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We are in the second half of October and it’s high time to reveal Ferrebeekeeper’s Halloween theme for 2019!  Past years have featured themes like Flowers of the Underworld, The Mother of Monsters, Flaying, Necropolises, and, my personal favorite, The Undead.  A cursory glance at the top-selling masks at the giant costume shop on Broadway has made me realize that this year can only have one choice.  For mysterious reasons which probably have half to do with contemporary American politics and half to do with winding up an accursed jack-in-the-box found at the annex of Hell (insomuch as those two things are different), this is the year of scary clowns.  Who is Ferrebeekeeper to stand in the way of this tiny car filled with quasi-infinite dark pranksters?

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In 2019 Joker, Harley Quinn, and Pennywise rule the box office,  Pagliacci rules the opera house, and “Clown Girl” rules the Barnes and Noble (ok, actually, maybe I am the only person who read Monica Drake’s perplexing 2007 down-and-out in Baloneytown novel, but it has certainly stayed with me).

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Clowns are hardly a modern or even a western phenomena.  They stretch through almost every culture and, as we shall see, they trace their roots to the beginning of civilization (and probably beyond).  Carl Jung, who has many strange and interesting things to say, sees teh trickster as one of the oldest and most fundamental archetypes which humans recreate again and again.  On one hand the trickster is a figure of buffoonish comic fun, and yet,  the trickster’s nature has always been dual.  Let’s hear a quote from Jung himself (from Four Archetypes: Mother Rebirth Spirit Trickster):

In picaresque tales, in carnivals and revels, in magic rites of healing, in man’s religious fears and exaltations, this phantom of the trickster haunts the mythology of all ages, sometimes in quite unmistakable form, sometimes in strangely modulated guise.n He is obviously a “psychologem,” an archetypal psychic structure of extreme antiquity. In his clearest manifestations he is a faithful reflection of an absolutely undifferentiated human consciousness, corresponding to a psyche that has hardly left the animal level. That this is how the trickster figure originated can hardly be contested if we look at it from the causal and historical angle. In psychology as in biology we cannot afford to overlook or underestimate this question of origins, although the answer usually tells us nothing about the functional meaning. For this reason biology should never forget the question of purpose, for only by answering that can we get at the meaning of a phenomenon. Even in pathology, where we are concerned with lesions which have no meaning in themselves, the exclusively causal approach proves to be inadequate, since there are a number of pathological phenomena which only give up their meaning when we inquire into their purpose. And where we are concerned with the normal phenomena of life, this question of purpose takes undisputed precedence.

Wow! Brother Carl really did have some peculiar things to say.  What on Earth is he talking about?  Join me in the days leading up to Halloween and we will see if we can make sense of what he is talking about by looking at clowns in history and art, and running the trickster back to his/her ancient roots.

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Of course, trying to trap and analyze the ancient spirit of dark mischief doesn’t sound like a venture which is going to work, but at least there should be some spine-tingling surprises and some hair raising mishief (and maybe some funny pratfalls).  Anyway, it’s all in good seasonal fun.  What is the worst that could happen?

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