
It has been a disgracefully long time since this blog featured one of the deities of the underworld (which was one of the first and best topics of Ferrebeekeeper). Lately I have been thinking a great deal about the mysterious thriving civilizations of ancient America which existed prior to the 15th century. So today we feature Pitao Bezelao chief death deity of the Zapotecs, who thrived in what are now the Mexican states of Oaxaca and Guerrero from 700 BC until Aztec (and subsequent Spanish) conquest in the 16th century (AD).

Like other Mesoamerican palace peoples, the Zapotecs reveled in death worship. They loved step pyramids and human and animal sacrifices of every sort. Pitao Bezelao was a very charismatic dark god with all sorts of strange attributes and props…yet, because we have never deciphered Zapotec glyphs, we also don’t know an enormous amount about his myths and worship. Almost all of our sources are post-conquest folklore written down centuries after the apogee of Zapotec civilization. So sadly we don’t have Pitao Bezelao death myths analogous to Orpheus or the Mayan Ball players (although undoubtedly similar stories were out there).

The ancient Zapotecs were excellent farmers, so Pitao Bezelao was not just the god of death but also also the god of masculinity, fortune, good crops, and chickens (just what chickens, old world animals originally from India, were doing in ancient America in Zapotec times is a subject which is probably more interesting than this article…or anything else on the internet). Even among the strange company of death gods, Pitao Bezelao stands out. He is portrayed as having a huge skull with gauged ears (decked out with fancy ornaments of course) and with an obsidian knife for a nose. Like the Moche Decapitator, Pitao Bezelao had giant pincers/claws for hands. He is often portrayed with a human femur in his right, um, claw and another nose…I mean knife…in his left. In religious art, Pitao Bezelao tends to be surrounded by lizards and spiders and he was often portrayed with an enormous phallus.

Speaking of which, as an extraordinarily well-endowed death deity, Pitao Bezelao had two wives. His main wife Xonaxi Quecuya, “Mother Death”, was a traditional death goddess who collected the souls of the departed and recycled their bodies with her signature insects. True to her name, she was always pregnant! Pitao Bezelao’s second spouse Coqui Bezelao is more enigmatic and s/he had both male and female attributes. Perhaps Pitao Bezelao was a deity who changed gender as culture and society changed and myths spread from one land to another (like Guanyin, my favorite deity of compassion who started out as the (masculine) bodhisattva Avalokiteshvara) or maybe they were always transgender–like Lan Caihe.
This would be a great time to share some Pitao Bezelao myths, which I suspect are both horrifying and transcendent…but, thanks to the vicissitudes of history I don’t have any. Instead here is a modern artwork from Oaxaca (where worship of this death god does not seem to have quite died out). If anybody knows anything else about this dark but compelling figure please speak out!

2 comments
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May 13, 2021 at 7:02 AM
Linda Ellis Peck
It is a terrifying image to contemplate and I enjoyed it very much!
May 13, 2021 at 9:42 AM
K Hindall
Well, I have something to say about chickens!
Yes, chickens are from Asia, but after they were domesticated (about 8000 years ago, according to Wikipedia), they could easily have made their way as far as the Americas during the lengthy Zapotec era. Humans have long (probably always) traded with other humans, and eventually someone would have said to a Zapotec, “Hey, how would you like these birds in exchange for your whatsit? They lay lots of eggs, so you’ll have both eggs and meat!”
I suppose that, given their main purpose in Zapotec culture would’ve been to die and be eaten, Pitao Bezelao seemed an appropriate deity for them.
On the matter of ubiquitous death worship in Mesoamerica, I remember seeing a documentary that the first people to settle there had come from a group who lost their home and were driven south by volcanic activity. (My apologies that I cannot remember more of the details.) It was probably the excellent documentary series, _Lost Kingdoms of Central America_ (2014), where I heard it. (I also recommend the earlier sseries _Lost Kingdoms of South America_ [2013].) Unfortunately, I don’t know where it’s available for viewing. . . .