Three Chinese Mallard Paintings

Here are three Chinese paintings of mallard ducks from 3 different eras.  Coincidentally, the mallard (Anas platyrhynchos) is one of the quintessential success stories of animals alive today.  It lives throughout Asia, Europe, North America, and North Africa (in addition to places where it has been introduced) and it was the ancestor to most domestic ducks.  However we will leave an in-depth wild duck essay for later this year (seriously, they really are magnificent & fascinating animals) in order to appreciate these three watercolor on silk paintings.

Duckling (Artist Unknown, Song Dynasty, ink and watercolor on silk)

The first (and greatest) comes from the Song dynasty which ruled China from 960 AD to 1279 AD.  As mentioned earlier, the Song is regarded as a glorious apogee of Chinese art and poetry and the simple court painting of a duckling makes the reasons self-evident.  The animal is foreshortened and painted with effortless naturalism.

Waterfowl (Chen Lin, Yuan dynasty, ink and watercolor on silk)

The Second painting comes from the Yuan dynasty—the era of Mongol occupation.  Although the duck is presented from the side as though diagramed, it still has a charming naturalism.  Additionally the bird has an amusingly insouciant look.  His magnificently rendered plumage and feet also serve to give him character while the autumn vines in the background further serve to give the painting piquancy.

Just Like Mum (Danny Han-Lin Chen, Contemporary)

Finally we have a lovingly rendered contemporary painting.  Even though it is separated from the others by nearly a millennium, the brushwork is similar. The feathers have been painted with swift sure strokes.   The background though vibrantly colored has been sketched in to suggest a landscape (rather then rendered in detail.  Although and there is a touch more photorealism in the duck’s plumage there is also a touch less charisma and personality in the ducks’ faces.

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