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Of all of Ferrebeekeeper’s topics (over there at left in the topic cloud) the one which is farthest from my heart but closest to this blog’s purpose concerns the hymenoptera. This enormous order of important insects always offers diverting stories and anecdotes (like the Schmidt sting index or the Asian giant hornet), but the real reason I started writing about them is that the nature of the huge eusocial ant colonies and bee hives mimics the human super colony in eerie and intriguing ways.

Thus we come to today’s horror story concerning Temnothorax ants which live in German forests in unobtrusive rotting logs and suchlike habitats. Temnothorax ants have a disquieting problem: a parasitic tapeworm likes to live within the abdomens of some of the worker ants. However, to the infected ants it does not seem like a problem. They live up to three times longer than their uninfected sisters and, while the other ants rapidly age and wear out, the ones which harbor live tapeworms keep permanent adolescent good looks through their enormously extended lives. Additionally, infected ants exude a sweet chemical which makes them socially appealing to the honest hard-working ants in their own colonies. Uninfected ants seem to misidentify infected ants as queens (or at least as royalty of some sort) and spend a great deal of time feeding, grooming, and caring for them.

This sounds like a pretty delightful deal for infected ants who live like (and are like?) Kanye West, but there are a couple of drawbacks. The infected ants soak up critical resources from the greater hive and reduce its overall efficacy and ability to survive. Infected hives are at much greater risk of destitution or outright destruction from predators. Which brings up the final problem: the parasitic tapeworm’s final life stage does not take place inside the guts of an ant, but rather the tapeworm must be eaten by an ant-eating bird. There, inside the larger predator, it mates and lays eggs which are released by the bird into the forest where Temnothorax ants feed on the rich droppings and are infected.

So infected ants aren’t just dullard aristocrats not carrying their weight. They are actively seeking self-destruction. When birds tear into the nest the infected ants lift up their heads, glisten, and wait for annihilation (while the infected ones are desperately trying to protect the larvae and the queen). Of course the ants (uninfected and infected) do not comprehend any of this. If we were to ask them about their lives the uninfected workers would probably tell us how fortunate they were to meet so many high-status ants and the infected ones would probably try to sell us self-help books about raw food or talk about running for office in Texas.

Today we are featuring a small painting by a contemporary painter, Mark Ryden (whose work has showed up on this blog before). This is “Queen Bee” a portrait which stands somewhat in contrast with Ryden’s usual style: although the painting does have the jewel-like illustration quality which constitutes half of his trademark; it notably lacks the dark narrative extravagance of earlier works. The best of Ryden’s oeuvre has the feel of a fairytale which has fallen through a dark hole in the world. “Queen Bee” is more elegiac. The emotionally empty pouting expression on the figure’s doll-like face works as a receptacle for whatever emotion the viewer wishes to project into it.
The glorious golden bee who is desperately assembling a hive from hair, grass, and leaves is the true subject of the work. Of course a single honey bee is an anomaly and a failure—honey bees are social organisms which can only survive and flourish as a hive. So the viewer is left to draw her own conclusions about the thematic meaning of the piece.
Although Ryden paints his own paintings (unlike many artworld superstars who leave lowly creative tasks to underpaid interns, apprentices, and assistants), he does hire Asian artisans to build the remarkable frames to spec. Look at how lovely the gilded hive is! Are these bees in the frame the real workers for the bee in the painting? There might be a subtle sting for the entire concept of fine art buried in that question.
This particular painting was made for charity. Ryden auctioned the piece off in the spring of last year and donated the proceeds to the World Wildlife Fund. While the piece did not fetch the princely multi-million dollar price associated with works by annointed art world insiders, you could certainly buy several houses in West Virginia with the proceeds. It is very good of Ryden to give to such a meaningful cause. One of these days, I’ll have to host a charity auction of my own paintings for the world’s endangered animals (sometime on down the road when I am not one of them).
Hey, look at that! It’s a delicate pale blue butterfly (Maculinea arion) from Europe and northern Asia. What could this ethereal creature have to do with the horror theme which this blog has been following as a lead-up to Halloween? In fact, what does the butterfly have to do with any of Ferrebeekeeper’s regular themes? Butterflies are lepidopterans rather than the hymenoptera we favor here.
As it turns out—the butterfly has a lot to do with hymenopterans. Maculinea arion, or “the large blue butterfly ” to use its not-very-creative English name, may look innocent as a butterfly, but in its larval stage the creature is both appalling and remarkable. Alcon caterpillars are myrmecophiles—which means the caterpillars live in association with ants. Despite the Greek meaning of ”myrmecophile” (to love ants) the relationship is anything but loving on the part of the Alcon caterpillar–unless love is meant in the same way as “to love ham”.
M. arion caterpillars are relentless predators of ant larvae. The way they obtain this fragile foodstuff is remarkable for sophistication and ruthless guile. When a caterpillar hatches, it lives for a few days on wild thyme or marjoram plants. The caterpillar then secretes a sweet substance which attracts red ants which carry the larva back to their tunnels.
Inside the ant hive, the caterpillar produces pheromones and chemical scents which mimic those of the ant queen. It also scrapes a small ridge on its first segment to produce the same noise as the ant queen. The ants are deceived by the caterpillar’s mimicry and they take it to the chamber where they rear their own larvae. The ants wait on the caterpillar as though it were the hive monarch and they even feed it ant larvae—their own undeveloped siblings. Once it pupates, the butterfly scrapes the inside of its chrysalis to continue the deception. When the butterfly emerges from its cocoon the hapless ants carry it outside and guard it as its wings harden—whereupon the butterfly departs to mate and lay eggs on wild thyme or marjoram plants.
The Maculinea Arion is not the only caterpillar to make use of this strategy. The Phengaris alcon butterfly acts in almost exactly the same way. Here is where the story becomes impressively crazy. A parasitoid wasp, Ichneumon eumerus, feeds on the alcon caterpillar inside the ant hive. The wasp infiltrates the hive by spraying a pheromone which causes the ants to attack each other. While they are busy fighting, the wasp lays its eggs inside the caterpillar. The wasp larvae hatch into the body of the caterpillar (which the ants think of as a queen) and they eat the caterpillar host safe in the cloak of this deception.
If an ant hive becomes too saturated with caterpillars it will die and all three species inside the hive will likewise perish). The red ants in this scenario are constantly evolving new pheromone signals to outcompete the caterpillars and wasps—which in turn coevolve with the ants. It’s strange to imagine the troubling world of deception, chemical warfare, and carnage just beneath the ground.