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Cockerel Cycle and French Cruller (Wayne Ferrebee, 2014, oil on panel)
It’s National Doughnut Day! To celebrate, here are two paintings from my Microcosmic Doughnut Series. Topologists and astrophysicists posit that our universe has a toroid shape—so I have combined my disparate background in history, toymaking, natural history, and Flemish-style painting to craft doughnut-shaped microcosms. Within these intricate cosmological confections, people and animals from throughout time converge in a never-ending circle—in the manner of the water cycle, the Krebs diagram, or an ouroboros. Thus the individual elements in these paintings not only have metaphorical significance, they are also part of a dynamic larger picture. Each landscape of dynamically intertwined symbols represents the cycles within individual life, history, or biology. Each little doughnut painting is its own self-contained world; yet, taken in aggregate, the individual stories of predators and prey, metabolism, historicism, world trade, or biorhythms of organisms signify even larger cycles of creation and destruction not readily discernible from the fixed perspective of an individual life. For example, the one above is about a classical French bon-vivant…or maybe it is about frogs or about cocks or chicken eggs. There is also a fertility aspect to it (not to mention a French cruller in the middle).
Furnace Doughnut (Wayne Ferrebee, 2015, oil on panel)
This second painting is less easily explained. A variety of brightly colored synthetic organisms fly up out of a baker’s furnace. Above the mysterious swarm, a humanoid figure in an asbestos suit and a blue-hot dragon spray fire on a salamander which basks in the radiant pure energy. Blue-black gothic stoves dance around beneath the centerpiece of the composition: a glowing lava doughnut congealing out of the primal kitchen…or is it just a delicious glazed doughnut with chocolate icing and an orange squiggle? The whole scene makes me hungry for cheap baked pastries…and for raw creation. Now I’m off to paint some more. Let me know what you think (and enjoy Doughnut Day with your loved ones).
According to ancient Chinese mythology, humankind was created by the benevolent snake-goddess Nüwa (who is one of my very favorite divinities in any pantheon, by the way). But keen readers wonder: where did Nüwa come from? Whence came the ocean and the earth and the sea and the winds and the heavens. Oh, there is a story behind that too, but it is strange and troubling—sad and incomplete and beautiful like so much of Chinese mythology and folklore.
In the beginning there was nothing except for the universe egg—a vast perfect egg which contained everything. Within the universe egg, yin and yang energies were mixed together so completely and perfectly that they were indistinguishable. Then, through some unknown means, the egg changed—mayhap it became fertilized—and a being began to grow within it. This was P’an Ku, the great primordial entity. The yin and yang energy began to separate and build complex forms. P’an Ku slowly grew and grew. He started as something infinitely small but gradually he became larger and larger until eventually his vast arms came up against the sides of the everything egg. The little embryo became a vast god. The walls of the egg became a prison.
Then P’an Ku grabbed an axe (which appeared from who knows where). Using all of his gargantuan might, he smashed a great blow through the shell of the egg, which exploded. He was born—as was the universe. Beside him, in the gushing yolk, the primordial magical beings came into being—the dragon, the tortoise, the phoenix, and the quilin. These special creatures helped the first deity as he began to separate chaos into order. P’an Ku split the yin into darkness and the yang into light. He laid the foundation stones of the vault of the everlasting sky and filled the ocean with the waters of creation dripping from the shattered egg shell.
But as he built, a strange thing happened (though maybe not so strange to my fellow artists who can never quite craft their dreams into their works). The world he made became inimical to him. He aged. He suffered. His creation was unfinished…and he died. His breath became the clouds and the wind. His body became the mountains and the plains of China. His eyes became the sun and the moon. The hair of his body and head became the plants and trees.
It was in this corpse-world that the creator deities moved: Nüwa, a child born of P’an Ku’s genitals…or an alien outsider? Who knows? Who can say? What is important is that eggs are important. In Chinese myth they are the source of everything. The beginning of the universe.
Chinese mythology does not dwell on the end of the world quite the way other cosmologies do. Our world is sad and broken enough that we don’t need to think about its ending. But there are ethereal hints from before the Chin emperor’s great purges which suggest that time is circular like an egg. Somehow, as we all began, so we will end back there again in the homogenized grey yolk of chaos.
In Hawaiian mythology the most important deity was the beneficent creator god Kāne, the deity of the sun, the dawn, and the fertile forests where people liked to dwell. Yet there was also a deity in opposition to Kāne—an evil god of the dark depths of the ocean, and darkness, and the death of all things. This underworld deity was known as Kanaloa and was sometimes envisioned as a black, poisonous squid or octopus.
The Hawaiian myth of creation involves an art contest of sorts between Kāne and Kanaloa: both deities carved human beings out of basalt but only Kane’s man and woman came to life. Kanaloa’s people remained dark stone. In anger, Kanaloa seduced the first man’s wife and brought enmity between the sexes. The dark deity then invented poison and thus caused many fish, plants, and animals to be injurious to the new humans. Still not satisfied he crafted death so that men and women would have only a short time in the world.
Because of his mischief, Kanaloa was banished to the depths of the ocean, but he retained his power and godhood. Sailors and fishermen pray to Kanaloa so as to remain safe when crossing his watery domain. Likewise he is worshipped as the foremost god of magic. I wish I had some good stories about Kanaloa doing interesting things while in his octopus form, but sadly stories of the dark god are rare. Some ethnologists even suggest that his role was altered and stories about the deity were changed so that he would fit more coherently into missionaries’ stories about God and the Devil.
In the Iliad, the great Greek epic of ferocity, loyalty, and war, the Myrmidons were the most ferocious and loyal of all of the various Achaean warriors. The myth of how the Myrmidons came into existence reveals the source of their bravery, strength, and discipline as infantry troops. The story combines literature, invaders (for the Myrmidons were ever attacking), and…hymenopterans.
Creation of the Myrmidons (artist unknown)
As with so many other Greek myths, the story starts with the philandering of Zeus, who fell in love with Aegina, who was the eponymous nymph/goddess of Aegina—an island which is located in the Saronic gulf between Attica and Argolis. According to the writer Hesiod (and later Ovid) Zeus appeared to the nymph as an eagle and loved her. From their union came the demi-god, Aeacus, born as king over the island. Hera, jealous as ever, punished the inhabitants of the island for Zeus’ affairs by sending a plague (or possibly a dragon) to destroy them all except for the immortal Aeacus. Devastated by the deaths of his subjects, the lonely Aecus prayed to Zeus to repopulate the island. The king of the gods heard the prayer and responded by transforming a colony of ants in an oak tree into men and women. These new people were tough, warlike, and hive-minded—just like the ants they originated from. Aeacus eventually wearied of kingship and turned the throne over to his son Peleus (one of the heroes of the ill-fated Caledonian boar hunt) who eventually wed the sea-nymph Thetis.
The creation of the Myrmidons
There is another (possibly older) myth which is more troubling. In this alternate story, Zeus transformed himself into an ant in order to seduce Eurymedusa, the daughter of a river god. She bore a son, Myrmidon, and the antlike Myrmidons all descended from him. I think I prefer Ovid & Hesiod’s version of the story!
Myrmidons (Tristan Schane, oil on illustration board)
Of course, in accordance with the universal law of disparity between intention and result, the Myrmidons (who enjoyed war more than the other Greek armies) ended up sitting out most of the battles mentioned in the Iliad due to the feud between Achilles and Agamemnon—but their ferocity was well-documented in Greek letters. A passage from the end of the Iliad describes how excited the Myrmidons became when Achilles finally freed them to join the battle after holding them back while other men fought:
Meanwhile Achilles made his round of the huts and called all the Myrmidons to arms. They gathered like a pack of ravening wolves filled with indescribable fury, like mountain wolves that have brought down a stag with full antlers, and rend it with blood-stained jaws then go in a mass to drink, lapping the dark water with slender tongues, dripping blood and gore, the hearts in their chests beating strong and their bellies gorged. (Iliad, Book XVI, translated by A. S. Kline)
The popularity of the Iliad has meant that the Myrmidons were not forgotten: the word has become part of the English lexicon where it means a completely devoted warrior-minion.
An astronomy story has made big news headlines this week. Usually most people are not unduly interested in the happenings in the heavens (either because such events are difficult to comprehend, or because they are regarded as remote to human interests), however this story does directly involve matters which humans take great interest in. 
Scientists and theorists working for the Harvard-Smithsonian Center for Astrophysicists have announced a spectacular new theory concerning the origin of gold (and other heavy elements like platinum and uranium): the cosmologists believe that the heaviest natural elements are created when two neutron stars collide or when a neutron star collides with a black hole (here is an easy summary of neutron stars, extremely tiny supernova remnants with a mass greater than the sun). Elements as complicated as iron are manufactured by normal stars in the course of their lifetime, however the creation of heavier elements is more mysterious. Until now, chemists and physicists had imagined that gold, platinum, uranium, and what have you, come from supernovae—however computer models of various types of supernova events did not supporting that conjecture. The scientists at the Harvard-Smithsonian Center for Astrophysicists based their hypothesis partly on the massive gamma radiation burst detected on June 3rd, 2013 from 3.9 billion light years away in a galaxy located in the constellation Leo. Gamma ray bursts tend to be associated with hypernovae/supernovae caused by the collapse of super-giant stars, but the June 3rd burst was different. In certain rare circumstances, two neutron stars are in a binary system together. Over time, the orbits decay and the stars come together in a cataclysmic event which releases energy tantamount to that of a supernova. Based on the unusual exotic energy signatures of the June 3rd gamma ray burst, it seems that scientists caught a rare peek at such an event.
Neutron Star Collision
I will confess that I am having trouble imagining two objects the size of small cities (yet each with a mass greater than the sun) slamming into each other at astronomical speeds. Apparently such events only happen every 100,000 years or so in a galaxy the size of the Milky Way. When the neutron stars come together, a black hole is ripped in the fabric of spacetime. Huge parts of the neutron stars fall into the black hole and vanish from this universe, but other portions of the neutron stars (which, as the name hints, are made up largely of neutrons) are jettisoned into space. Edo Berger, one of the astrophysicists who authored the new theory described the process with an earthy metaphor, saying, “several exciting things happen very quickly…. Most of the material collapses to form a black hole. Some of it is spewed into space. That material is rich in neutrons, which drives the formation of heavier and heavier elements, the way mud piles up on an off-road vehicle.” 
The gold, platinum, and heavy elements are created in astonishing mass (like many earths made entirely of gold). The elements are diffused through the cosmos and become part of newly forming star systems. Gold is strange stuff anyway. The gold present on Earth during its nebular formation is believed to have sunk deep into the center of planet’s molten core where it is inaccessible. All the gold that rappers and kings wear (and that Ron Paul and draugers hoard) first began falling to Earth 200 million years after the planet’s final formation on asteroids. The great gold strikes are well named: gold on the surface of Earth is there because of meteor strikes (although billions of years of geology have buried and twisted and hidden these cosmic remnants).
Yeehaw! There’s asteroid fragments!
Ah Florida…sultry weather, orange groves, glistening beaches, pouting beauties, and palm trees…but also walking catfish, killer snakes, and now giant mollusks! The semi-tropical peninsula is prey to wave after wave of exotic animal invaders. The most-recent problem creatures are giant African snails, immense land snails that can grow up to 20 centimeters (8 inches) long. There are three extremely similar species of giant snails which come from West Africa: the giant African snail (Achatina fulica), the giant Ghana tiger snail (Achatina achatina), and the margies (Archachatina marginata). Each snail has a brown swirly shell and grows to be about the size of an adult’s fist.
Archachatina marginata
The giant snails eat over 500 varieties of plants—including the majority of agricultural and ornamental species. They also have a taste for stucco and siding so some Floridians now awaken to discover that huge mollusks are literally devouring their houses. The snails are hermaphrodites and can lay up to 12000 eggs per year. They can survive freezing temperatures.
Authorities continue to investigate how the snails got into the country but increasingly the evidence points to…voodoo.
In the Yoruba creation myth, the entire world was once water. The god Obatala possessed a magic snail shell which contained earth. Acting on instructions from the supreme divinity Olódùmarè, Obatala cast this land upon the oceans, thus creating the continents. Obatala then molded the land into men and beasts–but he possessed an artist’s temperament and thirst. As he crafted the Earth and its inhabitants he drank so much palm wine that his mental clarity became dulled and he made big parts of existence wrong. Eventually he passed out altogether and his brother Oduduwa was left to finish the work and patch up the errors as best as he could. Unfortunately big parts of humanity were assembled incorrectly and these flaws remain in evidence everywhere…
Obatala
Anyway a mainstay of Obatala worship is the sacrifice of snails (in memory of the primordial snail shell which contained the first earth). Apparently one of Obatala’s worshippers illegally brought some giant African snails into Florida for religious reasons and they escaped from him.
So, to recap, a smuggler who worships a drunken deity brought giant hermaphrodite snails in to Florida as a religious devotion to his addled god. Unfortunately the snails escaped and they are now eating people’s homes. Argh! What is wrong with us? I’m going to go drink some palm wine…
Next time please just light a votive candle!
Nüwa
Nüwa was a serpent deity from ancient Chinese mythology. Sometimes she is pictured as a gorgeous woman, other times she is shown possessing a woman’s head but the body of a powerful snake. Nüwa was the creator of humankind and remained a powerful benefactor to people and all living creatures (many of which were also her handiwork).
When the world was new, Nüwa walked through empty plains and valleys. Perceiving that creation was very desolate and lonely she began to craft living creatures in order to fill the waste. On the first day she made chickens and sent them clucking through creation. On the second day she fashioned dogs to run through the forest. On the third day she created sheep to graze the plains. On the fourth day she crafted pigs to root through the earth. On the fifth day she made gentle cows and truculent bulls. On the sixth day she was inspired and crafted horses. On the seventh day she was walking near a river and she saw her beautiful reflection. She knelt down in the yellow clay and began to hand sculpt figures similar to herself. As she set the lovely little forms down, they came to life and began to call out to her as mother. All day Nüwa built more and more of the little people, after her long labors, her energy was waning. To finish the job she picked up a strand of ivy and dipped in the fecund mud. Then she flicked the mud across the lands. Everywhere the little blobs fell, people sprung up, coarser and less lovely then the hand-made folk, but perfectly serviceable. Thus did Nüwa create humankind, separating from the very beginning the rich and noble people from the commoners by means of her crafting methods.
Fuxi and Nüwa, an ancient painting from Xinjiang
Nüwa loved her creations and she continued to look after them quietly (for she was modest and disliked effusive worship). She took Fuxi, the first of the three sovereigns of ancient China as her spouse. Fuxi was a hero in his own right and is said to have invented fishing and trapping. There are many ancient pictures and representations of the happy couple entwined as huge loving snake people. However one day the great black water dragon Gong Gong put her marriage and all of her work in peril. The story of what happened subsequently is of great interest (and bears directly on my favorite work of Chinese literature) so I will tell it completely tomorrow.
Nüwa in serpent guise
Xolotl
Xolotl was a monstrous and deformed Aztec deity associated with sickness, misfortune, lightning, and dogs (which were useful but taboo animals to the Aztecs). He was the twin of the glorious feathered serpent, Quetzalcoatl, one of the most important and revered of Aztec deities. Unfortunately twins were also taboo to Mesoamericans and Xolotl’s place in the pantheon in no way matches his brother’s. Filthy and skeletal, with backwards feet, floppy ears, and a cowering, cringing demeanor, Xolotl was constantly getting into trouble. Scarred by his own lightning, beset by his own sicknesses, his task was to help drag the sun through the underworld at night.
In one critical story, Xolotl traveled to the depths of Mictlan, the Aztec underworld, to unearth the horrible rotting bones of an extinct race of beings. He tricked Mictlantecuhtli, goddess of Mictlan, into allowing him to drag a filthy carcass up to the world of light where his brother and the radiant gods of heaven sprinkled it with their blood. Thus was humankind born–from the blood of the sky gods and the bones of the dead.
What happened to luckless Xolotl? One legend tells that he suffered setbacks in the tempestuous political affairs of the gods (recall, he was the deity of misfortune). Fearing that he was about to be banished or killed, he transformed himself into an axolotl, the indigenous salamander of the Mexican basin. The axolotl lacks the ability to transform into a land animal which other salamanders have. Almost all of the population is perennibranchiate, trapped with gills and fins forever in the polluted shrinking waterways around Mexico city.
Axolotl
ferrebeekeeper 