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Knight Town (Wayne Ferrebee, 2015, colored pencils and ink)

Knight Town (Wayne Ferrebee, 2015, colored pencils and ink)

It is already the winter solstice.  What with the Christmas rush and year-end business at work I have not had time to pick out a suitable theme for the longest night of the year.  But my subconscious has not been so quiescent.  Here are the three most recent drawings in my little book.  I suddenly notice that each of them takes place at night.  Above is a knight in jaunty paisley wandering the streets of a nocturnal city.  Dinosaurs grapple as a glowing lizard glides down toward the warrior.  A little glowing plant man and a strange luminous crystal add interest.

Bar in Alphabet City (Wayne Ferrebee, 2015, colored pencil and ink)

Bar in Alphabet City (Wayne Ferrebee, 2015, colored pencil and ink)

Here is a scene at a bar in alphabet city.  The patrons were jostling and squiggling pretty vigorously (which made them hard to draw), but I think I caught the milieu.

Fallow Hill (Wayne Ferrebee, 2015, colored pencil and ink)

Fallow Hill (Wayne Ferrebee, 2015, colored pencil and ink)

Last is my most recent piece, which somehow looks like it something from a heavy metal album.  I have no idea what is going on here. Demons and ghosts are gathering around a terrible haunted face growing up out of the fallow fields.  A hellish glow pervades the horizon.  No more horror novels before bedtime.  The great thing about the winter solstice is that it will keep getting lighter from this point on. Although admittedly the coldest times of winter lie before us, the darkest times are passing.  And they aren’t even that bad…well, not as bad as this horrible undead scarecrow thing.

Apollo and Marsyas Toy Theater (Wayne Ferrebee, mixed media, 2015)

Apollo and Marsyas Toy Theater (Wayne Ferrebee, mixed media, 2015)

OK, I promised everyone a Halloween treat, and here it is.  This past year I spent some time (ahem, well, actually hundreds and hundreds of hours) working on an art toy–a 19th century-style miniature theater for action figures!  It is sized for four inch tall action figures because I grew up with Kenner’s “Star Wars” figures.  I made the toy with a jigsaw, a lathe, and plywood. I painted/drew the images with watercolors, color pencils, markers, and Photoshop!  Since I used Photoshop I can print eveything up and make as many as I like! However I haven’t finished scanning all of the backgrounds in yet and altering them (and I still have a couple more backgrounds I want to make).

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The proscenium arch shows the musical competition between Apollo and Marsyas, an evocative tale which reveals dark truths about art.  I have showed the contest instead of the outcome. On the left a nesting swan is left bereft because a cruel cupid has stolen her mate and shackled him to a chariot (he is flying away at the top). marsyas has heartbroken love and the muses behind him.  Apollo has his dead python and a cold white temple  The farms and cities of humankind can be barely glimpsed in the background behind them. Shears, a wineskin, shackles, and a flaying knife hint at the future.

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On either side of the stage are great mock-Egyptian columns which support the aristocrats and rich folks in the top boxes. The best seat in the house go to the state–which I have represented on one side as a beautiful princess and on the other as an evil inquisitor (although if you look closely you will see they are the same person). The orchestra is filled with musicians and music makers from around the world like a serpent player, the devil with his fiddle, a splendid lyrebird, a ponce with a triangle, a vaudeville ukulele player in pancake makeup, and a toy monkey with some cymbals.  
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The wings of the theater fold out to show all of society.  On the bottom are various groundlings like the shouting lout, the woman with her stupid iphone, my crooked ex business partner (with his vodka bottle), and a hungry walrus watching the fish tray above him. A couple of witches have slipped in without anyone noticing (Terry Pratchett would understand).  The middle level is filled with thieves, lovers, merchants, and clergy people.  The top level is filled with faceless shadow-folk on one side, and noble heroes on the other (notice the lady scientist, the luchador, and the martial arts master). The enraged colossal squid in the lower right was added expressly for this blog (although dedicated readers will notice many familiar elements).

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I have placed some action figures from my collection inside the theater to give you a sense of scale–and of the play operas you could invent with your own action figures and toys!

Clever viewers will note that this is really a fancy frame with footlights.  The real purpose is the interchangable sets–a collection of strange artworks featuring imaginary scenes from throughout history and the imagination.  There is an ancient churchyard in front of a medieval church (notice the undead form and the megaliths on the moor beyond).

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Here is French Colonial Timbuktu.  Effete er…elite officers ride by on a half-track as cobras and scorpions prowl the thronging marketplace.

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Regular readers will remember this seascape of adventure and excitement.  Perhaps it is showing a scene from the spice wars!

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I spent a long time drawing Hell. I was really afraid of hell when I was a child and I tried to capture some of those concepts in these horrible monsters and gruesome punishments.  It is unclear whether it is hell or Diyu (if there is a difference).  I wanted it to be beautiful in its depraved horror.  There are burning cities and red deserts yearning for water…but the aqueducts are broken. There are churches everywhere because I figure hell will be full of the devout.  After all, people who believe in Hell worship evil deities–gods who purposely created flawed spirits just to torture them forever.  But maybe I am just angry about being scared so badly when I was little.  I added pterosaurs because I like them, not because I think they were especially evil.

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My favorite scene is the garden aviary (pictured in the first picture at the top).  It is filled with beautiful flowering trees, spring bulbs, and birds from around the world.  I put the tropical jungle half-set in front of it (see the arborial marsupials), but it sort of blocks the scenic vista.  In fact I had all sorts of trouble photographing this.  I am a better toymaker than photographer.  Also some scenes are not finished (like the future city filled with post-humans and sentient robots, below).  I also left the secret door on the back unphotographed.  I will save it for a later day (but it is really cool and it also unifies the toy greatly). More to follow.  In the mean time get out there and enjoy Halloween (oh, and direct some traffic over here, if you have a moment–I have been working hard making things for you to enjoy!).

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New York City from Bus Window (Wayne Ferrebee, 2015, color pencil and ink)

New York City from Bus Window (Wayne Ferrebee, 2015, color pencil and ink)

This weekend I took a trip up to Kingston, an old colonial town up the Hudson River.  I was visiting to see a friend’s art gallery, One Mile Gallery, (which you should check out when you are in the region–but more on that in later posts).  I took the bus a hundred miles up the river and jumped out, prepared to walk through a few blocks of quaint historical district–but the actual walk was more like a five mile hike through fields and ravines, past old stockades and cement factories (and strip malls).  Additionally I unknowingly visited on the day when the townsfolk reenacted the 1777 burning of their town by King George’s redcoats!  The whole trip had a very spooky autumn feel and I highly recommend Kingston (although if you visit you should maybe plan better than me and not run through the forests at night as the first snows arrive).

Hudson Valley from Bus Window (Wayne Ferrebee, 2015, color pencil and ink)

Hudson Valley from Bus Window (Wayne Ferrebee, 2015, color pencil and ink)

Anyway here are four drawings I made on the trip.  The first two were on the busride on the way up.  There is New York City seen rising like a twisted lovely dream above the marshes and suburbs of New Jersey.  Next we see the bucolic Hudson landscape blurring from the bus window.

Kingston (Wayne Ferrebee, 2015, color pencil on paper)

Kingston (Wayne Ferrebee, 2015, color pencil on paper)

This is a drawing of the historic cemetery at Kingston.  I took certain liberties since I was rushing through and I drew in the details on the bus.  The green statue guy is George Clinton, the fourth Vice-President of the United States.  Finally on the bus ride home, I became enthralled by the same picturesque Hudson Valley clouds that have beguiled so many artists over the years.  Hopefully you enjoyed the sketches from my little autumn mini-trip.  I’ll get back to real posts tomorrow and we’ll start leading up to next week’s Halloween themed week of horror and dread!

Hudson Valley Sky in Autumn (Wayne Ferrebee, 2015, color pencil and ink)

Hudson Valley Sky in Autumn (Wayne Ferrebee, 2015, color pencil and ink)

Nightjar (Wayne Ferrebee, 2015, color pencil and ink)

Nightjar (Wayne Ferrebee, 2015, color pencil and ink)

It is 11:00 PM on Friday night after a long week and I have no blog post written.  You know what that means! It’s time to take out my little book and post some of the frivolous sketches which I do on the train or at lunch.  Since it is October and we are approaching the scary Halloween feature week, I have been doing some creepy otherworldly little drawings.  Above is a nighttime laboratory with two mad scientists hard at work doing some transgenic modifications to various organisms.  Ethereal spirit people drift by outside beneath the cold stars and various beasts and plants inhabit the spaces of the Gothic room not taken up by weird lab apparati.   The seated scientist bears a striking resemblance to a particular Abrahamic deity, but perhaps he is just playing god (not that there is anything wrong with that).  Only when I was done with the picture did I realize that the second scientist bears a striking resemblance to Rick from Rick and Morty (do you watch The Adventures of Rick and Morty? You should!).

Little Glowing Man in Pod (Wayne Ferrebee, 2015, colored pencil and ink)

Little Glowing Man in Pod (Wayne Ferrebee, 2015, colored pencil and ink)

In the second drawing, a little glowing man in a hyperbaric pod lands on a strange world as a many limbed beast cavorts atop his craft.  The fronds of the creature’s vegetative back are a refuge for tiny green elf-like beings.  A pulpy red sphere with a green top in the foreground may be a tomato…or a larval version of the creature.  There is really nothing more to say about this image.

Watermelon Slices (Wayne Ferrebee, 2015, colored pencil and ink)

Watermelon Slices (Wayne Ferrebee, 2015, colored pencil and ink)

It’s another August day that ineluctably slipped away–so here are some illustrations/doodles from the little book I carry around with me.  I drew the garden (?) image above today during lunch (half) hour and then illustrated it on the train and at my desk.I think the little toy ghost is cutting watermelons and peaches held aloft by a penguin, but the real nature of what is going on is uncertain. That many-legged larva is probably not as innocent as it is pretending to be.

Sundry (Wayne Ferrebee, 2015, colored pencil and ink)

Sundry (Wayne Ferrebee, 2015, colored pencil and ink)

Here is some detritus from our culture (and beyond) with sea creatures mixed in to prevent our junk from being boring.   The three-eyed being peaks in from the future and the ice cream is the promise of sweetness.

Barnyard Characters (Wayne Ferrebee, 2015, colored pencil and ink)

Barnyard Characters (Wayne Ferrebee, 2015, colored pencil and ink)

Finally here is a goofy scene of barnyard follies with Mother Goose, a handy goblin man, and a clownish ghost.  As happens on the farm, they are all surrounded by geese, ducks, and sundry birds, while a cat looks on with incredulity.  Enjoy the drawings and let me know if you have any ideas for tomorrow’s blog.  it is officially the silly season of journalism and even our twenty-four-hour news cycle is not kicking up much new material.  We’ll have to make our own bucolic summer fun!

Jelly Lagoon (Wayne Ferrebee, 2015, color pencil and ink)

Jelly Lagoon (Wayne Ferrebee, 2015, color pencil and ink)\

I didn’t get home until late on Friday night–so I guess this week’s final post is once more going to be drawings from the little book I carry around.  The first is a surreal tropical underwater landscape.  I wish i had included more jellyfish–but I am happy about the jelly duck and the orange artichoke/balloon thing.  I am also fond of the underwater ghoul and the lurking crocodile monster.  For some reason, now that I work of Wall Street i have been drawing all sorts of predators and floating ghosts.  Speaking of which…

Monster Soirée (Wayne Ferrebee, 2015, color pencil and ink)

Monster Party (Wayne Ferrebee, 2015, color pencil and ink)

Here are some monsters at a convivial party of some sort.  It’s a bit unclear what is going on, but I feel like the hobgoblin in the purple and teal robes might well be the designated honoree. Look at how proud and happy he looks.  Another ghoul is there looking super excited too–although the green vegetable guy with gills looks as though he might have a bit of social anxiety.  I need to draw more furnaces and fireplaces.  They are really dramatic.

Prospect Park Sketch (Wayne Ferrebee, 2015, color pencil and ink)

Prospect Park Sketch (Wayne Ferrebee, 2015, color pencil and ink)

Finally here is a summer picture of Prospect Park.  All of the parkgoers were bland and ill-dressed so I just drew verdant trees and creamy clouds.  Just as I finished a teenager in a hijab walked by and a blackbird flew across the sky.  It was too late to put them in the picture, but they  are walking through the empty page towards it!

Have a lovely weekend! I am looking forward to next week’s posts.

An Illustrated Haiku from the strange depths of the Internet

An Illustrated Haiku from the strange depths of the Internet

Today (August 8) is International Cat Day, a holiday which honors our beloved feline friends. The domestic cat descended from the African Wild Desert Cat in the depths of prehistory and has been revered (though not universally) ever since. Cats have been portrayed both as gods and as monsters by artists. They represent beauty, grace, friendship, happiness, and love. They represent bad luck, witchcraft, endless hunger, and cruelty. Humans cannot get enough of our bewhiskered predatory friends and their odd dual natures. Additionally, cats dominate the worldwide web–the hive mind conglomerate which has become so central to human activity (and upon which you are presumably reading this post).

Old Fashioned Catfish Charm from eBay

Old Fashioned Catfish Charm from eBay

I am personally celebrating International Cat Day with a rabbit fur mouse for Sepia Cat–my beloved middle aged tabby who sleeps purring on my legs (when she is not committing war crimes against mice). To celebrate on this blog, however, I am giving you a whimsical gallery of cat/fish hybrids which artists draw as puns to represent the siluridae. When I was a child I loved these kinds of endearing mixed animal cartoons (and they deeply influenced the Zoomorphs—a line of mix-and-match animal toys I designed). I hope you enjoy the chimerical fun—but more than that, I hope you are especially nice to your catfriends on this, their special day!

10x10Catfish CartoonBlk

Cartoon Catfish by Steven Wallet

Cartoon Catfish by Steven Wallet

Stock Illustration by RobinOlimb

Stock Illustration by RobinOlimb

 

Tabby Sabertooth Catfish by Kennon9 (Deviantart)

Tabby Sabertooth Catfish by Kennon9 (Deviantart)

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Felix the Catfish

Felix the Catfish

cat fish (18)

A Catfish Aisha from Neopets

A Catfish Aisha from Neopets

Noodler's Forest Green Fountain Pen Ink

Noodler’s Forest Green Fountain Pen Ink

Today we feature a short post about ink…among other things.  The other night I rediscovered my old dip pens and I was doing some doodling (more about that later).  It reminded me of how wonderful dip pens, quills, and fountain pens really are.  I did some online research and I found a contemporary ink company called “Noodler’s Ink” which is an American company which specializes in fancy inks and pigments for specialty pens.  The reason this belongs on this blog is that they are obsessed with catfish—which feature heavily on their marketing and promotional material.  Here are some of the endearing and whimsical catfish drawings which Noodler’s puts on their bottles and boxes of ink.

Various boxes of Noodler's Black Ink

Various boxes of Noodler’s Black Ink

Noodling is a sort of loose word which can be used to describe doodling, but it is also a traditional southern method of fishing for catfish where the angler uses his or her fingers as a lure.  The intrepid fisherperson reaches into promising holes and pits in the bottom of the waterway and wiggles his fingers provocatively in hopes that a catfish will mistake them for some sort of prey.  If the catfish bites the angler’s hand he then uses brute strength to wrestle the fish bodily from the water.  Below is a picture of a Lucy Millsap, a professional (?) noodler landing a monstrous flathead catfish.  It sounds like an interesting sport I guess, but I think I’ll stick to noodlin’ with paper and ink.

Lucy Millsap with a Flathead Catfish she captured by "noodling"

Lucy Millsap with a Flathead Catfish she captured by “noodling”

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