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Blossom Monster (Wayne Ferrebee, 2015, paper mache and mixed media)
Today’s post touches on larger aesthetic and moral issues, but first let’s showcase some weird art! This is “Blossom Monster” a 3 foot by 7 foot chimerical monster which I made to celebrate the annual reappearance of the cherry blossoms. It is a sort of cross between a deep sea fish, a scorpion, and a horse. The creature is crafted from paper mache (or papier-mâché?) and has LED-light up eyes and fluorescent pink skin which glows faintly in the dark. I initially placed it beside the tulip bed, but then I realized it was on top of the iris, so now the creature has been shuffling aimlessly around the garden looking for a permanent display spot. “Blossom Monster” is made of discount glue which I bought in bulk from the 99 cent store, so, as soon as it rains, the sculpture will probably dissolve into a heap of gelatinous ooze and that will be that.
There is nothing more beautiful than cherry blossoms, so why did I make a weird ugly fluorescent monster to go with them? I have a story to answer that question: every year the Brooklyn Botanic garden has a famous cherry blossom festival which is attended by tens of thousands of people (at the least). Although I think the tree in my garden is prettier than any individual specimen they have, the Botanic Garden has orchards full of Kwanzan cherry trees along with hawthorns, quinces, magnolias, plums, horse-chestnuts, and other splendid flowering trees. The effect is truly ineffable—like the Jade Emperor’s heavenly court in Chinese mythology. Yet over the years people became bored with the otherworldly beauty of trees in full flower, so the Botanic Garden was forced to augment their festival by adding odd drum performances, strange post-modern theater, and K-pop music. They also invited cosplayers–so now the blossom festival is filled with space robots, ronin, mutant turtles, and provocatively attired cat-people (in addition to the already heterogeneous citizenry of Brooklyn).
Adding layers of kitsch, tragic drama, manga, and human aspirations (of all sorts) has greatly augmented the peerless beauty of the blossoms. The prettiness of the garden has been elevated into high-art by the plastic hats, spandex, and makeup. The blossom festival now has a fascinating human element of ever-changing desire, aspiration, and drama which the blossoms lacked by themselves (except maybe to gardeners, who know exactly how hard it is to get perfect flowers to grow).
Of course the shifting annual particulars of novelty do not match the timeless beauty of the cherry trees. In a few years we will all hate princesses, k-pop, and furries which will seem like hopelessly outdated concepts from the ‘teens. The blossom festivals of tomorrow will be attended by future people wearing neo-puritan garb, or hazmat suits, or nothing! Who knows? The allure of the cherry blossoms will never change, but the whims of the crowd beneath will always make the blossoms seem new.
Novelty has always struck me as weak sauce, but it is, by nature, a new sauce. It needs to be drizzled on things to make them appealing (even if they are already the best things—like cherry blossoms). This is a monstrous truth behind all fads, tastes, and art movements. I have represented it in paper mache and fluorescent paint! Once my monster dissolves I will have to come up with a new act for next year.
An Illustrated Haiku from the strange depths of the Internet
Today (August 8) is International Cat Day, a holiday which honors our beloved feline friends. The domestic cat descended from the African Wild Desert Cat in the depths of prehistory and has been revered (though not universally) ever since. Cats have been portrayed both as gods and as monsters by artists. They represent beauty, grace, friendship, happiness, and love. They represent bad luck, witchcraft, endless hunger, and cruelty. Humans cannot get enough of our bewhiskered predatory friends and their odd dual natures. Additionally, cats dominate the worldwide web–the hive mind conglomerate which has become so central to human activity (and upon which you are presumably reading this post).
Old Fashioned Catfish Charm from eBay
I am personally celebrating International Cat Day with a rabbit fur mouse for Sepia Cat–my beloved middle aged tabby who sleeps purring on my legs (when she is not committing war crimes against mice). To celebrate on this blog, however, I am giving you a whimsical gallery of cat/fish hybrids which artists draw as puns to represent the siluridae. When I was a child I loved these kinds of endearing mixed animal cartoons (and they deeply influenced the Zoomorphs—a line of mix-and-match animal toys I designed). I hope you enjoy the chimerical fun—but more than that, I hope you are especially nice to your catfriends on this, their special day!
Cartoon Catfish by Steven Wallet
Stock Illustration by RobinOlimb
Tabby Sabertooth Catfish by Kennon9 (Deviantart)
Felix the Catfish
A Catfish Aisha from Neopets
Today is the first day of the Chinese New Year! Happy Lunar New Year to everyone! It’s time for dumplings and fireworks! This is the year of the Water Dragon—an auspicious year (if astrologers are to be believed). Since being born in the year of the dragon is regarded as fortunate, Chinese demographers are projecting a larger than normal number of births this year. If you are looking to have children maybe you should hold off on the partying and go work on that right now.
The dragon is the de facto symbol of China (and has been so for a long, long time). The mythical creatures appear everywhere in art, architecture, clothing, advertising, and even drawn indelibly on people (as above). Snarky political cartoons about currency manipulation represent China as a dragon in the same way that the United States is always shown as Uncle Sam or an eagle. Five clawed dragons symbolized imperial authority during the era of the emperors. Even in pre-dynastic China the dragon was a central symbol. Dragon statues have been discovered from the Yangshao culture (seven millennia ago).
A Chinese porcelain blue and white 'dragon' jar. Ming Dynasty, Jiajing period (1522-66). Photo Gibson Antiques
Although symbolic of power, strength, and good luck, Chinese dragons are also inextricably linked to water sources. In various myths, dragons represent control over oceans, rivers, lakes, and ponds. They are also linked with stormclouds, rainfall, floods, and rainbows. Some scholars and folklorists believe that the concept of dragons was originally based around actual aquatic animals like saltwater crocodiles (which ranged along the Chinese coast in ancient times), large snakes, and huge catfish.
Bronze Dragon from the Summer Palace, Beijing
Because they are composed of features from various real animals, Chinese Dragons perfectly suit the themes of this blog (which has a history of admiring chimerical creatures). Dragons have the body of a serpent, the claws of an eagle, the legs of a tiger, the whiskers of a catfish, the antlers of a deer and the scales of a fish. According to legend, back in the depths of time, the Yellow Emperor, a semi-divine magician, unified China and became the first emperor. The Yellow Emperor’s standard was a golden snake, but whenever he conquered another fiefdom he would add the features of their heraldic animal to his own. As the emperor’s army conquered more and more of China, the snake acquired antlers, talons, fish scales, and barbels.
The Yellow Emperor (Illustrated by Blue Hsiao)
People born in the year of the dragon are supposed to embody a mosaic of noble traits. Dragons are said to possess intelligence, energy, self assurance, passion, and courageousness. Allegedly water dragons combine these virtues with patience and understanding. I’m not sure how much faith I put in astrology, but I certainly hope this year combines some of these good things.
Gung hay fat choy!
The Chimera
I have a special affection for the next monster on my list. Of all of Echidna’s brood, the Chimera seems like the most fanciful: she was a mixed-up creature with three heads from completely different animals. The Chimera had the body and head of a lioness, but a goat head protruded from her back, and she had a live snake instead of a tail. The Chimera breathed fire and haunted the volcanic mountains of Lycia. Even in mythology, this was an improbable beast, and therefore, since classical times, writers and poets have called unbelievable fabrications “chimeras.”
Zoomorphs! The chimerical building toy
I am fond of the Chimera because I designed a line of toys, the Zoomorphs, which is a kind of do-it-yourself chimera kit. The toy consists of a set of plastic animal parts which can be snapped together to make an actual creature like a Tyrannosaurus, a dog, a goldfish, or a parrot (to name only a few). The user can also pop the different pieces together to make crazy fantasy creatures such as a dino-dog with parrot’s wings and a fish tail. You can find them for sale at finer independent toy stores. Here’s a link to the company site. Sorry for the shameless plug—but it was germane to the subject. Anyway…back to mythology….
Like a surprising number of the monsters born of Echidna, the Chimera was slain for no good reason–thanks to a sequence of events which had nothing to do with her. Bellerophon, prince of Corinth (and the grandson of wily Sisyphus) fled from his father’s court after committing murder. He took refuge in Tiryns, where he was a favorite guest until the queen accused him of ravishing her. The king of Tiryn sent Bellerophon to his father-in-law with a sealed note to kill the bearer (coincidentally, do such death warrants ever work properly in fiction?). The father-in-law also had qualms about murdering a guest, and so he dispatched Bellerophon on a suicide mission to kill the Chimera. With assistance from Athena and Poseidon, Bellerophon tamed the magnificent winged horse Pegasus. In order to deal with the Chimera’s fiery breath, Bellerophon attached a hunk of lead to a spear. When the Chimera breathed on the lead the soft metal melted down the creature’s throat causing the poor animal to suffocate.
Bellerophon fighting the Chimera (watercolor by Walter Crane, 1895)
Bellerophon performed a few other heroic deeds and ultimately became king. However the dark shadows in his character did not vanish with a crown. After a few years of increasingly tyrannical behavior, he resolved to fly Pegasus to Mount Olympos and join the gods as an equal. Zeus sent a blowfly to sting the winged horse, and Bellerophon was thrown down into a thorn bush. Maimed and blinded, he wondered Greece as a beggar, while former subjects pretended not to recognize him. The moral of the story is that Greek gods can tolerate murder, rape, chimeracide, and despotism, but woe to those guilty of hubris! And thus does Bellerophon’s troubling story come to a stupid end.
Fortunately modern biologists do not agree with nonexistent gods (or their adherents) as to what constitutes hubris. This is relevant because the creation and study of “chimeras” in biology has become widespread. In the context of biology, a chimera is an organism (or a part of an organism) with tissues created from more than one distinctive sets of genetic information. Such an organism can come about through organ transplant, grafting, or genetic engineering. Some chimerical organisms have a long history and are familiar–like grafted rose bushes or organ-transplant recipients. Other chimeras, particularly those created by genetic tinkering, are rather more apt to stir up passion among the traditionally-minded. For example, in 2003, Chinese biologists created an early stage embryo which combined rabbit and human parts. Bio-ethics and our transgenic future merit further writing, however splicing the genes of organisms together is about to become more frequent. Why not join the wave of the future with some delightful, high-quality morphing toys!
You are not getting off this merry-go-round!
ferrebeekeeper 