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Thanks so much for your patience while I was working on my art show last week! My first New York solo show was a rousing success (even if it only lasted for a single night). Numerous friends, patrons,and even some strangers showed up to check out the 100 flounder pictures in their fancy Manhattan setting. The fish market was a success as well: far fewer flatfish are back on my walls (and if you reserved a flounder, I am holding it safe in a special secure undisclosed location so it stays fresh until you pick it up). Special thanks to all attendees and well-wishers! I only wish I had had more time to talk about art and the affairs of the world with each of you. Additionally, I really appreciate the emotional support from my readers who couldn’t make it to the Lower East Side. Particular thanks are due to my long-time supporters, Neomys Sapiens, Calender Girl, and above all Mom, who always gets pride of place in any thank you speech! Indeed, thanks to both of my parents for their inxhaustible patience and fortitude. Thanks too to Catinca Tabacaru Gallery for providing a space to grow and experiment (I promised not to use their branding on any promotional materials, but they really helped me out, and their lovely gallery deserves a visit next time you are in the City). My amazing new roommate Stephen Clarke provided this opportunity and did an astonishing job hanging 100 pictures so they look beautiful in a couple of short hours.
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Now I have to figure out how and where to throw the next show. Keep your eyes peeled for art galleries that seem to have a penchant for surrealism, historical tableau, themes of ecology and symbiosis, or fish in general. Here are some images of the show to tide us over till the next time.
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Speaking of moving forwards, I also drew a quick sketch of the solar eclipse as visible from the East River promenade at lunch hour. I didn’t have solar eclipse glasses and didn’t want to stare at the sun too much (also I had to get back to the office), but I think this quick sketch of the partial eclipse is mostly accurate. Hopefully I will have another art show before there is another solar eclipse! I hope to see you at the next shindig, and thanks again!

Partial Eclipse Flounder

Flounder Show

Hey everyone, my amazing new roommate works at an art gallery in the city’s hottest art district, the Lower East Side. The famous gallerist who runs the place has embarked on an artistic quest…to Tanzania, but she has generously allowed me to use the space for an evening. I hope you will accept my invitation (above) to a show of my flounder artworks which explore the big-fish-eats-little-fish dialectic of history against a backdrop of larger biological themes.

Because of time constraints, the opening IS the show–we are like a beautiful exotic mushroom which pops-up for a single glorious night–but during that one night there will be glowing multi-media delights to satisfy all aesthetic longings! Since you read this blog, I know you have the most refined and intelligent tastes: I hope you can join me then and there.

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I colored a flounder drawing I made last Halloween with watercolor and colored pencils.  This is “The Sole and the Souls” (Wayne Ferrebee, 2016, Ink, watercolor, and colored pencil on paper).  It features a sole covered with parti-colored fungi swimming through a Roman cemetery of late antiquity.  I think those might be Charun’s snakes in the sky (and his servitor dragging the gladiator into the darkness).

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Turkey Sculpture (Jim Victor, butter)

Turkey Sculpture (Jim Victor, butter)

I really love turkeys!  Thanksgiving season is thus a happy time when the magnificent birds are celebrated in numerous forms throughout the American cultural landscape (although, admittedly, our national appreciation has a gastronomic thrust which can be somewhat inimical to individual turkeys).  Longtime visitors to this blog will recall turkey-themed posts from Novembers past–such as a long list of turkey mascots, a story concerning escapees from the family farm, a comprehensive overview of turkey breeds, and the shocking explanation of how turkeys are capable of virgin birth (!).  This year, we have already featured a discussion of the proud American tradition of turkey-themed characters in professional wrestling.  However since I am not a professional wrestler (yet) but rather a visual artist, I thought I would also present a gallery of turkey sculptures made from various miscellaneous materials.  The turkeys pictured here mostly come from a folk art tradition, so I could not always find the artist, date, and medium (although if you know such details regarding any of these works, I would love to hear about it), however I think you will agree that the sculptures are quite spectacular and diverse–just like America itself!  Look at the turkey at the top made entirely of butter!  Hopefully this little gallery will somewhat tide you over until Turkey Day next week, but, if not, don’t worry, Ferrebeekeeper will probably find material for another 2014 turkey post somewhere.  Additionally, you can click the turkey category link on the menu to the left to see a whole slew of turkey posts (at least this is true on the PC, who knows about you tablet people?). Gobble gobble!  Here is some weird art!

A metal turkey sculpture from Whidbey Island (via joyworks-shopgirl.blogspot.com)

A metal turkey sculpture from Whidbey Island (via joyworks-shopgirl.blogspot.com)

The same sculpture from a different angle

The same sculpture from a different angle

Turkey sculpture by Carlomagno Pedro Martinez

Turkey sculpture by Carlomagno Pedro Martinez

A turkey crafted from legos, chocolate, and silverware

A turkey crafted from legos, chocolate, and silverware

"Turkey" Artist unknown Photo by tim burlowski

“Turkey” Artist unknown Photo by tim burlowski

steampunk turkey watch by IckyDogCreations

steampunk turkey watch by IckyDogCreations

"Turkey Bot" Metal Assemblage Turkey Sculpture by Bruce Howard

“Turkey Bot” Metal Assemblage Turkey Sculpture by Bruce Howard

Turkey Hay Sculpture at Lookout Bar and Grill

Turkey Hay Sculpture at Lookout Bar and Grill

Thanksgiving Turkey Sculpture - Version 1 (design based on photo by Naomi Greenfield, Red Balloon Company) via globetwisting.blogspot.com

Thanksgiving Turkey Sculpture – Version 1
(design based on photo by Naomi Greenfield, Red Balloon Company) via globetwisting.blogspot.com

Turkey Sculpture (Philip Grausman, aluminum)

Turkey Sculpture (Philip Grausman, aluminum)

Thanksgiving Turkey Stuffed Soft Sculpture In Vintage Calico Prints Picture from Laurel Leaf Farm

Thanksgiving Turkey Stuffed Soft Sculpture In Vintage Calico Prints Picture from Laurel Leaf Farm

Jack (Philip Grausman, 2006)

Jack (Philip Grausman, 2006)

Folk Art Turkey Sculpture by Edith John (Navajo)

Folk Art Turkey Sculpture by Edith John (Navajo)

Sandstone Turkey (Ron Fedor)

Sandstone Turkey (Ron Fedor)

Pierced Turkey Sculpture Raymor Italy

Pierced Turkey Sculpture Raymor Italy

Big Turkey, Aneta, ND

Big Turkey, Aneta, ND

Double-headed Serpent Carving (Aztec, ca. 1500 AD, wood, turquoise, spondylus, and conch)

Double-headed Serpent Carving (Aztec, ca. 1500 AD, wood, turquoise, spondylus, and conch)

In Aztec mythology, snakes are symbolic of rebirth and renewal. Since serpents regularly shed their skins and emerge shining and fresh as though made anew, they seemed to Aztec mystics to transcend the dull cycle of aging. Likewise snakes’ ability to hide in the earth, swim in water, and climb high into the rainforest canopy made them a symbol of transcending physical boundaries: snakes were seen as liaisons of the gods capable of traveling through heaven, earth, and the underworld.  In fact many of the most important Aztec gods were snakes like Xiuhcoatl (the fire serpent), Mixcoatl (the cloud serpent), and Quetzalcoatl himself (the feathered serpent who acts as chief of the gods).

Here then, as a final post of 2013 and a first post of 2014, is an exquisite Aztec artifact:  a double-headed wooden serpent inset with a mosaic of turquoise, spondylus (thorny oyster), and conch shell.  Once upon a time the ornament had eyes (possibly of gold or pyrite which were affixed to the wooden serpent with gluey beeswax) but they disappeared at some point in the five hundred years since the object was made—and their absence might make for a stronger piece. The serpent was probably worn as a pectoral (the opposite side is unadorned and hollow).  It is made from wood from the Spanish cedar (Cedrela odorata) a tree with natural termite resistance long-used to make boxes, musical instruments, furniture, and fine carvings (obviously).

(Detail)

(Detail)

Really look at the carving for a moment, it was a sacred treasure of a mighty vanished civilization. It represents the nature of time: mighty and ferocious with unknowable divine attributes, but also regular and cyclical (and beautiful).  The double-headed serpent has no beginning or end. Like an ouroboros, or a figure-eight, it is a symbol of infinity—of time closing in on itself in an unending circle.

The Aztecs of course ended: their realm blew apart in fire, bloodshed, and smallpox.  Their greatest treasures were melted down for inbred Spaniards to wear as chains…or hung up on a wall at the British museum.   But of course the Aztecs are not really gone.  Their descendants are everywhere and their customs live on.  Likewise the living spondylus shell in the ocean is the descendant of countless millions of generations of evolving mollusks—changing color, shape, and temperament over the long eons.

I chose to highlight this this simple object because it unites so many of the topics on this site: snakes, color, art, trees, history, mollusks, bees (because of the wax), the underworld, and the heavens.  The double-headed snake represents the way in which many different ideas are enmeshed with each other and flow together, even as time relentlessly pushes us all onward.  Isn’t that what life is?

Best wishes for a very happy new year and, as always thank you for reading!

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(Detail)

Ray Troll painting large amoonites for "Night of the Ammonites" exhibit at Seattle's Burke Museum

Ray Troll painting large amoonites for “Night of the Ammonites” exhibit at Seattle’s Burke Museum

One of my favorite living artists is not interested in the fatuous self-absorption and navel gazing which characterizes most contemporary artwork.  Instead of falling in love with himself, Ray Troll fell in love with aquatic animals—and his art is a pun-filled paean to the astonishing diversity and complexity of life in Earth’s rivers, lakes, and oceans both in this epoch and in past geological ages.   Although Troll’s vibrant biology themed art is humorous and fantastic, it also resonates at a deeper level.  Themes of ecological devastation and the broad exploitation of the oceans are unflinchingly explored, as is the true nature of humankind.  Troll (correctly) regards people as a sort of terrestrial fish descendant who still have the same aggressive territoriality, unending hunger, and crude drives that propelled our distant piscine forbears.  This sounds deterministic and grim until one comprehends the high esteem which Troll holds for fish of all sorts.  After looking at the beauty, grace, and power of his fish art, one feels honored to be included in the larger family (along with all the mammals, birds, reptiles, and amphibians which trace their roots back to fish-like tetrapod ancestors).

'Crusin' the Fossil Freeway' by Ray Troll (the artist is visible on the driver's side)

‘Crusin’ the Fossil Freeway’ by Ray Troll (the artist is visible on the driver’s side)

Troll is a favorite artist because he endeavors to understand paleontology, ecology, and biology and synthesize these extraordinary disciplines with broader human experience.  The result is a whimsical and surreal mixture of creatures and concepts from different times and places rubbing elbows as though Hieronymous Bosch were having a happy daydream.   Troll is a “popular” artist in that he makes a living by selling books, tee-shirts, and posters rather than swindling billionaire bankers into multi-million dollar single purchases, so you should check out his website.  In keeping with the themes of Ferrebeekeeper,  I have added a small gallery of his mollusk and catfish themed artwork (although such creatures are only featured in some of his paintings and drawings).  Unfortunately the online sample images are rather small.  If you want to see full resolution images you will have to buy his books and artwork (which is a worthwhile thing to do).

“The Encante”, (Ray Troll, 2004, colored pencil on paper, 11” x 30”)

“The Encante”, (Ray Troll, 2004, colored pencil on paper, 11” x 30”)

The Encante is a paradisiacal underwater realm where shapeshifting river dolphins lure humans.  The aquatic creatures are able to be themselves in this realm of magic and dance.  Not only does Troll’s work feature the beauty of the Amazon and the otherworldly magical river dolphins, there are also a host of amazing catfish, including several armored catfish, and a giant bottomfeeder which has apparently developed an unfortunate taste for human flesh.

Got Ink? (Ray Troll)

Got Ink? (Ray Troll)

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Octopi Wall Street (Ray Troll)

Octopi Wall Street (Ray Troll)

Here are a handful of Troll’s pun-themed tee-shirt drawings involving amazing cephalopods.  I like to imagine the populist octopus in battle with the fearsome vampire squid which is so emblematic of Goldman Sachs.

Night of the Ammonites (Ray Troll)

Night of the Ammonites (Ray Troll)

Finally, here is a naturalistic portrayal of how the ancient ammonites most likely came together to spawn on moonlit nights of the Paleozoic (such behavior is characteristic of the squids and cuttlefish alive today).  The long-extinct cephalopods are portrayed with life and personality as though their quest to exist has immediate relevance to us today.  Indeed–that might is Troll’s overarching artistic and philosophical point: life is a vividly complex web of relationships which knit together in the past, present, and the future.

Ye Olde Ferrebeekeeper Archives

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