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Imagine a colony of little shrimp frolicking on the bottom of the ocean when suddenly the earth opens up its mouth and swallows one of the shrimp: the sandy substrate was actually a lurking flatfish hunting for dinner. In the shadowy depths even bigger predators are in turn hunting the flounder. Glistening hooks with sparkling bait descend from unknown realms above.
The Great Flounder of Babylon (Wayne Ferrebee, 2016) Ink on Paper
The Great Flounder is a symbolic avatar of the worldwide ecosystem–a seemingly adversarial realm of constant cutthroat competition. Yet closer study of ecology reveals that living things are far more dependent on each other than the predator/prey relationship makes it seem. If a flounder eats a shrimp, the world moves on. If all of the shrimp vanish, or if all of the flounder are fished out of the ocean, other dominoes begin to fall and the whole web of life starts to dwindle and fold inwards.
This brings us to humankind, a worldwide collective of cunning primate colonies which are in ferocious violent competition with each other.
Fluke Baby (Wayne Ferrebee, 2019) Mixed Media
If there were ever an aymmetrical animal, t’is surely us. Our history and our science have given us a unique place in the world ecosphere–but we are not dealing well with our new prominence. This piscine artwork reflects our past and our present. In the flounder’s tragicomic eyes we can perhaps glimpse our future of glory, grandeur, and doom.
Heav’n from all creatures hides the book of fate,
All but the page prescrib’d, their present state:
From brutes what men, from men what spirits know:
Or who could suffer being here below?
The lamb thy riot dooms to bleed today,
Had he thy reason, would he skip and play?
Pleas’d to the last, he crops the flow’ry food,
And licks the hand just rais’d to shed his blood.
Oh blindness to the future! kindly giv’n,
That each may fill the circle mark’d by Heav’n:
Who sees with equal eye, as God of all,
A hero perish, or a sparrow fall,
Atoms or systems into ruin hurl’d,
And now a bubble burst, and now a world.
An Essay on Man: Epistle I, Alexander Pope
Since the year is pretty new and my bright hopes and shining dreams for 2019 are still intact, here is a Friday evening blog post! I have been worried that I have not been devoting sufficient time to blogging. In particular I have lately been especially bad about responding in a timely fashion to anybody gracious enough to post a comment. I promise I will work hard on doing a better job writing and responding this year, so keep those comments coming! In the meantime, kindly find a picture of the first sculpture which I finished in 2019: “Galactic Fluke,” which is carved out of wood and adorned with a handmade polymer galaxy and plastic stars. When I pulled that galaxy out of the oven it looked like a millipede with hairy waving legs…and it was no picnic making it adhere properly to the fluke instead of to my fat fingers.
Regular readers of this blog will recognize the flounder as the quixotic avatar of all Earth life in my recent artworks. Concerned friends and relatives have asked why the Pleuronectiformes have so completely infiltrated my ouevre–so I will answer that question in greater depth in 2019 (the emotional side of the story involves a confessional story about my life, and the intellectual side of the story involves a treatise on environmentalism and musings about the future of all of humankind).
This sculpture however transcends such concerns–this is, after all, a galactic fluke…a very great flounder indeed! It represents the apogee of my desires–life transcendent and all-present at an incomprehensibly vast scale. One of my friends said that his mother, a devout Muslim, was worried that my art is idolatrous (!) which is difficult to respond to, but I do certainly try to imbue my conception of the numinous into my flounder works. I have never found a bunch of rules from ancient near-eastern sages to be particularly supernatural…but the interlocking destinies of lifeforms living together in complex ecosystems does inspire me with feelings of transcendent awe. The great web of life on Earth is the closest thing we know to divinity–save perhaps for the celestial grandeur of outer space with all of its scope and mystery. This small sculpture is an attempt to bring these two sacred concepts together in poplar, paint, and plastic.
I, um, got sucked into the epic women’s ice skating contest at the Olympics, and just noticed it was late, so I am just going to post my latest little drawing of a flounder here and remind you to check out my Instagram page. This is a great tusked behemoth flounder of appetite wandering a world of appetite, cheap meat, and those little elves that bake cookies. Vultures soar over the lumbering creature hoping a carcass will appear in its wake. Also there is an artichoke (a delicious edible thistle/vegetable). We’ll get back to some proper posts next week, but this enigmatic creature is not without a certain comic grandeur.
I have been wanting to write about a troubling news story from the summer, but every time I start, I get frustrated by the shortsighted selfishness which has overtaken our culture. Sometimes it seems like the very fate of our society and our planet is writ in this regional fishing controversy. Naturally it is a story about flounder—more specifically, the summer fluke, (Paralichthys dentatus). These fish are beloved by commercial and recreational fishermen who catch millions of pounds of the flatfish between Maine and the Carolinas.
Unfortunately, the ever-growing hordes of fishermen have grown too numerous and rapacious for the poor flounder to replenish themselves. The summer fluke fishery on the East Coast of the United States has been collapsing this summer (2017). The Greater Atlantic Regional Fisheries Office “has determined that fluke are being overfished, with an estimated population that is 42 percent below the level regulators consider to be sustainable.” To keep the flounder alive for future generations of anglers, the Greater Atlantic Regional Fisheries Office imposed new restrictions on how many fish can be caught and killed.
Here is where the story takes a peculiar turn. Wilbur Louis Ross Junior “The King of Bankruptcy” is a billionaire banker and vulture capitalist. When Donald Trump’s casinos went bankrupt due to mismanagement, overspending, and bad deals, Ross stepped in to restructure the casinos, bail out Trump, and dump the bad debt onto others. This has had a lot of consequences, but one of them is that Ross is now the United States Secretary of Commerce.
When New Jersey’s charter captains, commercial fishermen, and sundry interested parties who make a living off flounder, heard about this year’s reduced catch limits, they wrote up a counter-proposal (which involved catching a lot more fish than recommended)—and they presented this plan directly to the Secretary of Commerce (who is originally from New Jersey and has some of his palatial mansions and nine figure art collection there).
Naturally Wilbur Louis Ross Junior could not care less about the fate of a species of fish. He happily overrode the catch limitations on summer fluke. After all it makes fishermen happy and who cares about the opinion of NOAA scientists? Indeed, the NOAA is a division of the Commerce Department and it turns out that its real purpose is not to understand the ocean and the atmosphere but to make people like Ross much richer. He is probably out there somewhere right now tenting his fingers and saying “exxxxcelllent!”
[Here he is marveling at how the subjects of the Saudi king do not dare to protest because they are beautifully afraid]
If only New Jersey and its reckless and uncaring anglers flout the rules and fish their stocks to extinction, summer fluke on the East Coast can probably still rebound, however Ross’ cavalier disregard for the ordinary procedure of fisheries limits and his inability to care about (or understand) the scientists’ rationale for fishing limits raises the all-too-real possibility that other state and national fisheries will no longer be bound by evidence-based rules.
I suspect many people will regard the summer fluke as an immaterial victim of the corruption which is a more and more the principal feature of American business and politics, yet the flatfish is a keystone species which is located between the small prey and the large predators (I sort of look at them as the middle class of the ocean). Wilbur Louis Ross Junior was born in the thirties. What does he care if one of the dominant species of teleosts in our part of the Atlantic is overfished to the point of vanishing? Yet one would think that the watermen who live in tandem with these flounder and have made their lives off the lives of the fish might care somewhat whether the species lives or dies. I guess that is wrong though. There is a reason Wilbur Ross, The Bankruptcy King” is rich beyond reckoning. He knows how far people will go (way too far) and he knows how to exploit that for himself. I wonder what other decisions will come from the Commerce Department.
I have been working on a flatfish themed art project! There will be more to announce soon and great fanfare: I promise. However, for now, to tease the wonders that are to come, here are a number of small flatfish artworks that I have been making at lunch and on the train and during similar spare moments. Wordpress hates me with undying vehemence (which is to say, if I label a picture with its name, their program drags it off-center and makes it look ugly), so I am going to write the name in the body of the tex beneath each little fish, and write a short blurb. Please, please let me know what you think, even if it is a one word assessment and I will keep working on my big presentation! Oh–the picture at the top is: Bongo Flounder (Wayne Ferrebee, 2016, colored pencil and ink on paper) it depicts a bongo turning into a flounder through the auspices of the horned god. A baffled yokel hunter watches in astonishment. Morphing animals are a big problem for me (sigh), so this image has deep personal meaning.
Baterpillar fluke (Wayne Ferrebee, 2016, colored pencil and ink on paper): A Sumerian walking at night sees a mystical fluke surrounded by nocturnal garden creatures.
Arcane Flounder (Wayne Ferrebee, 2016, colored pencil and ink on paper): An Armenian mystic walking at night contemplates the intricacies of a magical flatfish surrounded by arcane creatures.
BustaFlounder (Wayne Ferrebee, 2016, colored pencil and ink on paper): a flounder parties too hard and is forced to re-live the disgraces of the 1980s New York art scene. A chained mastiff and disappointed prawn look on with weary resignation.
Flatfish in the Night Garden (Wayne Ferrebee, 2016, colored pencil and ink on paper): through the intercession of various ancient deities, a hive of bees is allowed to plleneate at night. The relentless geometrical shape on the shimmering dab’s back indicates that such a work ethic may have inscrutible consequences.
Gnome City Flatfish (Wayne Ferrebee, 2016, colored pencil and ink on paper): A small colorful city is overtaken by a fungal outbreak as winged beings fly by.
Hopefully you have enjoyed this little flounderful gallery. Like I said, get ready for some exciting news (hint, hint: the launch of an ancillary site for Ferrebeekeeper). keep on commenting and i will keep on floundering. Thanks!
A Dugong and Diver (photograph by Duane Yates)
There are about 120 living species of marine mammals (although that total may tragically become much smaller in the very near future). Of this number, only one species is herbivorous. The mighty dugong (Dugong dugon) is the last animal of its kind, a gentle lumbering remnant of the giant herds of sirenian grazers which once graced the world’s oceans. Dugongs are distinct from the three extant species of manatees (the world’s other remaining sirenians) in that they never require fresh water at any point of their lives. Additionally dugongs possess fluked tails in the manner of dolphins and whales.
Dugong Range
Dugongs live in shallow tropical waters of the Indian Ocean and the Pacific Ocean. They range from Madagascar to the Philippines, but are only common along the north coast of Australia (where conservation efforts and a limited human population have allowed them to live in peace). Dugongs can swim in deep oceans for a limited time, but prefer to stay on continental shelves where they can feed on seagrass and marine algae. Their all-salad diet does not prevent them from growing to substantial size: some individuals have been known to reach more than 3.5 meters in length (11 feet) and weigh over 950 kilograms (nearly a ton). Although Dugongs can live more than seventy years, they reproduce extremely slowly. Females gestate for over a year and then suckle their calf for around 18 months. Calves may stay with their mothers for many years after being weaned and need almost contact with their mothers for security and affection until they are almost grown. Young dugongs swim with their short paddle-like flippers, but adults use their tail for propulsion and only steer with their flippers.
Dugong and Calf
Dugongs have a variety of vocalizations with which they communicate. Usually they live in small family units. Great herds are not unknown but seagrasses do not grow in sufficient quantity to support such numbers together for long.
Like the other sirenians, Dugongs have dense bones with almost no marrow (a feature known as pachyostosis). It has been speculated that such heavy skeletons help them stay suspended just beneath the water in the manner of ballast. The lungs of dugongs are extremely elongated, as are their large elaborate kidneys (which must cope with only saltwater). Additionally, the blood of dugongs clots extremely rapidly.
Dugongs face a number of natural threats, particularly storms, parasites, and illnesses. Because of their large size they are only preyed upon by alpha predators such as large sharks, killer whales, and salt-water crocodiles. As with other marine animals, the greatest dangers facing dugongs come from humankind. For millennia Dugongs have been hunted for meat, oil, and ivory. Traditional medicine from various portions of their range (wrongly) imputes magical properties to parts of their bodies. Worst of all, dugongs are frequent victims of boat collisions or are killed as by-catch by fishermen trying to catch something else.
Close-up of a Dugong (Julien Willem)
ferrebeekeeper 