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Welcome back! uh…to me, I guess, since you have been here all along, reading Dan Claymore’s posts.  Speaking of which, a big thank you to Dan for looking after the old blogstead while I was home enjoying the gorgeous waning days of summer.  We’ll keep our eyes out for his novels as soon as they hit the shelf (and I’m going to look more attentively at the tops of my sandwiches to see if there is parsley there).   He’s right: terriers and working dogs are super awesome (although so are all of the hunting dogs…and the hounds…and most of the frou frou dogs too: in fact, pretty much all dogs are awesome, full stop).

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It is good and necessary to get away, and as soon as I unpack, I will share some of the lovely and interesting things I found during my trip, but first, I realized I have been remiss in a more fundamental matter.  I built a website for my artwork, but I never shared the link with anyone!  So, without further ado, here is the link to my online gallery of artwork.

If you have a moment to kindly look the site over I would appreciate it enormously (and if you would perhaps leave me some thoughts about how things could be better, I would appreciate that even more).  I work really hard on my artworks, but I try not to make them obsessively autobiographical.  We have had a LOT of autobiographical art lately and it seems like maybe we could refocus a bit on the worldwide ecological crisis, or perhaps on some overlooked non-human characters who would enjoy our attention too. However the art world has sort of a set template (which is known to work), which frames the artist front and center instead of the artwork.  My work instead focuses on a tragic all-knowing fish who reappears in endless protean guises.  This flatfish represents ecology (specifically the complex and sometimes rapacious relationship of organisms to one another) and human history’s role in larger ecological cycles.  It is unclear if people will be able to transfer the strong feelings they have for Andy Warhol, Chuck Close, or Cindy Sherman to a strange benthic fish.

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If this strikes you as contrived, or if flatfish are not to your taste, there are other works from earlier creative periods, and there is even a little biographical section (although the best artists I know are mostly introverts/workaholics who spend the bulk of their time furiously drawing or painting).  Anyway check it out and see what you think!  I am happy to be back and I have some amazing things to talk about.  Thanks again to Dan, and above all, thank you for reading and for you kind attention and your wonderful comments!

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Tiger Flounder (Wayne Ferrebee, 2019) Wood and Mixed Media

Here is another flounder artwork which I just completed.  A majestic Amur Tiger is “hiding” on the pink, purple, and green stripes of a lurking flatfish.  Something which has forcefully struck me about the popular understanding of flatfish is how many people are surprised at what successful predators flatfish are (I guess perhaps people unconsciously thought they were carrion eaters because they live on the ocean bottom?). Anyway, like tigers, flounders lurk in wait, blending in with their surroundings until the perfect moment and then “snap!” they grab up their unsuspecting prey.  Tigers are of course a beloved super charismatic animal which people think about all of the time (although flatfish make up an entire taxonomical order, I get the sense that people who aren’t anglers or ichthyologists don’t think about them quite so much).  Frankly our fascination and love haven’t helped the big cats all that much though: they are rapidly going extinct in the wild due to habitat loss and poaching (mostly for moronic traditional nostrums).  This juxtaposed flounder sculpture hints at the sad fate facing the world’s brilliant animal predators.  It is also a study in the dazzling color and form of stripes!

Happy Earth Day!  I am afraid I am a bit under the weather (which seems appropriate, since our beautiful blue planet is catching a fever too). However it is worth devoting some time today to thinking about our planet and the entwined webs of ecosystems which support all living things (very much including human beings).

The great masters of global capitalism claim that the Earth is inexhaustible and made solely for human delights.  To hear them tell it, only if ever more people consume ever more consumer rubbish will we all thrive. However that claim always seemed suspect, and the notably swift decline of entire ecosystems within even my lifetime suggests that fundamental aspects of our way of life and our long-term goals need to be rethought.   It is a formidable problem because the nations of Earth are facing a near-universal political crisis where authoritarians are flourishing and democracies are faltering.  So far, the authoritarians don’t seem substantially concerned with a sustainable future for living things (or with any laudatory goal, really).  This trend could get worse in the future as agricultural failures, invasive blights, and extreme weather events cause people to panic and flee to “safe” arms of the dictators (this would be a stupid choice since strongmen, despots, and tyrants are anything but safe in a any context).

These frightening projections of doom are hardly a foregone conclusion though. A great many people of all political and ideological stripes are worried about the future and are working hard to ensure that humankind and all of our beautiful extended family on the tree of life make it into the future.  Part of this is going to involve engineering and biomedical breakthroughs, but political and cultural breakthroughs will be needed as well.

I am ill-prepared to write out my proposals at length (since I would really like to lie down with some ginger ale), but fortunately I am a visual artist and I spent the winter of 2018 preparing a dramatic planetary image to capture my own anxiety for the world and its living things without necessarily giving in utterly to my fears and anxieties.  I was going to introduce it later, but EarthDay is a good time to give you a sneak peak (plus it goes rather well with my Maundy Thursday blog post).

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Here is the Great Flounder–the allegorical embodiment of how Earth life if everywhere under our feet and around us, but we can’t necessarily fathom it easily, because of our scale.  Speaking of scale (in multiple ways I guess), I continue to have trouble with WordPress’ image tool, so I am afraid that you will have to make due with this small image until I learn about computers…or until posters get printed up (dangit…why do we have to sell ourselves all of the time?).  In the meantime here is a teaser detail to help you in your own contemplation of if/how we can make Earth a paradise for ourselves without destroying it for the other inhabitants.

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We will talk more about this soon, but in the meantime happy Earth Day.  We will work together to save our giant blue friend, I know it!  Let’s just collaborate to do so before we lose African elephants, numbats, mysterious siphonophores, or any of our beloved fellow lifeforms on this spherical island hurtling through space.

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We could talk about my very favorite ceramics makers…but their nation is still prominent in the world (indeed they are the world’s most populous nation), so we will talk about Chinese porcelain some other day.  For now, let’s instead concentrate on my second favorite ceramics artists—the astonishing and mysterious Moche people of Peru.  Ferrebeekeeper has tried to explain the nature of Moche culture (as archaeologists currently understand it to have been) and we have also tried to put up some galleries of their exquisite waterfowl and their amazing bats (which I think are the best bat artworks extant).

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For tonight though I am going to present a gallery of Moche ceramic vessels in the shape of animals without any comment.  This is partly because I want you to experience the exquisite form of the ancient clay without any distractions and…it is partly because I got started working on Christmas projects and didn’t get around to writing this post until the middle of the night.  I think you will agree as you look at this collection of vessels, that the Moche were astonishing at conveying animals in a way which was streamlined and simple yet also brings out the beauty and the personality of the creatures.  These are not Walt Disney-esque cartoon animals of unnatural sweetness and broad comedy…and yet they are also animals which have distinctive emotional resonance and convey the distinctive character, intelligence, and temperament of these South American animals.  It is a hard balance to get right, and yet I feel that the unknown potters and sculptors of long ago have done a superb job at bringing out what was real and what was magical in these creatures.  I am not explaining this the way I wish, but just try sculpting some animals and you will soon see what I mean.

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Thanks so much for your patience while I was working on my art show last week! My first New York solo show was a rousing success (even if it only lasted for a single night). Numerous friends, patrons,and even some strangers showed up to check out the 100 flounder pictures in their fancy Manhattan setting. The fish market was a success as well: far fewer flatfish are back on my walls (and if you reserved a flounder, I am holding it safe in a special secure undisclosed location so it stays fresh until you pick it up). Special thanks to all attendees and well-wishers! I only wish I had had more time to talk about art and the affairs of the world with each of you. Additionally, I really appreciate the emotional support from my readers who couldn’t make it to the Lower East Side. Particular thanks are due to my long-time supporters, Neomys Sapiens, Calender Girl, and above all Mom, who always gets pride of place in any thank you speech! Indeed, thanks to both of my parents for their inxhaustible patience and fortitude. Thanks too to Catinca Tabacaru Gallery for providing a space to grow and experiment (I promised not to use their branding on any promotional materials, but they really helped me out, and their lovely gallery deserves a visit next time you are in the City). My amazing new roommate Stephen Clarke provided this opportunity and did an astonishing job hanging 100 pictures so they look beautiful in a couple of short hours.
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Now I have to figure out how and where to throw the next show. Keep your eyes peeled for art galleries that seem to have a penchant for surrealism, historical tableau, themes of ecology and symbiosis, or fish in general. Here are some images of the show to tide us over till the next time.
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Speaking of moving forwards, I also drew a quick sketch of the solar eclipse as visible from the East River promenade at lunch hour. I didn’t have solar eclipse glasses and didn’t want to stare at the sun too much (also I had to get back to the office), but I think this quick sketch of the partial eclipse is mostly accurate. Hopefully I will have another art show before there is another solar eclipse! I hope to see you at the next shindig, and thanks again!

Partial Eclipse Flounder

Flounder Show

Hey everyone, my amazing new roommate works at an art gallery in the city’s hottest art district, the Lower East Side. The famous gallerist who runs the place has embarked on an artistic quest…to Tanzania, but she has generously allowed me to use the space for an evening. I hope you will accept my invitation (above) to a show of my flounder artworks which explore the big-fish-eats-little-fish dialectic of history against a backdrop of larger biological themes.

Because of time constraints, the opening IS the show–we are like a beautiful exotic mushroom which pops-up for a single glorious night–but during that one night there will be glowing multi-media delights to satisfy all aesthetic longings! Since you read this blog, I know you have the most refined and intelligent tastes: I hope you can join me then and there.

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I colored a flounder drawing I made last Halloween with watercolor and colored pencils.  This is “The Sole and the Souls” (Wayne Ferrebee, 2016, Ink, watercolor, and colored pencil on paper).  It features a sole covered with parti-colored fungi swimming through a Roman cemetery of late antiquity.  I think those might be Charun’s snakes in the sky (and his servitor dragging the gladiator into the darkness).

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Turkey Sculpture (Jim Victor, butter)

Turkey Sculpture (Jim Victor, butter)

I really love turkeys!  Thanksgiving season is thus a happy time when the magnificent birds are celebrated in numerous forms throughout the American cultural landscape (although, admittedly, our national appreciation has a gastronomic thrust which can be somewhat inimical to individual turkeys).  Longtime visitors to this blog will recall turkey-themed posts from Novembers past–such as a long list of turkey mascots, a story concerning escapees from the family farm, a comprehensive overview of turkey breeds, and the shocking explanation of how turkeys are capable of virgin birth (!).  This year, we have already featured a discussion of the proud American tradition of turkey-themed characters in professional wrestling.  However since I am not a professional wrestler (yet) but rather a visual artist, I thought I would also present a gallery of turkey sculptures made from various miscellaneous materials.  The turkeys pictured here mostly come from a folk art tradition, so I could not always find the artist, date, and medium (although if you know such details regarding any of these works, I would love to hear about it), however I think you will agree that the sculptures are quite spectacular and diverse–just like America itself!  Look at the turkey at the top made entirely of butter!  Hopefully this little gallery will somewhat tide you over until Turkey Day next week, but, if not, don’t worry, Ferrebeekeeper will probably find material for another 2014 turkey post somewhere.  Additionally, you can click the turkey category link on the menu to the left to see a whole slew of turkey posts (at least this is true on the PC, who knows about you tablet people?). Gobble gobble!  Here is some weird art!

A metal turkey sculpture from Whidbey Island (via joyworks-shopgirl.blogspot.com)

A metal turkey sculpture from Whidbey Island (via joyworks-shopgirl.blogspot.com)

The same sculpture from a different angle

The same sculpture from a different angle

Turkey sculpture by Carlomagno Pedro Martinez

Turkey sculpture by Carlomagno Pedro Martinez

A turkey crafted from legos, chocolate, and silverware

A turkey crafted from legos, chocolate, and silverware

"Turkey" Artist unknown Photo by tim burlowski

“Turkey” Artist unknown Photo by tim burlowski

steampunk turkey watch by IckyDogCreations

steampunk turkey watch by IckyDogCreations

"Turkey Bot" Metal Assemblage Turkey Sculpture by Bruce Howard

“Turkey Bot” Metal Assemblage Turkey Sculpture by Bruce Howard

Turkey Hay Sculpture at Lookout Bar and Grill

Turkey Hay Sculpture at Lookout Bar and Grill

Thanksgiving Turkey Sculpture - Version 1 (design based on photo by Naomi Greenfield, Red Balloon Company) via globetwisting.blogspot.com

Thanksgiving Turkey Sculpture – Version 1
(design based on photo by Naomi Greenfield, Red Balloon Company) via globetwisting.blogspot.com

Turkey Sculpture (Philip Grausman, aluminum)

Turkey Sculpture (Philip Grausman, aluminum)

Thanksgiving Turkey Stuffed Soft Sculpture In Vintage Calico Prints Picture from Laurel Leaf Farm

Thanksgiving Turkey Stuffed Soft Sculpture In Vintage Calico Prints Picture from Laurel Leaf Farm

Jack (Philip Grausman, 2006)

Jack (Philip Grausman, 2006)

Folk Art Turkey Sculpture by Edith John (Navajo)

Folk Art Turkey Sculpture by Edith John (Navajo)

Sandstone Turkey (Ron Fedor)

Sandstone Turkey (Ron Fedor)

Pierced Turkey Sculpture Raymor Italy

Pierced Turkey Sculpture Raymor Italy

Big Turkey, Aneta, ND

Big Turkey, Aneta, ND

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