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April is Poetry Month! To celebrate the occasion, I decided to take to the internet and repost the first flounder theme poem I could find. Without thinking about it, I assumed that the flounderists of the poetry world would share my (zoology/ecology) perspective on flatfish. How mistaken I was! The first poem I discovered was “Flounder” by Natasha Trethewey, the story of a mixed-race girl going fishing with her aunt. It has nothing whatsoever to do with the secrets of the deep, the worldwide ecological crisis, or the way that the taxonomical diversity of the pleuronectiformes represents the interrelated family structure of all life (or does it?). The poem does not even have to with floundering, camouflaging oneself, or being baited (or does it?). What we have instead is a poem about racial identity and the way the facile categories of the world permeate our self-identity and all other aspects of existence to a granular level (we don’t even see the poor dual-natured flatfish taken off to the frying pan…although it is somewhat implied).
The lovely poem does however illustrate what is wonderful about poetry—how black and white words become a doorway which allows us to slip into another person’s skin and take an unfiltered sip of their weltanschauung. The evanescent phenomena of a fishing trip become a search for something deeper. Yet successfully catching a flounder only provides additional muddled categories. Hooking the juxtaposed fish leads to more beautiful ambiguity…
Flounder
Here, she said, put this on your head.
She handed me a hat.
You ’bout as white as your dad,
and you gone stay like that.
Aunt Sugar rolled her nylons down
around each bony ankle,
and I rolled down my white knee socks
letting my thin legs dangle,
circling them just above water
and silver backs of minnows
flitting here then there between
the sun spots and the shadows.
This is how you hold the pole
to cast the line out straight.
Now put that worm on your hook,
throw it out and wait.
She sat spitting tobacco juice
into a coffee cup.
Hunkered down when she felt the bite,
jerked the pole straight up
reeling and tugging hard at the fish
that wriggled and tried to fight back.
A flounder, she said, and you can tell
’cause one of its sides is black.
The other side is white, she said.
It landed with a thump.
I stood there watching that fish flip-flop,
switch sides with every jump.
Here is an illuminated page of the Grimani Breviary (which is named after a Venetian cardinal who purchased it in 1520 for 500 gold ducates). The breviary takes the form of a calendar and here is the page for April, which features a party of nobles out in the spring countryside falconing. The work is filled with infinitesimal details, but my favorite parts are the capering jester (who has somehow become entangled with a tree as he brandishes his grotesque marotte) and the opulent yet ethereal carriage of Time which, unseen, flies above the procession. The work was completed sometime around 1510 in Flanders. Note also the Crakow shoes worn by the foppish noble in shimmering green and scarlet at the right.
I have a weird confession. I don’t usually get too upset by paying my taxes. I can’t explore space by myself…nor can I invent the internet, fight Ebola, or operate a nuclear aircraft carrier. The government does amazing things which benefit everyone! [plus I barely make any money anyway]
Yet some group of marketers with deep pockets has been trying to convince everyone that the government is incompetent and you should give all of your money to reclusive billionaire twins and evil cartels instead.
And their efforts are working! This year I was pretty unhappy to turn over my meager earnings to be used on golf outings, summer palaces, estranged trophy wives, and brownshirts. I was peeved with Intuit as well, even though I have used them for many years. Not only did Intuit lobby the government to keep the tax code exhaustively complicated, but Turbotax kept demanding that I buy a more expensive software package and the numbers changed wildly for no coherent reason. I only have one W2. What the heck? No more Turbotax from now on. I finally gave up and used the el cheapo knockoff that the IRS referred me to. I have recorded this spring experience for posterity in this little sparkling picture of floundering beneath the cherry blossoms of our nation’s capital. I call it “Turbot Tax” and I think the symbolism is self explanatory.
But whatever…at least I have fileted my taxes…er I mean filed. Now that we have got that chore done, we can get to spring flowers in earnest!
Happy April Fools Day—or Happy April Fish! (as it is known in France). This is a special day for several reasons.
Most importantly today is the anniversary of Ferrebeekeeper which came into existence 7 years ago today! Since then, there have been lots of snakes, Goths, catfish, and colorful stories. I have gotten some things completely and utterly wrong, but I have always tried to do my best and be honest and keep the content coming, even when I was tired or sick or sad at heart. This is the one thousand five hundred and twelfth post! That’s a lot of clams and crowns! To celebrate, I am putting up three flounder-themed artworks (literal poissons d’Avril) and I am also announcing the rollout of a bizarre and compelling new online toy to appear here soon. I won’t tell you what it is (although I guess a prophet could tell you) but I will drop hints during next week’s blog posts.
Unless you are a Dagon-worshiper or a Micronesian, April Fish is one of the few fish-themed holidays on the calendar and so it is very precious for me, as a fish-themed artist. Additionally, today celebrates being careful in the face of obviously fake news stories. Now lately there have been lots of weird propaganda statements and transparent lies issuing from certain albescent domiciles in Washington DC, so the waters are even more muddied than usual (almost as if antagonists to the east are deliberately throwing up lots of lies and fake stories to make the real news seem suspect to people who are not very good at reading), but it is wise to be eternally on guard. Getting to the bottom of things is difficult, but a good rule of thumb is that real news is messy and complicated and offers more questions than answers (and lots of seeming contradictions), whereas self-serving puffery is generally gloriously simple and shifts all blame onto some third party (like Freemasons, foreigners, witches, or journalists).
Thank you all so much for reading. I treasure your attention and your patience. Forgive me for being so tardy in responding to comments and kindly pardon my errors or mistakes in judgement. Keep reading and looking and I will keep on writing, drawing, and floundering. There are glorious things ahead for all of us.
Somehow April is nearly gone. I can’t believe time is running so swiftly! You have probably been worrying about where the April entry is for The Shephearde’s Calender is (although, I guess if you are truly anxious or really want to read ahead, it was published nearly half a millennium ago, and can now be found online). The April entry is uncommonly beautiful, but it also highlights a problem with 16th century poetry—namely that poets had to suck up to aristocrats so hard. Fortunately this is not a problem in the modern world, where the great masters do not care for poetry and sucking up to them does no good. However ancient poems are filled with long eloquent digressions about the merits of some long dead lord or king…or in this case a queen.
At any rate, the poem starts promisingly, with the aged shepherd Hobbinoll lamenting an amorous misfortune to his friend, Thenot. It seems that Hobbinoll’s favorite beautiful young shepherd, Colin, has fallen in love with a lovely young woman, Rosalind. However before we can explore gender issues among 16th century English fops…er, I mean shepherds… the poem abruptly veers off. Hobbinoll wants to demonstrate Colin’s skill at poetry by reciting a poem which he (Colin) made for Elisa, the Queene of shepheardes (a fairly transparent sobriquet for real-world sovereign Elizabeth, Queen of England). The remainder of the poem is a beautiful mixture of spring imagery, classical allusions, and panegyric metaphors flattering Elizabeth, who was Spenser’s great patron (he certainly didn’t starve to death while she was alive). The ramifications of the curious framing device are left unstated and unpursued…at least during April. However we now know that Colin and Rosalind are out there and that Hobinoll has a sharp interest in them.… We also know that daffodils used to be called “daffadowndillies” (and I think we should return to that 5 syllable usage immediately). I guess that’s enough of an introduction. Without further preliminaries, here is
Ægloga Quarta.
A R G V M E N T.
THis Æglogue is purposely intended to the honor and prayse of our most gracious souereigne, Queene Elizabeth. The speakers herein be Hobbinoll and Thenott, two shepheardes: The which Hobinoll being before mentioned, greatly to haue loued Colin, is here set forth more largely, complayning him of that boyes great misaduenture in Loue, whereby his mynd was alienate and with drawen not onely from him, who moste loued him, but also from all former delightes and studies, aswell in pleasaunt pyping, as conning ryming and singing, and other his laudable exercises. Whereby he taketh occasion, for proofe of his more excellencie and skill in poetrie, to recorde a song, which the sayd Colin sometime made in honor of her Maiestie, whom abruptely he termeth Elysa.
Thenot. Hobbinoll.
TEll me good Hobbinoll, what garres thee greete?
What? hath some Wolfe thy tender Lambes ytorne?
Or is thy Bagpype broke, that soundes so sweete?
Or art thou of thy loued lasse forlorne? Or bene thine eyes attempred to the yeare,
Quenching the gasping furrowes thirst with rayne?
Like April shoure, so stremes the trickling teares
Adowne thy cheeke, to quenche thye thirstye payne.
Hobbinoll.
Nor thys, not that, so muche doeth make me mourne,
But for the ladde, whom long I lovd so deare,
Nowe loues a lasse, that all his loue doth scorne:
He plonged in payne, his tressed locks dooth teare. Shepheards delights he dooth them all forsweare,
Hys pleasaunt Pipe, whych made vs meriment,
He wylfully hath broke, and doth forbeare
His wonted songs, wherein he all outwent.
Thenot.
What is he for a Ladde, you so lament?
Ys loue such pinching payne to them, that proue?
And hath he skill to make so excellent,
Yet hath so little skill to brydle loue?
Hobbinoll.
Colin thou kenst, the Southerne shepheardes boye:
Him Loue hath wounded with a deadly darte.
Whilome on him was all my care and ioye,
Forcing with gyfts to winne his wanton heart. But now from me hys madding mynd is starte,
And woes the Widdowes daughter of the glenne:
So now fayre Rosalind hath bred hys smart,
So now his frend is chaunged for a frenne.
Thenot.
But if his ditties bene so trimly dight,
I pray thee Hobbinoll, record some one:
The whiles our flockes doe graze about in sight,
And we close shrowded in thys shade alone.
Hobbinol.
Contented I: then will I singe his laye
Of fayre Elisa, Queene of shepheardes all:
Which once he made, as by a spring he laye,
And tuned it vnto the Waters fall.E dayntye Nymphs, that in this blessed Brooke
doe bathe your brest,
Forsake your watry bowres, and hether looke,
at my request:
And eke you Virgins, that on Parnasse dwell,
Whence floweth Helicon the learned well,
Helpe me to blaze
Her worthy praise,
Which in her sexe doth all excell.Of fayre Elisa be your siluer song,
that blessed wight:
The flowre of Virgins, may shee florish long,
In princely plight.
For she is Syrinx daughter without spotte,
Which Pan the shepheards God of her begot:
So sprong her grace
Of heauenly race,
No mortal blemishe may her blotte.See, where she sits vpon the grassie greene,
(O seemly sight)
Yclad in Scarlot like a mayden Queene,
And Ermines white.
Vpon her head a Cremosin coronet,
With Damaske roses and Dafadillies set:
Bayleaues betweene,
And Primroses greene
Embellish the sweete Violet.Tell me, haue ye seene her angelick face,
Like Phoebe fayre?
Her heauenly haueour, her princely grace
can you well compare?
The Redde rose medled with the White yfere,
In either cheeke depeincten liuely chere.
Her modest eye,
Her Maiestie,
Where haue you seene the like, but there?I sawe Phoebus thrust out his golden hedde,
vpon her to gaze:
But when he sawe, how broade her beames did spredde,
it did him amaze.
He blusht to see another Sunne belowe,
Ne durst againe his fyrye face out showe:
Let him, if he dare,
His brightnesse compare
With hers, to haue the ouerthrowe.Shewe thy selfe Cynthia with thy siuer rayes,
and be not abasht:
When shee the beames of her beauty displayes,
O how art thou dasht?
But I will not match her with Latonaes seede,
Such follie great sorow to Niobe did breede.
Now she is a stone,
And makes dayly mone,
Warning all others to take heede.Pan may be proud, that euer he begot
such a Bellibone,
And Syrinx reioyse, that euer was her lot
to beare such an one.
Soone as my younglings cryen for the dam,
To her will I offer a milkwhite Lamb:
Shee is my goddesse plaine,
And I her shepherds swayne,
Albee forswonck and forswatt I am.I see Calliope speede her to the place,
Where my Goddesse shines:
And after her the other Muses trace,
with their Violines.
Bene they not Bay braunches, which they doe beare,
All for Elisa, in her hand to weare?
So sweetely they play,
And sing all the way,
That it a heauen is to heare.Lo how finely the graces can it foote
to the Instrument:
They daucen deffly, and singen soote,
in their merriment.
Wants [not] a fourth grace, to make the daunce euen?
Let that rowme to my Lady be yeuen:
She shalbe a grace,
To fyll the fourth place,
And reigne with the rest in heauen.And whither rennes this beuie of Ladies bright,
raunged in a rowe?
They bene all Ladyes of the lake behight,
that vnto her goe.
Chloris, that is the chiefest Nymph of al,
Of Oliue braunches beares a Coronall:
Oliues bene for peace,
When wars doe surcease:
Such for a Princesse bene principall.Ye shepheards daughters, that dwell on the greene,
hye you there apace:
Let none come there, but that Virgins bene,
to adorne her grace.
And when you come, whereas shee is in place,
See, that your rudenesse doe not you disgrace:
Binde your fillets faste,
And gird in your waste,
For more finesse with a tawdrie lace.Bring hether the Pincke and purple Cullambine,
With Gelliflowres:
Bring Coronations, and Sops in wine,
worne of Paramoures.
Strowe me the ground with Daffadowndillies,
And Cowslips, and Kingcups, and loued Lillies:
The pretie Pawnce,
And the Cheuisaunce,
Shall match with the fayre flowre Delice.Now ryse vp Elisa, decked as thou art,
in royall aray:
And now ye daintie Damsells may depart
echeone her way,
I feare, I haue troubled your troupes to longe:
Let dame Eliza thanke you for her song.
And if you come hether,
When Damsines I gether,
I will part them all you among.
Thenot.
And was thilk same song of Colins owne making?
Ah foolish boy, that is with loue yblent:
Great pittie is, he be in such taking,
For nought caren, that bene so lewdly bent.
Hobbinol.
Sicker I hold him, for a greater fon,
That loues the thing, he cannot purchase.
But let vs homeward: for night draweth on,
And twincling starres the daylight hence chase.
Thenots Embleme. O quam te memorem virgo?
Hobbinols Embleme.
O dea certe.
It’s April Fools’ Day! Although rampant pranks, tomfoolery, and hijinks can make navigating the internet (and the world beyond) a bit treacherous, today is also a special day for Ferrebeekeeper. Four years ago this blog started out on April 1, 2010. Thanks again to all of our readers for your support and comments! No fooling! My readers are the best!
I feel conflicted about April Fools’ Day as currently celebrated in the English and Scandinavian world. The news becomes somewhat useless today–as any story could be a fabrication. The real sadness is the actual news becomes suspect. Ebola epidemic, live artillery exchange between North and South Korea, and mudslides are hardly laughing matters (although anything involving our political leadership might be a different matter).
The French have a much nicer celebration of April Fools’ which is known as Poisson d’Avril (literally “fish of April”). In France, pranksters try to surreptitiously affix colorful paper fish to the backs of various friends, family, and colleagues. The day also has a more child-friendly aspect, as grade-school children make colorful craft fishes (either for pranks, or for display). Additionally, delicious confectionary fish are a happy addition to the informal holiday. Some folklore experts believe that the fish tradition was started due to a disconnection between the new year as celebrated by sophisticated courtiers and burghers (on January 1st) versus the beginning of the agricultural year in April–which played a bigger role in the life of more provincial folk. Other academics speculate that the holiday is even more literal and celebrated the hatching of naïve young fish which could be easily caught and consumed!
Of course the true roots of April Fools’ Day go back much further into the depths of history. The Romans had a holiday named Hilaria which was observed on the vernal equinox in veneration of Cybele, the great mother goddess. The Indians celebrate Holi, a spring festival of colors, intoxication, and fun. Perhaps the most ancient spring prank holidays involve ancient Persia. Purim, a Jewish spring holiday, commemorates the deliverance of the Jewish people from Persian hegemony. The day is celebrated by contemporary Jews with masquerading and comic dramatizations. The ancient Persians themselves had a sacred spring holiday, Sizdah Bedar, which celebrated humankind’s connection with nature through games, feasts, and communion with the forest and country.
It is this last holiday which encapsulates my true feelings. Winter’s dreadful desolation is finally passing and new life and hope are on the way (irrespective of pranks or paper fish). To quote The Rubáiyát of Omar Khayyám, a strange but evocative Victorian translation of medieval Persian verse:
Come, fill the Cup, and in the Fire of Spring
The Winter Garment of Repentance fling:
The Bird of Time has but a little way
To fly—and Lo! the Bird is on the Wing.