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Joos_van_Cleve_-_Virgin_and_Child_with_Angels_-_Google_Art_Project

Joos Van Cleve was active in Antwerp from 1511 to 1540.  His winsome figures have a delicacy and elegance which is somewhat in contrast to the earthier figures of Flemish painting.  He was also a pioneer in putting large decorative landscapes behind his figures (although, to my eyes his landscapes are much inferior to landscapes by the greatest artists of the previous generation—like Bosch and Patinir).  In a way Van Cleve’s great innovation was combining the elegance and color of French art, the ecumenical breadth of Flemish painting, and the verisimilitude of Italian painting.  This magnificent picture of the Virgin and Child with Angels rewards close scrutiny.  You should blow up the image (for this is a huge file) and enjoy the appealing little details such as the deer woven into the rug, the tart summer cherries which a footman is offering to Mary, and the same footman’s studded jerkin!

Of course Van Cleve was not the peerless master that some of his more well-known contemporaries were and he sometimes overreached.  Looking at the less-than-perfect curly-haired angel in the acid-color jerkin gives me hope for my own career as a painter (whereas sometimes the works of Raphael and Perugino leave me in despair about ever picking up a brush).

Detail from "Medicine" (Gustav Klimt, 1901)

Detail from “Medicine” (Gustav Klimt, 1901)

Earlier this month we featured a post about Robert William’s painting “In the Pavillion of the Red Clown” an enigmatic artwork which showed a sinister red-garbed clown using a golden snake to menace a pretty showgirl.  It’s a powerful painting and it provoked some enthusiastic and thoughtful comments, but it is also a painting with some real gender issues (particularly considering the clown’s menacing attitude and the showgirl’s scanty garb). To rectify the situation and even up the scales, here is an even more beautiful painting by the Vienna Secession master, Gustav Klimt.  Actually this is a detail photograph of a part of the larger painting “Medicine” which Klimt painted in 1901.  Sadly the original painting was destroyed by the S.S. in 1945, but photos and sketches of the original still exist.  The woman in red is the goddess Hygeia, one of the daughters of Asclepius.  Worshiped by Romans as the personification of health, cleanliness, and sanitation, she holds a sacred golden snake, the ancient symbol of healing and looks haughtily down at the viewer.  Her strange lovely red and gold garb highlights her divinity and otherworldliness. Likewise the golden swirls on her dress and the red ribbons in her elaborately coiffed hair suggest a hidden world of medical secrets.

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