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Coati in the Central American Rainforest (Wayne Ferrebee, 2022) ink on paper

It is already the end of October…which means it is time for Ferrebeekeeper’s annual Halloween theme week! This year we are going to celebrate artistically…which is to say with a series of Inktober drawings. For those of you who somehow manage to spend your life away from the electric seduction of the internet, “Inktober” is an awkward portmanteau made by sewing “ink” and “October” together. The word and the concept were invented by draftspeople who wanted the world to take a longer look at the ink drawings which we ruined our clothes and furniture to produce for you.

This is a little drawing made with various indelible inks on terra-cotta colored Canson paper. In the image, a racoon-like coati scurries through the rainforests of Central America surrounded by various beetles, orchids, vines, slime molds, butterflies, and glass frogs. In the background a volcano spews out lava and broiling clouds of ash and gas. While in the foreground someone has thoughtfully cut open a delicious soursop fruit for us. Yum! (More about this delicious fruit in following posts).

The coati may not strike you as an ideally spooky Halloween animal (even with their bandit masks and cunning hands, I find them endearing and winsome). However Europeans of the 16th century were much more alarmed by the clever New World mammals, and coatis somehow became an emblem of witchcraft during that unhappy century of witch-hunts and religious pogroms. In order to evoke this feeling I have included a Pre-Columbian sculpture with a mysterious fungus (or miniature civilization?) spilling out of its dark belly. The tumbled-down ruins of some MesoAmerican step-temple likewise hint at the doom which humankind carries with us like a curse. Hopefully the coati and the rainforest denizens can escape the consequences of our folly…but probably not. Let me know what you think, and get ready for more Inktober artworks!

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Outside Knoxville, (Wayne Ferrebee, 2020) Ink and watercolor

Now that the holidays have passed, it has occurred to me that I should post some of the India ink and watercolor illustrations which I have been making lately for fun (or, more accurately, because my subconscious torments me unless I draw them). The first (above) is a little illustration which I made as a gift for my erstwhile roommate, Jennifer. Sadly, Jennifer gave up on the germinal chaos of Brooklyn and fled away forever to live in the bosky dells of Knoxville (or whatever it is they have down there). But she used the epistolary arts to request a drawing of a magical elf desporting among many varieties of fungi just outside of her new home city.

Here is the picture I drew. I have envisioned the magical elf in the style of the Nats, the joyous syncretic deities of Burmese Buddhism. Various seeds, spores, and small creatures lurk beneath the mushrooms, wood ears, and coral fungus. In the background, modern Knoxville spreads through the wooded hills watched by a vulture, an ermine, and a whitetail deer (as a mysterious being of pure creativity fruits into fungoid darkness). Above it all looms the mighty “Sun Sphere”, a dazzling feat of 80 architecture which is uh, eighty meters tall.

As a historical aside, I encountered that very tower myself, in 1982, when my mother, grandmother, great grandmother, my sister, and I traveled to Knoxville to attend the World’s Fair for which it was built. Although I was only eight, I was struck by how crummy and chaotic the World’s Fair was and how the Sun Sphere looked like off-brand deodorant rather than a mighty futuristic skyscraper. For her birthday, my little sister (who was five or six) had asked for a fine suitcase so she could be a world traveler. My parents (or grandparents?) bought her a beautiful new fuchsia case of finest sampsonite, which was the nicest piece of luggage among our entourage. Alas, a would-be larcenist broke into our hotel room and rifled through the nicest suitcase (which was all full of crayons, dolls, and little girl’s clothing). The fair was too crowded to see anything, although, come to think of it, I am not sure there were any actual attractions other than an endless field of bumpkins and insurance-salesman-looking characters. Then a bird pooped on my grandmother’s head. Good times in Knoxville!

A Dab for Breakfast (Wayne Ferrebee, 2021) Ink and Watercolor

Here is a similar drawing which I made in my little sketch book. I guess this picture portrays…breakfast? Since I am not a morning person, I refuse to acknowledge the International Morning Person (IMP) propaganda that breakfast is the most important meal of the day. This tableau helps to deconstruct that tenacious myth. In the foreground a pelican enjoys a live flounder and some froot loops–even though this is properly a cereal for toucans! A sentient pineapple throws up his arms in consternation at the proceedings as a masked ghost (or possibly some very very runny scrambled eggs) shrugs indifferently. On the picture’s left side, a featureless pink humanoid…or maybe an embryonic ghost…or a representation of how the artist/author feels in the morning is likewise overwhelmed by breakfast. The entity drinks copious amounts of coffee, possibly going so far as to pour the stimulant directly into the grotesque organ-like aperture in its center. No wonder the little guy is so anxious! Frankly, only the ravenous pelican seems happy to be there.

Even if flatfish are not the sole protagonists of these small drawings, they are still there, lurking beneath (or becoming part of the food chain). Perhaps it is worth taking a moment to again advertise the all-knowing digital flounder which my friends and I built to delight and perplex you (or maybe as a disguised lure to beguile you into my digital realm). Let me know what you think and we will keep on floundering through this winter!

Agriculture is almost unknown in the natural world. Human beings are the only vertebrates known to grow crops or keep livestock (with the possible exception of damselfish which carefully tend little algae gardens).  And yet we were not the first animals to invent the concept.  Ants have farmed fungi within their tunnels for tens of millions of years.  Ants also keep aphids in captivity in order to “milk” them of sugary secretions–or to eat them outright.  It is possible that beetles, termite, or snails came up with the concept first, but most evidence points to ants as the first farmers.

An Ant Milking Aphids

Ants do not have a shabby operation either. Leaf cutter ants form the largest and most complicated animal societies known on Earth (other than our own) and a single colony can have over 8 million individuals.  Leaf cutters are an ideal example of how adept ants are at farming fungi.  Four different castes of worker ants work together to bring back leaf fragments and integrate them into huge fungal gardens. Different species of leafcutters cultivate different fungi from the Lepiotaceae family.  Certain bacteria with antifungicidal and antibacterial properties grow within the metapleural glands of the ants.  The worker ants use these bacteria to “prune and weed” dangerous or unproductive organisms out of their gardens.  Older (more expendable) worker ants carry waste products from the hive to a waste pile where they stir the hive wastes together to aid in decomposition.  The waste-management job brings the danger of fungal or bacterial contamination and contaminated ants are exiled to certain death in order to keep the gardens safe.  Additionally dead ants from within the hive are carefully placed around the waste pile so as to protect the hive from their decomposition.

Leaf Cutter Ants at the Cameron Currie Lab arrange cut-up leaves into their fungal garden.

According to geneticists who study the rates of mutation within the various fungal cultivars, ants began their farm relationship with fungi around 50 million years ago in the warm Eocene epoch (an era which saw many of the critical relationships in modern ecosystems begin).

 

Digital Cut-away of an underground leaf-cutter nest

Scientists are also beginning to understand the means by which ants herd their little flocks of aphids.  The aphids are smaller insects which feed on the saps and juices of plants (which they suck out by means of specialized mouthparts called stylets).  The ants prevent the aphids by flying away by tearing off their wings.  The feet of the ants produce chemicals which tranquilize and subdue the aphids and keep them from escaping the “pastures” near the ant colonies.  It is believed that aphids also derive certain benefits from this arrangement since the aggressive ants protect them from many of their natural predators.

An Ant with a “herd” of Aphids

For years naysayers belittled the farming achievements of ants suggesting they were little more than symbiotic arrangements.  However as entomologists study the ants more carefully they increasingly discover just how complicated and sophisticated those relationships are (involving as they do numerous symbiotic relationships with bacteria in order to produce the chemicals necessary for agricultural control).  Additionally, what are humankind’s relationships with our crops and animals if not huge harrowing examples of symbiosis?

Lichen (by WiseAcre)

Cast your imagination back half a billion years ago to the Cambrian geological period.  Although Earth’s oceans were seething with strange experimental life forms, the alien continents were bleak and empty.  Huge brown mountains sloughed away into giant canyons. Black volcanoes eroded into naked black beaches. Great flash floods poured over a landscape bare of plants and animals. No horsetails grew.  No dragonfly buzzed.  Not even a miserable liverwort crouched by the empty streams. But were the ancient continents entirely bare? No—bacterial films and single cell algae were believed to have covered the land, and looming above that primitive slime were the first lichens, symbiotic life forms so hardy that they alone thrive on continental Antarctica today.

Red Lichen living in Antarctica (photo by Gerhard Hüdepohl from Atacamaphoto.com)

Lichen is a bizarre composite organism in which a fungus is paired with a photosynthesizing partner (either green algae or cyanobacteria).  The thallus of lichen (which makes up the organism’s body) is very different from either the fungal or algal components living on their own.  The fungi surround and hold up the algae by sinking tendrils through the algal cell walls (in much the same manner parasitic fungi attack their hosts).  By sharing the resources of the two different partners the organism is capable of surviving extreme desiccation, and, when the lichen is again exposed to moisture, a flood of nutrients becomes available to both partners.

Lichen (from "Art Forms of Nature" E. Haeckel)

The partnership makes for an extraordinarily resilient organism which can be found everywhere on land from the rainforests to the deserts to the highest mountains to the harsh frozen rocks of Antarctica. The European Space agency explored the durability of lichen by blasting living specimens into outer space where, to quote the ESA, the organisms were “exposed to vacuum, wide fluctuations of temperature, the complete spectrum of solar UV light and bombarded with cosmic radiation. During the Foton-M2 mission, which was launched into low-Earth orbit on 31 May 2005, the lichens…(Rhizocarpon geographicum and Xanthoria elegans) were exposed for a total 14.6 days before being returned to Earth….Analysis post flight showed a full rate of survival and an unchanged ability for photosynthesis.”

Lichen dot the face of a Song Dynasty statue on Qingyuan Mountain, China.

Lichens’ strange partnership also creates strange morphological forms. In many circumstances these organisms resemble exotic corals, sponges, or plants. Additionally, many lichens are brightly colored.  The result is often a miniature landscape of bizarre beauty.  I have included some photos from sundry sources but you should check out the lichen photos at Stephen Sharnoff’s site (even disfigured by the trademark, his lichen photos are the best on the net).

Competing Lichens Growing on a Rock

Since it involves both algae and fungi, lichen reproduction can be complicated and takes many different forms depending on the species and the circumstance.  Some lichens form soredia, small groups of algal cells surrounded by fungal filaments which are dispersed as a group by wind. Others produce isidia, elongated outgrowths from the thallus which break away.  During the dry season, certain lichens crumble into dusty flakes which are blown across the landscape.  When the rains come the flakes burst into full growths.  In the most interesting and complicated pattern of reproduction, the fungal portion of the lichen produces spores (as a result of sexual exchange and meiosis) these spores are disseminated across the landscape and then must find compatible algae or cyanobacteria with which to partner.

 

Community Lichens is in the Sawtooth Mountains (photo by Mark Dimmitt)

Lichens are probably long lived and it is possible that somewhere there are those that make the bristlecone pines seem young and have lasted as long as Pando, but who knows?  We have not explored and documented the world’s lichens very completely…or even fully understood the mechanisms of their partnership.  What is certain is that they are one of life’s most efficient colonizers: in areas such as the Atacama Desert and Antarctica, plants cannot grow unless lichen lived there previously (in fact I am going to include this post in my “invaders” category for just this reason). Lichens are also efficient at exchanging carbon dioxide for oxygen, and they are a critical link in the carbon cycle capable of fixing elemental carbon back into the soil and into the ecosystem.  When you look at a tundra landscape and savor the beauty of reindeer, mountains, and arctic birds, spare a thought for the ancient lichen, one of the first organisms on the land and still one of the most important.

Lichen slowly colonize a New England gravestone from the 1700's.

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