended concept has wound its way through history, the arts, literature, and other forms of culture. There is, however, a major creative genre which we have entirely overlooked—that of cinema. The melodramatic spookiness of the 19th century Gothic revival movement was born in architecture and literature, but it was the media of film which cemented the whole concept of horror as a fundamental distinctive genre. In the modern world, gothic horror (with all of its familiar trappings) is virtually synonymous with film. This characteristic milieu of ruffled clothing, vampires, ghosts, sconces, and eerie castles goes all the way back to the first horror film–which was made very early indeed, in France in 1896.
Le Manoir du Diable (“The Manor of the Devil”) was meant as a pantomime farce, but most of the familiar elements of gothic cinema appear in the three minute production. It was released on Christmas Eve of 1896 at the Theatre Robert Houdin (which was on the Boulevard des Italiens in Paris). Since the piece is well over a century old, any copyright has long expired and it is part of the public domain. So, without further ado, here it is:
Using the most sophisticated special effects of the day, the filmmakers present a sorcerous devil popping in and out of reality. The fiend creates goblins, bats, and specters out of thin air and thereby bedevils a pair of foppish noblemen who have wandered (or been summoned?) into the haunted castle. Fortunately, one of the noblemen has the presence of mind to seize a handy crucifix and banish the fiend.
Although the film’s staging—and overarching moral lesson–owe something to opera, the rapid protean transfigurations were a completely novel feature. Admittedly the special effects have not aged well, but I think you will enjoy Le Manoir du Diable, the first gothic film.
In an earlier post I wrote about exquisite tiny gothic revival cottages. There is of course a different side to the gothic home—giant gothic houses. In the continuing spirit of Halloween and haunted houses, here is a gallery of large beautiful creepy gothic residences. Wherever possible I have tried to give their name and location, but evidently there are more big gothic mansions than can be easily kept track of. Just imagine these beautiful houses in the moonlight with a few half-seen figures lurking behind the curtains (and maybe a shaggy shape or two looming behind the topiaries) and you will soon be in a perfect mood for October.