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Happy New Year! And happy National Bird Day (which Americans apparently observe on January 5th)!
Now most birds (like most animals) are having quite a hard time of it out there in a world which is relentlessly shaped by humanity’s boundless appetites. This is a problem which we need to work on every day for the rest of our lives (because the world without its exquisite animals would be a terrible world not even worth bothering with). However, I also understand that constantly writing about how we are making the world into a ghastly necropolis is dispiriting. Also it is still the Christmas season (at least until Three Kings Day tomorrow).


Therefore, to celebrate bird day and to celebrate Christmastime and the hopes for the new year (which aren’t quite ruined yet) I am posting pictures of some of my favorite bird ornaments from my holiday tree of life. This serves a double purpose since my mother complained that the ornaments were not visible in the previous pictures of the tree (this tree is not an easy thing to take pictures of!)



Admittedly, this is not as good as writing about these incredible birds and how they live. But once again we encounter a problem: the only bird whom I currently know well (LG the Canada goose) did not have a very good holiday. We will explain his sadness and discomfiture later, but for right now, why not enjoy this anhinga.

…and just for fun, here is one more picture of the whole tree. Happy Three Kings Day! We will get back to the serious business of writing about ecology, politics and the underworld as we get deeper into 2023, but for now kiss a bird (like the despondent LG, for example) and have a wonderful end to your holiday.


One hundred and forty years ago, ornithologists discovered a very rare and mysterious bird on an obscure island named Fergusson (which is part of the D’Entrecasteaux Archipelago just northeast of Papua New Guinea)…uh…then they sort of lost track of it for the next 14 decades. The bird was the black-naped pheasant-pigeon (Otidiphaps insularis) a lovely–albeit reclusive–ground dwelling pigeon with a black body and orange/red wings (and glittering blood red eyes). Very little is known about the bird because it has not been officially documented nor studied by scientists since it was discovered in 1884. Indeed, researchers who returned to Fergusson in 2019 were hard pressed to find anyone there who has seen the bird since the 1990s. The black-naped pigeon seemed to have quietly receded into extinction–if it ever even existed.
But the black-naped pigeon did exist! It still does! After talking to Augustin Gregory, a hunter who had seen the “auwo” (the local Papuan name for the pigeon) the ornithologists put hidden cameras on Fergusson’s highest peak, the 6,801 feet (2,073 meter) tall Mt. Kilkerran. This year, just as the expedition was wrapping up, the cameras took a picture of one of the furtive pigeons! These lovely birds have not yet flown away from Earth to join the passenger pigeon, the dodo, the lordly crested Choiseul pigeon, and the pink pigeon of Réunion (some famous extinct pigeons).

Of course, who knows how much longer the black-naped pigeon will continue to be with us? Researchers found a single bird (and it was located in a part of the forest scheduled to be timbered). It is unclear how large the remaining population is or whether the birds will be able to survive the changes coming to Fergusson (and the larger changes coming to the entire planetary atmosphere). But for now, this shy yet lovely bird is still here! Most of the beautiful and amazing animals of the Holocene still are (admittedly in greatly reduced numbers). If only humankind could find a way to show off for each other which did not involve super-use of earth’s resources maybe we could keep not just the black-naped pigeon, but also the black rhino, the panda, the Asian elephant and so many other endangered creatures. Maybe instead of clothes which we wear once and then throw out, or cars which are too fast to drive, we could impress potential mates with a beautiful fan of svelte black tail feathers! (although, to be honest, human females have been unenthused about my beautiful ruddy sweater vest–so maybe we are stuck with over-the-top materialism (or some even-harder-to-obtain status signifier) for the foreseeable future).

After peering back through the mists of time to the mythical origin of ancient Greece’s ancient center of prophecy, Dodona (which was purportedly founded by a black, talking pigeon) I bet you are asking yourself “hey wait, do black pigeons exist in nature?” The answer is a glorious and emphatic yes! The black imperial pigeon (Ducula melanochroa) is a splendid black pigeon (with a bit of white trim along its wings) which can be found living throughout the Bismarck Archipelago.

Although I found this to be of great ornithological interest, I found it to be geographically challenging.To wit, where on earth is the Bismarck Archipelago? Does Germany have a hitherto unknown chain of black-pigeon haunted isles stretching out into the Baltic? Germans will be relieved (albeit a bit disappointed) to learn that it does not. The Bismarck Archipelago obtained its name during the desperate last phase of European colonialism, when imperialists-run-amuck stuck flags (and un-regional names) on anything that wasn’t fast enough to get away from steam powered battleships. The Bismarck Archipelago is a chain of very volcanic islands off the north east coast of Papua New Guinea with a collective area which is approximately equal to Vermont and New Hampshire combined.

The discovery of a substantial part of the world wholly unknown to me is sort of a consolation prize for the fact that I can not find out very much about these black imperial pigeons (other than the fact that they exist). I doubt they had much to do with anything that was happening in Greece long ago (or ever), but it is extraordinary to see how diverse animal life is on our home planet and to know that even in the age of the internet there are entire species–and places–which keep their mysteries.


As I read about the ancient world, one of the place names which keeps reappearing again and again is Dodona–the site of the oldest oracle in Greece. Ferrebeekeeper has already written about the myth of the foundation of Dodona (which reputedly became a place of prophecy when a black dove with the power of human speech landed there). During the Greco-Roman era, the shrine was sacred to Zeus/Jove himself. The priests and priestesses of Dodona would listen to the noises of a grove of sacred oak trees. Not only did the leaves of these trees rustle in the wind but their boughs were hung with resonant bronze vessels (which banged and clanged like wind chimes). Although Dodona was sacred to Zeus in the classical era, it seems like it dates back to at least Mycenaean times (the mysterious palace-building city states of Mycenaean Greece preceded the Greek age by many centuries, and although they apparently shared some cultural and linguistic similarities, the cultures were not the same). It has been argued that the Dodona of Mycenaean times was sacred to the great goddess Gaia. Whatever the ancient traditions of Dodona were, they came to an apocalyptic halt around 1200 BC when disaster and invaders put an end to the palace civilizations. Sacred worship and divination reemerged there later in the new conventions of Archaic Greek religious style (all of which contributed to the Zeus versus Gaia mythology which is such a pivotal conflict in ancient Greek mythology).
I guess we have been in society-wide quarantine lockdown for an entire year (at least here in New York City). The grim anniversary at least provides the opportunity to show you the artwork which I made during the spring of 2020 as nature burst into glorious life while humankind cowered at home in the shadow of the crowned plague.
I like to draw in little 3.5 inch by 5.5 inch moleskine sketchbooks (which i fill up pretty regularly). Last spring, due to an ordering error, I purchased a Japanese album (which folds out into one long accordion strip of paper) instead of my usual folio book. Since the pandemic left me stuck in my little Brooklyn garden, I began drawing a Coronavirus journey along a continuous garden path running from my backyard, through the stricken city, to the cemetery and then out to the sea. As spring turned into summer I rode my bike over to Greenwood to work on it. Usually works of this sort are destroyed by giant ink blots, spills, or catastrophic drawing failures (since I drew this freehand with a Hiro Leonardt 41 steel nib), and although there are lots of flaws (sigh), none of them destroyed the drawing outright.






as you can see, the one factor which made the isolation and anxiety of the coronavirus pandemic bearable to me was the one thing which makes existence bearable–the unlimited power of imagination to go anywhere and make anything happen! Thus we see a Byzantine/Gothic Brooklyn as suited to the plague of Justinian as to Covid 19.
I effectively finished the drawing in June, but I kept frittering at the edges. Plus there was an empty space in the path beneath the fountain (just before the musical garden filled with lyrebirds, siamangs, singing sphinxes, and aulos players). That space stayed blank until November, when I realized that the blank spot in the middle was where the vaccine belonged (you can see it there now just below the fountain).
Unfortunately, I am a better draftsman than a photographer, and it is hard to make out the small details of the little garden plants and bugs which were my original inspiration. Anyway, hopefully you can click on the panels and look at the musicians (C-minor), the plague doctor, the manticore, and the covid party filled with Bushwick Bohemians and sinners! If not, let me know and we will see if I can repost the drawing somehow. Maybe I will post some of the details later on anyway, since the virus pathway is filled with serpents, bats, dark gods, pigeons, bees, trees, and flounder (and other ferrebeekeeper subjects which are always close to my heart).
Speaking of things close to my heart, thanks again for reading this and for being here with me (at least in my writings and thoughts if not in the real world). Dear Reader, you are the absolute best. If the Fates are willing, we are nearing the end of this horrid covid chapter (just as the dark path from the drawing ultimately runs out into the great ocean and vanishes in the waves). I am sorry it took so long to post this little book, but it seems appropriate somehow. As always, let me know what you think, and for my part I will think about what delights to put in the spring album for 2021!
Health and peace to you and your loved ones! We are nearly through this!

Americans celebrate February 2nd as Groundhog Day, but the celebration is properly Candlemas, an ancient Christian holiday which got mixed up with an even more ancient winter holiday of pagan Germany (which involved forecasting the weather based on the behavior of badgers and bears). We will get to the bottom of that ancient pagan badger worship thing at some later date: for now, let’s talk about Candlemas which is one of Christianity’s oldest holidays and has been celebrated in Jerusalem since at least the 4th century. The original form the ancient holiday took was as “The Feast of the Presentation of Jesus Christ” (the synoptic gospel source for all of this is the second chapter of Luke) and it celebrated the redemption of infant Jesus at the temple of Solomon (Luke has muddled this up with the purification ritual for women who have given birth, but for the sake of clarity I am going to ignore that as well and write only about infant redemption which is the critical ancient Monotheistic kernel of this holiday).
Baby Jesus required redemption from the temple because he was Jewish–more specifically, he was a firstborn Jewish male infant and thus the somewhat rare rite of pidyon haben was required. Here is what the Book of Exodus has to say concerning the subject (this is from Exodus Chapter 13–so the speaker here is, uh, God and the listener is Moses, understood to be the chosen representative of the chosen people):
That thou shalt set apart unto the Lord all that openeth the matrix, and every firstling that cometh of a beast which thou hast; the males shall be the Lord’s. And every firstling of an ass thou shalt redeem with a lamb; and if thou wilt not redeem it, then thou shalt break his neck: and all the firstborn of man among thy children shalt thou redeem. And it shall be when thy son asketh thee in time to come, saying, What is this? that thou shalt say unto him, By strength of hand the Lord brought us out from Egypt, from the house of bondage. And it came to pass, when Pharaoh would hardly let us go, that the Lord slew all the firstborn in the land of Egypt, both the firstborn of man, and the firstborn of beast: therefore I sacrifice to the Lord all that openeth the matrix, being males; but all the firstborn of my children I redeem.
Exodus 13: 12-15
Wow! This is some old-school religion! Yet, to be honest, I am not sure I would understand any of that if it had not been carefully explained to me. Here is the best interpretation/explanation I can offer. All firstborn male mammals belong to God (in his pre-Abraham days as a god of nomadic shepherds, El was very big on sacrifice: this is frequently reflected in the Old Testament and sometimes glimmers of the truly old ways of human sacrifice can be seen–as in the stories of Abraham and Isaac or of Jephthah’s daughter). God no longer wants human sacrifice, but first born males are pledged to the temple and the priestly caste as servants. This obligation, however, can be dispensed with through a business transaction: parents can trade the price of a lamb, 5 shekels of silver to the kohens to redeem their child from the Lord’s service [One of the twelve tribes of Judaism, the Levites, were the priests. Moses’ elder brother Aaron was of this tribe. Because of Aaron’s special service, God made him high priest, and all of his descendants, the kohanim are priests. Jews with the surname Levi or Cohen have special priestly duties and privileges to this day]

Jesus lived in Judea during the final days of the Temple of Solomon. His parents had to take him to the temple and pay the priests. Luke specifies that Joseph and Mary took the option given to poor people, paying the price of a pair of doves rather than of a lamb (doves, like sheep and asses, are sacred animals in Christian mythology). In the temple an ancient prophet, Simeon recognized Jesus and prophesied him to be “A light to lighten the Gentiles, and the glory of thy people Israel”. This is what is celebrated by Candlemas aka”The Feast of the Presentation of Jesus Christ” and it was of great importance to the first Christians living in ancient Israel. The original meaning of all of this, however has faded over thousands of years and it is now difficult to understand (except to very devout Jews) and so The Feast of the Presentation of Jesus Christ has now become “Groundhog Day” in the world’s largest Christian nation! I wonder what will happen to February 2nd in another thousand years or so.

Hey, remember that flounder artwork which I worked on for arduous months and months, and then published here on Earthday 2019? Nobody commented on it and then it sank into obscurity!

Well, anyway…I was tightening it up a little bit and polishing up some of the edges, when I noticed that it has a tiny turkey in it! Since it is already almost midnight here in New York, I thought maybe I would share another detail from the larger drawing in anticipation of Thanksgiving.

I better get back to work cleaning up this drawing. Let me know if you think of anything I left out and we will talk tomorrow!


I still can’t get over fancy pigeons. Not because of what their outlandish appearance reveals about selective breeding or about pigeons, but because of what it reveals about us humans. People purposely select some pigeon feature and then spend decades (or whole human lifetimes) emphasizing it to the point of absurdity in generation after generation after generation of bird.

We have already looked at shortface pigeons and black Indian fantail pigeons, but I think today’s fancy pigeon might be even more remarkable. The Jacobin pigeon is an Indian breed of pigeon noted for huge feathery collars which nearly obscure the birds’ faces.


I initially thought that I was misspelling the name of these birds and they were “Jacobean” pigeons (like the huge stiff lacy collar which was in fashion in Jacobean England), but that is completely wrong. These are truly Jacobin pigeons–not because they want to tear down kingship and guillotine a bunch of feckless aristocrats, but instead because they are named after the Jacobin order of monks (which must have had very noteworthy collars and cowls).

Just look at the poor birds! They really look like haughy 5th avenue matrons!
The arid scrubland of north and central Australia is an uncompromising environment of rocky hills, dry creekbeds, arid plateaus, desert mountains, scree, and a landscape which Australians call “gibber plains” (which, as far as I can tell, seems to be a desert of cobblestones or small sharp boulders). Plants need to be tough to survive in this harsh country and the spinifex grasses fit the bill. These course sharp grasses form stout tussocks which can survive with minimal water in a land where droughts can last for years.
But this is not a post about desert grass or dry cobblestones; it is about an amazing bird which is capable of living a gregarious sedentary lifestyle in this vast dry landscape. Spinifex pigeons (Geophaps plumifera) are a species of bronzewing pigeon which live in the baking grasslands of the island continent. They are handsome and endearing pigeons with yellowish barred feathers, a white belly, and red cateye glasses. Perhaps their most pronounced feature is a a magnificent elongated crest which looks not unlike the bleached khaki grasses which provide their home and sustenance.
The spinifex pigeon lives throughout most of northern and central Australia where it survives by foraging for seeds of drought-resistant grasses and suchlike scrub and by eating any tiny invertebrates it is lucky enough to find. The birds are social, and live in flocks from four to a couple of dozen (although much larger flocks have occasionally been spotted).
I don’t really have a lot of further information about the spinifex pigeon, but it is a worthwhile addition to my pigeon gallery, because of its handsome appearance, and because it is so thoroughly a resident of the scrubland. Just comparing the spinifex pigeon with the Nicobar pigeon of tropical islands of the Andaman Sea, or the bleeding heart pigeon of the Philippine rainforest is to instantly see how climate and habitat sculpt creatures into appropriate shapes and colors.