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It really is impossible to tell what direction a soul will take in this world of crossroads and unexpected pathways. Back in 2018, Ferrebeekeeper featured a short flippant essay about Gritty, the hirsute maniacal entity who (which?) is the mascot for the Philadelphia Flyers, a gang of icebound stick fighters. How were any of us to know what Gritty would become?

I have very mixed memories concerning my time in the Philadelphia suburbs (my family lived there from when I was 13 to 15). Moving from a very rural part of America to a toffee-nosed suburb during the 1980s felt like being trapped in a John Hughes movie. Perhaps I have always subconsciously held the awkwardness of that time against Philadelphia and the bedraggled ball of psych(opathic)adelic fur which they have chosen as their mascot. But it turns out I was wrong about Gritty…

Back in 2018, when I wrote my essay, Gritty was the object of much good-natured derision and mockery. It can be hard to write comic pieces, but Gritty’s deranged countenance & straggly fluorescent orange fur (and his weird backstory) seemed sure to get a cheap laugh. Frankly I assumed the mascot would quickly be retired. But Gritty was not who I thought and he (it?) has made good!

First of all Gritty quickly beat all the charges against him (In January he was accused of punching a little boy at a photo shoot, however the authorities were unimpressed by the accusations and Gritty walked away scot-free). Then Gritty became a beloved figure representing the casual insouciance and low grade threat of violence which pervade Philadelphia. Finally he became ubiquitous as a left-wing political symbol and a dull-fledged symbol of what Philadelphia really is.

When soon-to-be ex President Trump disrespected Philadelphia by making them the subject of the only honest declaration he has been known to utter (“Bad things happen in Philadelphia”), Gritty leapt into action. Countless Philadelphia themed memes depicted the strange orange miscreant taking revenge or bringing down the president. Then the memes became true when Philadelphia’s slowly tallied mail-in votes put Joe Biden over the top in the national electoral college tally.

Now Gritty has risen high in the world of mascots. Papers around the world are analyzing him with perplexed respect. The French daily newspaper Le Monde even proclaimed him to be “la coqueluche du mouvement antifasciste” the face of the antifascist movement! Apparently Gritty now represents the world’s disgust with the malevolent demagogues who have been proliferating around the globe!

This will be a hard act to follow. Hopefully citizens will soon regain their political sense and vote out the treacherous far right-wing legislators who have enabled Trump and suchlike despicable demogogues to flourish. However until then we will need Gritty. Go forward in glory, Gritty, you are now America’s foremost crazy-haired orange nightmare!

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My office has moved to Midtown (across from Grand Central…more about that later), but I think I like the concrete canyons of Downtown better.  The streets down by Wall Street feel like I always imagined New York felt like when I was little (although so do the brownstone streets of Brooklyn).  Downtown also has unique holiday decorations–those jagged star/explosions.  Whenever I see them, I imagine Batman has just punched the lamppost and an audible “Bap” or “Kapow” is forthcoming.  I guess they are supposed to betoken universal peace or some such thing, but it sure looks like Batman went on a rampage.  Indeed, the whole downtown area sort of has the brooding gritty melancholy of Gotham…especially on foggy or wintry days.

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Liberty Enlightens the World (Frédéric Auguste Bartholdi, dedicated 1886, copper and steel)

Liberty Enlightens the World (Frédéric Auguste Bartholdi, dedicated 1886, copper and steel)

As everyone knows, the Statue of Liberty (which is actually properly titled “Liberty Enlightening the World”) is a colossal neoclassical sculpture which stands in the harbor of my beloved home city, New York, New York. This is the 130th anniversary of the statue arriving in New York from France. The 93 meter tall statue was a lavish gift from the French people, who obviously know how to give astonishing amazing beautiful presents!  I won’t get into the elaborate political, engineering, and fundraising history behind the statue’s conception, fabrication, and construction: suffice to say, it has a very complicated story (as one would expect in a monumental joint artistic venture between two of Earth’s greatest nations).

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I will note that the statue has greatly overshadowed its creator, Frédéric Auguste Bartholdi—which seems inconceivable today when most art is an afterthought to the virulent self-aggrandizement of art world personalities.  If something similar were attempted now we would probably end up with a 90 meter tall statue of Jeff Koons…or of some part of his anatomy (though I shudder to write that down, lest I give him any ideas).

A Statue by Bartholdi of Bartholdi with the Bartholdi statue that made him famous (OK, maybe he did have SOME self reflective self-promotional flair)

A Statue by Bartholdi of Bartholdi with the Bartholdi statue that made him famous (OK, maybe he did have SOME self reflective self-promotional flair)

Bartholdi was an Alsatian and a freemason.  He studied architecture and then served in the disastrous Franco-Prussian War (a conflict when the excesses of the Second Empire came back to haunt France—and a war which provided dark foreshadowing for the great industrial wars of the twentieth century).  Bartholdi conceived of the statue as a tribute to democracy and freedom just after the American Civil War—when France was under the dictatorial regime of Napoleon III.  Because of the authoritarianism and inequality of the time, the idea was shelved until after the Prussians drove this second Napoleon into exile and ushered in the third republic.

Although before Lady Liberty he designed a colossal statue for the entrance to the Suez Canal...

Although before Lady Liberty he designed a colossal statue for the entrance to the Suez Canal…

The Statue of Liberty is so universally iconic that it is hard to look at as a work of art—which is a shame because it is very lovely.  The fluid Roman robes belie the practical architecture beneath.  Atop the statue is a glowing crown of radiant beams—the neoclassical symbol for divinity. The enigmatic face is simultaneously stern and compassionate (though it is said that Bartholdi based it on his mother which might explain these juxtaposed emotions—and the very human tenderness with which the artist wrought the giant metal face).

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It is frustratingly difficult to find pictures of other Bartholdi sculptures.  I see here that he created a work titled “Genius in the Grasp of Misery” which sounds incredibly relevant and germane as I scrabble piteously for rent, but sadly I can’t find any photos of it.  He designed a fountain “The Little Vintner of Colmar” which features a handsome youth drinking a never-ending stream of wine.  The statue is as delightful as its description and was a gift from the city of Colmar to the city of Princeton New Jersey…What was going on in the nineteenth century that cities were all giving art to each other? It seems like an amazing trend which has passed.

The Little Vintner of Colmar (Frederic Auguste Bartholdi, 1869, bronze)

The Little Vintner of Colmar (Frederic Auguste Bartholdi, 1869, bronze)

Speaking of which, it occurs to me, that I have never thanked the French people for their far-sighted generosity.  Allow me to do so now!  Everyone here loves the statue and we deeply love our beautiful exasperating intelligent friends across the Atlantic (even if it sometimes seems like we are at odds).  Vive la France et merci pour le cadeau magnifique!

A quarter scale model of the Statue of Liber...Liberty Enlightens the World in Paris France--it's even on a miniature island.

A quarter scale model of the Statue of Liber…Liberty Enlightens the World in Paris France–it’s even on a miniature island.

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