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On Tuesday we wrote about the Red junglefowl, the wild ancestor of the domestic chicken. To progress further with this Stendhalian color theme, here is a human-made chicken, crafted by means of artificial selection over the centuries—the Ayam Cemani—the back chickens of Java. These amazing birds are all black. I mean they are really black…so exceedingly black they make Kerry James Marshall weep with aesthetic envy.
Not only do Ayam Cemani chickens have black feathers, black faces, black beaks, and black wattles, their very organs are black. Even their bones are as black as India ink. It would be downright disconcerting… if they didn’t wear it so stylishly.
The birds’ black color is a sort of reverse of albinism—the Ayam Cemani chickens have a surfeit of pigment. This is genetic condition is known as fibromelanosis. For generations and generations farmers have selected it until they have produced this rooster who looks like he stepped into the barnyard from the event horizon of a black hole.
Yet the Ayam Cemani is not completely black…they have red blood and they lay cream colored eggs (although they are unreliable sitters, so without fashionistas looking after the survival of the breed, they might vanish real fast). Speaking of which, why did the Javans collectively make such a crazy striking animal? The internet says that the chickens are used for ceremonial purposes and for meals, but it looks like an amazing work of intergenerational conceptual art to me. If you want you can get some for yourself, but unless you are headed to Java, they are rare and cost thousands of dollars in the United States (if you can find a seller). It looks like it might be money well spent though. These are stunning roosters. Let’s hope the year of the fire rooster is as stylish as they are (but maybe not quite so dark).
Mictlancihuatl devouring the living
The Aztec goddess of death was Mictecacihuatl. According to myth she was once alive countless ages ago—a member of an ancient pre-human race of beings who lived when the world was new. But her time in the living world was short since she was sacrificed to the underworld as an infant. After her death, she grew to adulthood as a magical skeleton deity of immense power. She has lived through countless cycles as a goddess of bones and death and the dead, rising ultimately to become queen of the underworld. One of her foremost duties as the ruler of the dark realm is to guard the skeletal remains of extinct earlier races. In the past Mictecacihuatl failed in her duties and Xolotl, god of sickness and lightning, stole one of the sacred corpses of those who lived long before–which the gods of the sky then fashioned into living modern human beings. Now Mictecacihuatl must also guard the bones of dead humans, for she believes that our remains could be used by capricious sky gods to build an even more ruthless group of alien new beings.
altar de muertos
Wow! Aztec religion really does not hold back on the bizarre, the macabre, and the unfathomable–but what does all this have to do with flowers of the underworld? Well, it turns out that Mictecacihuatl has a weakness for flowers. The brilliant yellow cempasúchil–today known as flor de muertos–was sacred to her, and Aztecs believed the smell of the blossoms could wake the souls of the dead and bring them temporarily back to earth for the great autumn festival in their honor. Huge altars laden with food were erected and festooned with the flowers. It was one of the most important traditions of the Aztecs, and even after the Spanish conquest, the tradition continued. Despite the long efforts of the Spanish church to eradicate the festival of the dead it lingers to this day (though now as a church holiday), celebrated on November 2nd as Dia De los Muertos, or “day of the dead”. The graveyards are filled with yellow cempasúchils which for a time reign supreme among flower markets throughout Mexico. Along with candy, jaunty toy skeletons, and liquor, the flor de muertosare an inextricable part of this festive time.
And what sort of flower is the cempasúchil, which has so much power over the spirits of the dead and Mictecacihuatl, goddess of the underworld herself? The botanists call it Tagetes erecta, one of about 75 members of the marigold family– those omnipresent orange and yellow flowers known to every American schoolchild! The English name for the flower of the dead is the Mexican marigold. The plants grow wild in a belt running across central Mexico.
(Photo credit should read Ronaldo Schemidt/AFP/Getty Images)
In the preconquest Meso-American world, the flowers were valuable and were used as a dye, an antibacterial, a foodstuff, and a skin-wash/cosmetic. Additionally, when planted with maize crops, marigolds in general (and the cempasúchil specifically) prevent nematode damage. Even today, there are industrial uses for the cempasúchils and they are also used as ingredients in perfumes, salads, and as food colorings. In agriculture, extracts of the plant are added to chicken feed (to give the yolks their yellow color) and are used to enhance the color of shrimp and other edible crustaceans. The other fascinating plants we have examined this week—the asphodel, the devil’s hand (another plant sacred to the Aztecs!), and the deadly aconites are not grown or produced in any quantities remotely approaching the enormous annual cempasúchil harvest. Cempasúchils have benefited from their association with the dead–they are a huge success. The little yellow Mexican marigold is one of the most popular flowers in the world.
ferrebeekeeper 