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Sepia Cat (2004-2021)

Today is National Pet Day. Well, actually, if you are fortunate enough to have a pet, every day is National Pet Day! Even if pets are sometimes messy or obstreperous, I have gotten more joy from my animal friends then from all of the status-seeking human pursuits, endeavors, pastimes, and professions combined (and that includes the things that I love like art and literature, not just pointless busy work like finance or real estate designed only to make other people rich). Anyway, suffice to say that pets are the people we love without all of the infuriating dominance/hierarchy games of other humans (although pack/herd animals like dogs and horses understand hierarchical relationships very well indeed and will readily participate in such hijinks if you let them). There is only one truly bad part of life with pets, but it is exraordinarily bad: they are mortal and, unless you have a pet ocean quahog, their lifespans are much shorter than ours.

This is a long way of saying that my beloved feline best friend Sepia died last March (2021). I did not write about her then because I was sad and depressed. I was going to properly memorialize her in the year-end obituaries column, but Grandpa’s obituary took all of my bandwidth. Sepia was a very private cat, so I did not blog about her during her life, but I miss her terribly and it does not strike me as fair that she has no obituary. Plus as time passes, I am forgetting all of her adorable tricks and amazing traits and she was so beautiful and so loving that I have to try to hold onto those moments, even if they are slipping away already.

I love pets with all of my heart, but back in my twenties when I was starting my adult life I did not want my own pet because my living circumstances were so cramped and chaotic (with roommates, 4th floor flats, 24 hour days, out and suchlike). However, even if a pet could not find their way into my apartment back then, the mice did. They showed up to the old bachelor digs with endless voracity and started multiplying. At first I thought I could stop them by cleaning house and putting all dried goods in tight containers, but the mice scoffed at such efforts and my roommates thought I was trying to dominate the space with rules. So I bought a live trap and trapped some of the rodents…but they ran up the walls back into the apartment before I could even get back up the stairs. Then I got snap traps and killed off some of the littlest and most naive mice by means of sinister guile and human mechanical contrivance–however, by winnowing the population I only pushed the remaining mice to become smarter and craftier. At night I could hear them scampering around snickering, and maybe even reading my books (or at least nibbling on them). It was intolerable, and the only solutions left were glue traps (and if you have ever seen a mouse pulling off his own feet and dying of dehydration in one of those, perhaps you will concur that they are unacceptable) or a cat. A friend of mine in Manhattan wanted a single male cat for her apartment, but the rescue organization would not give her only one rescue cat, so I agreed to take the spare female rescue cat.

Thus, after a long day of grueling busy work, my friend passed off a cardboard carton with holes in it to me when I headed home. My grandfather got too into cats as he entered his dotage, and so I told the carton that I would take care of it, but it would be a strictly professional relationship–like a lord with his hired mercenaries. I was thinking I had a professional assassin in a box, but it would not be like with Pawsie cat or Lily Cat (beloved cats from youth whose early exit left big holes in my heart). Then I got home and opened the box and Sepia Cat popped out. She was about 9 or 10 months old with big ears and huge green anime eyes. She had all of the beauty of an adult cat, but with most of the playful winsomeness of a kitten too. Actually, her rescue name was “Sally” but I rechristened her because her tabby stripes, white bib, and long, swift grabber paws reminded me of the Mediterranean cuttlefish which artists have used for ink since time immemorial. She looked at me and said “purrr” and jumped up in my lap and I said “Whose got beautiful whiskers?” and all talk of mercenaries and hirelings was forgotten forevermore. I loved Sepia with my whole heart as soon as I saw her. Oh, and also she committed terrible war crimes against the mice. We found one of two which had all of their bones broken into splinters (she liked to hurl them against the wall again and again and again) and after that the mice wrote “a dark entity dwells here: do not enter!” in their hobo script and we never saw them again.

Despite her prowess as a hunter, Sepia was perfectly happy living in the apartment with bachelors. She did not mind the strange hours, or even care unduly if her kitty cat dinner was not on time. Her feline curiosity only got her in trouble twice, once when she accidentally slipped into my roommate’s closet (we were all running around the apartment shouting her name when we started hearing muffled meows from behind the closed doors) and once when she got out of the apartment entirely. That time I discovered her down on the second floor hiding in an alcove with desperate panic in her eyes and she literally jumped up into my arms.

Sepia moved with me as I moved from place to place in Park Slope and finally out to Flatbush. She had some roommate cats whom she hated (Simba) and some roommate cats whom she loved (Luster and Sumi). Her favorite foods were turkey and any sort of cheese. In fact, she almost knocked over a bookcase once trying to get some blue cheese which I thought I had hidden from her by placing up on the very top shelf.

When Sepia was young she had a North African desert cat’s preternatural agility and she could jump up on top of the kitchen cabinets from a flat-footed start. She enjoyed cat toys made of real rabbit fur, but her favorite game was “boxy cat” where she would shadow box with the shadow of my paintbrush. Speaking of painting, our most disastrous incident was when she unexpectedly jumped up onto my palette, which I was holding on my lap and which was covered in toxic oil paints. Because of the dangerous pigments she had to have a bath and she shrank from her normal elegant self (Sepia normally looked like a street tabby crossed with Lady Aster’s Somalian cat) into a sad little wet gollum-type creature. After the palette incident, she was much more circumspect about leaping into my art projects!

Even when she was an older cat she could move with shocking speed and dexterity (yet also with silent ballet-like grace). Only once the cancer got into her head did she start to truly slow down.

Sepia’s true favorite thing was to curl up on my legs or next to me when I was reading science fiction space operas or epic literature. We would read for hours and hours and hours lying together as she purred softly. Sometimes I would just stare into her gorgeous green eyes as she blinked slowly. Oh also she enjoyed being combed! But only her stripey bits, she would only uncurl her white ruff and belly if she was very relaxed.

Sepia was always hungry (a legacy from her mysterious street era, when she was a stray kitten), however when she was about 16 she got ravenously hungry and would eat can after can of food (if allowed), but then throw it all up. The vet thought it might be a thyroid disorder, but poor Sepia became more and more desperately hungry and her poor face started to distort and ooze. I tried palliate her cancer with prednisolone, which worked for a little while but then started hurting her. On her last day, she woke up in bed with me with a look of absolute suffering on her face and with no interests in drinking or eating or anything. I took her to the vet and held her while she died and now I have her ashes in a little plastic funerary box with a silly label which I am meant to fill out (though I never have).

I suppose these details strike you as banal or perhaps as approximately familiar to all cats, yet thinking of them has me wiping away tears. She was so beautiful and she was a great hunter, a great athlete, and great at hiding (it took me so long to find her secure undisclosed location) but Sepia’s greatest strength was her sweet heart. I can still almost feel her curled in my lap as I type away at the computer…but that is not Sepia, it is Sumi Cat, Sepia’s little black sister (by adoption). Sumi is sitting my lap bathing her ears with her paws as I write this, and now she is looking at me curiously as emotionally I hug her and kiss the top of her head.

“Pet Day” hardly explains that our animal friends are one of the few transcendent things in life. Neither does this incomplete essay about my best friend during all of those years. Undoubtedly if someone asks me about the period between 2004 and 2021 I will talk about art, or the great recession, or urbanism, or Trumpism or something. But I should talk about a little white bib and moustache and big green eyes. That was the best part.

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There was a big nor’easter in the mid-Atlantic today, which dumped snow all over the tree-lined streets of Brooklyn. I only clomped around in the billowing snow for a little bit before returning to tea and cat playtime at home. However, here are a couple of pictures of Ditmas Park wearing its winter finery.

Bonus image of kitty cat playtime: Sumi is playing with the campanile of a little toy cathedral

The last few blossoms are dropping from the cherry tree and now even the late tulips are blooming. Spring has sprung and we are moving past cherry blossom season towards summer. Yet even though summer is my favorite season, I feel a melancholy pang every year when the blossoms flutter down. Time moves by so fast and nothing can arrest its inexorable passing…nothing except for the magic of art, that is! Therefore, here is my yearly blossom painting. I made this one with watercolor and ink and I was hoping to capture the transitory moment when the sun dips from the sky and the lanterns come on and yet the sky remains heavenly blue (it is an ephemeral moment of the day which mirrors the equinox moments of the year.

Kwanzan Cherry Tree in Brooklyn (Wayne Ferrebee, 2021) ink and watercolor on paper

Although the real subject of my picture is the blossoming cherry tree (the full beauty of which has, yet again, eluded me), I tried to capture some other garden delights–the crabapple tree blossoms (at far right), the dogwood blossoms (at top left), the riot of tulips, and the ornamental winter cabbage which somehow survived living under two feet of snow in January and February in order to bloom in May. One of my roommates is back there in her golden ochre coat looking at bingo on her phone and the faces of the garden statues can be glimpsed in the tulip beds. At the center of the picture is another wistful figure tinged with melancholia. My best friend is a tiny black cat with a dab of white who sneaked into the basement when she was a kitten. After the death of Sepia Cat back in March, Sumi Cat is now my only pet. She is as loving and domesticated as any cat I have met and sleeps in my arms at night (indeed she is cavorting on the keyboard this very moment, trying to type over what I am writing and command my attention). But Sumi has relatives on the outside. On the other side of the sliding door she has siblings and nieces and nephews who are not domesticated but live the short yet intense lives of feral cats. I think that is her sister’s daughter there in the garden (she looks identical to Sumi, except Sumi has a white fingerprint on her heart where Kwan Yin touched her), and I am always sad that I didn’t trap her and her brother (and their little siblings who vanished forever when they were the size of teacups) and drag them to the “Cats of Flatbush” cat rescue organization. Sigh. What are we going to do about the way of the world?

ghghghghghghghghghghghghghghghghghghnhyhyhyhyuuuu (Sumi added that post script so I am putting in a little author picture below)

Sumi doesn’t really look like this at all..but black cats are impossible to photograph…

20190425_081423[1].jpgIt is blossom season in the garden, and I have been out there sitting beneath the petals and stars rather than in here writing about it (although you can read posts from years gone by, like my favorite post about the larger meaning of blossom aesthetics).  Fortunately I managed to take my camera outside before the squirrels beheaded all of my tulips (although they certainly got a lot already).

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The tree with the white blossoms is a flowering dogwood.  The tree with the fuchsia blossoms is an ornamental crabapple, and the tree with the pink blossoms is of course a Kwanzan flowering cherry…how I love it.   I will try to take some more pictures, but right now I think I am going to go out and sit under the tree and reflect on life.

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Look! A garden visitor!

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It is International Cat Day!  I should probably feature my beloved pets Sepia & Sumi, but, although I love them with all of my heart and never tire of their astonishing antics and loving personalities, I am not very good at photographing them (in real life, Sumi is the cutest person in the world, but in photos she always just looks like a squiggling black blob with scary needle teeth).

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Scary?

So, until I master cat photography, cat bios of my two little friends will have to wait, and today’s post whisks us off instead to the great inclement steppelands of Mongolia and Central Asia.  Here in the endless desolation is the habitat of nature’s grumpiest-looking cat, the irascible yet magnificent Pallas’ cat (Otocolobus manul).  Pallas’ cats are almost the same size as housecats, however because they are lower to the ground and have incredibly long two-layer coats, they look like comically puffed-up owlcats.  The cats live in steppes, deserts, mountains, and scrub forest from Afghanistan through the Hindu Kush and Pakistan up into Russia, Mongolia, and Inner Mongolia (China).  They are solitary predators living on whatever birds, invertebrates, lizards, rodents, and other small mammals they can catch in their range. Pallas’ cats give birth to litters of 2-6 kittens and they live up to eleven years in captivity.

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Like all cats, Pallas’ cats are astonishingly adept predators, but the barrenness of their range, climate change, and habitat loss makes life chancy for even the most gifted hunters.  Additionally,  humankind has long overexploited the cats for their astonishingly warm fur.  The outer fur and the dense inner fur form an airtight insulation around the cats which keep the tiny creatures toasty even in the godforsaken peaks of the Hindu Kush or in Gobi desert winters.  Portions of the cats are also used by worthless dumbasses for ineffectual traditional medicine.  As you might gather, the species are not exactly doing great, but their range is so large and SO inhospitable that humans haven’t pushed them to the edge of extinction yet.

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For a long time, the Prospect Park Zoo had a pair of Pallas’ cats named Nicholas and Alexandra.  Nicholas looked pretty sweet–like a big furry gray marshmallow, but Alexandra looked like she ate the devil-cat from “Pet Semetary” for breakfast.  She liked to sit in her rocky enclosure and stare through the thick glass at the tamarin enclosure across the corridor.  If zoogoers got in her sightline, she would put her ears back (and they were tiny ears to begin with), and hurl herself at the glass hissing and clawing.  The effect was sort of like being attacked by Yul Brenner’s demonic disembodied head (if it were fat and covered with fur).   I once saw her clambering on the high granite boulders in her habitat and poor Nicholas jumped up to see what she was doing.  She hurled him off the 10 foot tall rocks (onto some other sharper, lower rocks) with nary a qualm, like a kid tossing his schoolbag on the floor.  Her casual ease with ultra-violence was chilling. For a while there was a video online which featured a solemn cat-loving child asking a Brooklyn zookeeper if Pallas’ cats could be kept as pets and the young zookeeper got a scared look and said “That, um, would be a really bad idea.”

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Apparently Pallas’ cats have trouble reproducing in captivity for some reason, but I have always hoped that Alexandra clawed a hole in causality and had kittens. Also, on International Cat Day I like to hold Sepia in my lap as she purrs happily (in my 98 degree bedroom) and imagine the wild Pallas’ cats leaping magestically through the high mountain peaks of the jagged mountains of Central Asia.  May it ever be so and may cats of all sorts ever flourish.

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The 2016 Rio Olympics are on their way and already the mascots for the 2016 games have been presented and named!  Ferrebeekeeper has been falling down at monitoring mascot news—the winning candidates were chosen back in November of 2014 (whipping up PR stories for a sports competition which is years away is a long & delicate art).

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The 2012 Olympics in London featured stupid avant-garde alien blobs Wenlock and Mandeville who were rightly pilloried by everyone (including this blog).  The 2014 Russian Olympics featured a mascot election which Vladimir Putin may have tampered with!  So what did Brazil come up with for the big game?  The nation is beloved for its beaches, beautiful mixed-race populace, and, above all, for the unrivaled biodiversity of the Amazon Basin—where the world’s largest river runs through the planet’s greatest rainforest.  Less admirable features of Brazil include deeply corrupt demagogues, insane crime, irrational love of soccer (which is a sort of agonizingly slow version of hockey), and an underperforming economic sector which has always been 20 years away from greatness.  What cartoon figure appropriately represents these dramatic juxtapositions?

2016 Rio Olympics Mascots

2016 Rio Olympics Mascots

This blog wanted a tropical armored catfish to win. Barring that, we were hoping for a beautiful Amazon riverine creature of some sort—maybe a river dolphin, a giant otter, or even a pretty toucan.  However, the committee which came up with the mascots did not want anything quite so tangible.  Instead they chose two magical animal beings which respectively represent the fauna and flora of Brazil.  Fortunately, the mascots are pretty cute (and they are both painted with a bewitching array of tropical colors).

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The Olympic mascot represents the multitudinous animals of the rainforest and his name is “Vinicius.”  Vinicius is some sort of flying monkey-cat with rainbow colored fur and a prehensile tail.  The Paralympic mascot is a sort of artichoke-looking sentient vegetable named Tom (so I guess he is male too—although, names aside, it is sometimes hard to tell with plants).

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Vinicius’ long sinuous limbs and tail make him admirably suited for illustrating the many different Olympics sports—and I really like pictures of him shooting archery, running, and lifting weights.  Tom seems a bit less suited for athletics, but his winning smile and endearing fronds are appealing in their own right.  I guess I am happy with the choice of Olympics mascots.  They do a fine job representing the world’s fifth most populous country (in so much as cartoon nature spirits can represent a place so large and diverse).  I’m looking forward to seeing more of them (even if I might dream sometimes of what could have been instead).

Proposed 2016 Olympics Mascots--a piranha and anteater!

Proposed 2016 Olympics Mascots–a piranha and anteater!

 

An Illustrated Haiku from the strange depths of the Internet

An Illustrated Haiku from the strange depths of the Internet

Today (August 8) is International Cat Day, a holiday which honors our beloved feline friends. The domestic cat descended from the African Wild Desert Cat in the depths of prehistory and has been revered (though not universally) ever since. Cats have been portrayed both as gods and as monsters by artists. They represent beauty, grace, friendship, happiness, and love. They represent bad luck, witchcraft, endless hunger, and cruelty. Humans cannot get enough of our bewhiskered predatory friends and their odd dual natures. Additionally, cats dominate the worldwide web–the hive mind conglomerate which has become so central to human activity (and upon which you are presumably reading this post).

Old Fashioned Catfish Charm from eBay

Old Fashioned Catfish Charm from eBay

I am personally celebrating International Cat Day with a rabbit fur mouse for Sepia Cat–my beloved middle aged tabby who sleeps purring on my legs (when she is not committing war crimes against mice). To celebrate on this blog, however, I am giving you a whimsical gallery of cat/fish hybrids which artists draw as puns to represent the siluridae. When I was a child I loved these kinds of endearing mixed animal cartoons (and they deeply influenced the Zoomorphs—a line of mix-and-match animal toys I designed). I hope you enjoy the chimerical fun—but more than that, I hope you are especially nice to your catfriends on this, their special day!

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Cartoon Catfish by Steven Wallet

Cartoon Catfish by Steven Wallet

Stock Illustration by RobinOlimb

Stock Illustration by RobinOlimb

 

Tabby Sabertooth Catfish by Kennon9 (Deviantart)

Tabby Sabertooth Catfish by Kennon9 (Deviantart)

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Felix the Catfish

Felix the Catfish

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A Catfish Aisha from Neopets

A Catfish Aisha from Neopets

Sand Cat Kitten (Felis margarita) born at Zoo Brno

Sand Cat Kitten (Felis margarita) born at Zoo Brno

We all know that cats have mastered internet popularity. Whether through adorable antics on Youtube, elaborate pun-filled digital images, or just general grumpy demeanor, the felids have demonstrated an unparalleled ability to thrive in today’s new media environment. Therefore, to please the cat-loving legions of netizens, I am dedicating today’s post to sand cats (Felis margarita), which are small cats which live in the deep deserts of North Africa, the Middle East, and southwest/central Asia. Also a trio of sand cat kittens was just born in Zoo Brno in the Czech Republic, so expect this post to get super cute!

 

A sand cat hunkering down in the deserts of Saudi Arabia

A sand cat hunkering down in the deserts of Saudi Arabia

With short legs, a stout body, and a long tail, sand cats are among the tiniest of cats. Full-grown adults weigh only 1.35 to 3.2 kg (3.0 to 7.1 lb). Sand cats live in discontiguous ranges—so they are separated into several subspecies which are evolving in different ways. The tough little cats thrive in the deepest hottest deserts—the Sahara, the Rub’ al Khali, the Lut—where they live without water by surviving on the moisture in their prey. Like all cats, they are formidable predators, but their hearing is superior even to other felids: sand cats have huge highly-refined ears which are capable of hearing tiny burrowing animals moving deep beneath the sand. They survive on rodents such as jerboas, gerbils, and spiny mice, but they also hunt small birds and reptiles (and they are known as a particularly adept killer of snakes). Sand cats have heavy fur on the pads of their paws so they can run across burning desert sands. They co-opt the abandoned burrows of other desert creatures as their own to hide from the scorching daytime heat.

 

A sand cat with a snake

A sand cat with a snake

Sand cat populations are diminishing in the wild as human development encroaches on the edge of their habitat–but the true depths of their hellish deserts are places where humans are unlikely to build condominiums, so sand cats are merely listed as near-threatened. Until recently sand cats did not do well in zoos, and they are a somewhat unfamiliar animal. Because they are used to profoundly arid climate, they would die of respiratory infections when brought into humid locations. Today zookeepers know to keep their sand cats in dry arid enclosures—which mean the creatures are beginning to do much better in captivity. In 2012, the first captive sand cat kittens were born in a zoo in Israel, and this year three kittens were born in the Czech Republic. Look at how adorable they are (well, assuming you are not some timid burrowing desert creature).

Sand cat kittens at Zoo Brno (credit: Zoo Brno)

Sand cat kittens at Zoo Brno (credit: Zoo Brno)

A Smilodon fends off the vulture-like Teratornis at what would later be called the Rancho La Brea tar pits, situated in Los Angeles, California (Painting by Charles R. Knight)

Lately this blog has been fixated on magnificent saber-toothed mammals.  We have featured the extinct saber-toothed whale, a saber-toothed marsupial predator, the little saber-toothed deer, and even the familiar walrus (in reality, a giant saber-toothed seal), but we realize that everyone has really been looking forward to the most famous saber-toothed animal of them all, Smilodon, the saber toothed cat.  Smilodon was actually a genus of several large cats, the biggest of which, Smilodon populator, weighed 360 to 470 kg (790 to 1,000 lb) and was larger than modern tigers or lions. In fact Smilodon species are sometimes known as “saber toothed tigers” or “saber toothed lions,” however taxonomists tell us such names are off the mark since the Smilodons belonged to the extinct Machairodontinae genus of felines rather than the familiar Panthera genus of big cats so familiar today.

About two and a half million years ago, Smilodon evolved in North America from an earlier genus of saber toothed cat Megantereon (there were a lot of other earlier genera of saber-toothed cats, not to mention even more genera of saber toothed carnivores which were not exactly felines—the whole story is complicated).  During the Great American Interchange with South America the big predators invaded South America at the same time armadillos were making their way up into North America.  Yikes, that’s a pretty lopsided exchange.

In addition to long razor sharp teeth, Smilodons possessed immense neck and forelimb muscles. Using the muscles of their front torso they would pull down and pin the great grazing metafauna of the American plains.  Prey animals almost certainly included bison, tapirs, deer, American camels, and ground sloths. Additionally Smilodons might have opportunistically killed juvenile mastodons and mammoths. To dispatch such large prey Smilodons employed their fearsome canine teeth with which they bit through the prone creatures’ necks.

Smilodon fatalis (reconstruction/specimen at the Page Museum)

Paleontologists have collected a great deal of fossil evidence concerning Smilodons, which suggest that the big cats were sophisticates social predators like today’s lions or wolves.  The number and nature of saber-toothed cat fossils recovered from tar pits suggests that Smilodon prides would converge together on prey animals caught in the petrochemical ooze–only to become trapped themselves.  Also some fossilized smilodons have shown evidence of badly broken bones healing—a rarity in carnivores which is generally only possible for pack/pride animals which can (sometimes) rely on a support network.

Thanks to their size, ferocious appearance, and highly characteristic teeth, Smilodons have a special place in human culture to the extent that few other extinct animals do.  The Flintstones had a pet smilodon named “Baby Puss” which evicted Fred from his house in the title sequence and the moral struggles of Diego the saber tooth constituted the moral hook of “Ice Age” a cartoon movie. Ironically for all of our apparent fondness for the great cats, it seems that human migration into the Americas may have been the downfall of the great cats (which vanished 10,000 years ago) but whether their extinction was the result of humans overhunting their prey, shifting climate, or some other factor remains an open question.

Smilodon by Knight

Idea of a Certain Cat (Tokuhiro Kawai, 2004, Oil and Tempera on Board)

To balance yesterday’s post about the dog star, today we feature three whimsical cat paintings by Tokyo born surrealist Tokuhiro Kawai.  I am calling Kawai a surrealist, but perhaps it would be more correct to call him a painter of fantastical narrative: all of his works seem to have some sort of magical fairy-tale story behind them.  Although the three monarchical cats shown here are lighthearted, some of Kawai’s other paintings are much more melodramatic and feature fearsome conflict between devils, angels, and heroes.

Tame Cat’s Optical Illusion (Tokuhiro Kawai, 2006, Oil on Canvas)

Each of these paintings features a Scottish Fold housecat either wearing a crown or being ceremonially coronated.  The little black and white cat is so self-assured and regal that we hardly wonder at its elevation to the throne.  With broad gleaming eyes and fur that seems as though the viewer could touch it, the cat seems real.  One wonders if perhaps it belongs to the artist.

Smolder Thinking (Tokuhiro Kawai, 2008, Oil on Canvas)

Kawai has a particular gift for painting animals and many of his compositions are filled from top to bottom with flamingos, foxes, owls, ammonites, and pelicans.  Cats seem to be his favorite and they are pictured as conquerors, tyrants, and gods—in one of his pictures a feisty cat has killed an angel like it was a songbird and is holding the limp corpse in his fangs while standing like a stylite atop a classical column. Fortunately the cat in these three paintings does not seem as violent.  The little kitty is clearly dreaming about the trappings of power—what it would be like to wield absolute authority and be pampered all day.  Knowing my own pet housecat’s personality, I believe that such an interpreatation of feline psychology is not entirely a stretch.

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