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Not only is this World ocean Week, but it turns out today is National Doughnut Day! What a week…

Pancreatic Doughnut (Wayne Ferrebee, 2015), Oil on Panel
Before I was a dedicated flounderist, the dominant subject matter of my painting was doughnuts (I felt that the torus shape represented the universe/infinity, while the tiny size and sugariness of the confection made it a perfect representation of the hedonic nature of human aspirations). Like all artists who change direction, I still have a few doughnut paintings I need to finish up. Who knows what will happen to them? It is unclear if they will ever be finished…
However, I also have some finished paintings which I never showed anywhere or did anything with: they just hang around on my walls perplexing me. To celebrate National Doughnut Day, kindly allow me to present one of my favorite of these previous generation paintings. This is “Pancreatic Doughnut” which I painted in 2015. There is a sugary sprinkled doughnut, a cherry-dip ice cream cone, and a strip of super-fatty bacon (which is glistening with blobs of oil just like a real strip of bacon). These problematically sugary items are joined by a sinister bottle of rum and an alcohol molecule which looks like a friendly corgi but is definitely something more problematic.
The real thrust of the painting is found in the Congolese Mangbetu knife…a sinister hook which is about to plunge directly into the diseased pancreas in the bottom right corner of the picture. Yet all is not lost. Above the pancreas, an axolotl floats serenely like a translucent white angel. Axolotls seem to possess the secret of regeneration. Perhaps the grim effects of all of that metabolic damage and gastroenterologic mayhem could be undone…if only we could focus our efforts and our research on the right things instead of desperately trying to trap each other with addictive fixations. It’s a dream of course, but thus do all great things begin.
Happy National Doughnut Day!
Today’s bland but pretty post features a bland but pretty color—and one which traces its roots back to the beginnings of agriculture! Cream is the color of, well… cream. If one milks a grazing animal (cow, goat, sheep, camel, mare, etc…) the milkfat will rise up to the top of the bucket. Cream from grazing animals takes on a lovely pale yellow color from carotenoid pigments which occur in the chloroplasts and chromoplasts of meadow plants. This effect is greatly attenuated in processed cream from factory-farmed milk, so, if you want the original effect as appreciated by Roman and Medieval colorists, you will have to wonder up to a green mountain pasture and milk the goats yourself as though you were Heidi (eds note: please, please do not wander around unfamiliar mountain pastures and grab at the teats of strange ruminants!).
Cream was a premium source of energy, nutrients, and sustenance throughout recorded history (and a costly ingredient in the foodstuffs of the rich and privileged for just as long). Cream shows up in Homer, the Bible, Roman pastoral poems, Scandinavian sagas, and Renaissance metaphysical poetry. Throughout all of these times, the word has been used as a description of the pale yellow/off-white color.
As a renter, I have a bitterness towards the color cream: rental flats are invariably painted cream because: 1) cream does not show dirt and age as much as white; 2) the bright color still makes rooms seem spacious and bright; and 3) you can always paint over it. Yet as an artist, I love cream color! It is perfect for vestal virgins, angel wings, and abandoned human skulls lying around dragon warrens! Cream is the highlight color of flesh seen in incandescent light and it forms the shadow side of clouds on perfectly bright sunny days. Even the oil-primed Belgian linen that painters like to paint on is cream-colored.
Because the color strikes such a note with humankind for aesthetic and historical reasons, a great many birds and animals have it in their Latin or common names. Thanks to the ancient ties between cream and luxuriant desserts, it also has a strange double life as an aristocratic color (which belies its use on the walls of rental garrets). As I keep writing, I realize how complex my feelings are about this beautiful pastel color….
Don’t expect any resolution–you will have to figure out how you feel about the multitudinous meanings and associations of cream on your own!