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I haven’t written very much about the current state of politics lately, not just because President Trump makes me angry & unhappy, but also because the deadlock in Washington (and precipitous national decline) make me sad and anxious.  I would like to continue this precedent:  paying breathless attention to all of Trump’s stunts and bullying just make him stronger (although I do think it is worth noting that he has been signing Bibles as though he were the author–and his devout Christian followers absolutely love it!). However, the latest enormities fall in the realm of policy and planning, so let’s take a look at the proposed 2020 Discretionary budget which was released by the White House yesterday. Predictably, this budget delivers slight funding increases to the Departments of Defense and Homeland Security, while stripping safety net and environmental programs fairly drastically.  I suppose this is not unexpected under any Republican president, even one such as this one, (although it raises eyebrows after the colossal tax giveaway to the rich).  However, what truly raises eyebrows in the budget are the appalling cuts to scientific and medical research.  Here are the actual numbers:

Proposed Discretionary Budget Changes

All dollar amounts are in billions.

Department Or Agency
2019 Budget (Estimate)
2020 Request
$ change
% change
Defense1 $685.0 $718.3 $33.4 +5%
Veterans Affairs $86.6 $93.1 $6.5 +8%
Health and Human Services $101.7 $89.6 -$12.1 -12%
Education $70.5 $62.0 -$8.5 -12%
Homeland Security $48.1 $51.7 $3.6 +7%
Housing and Urban Development
HUD gross total (excluding receipts) $52.7 $44.1 -$8.6 -16%
HUD receipts -$9.3 -$6.5 $2.8 -30%
State Department and other international programs2 $55.8 $42.8 -$13.0 -23%
Energy $35.5 $31.7 -$3.8 -11%
National Nuclear Security Administration $15.1 $16.5 $1.3 9%
Other Energy $20.4 $15.2 -$5.2 -25%
NASA $20.7 $21.0 $0.3 +1%
Justice $29.9 $29.2 -$0.7 -2%
Agriculture $24.4 $20.8 -$3.6 -15%
Interior $14.0 $12.5 -$1.5 -11%
Commerce3 $12.3 $12.3 * <1%
Labor $12.1 $10.9 -$1.2 -10%
Transportation $27.3 $21.4 -$5.9 -22%
Treasury $12.9 $13.1 $0.2 +2%
National Science Foundation $7.8 $7.1 -$0.7 -9%
Environmental Protection Agency $8.8 $6.1 -$2.8 -31%
Army Corps of Engineers $7.0 $4.8 -$2.2 -31%
Small Business Administration $0.7 $0.7 * -5%
Other agencies $21.3 $19.1 -$2.1 -10%

Notes

* $50 million or less
1. Includes $9.2 billion for emergency border security and hurricane recovery funding
2. Includes funding for the State Department, U.S. Agency for International Development, Treasury international programs and 12 international agencies
3. Appropriations for 2019 are incomplete.

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I have been deeply dissatisfied by contemporary events…so much so that I am going to look away from our time and gaze back through classical antiquity to the Peloponnesian War…but bear with me. Some say there are lessons in history which pertain to current world. The definitive story of the Peloponnesian War is told by Thucydides, an Athenian general who took part in the proceedings and had the grace to explain why he wrote his history (and what he thought his biases were). Thucydides’ great work is arguably the first real work of history but it is also the first great work of political science. The way that leaders manipulated people and events and news turned out to have strange consequences that the protagonists did not foresee (but, in hindsight, clearly should have).
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The war is the story of a fading power being supplanted by a rival. The fading power, Athens, had unrivaled naval supremacy, but the upstart power, Sparta, had an enormous ever-victorious army. Athens had a league of close allies, the Delian league who supported them and were a great source of their strength (a fact not always appreciated by the proud Athenians). Many American theorists of the Cold War found these principal characters disturbingly familiar—a broad-minded yet imperialistic democracy versus an autocracy where all aspects of life were controlled by the state. Even the style of the nations seemed familiar—a nation based on wealth and trade and webs of friendship (and superior naval technology and prowess) versus a thuggish nation which ham-fistedly squashed its rivals into submission and dominated the battlefield through numbers and pure aggression.

Enough backstory. Let’s get to the central point. At the moral heart of the book is the story of the Siege of Melos.
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Melos (which should be familiar to sculpture fans as the discovery place of the Venus de Milo) was a small yet prosperous island originally colonized by Dorian people, who shared cultural heritage with the Spartans. Despite this cultural background, the Melians remained neutral in the war, until one day the Athenians showed up demanding punitive monetary tribute and other concessions. The Melians argued that they were neutral and Athens was in the wrong. Surely the Spartans (or perhaps the gods) would come to the rescue of Melos if the Athenians abused their military supremacy for a very slight monetary/strategic gain. The Athenians, who had lost some of their famed thoughtfulness through the exigencies of war and political struggle responded by laying siege to Melos. When starvation forced the little city state to surrender, the Athenians executed all of the adult men and took the Melian women and children as slaves. Afterwards, the island was repopulated entirely by Athenian colonists.
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This…lapse…shocked the people of Athens (Euripides’ agonizing “Trojan Women” which came out shortly afterwards is a story of the writer’s own time clothed in a story about a bygone age). The brazen, terrible behavior also shocked the allies of Athens. Perhaps that was actually the point: to remind recalcitrant allies that the Athenians were strong enough to be brutal and act for naked self-interest.
But, despite the ostentatious show of naked power, the conquest of Melos did not help Athens very much. In a world where Athens and Sparta seemed increasingly alike, the old alliances broke apart. Also, Athens was not as good at autocracy or thuggery as the Spartans (who, by the way, DID show up to avenge Melos and kill off the Athenian colonists). Back in Attica, things got worse and worse. The story of the first great democracy became an increasingly dark tale of venal & selfish leaders—demagogues—who were replaced willy-nilly by the fickle mob. Factions fought each other more vehemently than they fought the Spartans.

When China…uh, I mean Sparta! finally won the war it behaved with much greater leniency and restraint than the Athenians showed the Melians. The Spartans installed a crooked counsel of oligarchs (who had maybe been pushing Spartan interests there at the end). The Greek golden age was over.
Political scientists tend to think the Melian story illustrates the principal of “might makes right” (I left out the famous back-and-forth dialogue, which you should definitely read about on your own). Yet perhaps there are larger lessons to the larger story.
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Thoughtful citizens might extrapolate that a nation is only as powerful as its allies and its leaders of the moment…and friendship and admiration can be easily squandered for very little gain. Throughout secondary school I was always taught that democracy is clearly superior in every way to every other system. Thucydides’ history reminds us that there are dark perils inherent within the very nature of group rule. Our classically minded founders knew this story and thought about it a great deal. It is unclear whether today’s legislators (or citizens) have given as much heed to the lessons of how Athens abandoned its principles and treated its friends like underlings and split into antagonistic factions and was swiftly broken to bits like a vase bumped off a plinth.
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One of the defining characteristics of warriors in this age of the world is their camouflage garb.  The brave men and women of the Army, Marines, and even the Air Force all have combat fatigues which make use of broken stippled patterns of drab colors meant to conceal them from the eyes of enemy combatants…but what about the Navy?  Sailors tend to be mercilessly prone to being spotted—since they are generally located on huge floating metal arrays belching out smoke above the flat blue seas.  Ferrebeekeeper has written about attempts to camouflage ships, but what about the men aboard these vessels?

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Perhaps the absence of camouflage—as much a part of a soldier’s identity as a sword was in the past–is why the US Navy decided to try blue digital camouflage work clothes (aka aquaflage).  However that experiment is now coming to an end.  The navy is discontinuing the production of the chunky blue-black-gray suits as of October 1st (although the final phase-out of service will be three years from now).

There were a lot of problems with these suits.  The tunics and trousers feature a pattern which resembled a ghastly mélange of bluefish chunks and hematite.  And the purpose was unclear too.  Was this for sailors who were trying to hide in the ocean itself…or in a bad nineties music video?

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The outcry against the uniforms was not solely aesthetic.  Apparently these awful things were hot and were prone to melting and catching on fire (although I guess those are aesthetic concerns too—who wants to be seen wearing melted sardines and asphalt or running around in a flaming sailor suit?)

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The uniforms came into service in the not-very-great year of 2008.  Maybe they were part of the same sort of wooly thinking which caused the great recession or, more-likely, the result of an unsavory deal between a vendor and a politician in charge of appropriations.  The suits which are formally known as “Navy Working Uniform Type I” will be replaced by green camo known as “Navy Working Uniform Type III” (apparently Type II uniforms were a sort of invisible khaki color).  This will solve the sailors’ fashion woes, but now everybody is going to think that they are army guys.  Maybe the Navy needs to give up on camouflaged sailors and return to some stylish 18th century horizontal stripes!

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If they want to be inconspicuous, they can just stop playing bagpipes….

I would like to interrupt the parade of anteaters, crowns, demons, and obscure colors for a brief but important political polemic.  It seems likely that the Federal budget sequester will take place tonight and that is very bad news.

As almost everyone now knows, this artificial crisis was created as an attempt to make America’s hostile and antithetical political parties work together to cut spending and balance the budget.  Unsurprisingly creating (another) arbitrary deadline failed miserably to accomplish this task–so unstructured cuts will hit big parts of the Federal budget.  Defense spending is slated to be cut by 13% and the rest of domestic spending will be trimmed by 9%.  The sequester will not touch entitlements like Medicare and Social Security (which make up the majority of the budget), because doing so would be political suicide for national politicians.

Take this and apply it randomly to existing programs.

Take this and apply it randomly to existing programs.

Some people are ok with this, and argue that the Federal budget is out of control and needs to be reined in by some means.  Nine percent and thirteen percent are not big numbers.  The American military is still the largest in the world…etc…etc… This is the wrong way to think.  As this article outlines, many of the budget cuts insidiously strike at our research budget which will direly impact the future not just of the United States but also of the other nations (and maybe the ecosystems) of the entire world.

The sequester will hurt basic science research.  Greedy Wall Street moguls will be just fine and (most likely) people at the bottom of the economic scale will be ok too, but, in twenty years humankind won’t have nanotechnology, space elevators, immortality potions, or whatever incredible thing today’s research was meant to foster.

Private companies, the Chinese, James Bond villain billionaires…all other entities capable of fundamental research are small potatoes (other than universities—which receive much of their science money from the government).  The US Government is the world’s largest source of funding of basic research money…by a lot.

Fundamental research is the one thing America is good at (well maybe we can still make pizzas, scammy software, and dumb action movies, but we can talk about that another day) and that’s okay because research is the most important thing.  Nations do not become superpowers because of indomitable spirit or cool national symbols, but because of engineering, science, and innovation. Research is the critical underpinning of economic, military, and cultural greatness.  It is also fundamental to humankind’s quest to understand and manipulate the universe (before it kills us and everything we care about).  Social security does nothing to further that objective!

Canceled due to budget cuts.

Canceled due to budget cuts.

The sequester cuts resemble a farm plan which leaves out the seed corn.  And what is the point of even running a farm then?   So, politicians, go ahead and make cuts to the budget.  Raise taxes even.  National leaders, do what you have to do, but please don’t cut the most important part of the budget because it is most abstract and lacks special interest lobbyists.  That is stupid…and it is what we are doing by default.

Candlelight Cottage (Thomas Kinkade)

Thomas Kinkade “Painter of Light” died Friday (April 6, 2012) in Los Gatos, California at the age of 54.  Kinkade was one of the world’s most successful artists with a business empire said to generate over 100 million dollars a year (at least back in the boom days before the recession).  In order to produce his vast cannon of work, he painted swiftly with a somewhat cartoony impressionist shorthand style, and then reproduced his work through a wide range of technologies.  Copies of his paintings were available in every price grade: if one was unable to buy original artworks, there were (and are) an endless choice of hand-signed lithographs, high-tech canvas prints, posters, printed materials (calendars, cards, books, etc.), as well as plates, sculptures, clocks, and on and on.  All of this was available through multiple sales channels including the internet, catalogs, galleries, and a line of brick-and-mortar stores.  Kinkade was a uniquely American artist who took William Turner’s famous sobriquet “Painter of Light” and literally trademarked it as his own.

Art by Thomas Kinkade

Although he frequently suffered the scorn of art critics, Kinkade was upbeat about his work, which he regarded as a means to create a pleasant emotional experience for the widest possible audience.  The subjects of his paintings include idealized cottages, gardens, small towns, and churches–all of which are bathed in a fluorescent haze.  The tiny cottages glow with nostalgic perfection and the June gardens are forever soaked in the hues of sunset.  Joan Didion, an essayist who explores the interplay between aesthetics and morality in contemporary American society did not seem to regard Kinkade very highly, yet she wrote the most evocative description of his art:

A Kinkade painting was typically rendered in slightly surreal pastels. It typically featured a cottage or a house of such insistent coziness as to seem actually sinister, suggestive of a trap designed to attract Hansel and Gretel. Every window was lit, to lurid effect, as if the interior of the structure might be on fire.

Thomas Kinkade did not usually paint people in his works.  The majority of his canvases display obvious hints of life, but the inhabitants themselves are missing.  Religious iconography however is much in evidence and Kinkade frequently talked about his oeuvres in context of his Christianity.

Stepping beyond Kinkade’s obvious and remarkable business genius, his work does seem to directly touch the nostalgic, religious, avaricious wellspring of American sentiment.  It is not for Ferrebeekeeper to judge the quality of his art [ good, we would have to fend off a libel suit from his estate–ed.];  instead, as is traditional on this blog, we judge his work solely on the gothic elements therein—and these are plentiful!  Underneath the colorful candy-floss veneer there is a gothic heart.  The little bungalows and miniature mansions sitting in the deserted suburbs share architectural kinship with the glowering ruins painted by Caper David Friedrich.  The treacle gardens and empty town squares betray a similarity with churchyards and standing stones of German romanticism.  Didion is fundamentally right with her Hansel and Gretel metaphor—there is a fairy tale lurking in Kincaid’s work (and under his highly successful life).  What happens to Hansel and Gretel in our world of melting mortgages, outsourced jobs, and ecological havoc is far from clear, but it is worth pausing a moment to remember Thomas Kinkade, the warlock who stole Turner’s epithet and ruined Monet’s style in order to spin a river of gold from candy houses.

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