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We are entering the Yule season, the darkest time of year here in the northern world.  Of course we have Christmas and Kwanza and Saturnalia to distract ourselves from the endless cold gloom, but it is still a bit early to write about those topics.  I need something colorful and splendid…perhaps from the other hemisphere where everything is beautiful late spring majesty.  Behold the stupendous color and masterful dance of the peacock…spider.  I feel this jaunty little spider is a perfect spirit animal for artists.

Male Peacock Spider (Maratus volans) via Jurgen Otto / Flickr

Male Peacock Spider (Maratus volans) via Jurgen Otto / Flickr

The peacock spider (Maratus Volans) is a small jumping spider which lives in parts of Queensland, New South Wales, Australian Capital Territory, Western Australia and Tasmania. The spider lives like almost all spiders—by capturing and eating tiny invertebrates, while avoiding hungry predators long enough to mate.  However unlike most spiders, the male peacock spider is a mélange of exquisite hues and glistening iridescent color. In the manner of the eponymous peacock, he has a blue, orange, and gold abdominal flap, which he can raise and lower at will. He looks like he fell out of a particularly weird corner of paradise…and, on top of that, he is a great dancer.  The female is rather more drab in appearance, and, ominously, she is much larger….

Big bold color...in a small package

Big bold color…in a small package

Like the Irish elk, the male peacock spider has a sexual selection problem on his (many) hands. If one is a small animal living in the dust-colored scrubland of the outback it is not necessarily an advantage to look like Liberace’s underwear drawer (!).  Yet male spiders who are not sufficiently brilliant and nimble at dancing are liable not to mate…and !

peacock-spider-11[5]

If the male spider is not colorful enough, or if he fails to dance with heart-stopping terpsichorean majesty, the female spider will become “perturbed” and she is likely to attack him and eat him.  Unsurprisingly, this dynamic seems to have produced a feedback loop wherein spiders are in a kind of arms race to be as colorful and flamboyant as possible.  If they are not vibrant and ridiculous enough, the female eats them.  If they are too brilliant and noticable, everyone else does.

Male Peacock Spider (Maratus volns) illustration by KDS444

Male Peacock Spider (Maratus volns) illustration by KDS444

This jaunty little spider should be the mascot of artists everywhere, for, like him (or like poor Marsyas), we are slaves to the fickle whims of an ever-more jaded audience.  At the same time there is stronger competition than ever from all other quarters to be more practical and more buttoned down. I don’t know what the solution is, but the peacock spider seems to have found it.  Look at him go! (Hint: he really starts dancing at 1:46)

The London Olympics Stadium

The 2012 Olympics are starting tomorrow.  I’m looking forward to watching (and blogging about) some of the esoteric sports which only get their moment of glory every four years—especially the sailing, boating, and shooting sports which are my favorite.  Before we get to the actual Olympics though, we have to get through the opening ceremonies, which are always a huge sloppy mess.  Like costumed mascots, which fascinate and appall the viewer with a unique combination of human and inhuman elements (in fact the 2012 Summer Olympics already feature completely ludicrous mascots) there is something simultaneously evocative and revolting about such international mass spectacles. If you can tolerate the agonizing kitsch and the eye-wateringly lurid spectacle, there are always insights into the host nation and the larger zeitgeist of each era.

The Opening Ceremony of the 2004 Summer Olympics in Athens

Sydney 2000 Summer Olympics Opening Ceremony

The principle elements of opening ceremonies generally include pyrotechnics, has-been pop stars, dreadful dance routines, strange performance art, posturing politicians, and crazy costumes.  There is also a moral lesson or story (which is meant to be an undercurrent but which is usually fairly overt) presented in a peculiar opera-like mash of dance, cameo celebrity appearances, and moveable sets.

Like all Americans, I boycotted the 1980 Moscow Olympics opening

Each host nation always manages to bring its own special horrible thing to the opening ceremony–for example the Beijing opening ceremony featured mass dance routines that would put North Korea to shame.  Tens of thousands of majorettes all marched in place for hours in high heeled boots with big fake smiles that said “they have my family!”

2008 Beijing Olympics Opening Ceremony (featuring clapping marching performers)

The overarching message of the Beijing opening ceremony seems to have been that China had a very ancient and superior culture but then fell on hard times (through no fault of its own) before building a brighter & better homogenous society which is poised to take leadership of the world.  During the bombastic (but compelling) performance, the cameras kept cutting to the grandstand filled with world leaders.  Putin stared at the spectacle with icy hatred in his eyes and a hard frown.  George Bush Junior kept slumping over in his seat with disinterest as Laura plucked at his elbow.

Crazy Costumes from the 2008 Beijing Olympics opening Ceremony

At least China still envisions a future in outer space (2008 Beijing Olympics opening Ceremony).

England, of course, is not lacking in dried-up rock stars and supernumerary VIPS, but preliminary reports indicate tomorrow’s opening ceremony will also be a chronological morality tale put together by England’s foremost director. The 2012 Olympics opening ceremony was designed by Danny Boyle, the director of Bollywoodwesque Slumdog Millionaire, zombie horror film 28 Days Later, and heroin-soaked black comedy Trainspotting.  According to The Daily Mirror:

The whole ceremony is based on William Shakespeare’s brilliant play, The Tempest. The title in particular is borrowed from a stirring speech made by the native Caliban to his master Prospero. “Be not afraid,” says Caliban, “for the isle is full of noises. Sounds, and sweet airs, that give delight and hurt not.”

In addition to the bard, Boyle apparently intends to pay homage to England’s agrarian past with a comprehensive cavalcade of live farm animals.  The second act will feature the hardships of the industrial revolution and the amorality of England’s colonial ascendancy—which is meant to provide a dark and upsetting counterpoint to the initial bucolic splendor.  Finally modern England will appear as a land of toleration and rock-and-roll!  [Of course all of this could be wrong. Boyle has been trying to keep his program secret, and this information is based on leaks and speculation.]

2010 Spirit Bear? Does anyone else remember this?

This year is already looking exciting in terms of political drama. Putin will not attend since he is angry with Great Britain (as apparently is President Obama, though nobody has yet fathomed why).  An awkward Mitt Romney will be there, trying [and failing] to fit in with actual world leaders.  But the real excitement will focus on the central performance, a train wreck of public art featuring farm animals, Elton John, industrial grime, James Bond, the Spice girls, and medieval kings.  What does that say about the zeitgeist?  Find out tomorrow!

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