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Mermaid Doughnut.jpg

I was going to showcase a mermaid painting from the glorious 19th century–a golden age of exquisite oil painting (when the technique of the masters combined with stupendous wealth and the camera made visual refernces available for the first time without yet stealing the show), but then I looked up at the wall and noticed I have my own mermaid painting–it just isn’t finished yet.  So I am afraid the 19th century masters will have to rest on their laurels until another day…and I am also afraid you will have to use your imagination to fill in some of the unfinished details of this work in progress.  This is one of the last of my torus-themed paintings, and you can see the great flounder lurking beneath it, preparing to take over as the central leitmotif of this era of my art.   The torus is made of a coil of strange purple cells (or rope) which is surmounted by an alien lotus blossom.  On the left a classic mermaid sings meltingly of the splendor of the seas, while on the right a trio of sinister dark carnival “mermaids” race towards the enigmatic central shape.  All around them the ocean blooms with life–mollusks and crabs desport themselves as a made-up roosterfish swims by and a moray looks on in wonder. Yet humankind is also present.  The lost lure with its beguilement and hooks hints at our trickery, although a masked diver suggests we are not inured to the lure of the dep in our own right.  Tune in later to see how it looks when it is done!

Cockerel Cycle

Cockerel Cycle and French Cruller (Wayne Ferrebee, 2014, oil on panel)

It’s National Doughnut Day!  To celebrate, here are two paintings from my Microcosmic Doughnut Series.  Topologists and astrophysicists posit that our universe has a toroid shape—so I have combined my disparate background in history, toymaking, natural history, and Flemish-style painting to craft doughnut-shaped microcosms. Within these intricate cosmological confections, people and animals from throughout time converge in a never-ending circle—in the manner of the water cycle, the Krebs diagram, or an ouroboros.  Thus the individual elements in these paintings not only have metaphorical significance, they are also part of a dynamic larger picture.  Each landscape of dynamically intertwined symbols represents the cycles within individual life, history, or biology.   Each little doughnut painting is its own self-contained world; yet, taken in aggregate, the individual stories of predators and prey, metabolism, historicism, world trade, or biorhythms of organisms signify even larger cycles of creation and destruction not readily discernible from the fixed perspective of an individual life.  For example, the one above is about a classical French bon-vivant…or maybe it is about frogs or about cocks or chicken eggs.  There is also a fertility aspect to it (not to mention a French cruller in the middle).

Furnacemandonut

Furnace Doughnut (Wayne Ferrebee, 2015, oil on panel)

This second painting is less easily explained.  A variety of brightly colored synthetic organisms fly up out of a baker’s furnace.  Above the mysterious swarm, a humanoid figure in an asbestos suit and a blue-hot dragon spray fire on a salamander which basks in the radiant pure energy.  Blue-black gothic stoves dance around beneath the centerpiece of the composition: a glowing lava doughnut congealing out of the primal kitchen…or is it just a delicious glazed doughnut with chocolate icing and an orange squiggle?  The whole scene makes me hungry for cheap baked pastries…and for raw creation.  Now I’m off to paint some more.  Let me know what you think (and enjoy Doughnut Day with your loved ones).

 

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Crystal Owls (Wayne Ferrebee, 2016, colored pencil and ink)

Here are some more images of beauty, depravity, whimsy , and the mundane from my little sketchbook. The first picture above shows crystal owls flying through a jeweled night.

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Flounder and Doughnut (Wayne Ferrebee, 2016, colored pencil and ink)

This is an artificial tribal world of doughnuts, flounders, and jittery totems. It is a dual world of dark teal and apricot.

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Friend’s Backyard (Wayne Ferrebee, 2016, colored pencil and ink)

This is a sketch of my friend Reis’ backyard in Park Slope at dusk. I particularly like the Serbian spruce in the center.

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Backyard in Spring (Wayne Ferrebee, 2016, colored pencil and ink)

This is a whimsical interpretation of my backyard in early spring as seen by Max Fleischer in a bad dream.  Look at my chiminea walking around talking to the plants!

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Tropical Dancer (Wayne Ferrebee, 2016, colored pencil and ink)

This was a lot prettier in the real world.  It is a beautiful tropical dance recital with people checking their programs.

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Untitled (Wayne Ferrebee, 2016, colored pencil and ink)

No comment.

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Whim-etery (Wayne Ferrebee, 2016, colored pencil and ink)

I love paisleys and I have been trying to incorporate them into little landscapes with animals and scenery.  Thanks for looking.  As always, your comments are greatly appreciated!

mantis1As mentioned in previous posts, my parents have a majestic flock of pilgrim geese (and one peculiar Canada goose).  They have more giant beautiful bright white eggs than they know what to do with…so, when I was home for Easter, I worked in the ancient Ukrainian medium of pysanky.  This involves writing on eggs with a heated wax stylus and then dipping the eggs in progressive layers of batik dyes.  The end results have a beautiful color unlike any other art works, and the eggs are lovely in their own right—both as a curvilinear art medium and as symbols of existence (see yesterday’s post).

Most of my works here feature donuts (which is my personal symbol for the universe) and or flounder.  There are some strange alien-looking mollusks too and some stars.  However I like the radish and the mantis shrimp best.  Those arthropods are amazing creatures (although they are hard to draw with hot wax).  I need to blog about them in the near future.  In the meantime, hopefully the great serpent of the pagan Ukrainian underworld will be satisfied with this batch of eggs.

 

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Brooklyn Heights (Wayne Ferrebee, 2016, colored pencil and ink)

Here are three little pictures from the sketchbook book I carry around with me.  The first picture is a view across the East River from the Wall Street Wharf.  In the second picture dark shadows and monsters are calling out my name. Hmm…With typical art world narcissism, I took the title of today’s post from this picture.

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Shadowy Friends (Wayne Ferrebee, 2016, colored pencil and ink)

Finally here is a radiant sky deity enjoying some beer and a doughnut. He is attended by doting cherubim and towering heavenly clouds as he partakes.  Only a lamprey and a fly spoil the image somewhat.  A plover beholds the entire tableau with amazement.

skygod donut

Skygod Doughnut (Wayne Ferrebee, 2016, colored pencil and ink)

 

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