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Earlier this week I wrote about the (alleged) crown of Montezuma. The main element of that crown was not a gem or gold structural elements, but the exquisite iridescent emerald feathers of Pharomachrus mocinno, the resplendent quetzal. These birds live in the rainforests of Central America from southern Mexico down across Guatemala and into western Panama. They are solitary birds which generally eat fruit (which they supplement with small animals). They are weak fliers and are preyed on by hawks, eagles, owls, and even toucanets and squirrels (it must be embarrassing to be eaten by a small mean toucan or a squirrel).
Because of their exquisite feathers resplendent quetzals were associated with the flying snake god Quetzalcotl by various Mesoamerican civilizations. Elite individuals of the Maya and the Aztecs did indeed wear headdresses made from quetzal feathers, and it was taboo to kill the bird. Feathers were collected from captured birds which were set free (for quetzals do not flourish in captivity). They were seen as symbols of divinity, freedom, and wealth (Guatemalan money is known as the quetzal).
I wish I could tell you more about this jewel-like bird, but they quietly keep their secrets. A myth of the conquest is that before Spaniards came to the Americas, quetzals sang beautifully and had plain breasts, but since that time their breasts have been red with blood and they have been silent. They do indeed seem to be a stupendous visual phenomenon (like today’s post which is really about the pictures of this exquisite animal).
This is Wagner’s mustached bat (Pteronotus personatus), a somewhat ridiculously named bat which is a master of echolocation. The little flying insect hunter is tiny: bats have a body length of 6 to 6.7 centimetres (2.4 to 2.6 in). They are strictly nocturnal insectivores. They fly over rivers at night feeding on moths and mosquitoes. Wagner’s mustached bat is notable as one of only a handful of Doppler-shift compensating bats in the new world: the little animals. To quote Michael Smotherman’s article in The Journal of the Acoustical Society of America , Wagner’s mustached bats “adjust the frequency of their [Constant Frequency] component to compensate for flight-speed induced Doppler shifts in the frequency of the returning echoes.” This is no mean feat for an animal without any onboard computers or slide rules.
Wagner’s mustached bat ranges from southern Mexico, down through Central America to the Pacific coast of Ecuador. It is found in a broad swatch of South America in a band through Colombia, Peru, Bolivia, and across central Brazil to the Atlantic. Not only does the bat intuitively understand Doppler shift effects, it also exhibits an interesting coloration feature. The species has two color phases: some bats are sable colored with grey underparts; others are reddish-orange with cinnamon colored underparts. Ferrebeekeeper needs to talk about polymorphism (maybe later this week) and this little mustached creature is a good start on explaining the concept.
One of the most horrible deities of the underworld comes from the violent and frightening cosmology of the Maya civilization of Central America. The Mayan god of darkness, violence and sacrifice was Camazotz a flying bat god who inhabited Xibalba, the Mayan hell. Originally an anthropomorphic bat monster worshipped by the Zapotec Indians of Oaxaca, Camazotz was adopted into the Mayan pantheon as a vampire killer who reveled in slaughter. The deity appears throughout classical Mayan art and sculpture. Camazotz also features in the post-classical compendium of Mayan myths, the Popul Vuh, where he is master of a house of were-bats like himself. There he (or one of his minions) claws off the heads of one of the story’s twin heroes during their attempt to defeat the lords of Xibalba in a marathon ball tournament.