You are currently browsing the daily archive for December 19, 2018.
We could talk about my very favorite ceramics makers…but their nation is still prominent in the world (indeed they are the world’s most populous nation), so we will talk about Chinese porcelain some other day. For now, let’s instead concentrate on my second favorite ceramics artists—the astonishing and mysterious Moche people of Peru. Ferrebeekeeper has tried to explain the nature of Moche culture (as archaeologists currently understand it to have been) and we have also tried to put up some galleries of their exquisite waterfowl and their amazing bats (which I think are the best bat artworks extant).
For tonight though I am going to present a gallery of Moche ceramic vessels in the shape of animals without any comment. This is partly because I want you to experience the exquisite form of the ancient clay without any distractions and…it is partly because I got started working on Christmas projects and didn’t get around to writing this post until the middle of the night. I think you will agree as you look at this collection of vessels, that the Moche were astonishing at conveying animals in a way which was streamlined and simple yet also brings out the beauty and the personality of the creatures. These are not Walt Disney-esque cartoon animals of unnatural sweetness and broad comedy…and yet they are also animals which have distinctive emotional resonance and convey the distinctive character, intelligence, and temperament of these South American animals. It is a hard balance to get right, and yet I feel that the unknown potters and sculptors of long ago have done a superb job at bringing out what was real and what was magical in these creatures. I am not explaining this the way I wish, but just try sculpting some animals and you will soon see what I mean.