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I saw some jonquils getting ready to bloom and it made me happy and excited. I am ready for spring. Winter was mild until the end but it has really been lingering around and we need spring flowers. Jonquils are domesticated ornamental flowers descended from are a specific sort of daffodil: “Narcissus jonquil.” They have dark green, tube-shaped leaves (compared to other types of daffodils which have flat leaves). They tend to be smaller and their central tube is flared and flattened like a little saucer or cup. There are so many sorts and I hope to see them all within a few weeks!
A photo of my garden in Brooklyn (April 17th, 2016)
Until last week it was a slow cold spring in Brooklyn—but, then, suddenly, the season sprang into action in a flurry of beautiful colors. The tulips leaped up out of nowhere–although the accursed squirrels are beheading them as fast as they bloom–and the cherry tree blossoms are just beginning to open (more about that later). Here is a picture of my garden the other day: you can see some of the classic Dutch-style tulips and the bleeding hearts over in the left corner.
However I wanted to draw your attention downwards to a flower that barely makes it into the picture because of its delicate tininess: the muscari or grape hyacinth—a diminutive but exceedingly lovely plant. Muscari originated in Central Asia, Asia Minor, North Africa, and the Mediterranean Basin. The little flowers bloom in temperate woodlands of the region’s forests early in spring before the trees have a chance to set leaves. They propagate easily and can become beautiful purple, blue, and white carpets on the woodland floor. Muscari have escaped the garden and naturalized in parts of North America, Asia, Africa, and Australia.
Grape hyacinths have that name for a reason: they are botryoidal and take the form of a pyramidal cluster of grapes (although each individual blossom is actually a tiny urn). The effect is enchanting up close. At a distance the little urns become indistinguishable. In fact the individual plants blend together into an amalgamated mass of color–and what a color. The finest feature of grape hyacinths are the exquisite hues. They come in pale blue, white, and (lately) steely pink, but the most characteristic color is also the finest—an incredible blue-violet with a glaucous shimmer.
I have always wanted a vast field of muscari, because they begin to take on the otherworldy haunting qualities of their relatives, the bluebells. From a distance, large numbers of muscari look like rivers or oceans or the surface of alien aquatic worlds. They are just beautiful! Hopefully mine will keep expanding so that future springs will be even more dramatic.
Hunter/Jumper (Wayne Ferrebee, 2016, colored pencil and ink)
I don’t know what happened but the drawings in my little book seem to have a country/horsey theme lately. Above is an equestrian jumping over some weird antiques in the middle of a nebula.
Provincial (Wayne Ferrebee, 2016, colored pencil and ink)
Here are some down-home characters (maybe corporate mascots?) annoying a hard-working farm woman and a quail.
The Gate (Wayne Ferrebee, 2016, colored pencil and ink)
This is a vignette sketch of the eminent bar in Park Slope.
Dawn Horse, Culture Vulture, Doughnut Man, & Princess (Wayne Ferrebee, 2016, Colored Pencil and ink)
I guess this is about unwholesome sugary treats maybe? Frankly I have no idea–I am as surprised and perplexed as the vulture, however I like the expressions on the animals. The dawn horse looks so pleased. They usually look scared.
Horse Treats (Wayne Ferrebee, 2016, Colored Pencil and Ink)
This horse just looks pleased to be presented with such an array of treats. I think that gray block is a salt lick. I need to draw more horses. They are pretty but they are not an easy subject!
My New Year’s resolution was to make more art…and (more problematically) to show more art, and make more art world connections! To start working on these resolutions, here are the New Year’s sketches I made in my little sketchbook which I carry around with me. One of my friends invited people over to his production studio for New Year’s Day. He said the view was nice (and the address was self-evidently in the West Village), however the studio was spectacular! It was a photography studio for fully financed movie productions and for super model photo shoots and suchlike well-financed sorts of things.
I foolishly didn’t bring my camera (which was a shame since there were all sort of lights and even a giant infinite white backdrop) but using the colored pencils I had on me, I sketched the sunset over the Hudson in my little book. I also drew a view of the W-hotel which casts a baleful red gleam over the entire West Village (sort of like a hipster luxury version of the eye of Mordor). There is also an abstract doodle of a bizarre phantasmagoric paradise filled with whimsical abstract creatures. I particularly like the marsh in the foreground and the heavenly cloudscape in the back.
When I got home I kept drawing: I drew a cartoon of the pineapple which somebody brought to my holiday party (and which is filling my kitchen with delicious tropical fragrance). As you can see the poor fruit is filled with horror at the prospect of being eaten yet it is also unfulfilled since it remains uneaten. Finally there is a doodle of a pie goddess who advocates my tasty dessert foods (although I realized too late that she should have a rolling pin in her hand and maybe an apron).
Of course I am working on actual paintings as well, but, for the year’s first post I thought I would share some of these little visual jokes, doodles, and humorous sketches. Another resolution is to sharpen up Ferrebeekeeper in general, so if you have any ideas for things you would like to see here, let me know!
The green crab (Carcinus maenas) is a tiny brownish green crab native to the European shore line along the north-east Atlantic Ocean and the Baltic Sea. Although it measures only 90 millimetres (3.5 in) across, it is voracious omnivore which feeds on all sorts of small mollusks, tiny arthropods, and worms (not to mention whatever dead flesh it happens across). Green crabs are great and all, but this blog is not about crustaceans…Why is this little crab showing up here?
It turns out that the green crab is one of the most invasive species of our time. Like the fiendish zebra mussel, the green crab is capable of traveling by boat (either among barnacles or in ballast). As far back as the age of discovery they were hitching rides around the world on the hulls of wooden ships. The little crabs seem to have piggy backed into temperate climes along with the British Empire and they have set up ranges in Australia, South Africa, Argentina, and both coasts of North America. So far this has not been a big problem: for hundreds of years, cold waters and big hungry fish have kept the little crabs from proliferating. However as humankind moves forward with its dastardly plans to kill off every fish in the ocean (and as ocean temperatures rise) the crabs are beginning to flourish in places where they were once barely holding on by their claws.
Green crabs eat clams and juvenile oysters—so their success is causing hardship for mollusk fishers (while simultaneously removing filter feeders from the ocean). Along the Mid Atlantic coast of North America, the native blue crab has proven effective at out-competing (or just straight-up eating) the invasive green crabs. Similarly the rock crabs and Dungeness crabs of the Pacific northwest can hold their own against the invaders, but humans are overfishing these native crabs and allowing the invaders to proliferate (and seafood enthusiasts in America have not developed a taste for the tiny green crabs).
Will the warming of the oceans cause blue crabs to spread northward to defeat the invaders? Will humankind stop killing every fish in the ocean so that the green crabs are eaten by sea bass? Will we introduce a new species which preys on the green crabs (but brings its own problems)? Only time will tell, but already coastal Maine is being swept by a tide of little green claws (and delicious east coast oysters are becoming more expensive and more rare).
When I was a child, I kept tropical fish. The first tank I had in my bedroom was an Amazon community tank where angelfish, neons, serpa tetras and hatchetfish lived in a little miniature paradise of plastic swordplants and petrified stone. Among the very first batch of fish I added to this tank were two adorable little masked Corydoras catfish. The Corydoras genus consists of over a hundred and fifty species of small friendly armored catfishes from South America. Corydoras means helmet-skin in Greek because these fish are armored catfish with two rows of bony plates running down their bodies (like the superfamily Loricarioidea). Most of the “cories” are only an inch or two in size.
These fish are popular with hobbyists because they are extremely endearing. They race around the tank in bursts and then root enthusiastically through sand and gravel (burying their bewhiskered snout to the level of their eyes). They like to have other cories for companions. Occasionally they dart to the top of the water for a little sip of air. Like most catfish, their fins have a leading spine for protection. Unfortunately when I got my two cories, one of the two fish freaked out and deployed his spine thereby injuring the other fish’s gills. It was very touching how the catfish which accidentally harmed its friend would hover near the hurt fish nudging him (or her) to eat and to swim up for sips of air. Unfortunately it was no good and there was no way I could help the tiny injured corydoras. After a few sad days, the poor catfish was the first fatality in my tropical tank. Death came quickly to my underwater paradise and would thereafter be a frequent guest. I was very upset. I buried the fish on a big hill in a little tiny cardboard box (according it an honor that few of my other fish ever received). It was the first of my many, many failures as an aquarium keeper, but it provided me with an abiding lesson about fish personality–which is more nuanced, deep, and likeable than most people suppose.