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No series about the cities of the dead would be complete without a visit to the world’s most populous country, China.   Because of China’s 5000 year+ uninterrupted cultural history, there are some extraordinary examples to choose from, like the Western Xian tombs, or the world famous Mausoleum of the First Qin Emperor, a circular tomb with a circumference of 6.3 km (3.9 miles) and an army of more than 7000 life-sized earthenware soldiers (they don’t build ’em like that anymore, thank goodness).  However for artistic reasons, Ferrebeekeeper is going to highlight the most well-known tomb complex in China–the Ming tombs which is a compound of mausoleums built by the emperors of the Ming Dynasty from 1424 to 1644 on the outskirts of Beijing.  Indeed today the tombs are now in a suburb of Beijing, surrounded by banks, residential housing parks, and golf courses.

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The First Emperor of the Ming Dynasty, the Hongwu Emperor, whose rags-to-riches story has no obvious equivalent in history, is NOT buried in the Ming tombs (although don’t forget to follow this spooky link to read about his horrifying excesses), nor is his successor, the Jianwen Emperor, who was usurped and vanished from history.  However the third and greatest Emperor of the Ming Dynasty, the mighty Yongle Emperor is buried there.  The Yongle Emperor chose the spot according to principles of Feng Shui (and political calculus) and he and 12 other Ming dynasty emperors were interred there along with a dynasty worth of empresses, concubines, favorite princes, et cetera etc.  Each of the 13 mausoleums has its own name like the Chang Ling Mausolem, which is tomb to the Yongle Emperor, or the Qing Ling Mausoleum which is the final resting place of the Tai Chang Emperor.

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Some of the subjects of past Ferrebeekeeper posts can be found buried in the Ming Tombs–like the Jiajing Emperor (who is in the Yong Ling Mausoleum, if you are keeping track of this at home).  Considering how much mercury that guy drank, he is probably perfectly preserved somewhere in there glistening like the silver surfer even after all of these years.

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I say probably, because we don’t know.  Only three of the 13 tombs have been properly excavated and explored by archaeologists (these known tombs are the tombs of the Yongle Emperor, Longqing Emperor, and the Wanli Emperor).  In 1644, the whole necropolis was looted and burned by Li Zicheng, the first (and last) Emperor of the ill-fated Shun Dynasty, but, fortunately, he seems to have burned and looted tombs the way he set up kingdoms–very badly and incompletely.  This means there are ten whole tomb complexes of China’s richest greatest emperors which are awaiting the archaeologists of the future (probably…it is always possible that one of China’s more recent autocrats secretly looted everything and sold it to dodgy collectors or hid it under his bed). Imagine the unknown treasures awaiting discovery!

The first paragraph alluded to the artistic merit of this graveyard, and I really meant that.  Just look at the beauty of the Sacred Way in the top photo (this is the main entrance to the tombs which Emperors would traverse when visiting the spot to pay homage to their predecessors) or the ceremonial chamber form the Ding Ling Tomb (which is the third image down).  Best of all, we have an amazing painting (below)! Look at the this beautiful watercolor map/landscape painting from the late nineteenth century which shows the entire tomb complex (the painting itself belongs the Library of Congress).  Naturally, if you click the painting it will not blow up to full size here (thanks to the hateful anti-aesthetic nature of WordPress).  However here is a link to the original image at Wikipedia, you can expand it to immense size on your computer and take a personal tour of one of the world’s most lovely and historically significant tomb complexes.

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As a Halloween treat, here is a pen and ink drawing which I made of a great dark fantasy metropolis (which is also a lurking predatory fish).  As you can see, there are three stages to the composition: the cerebral top portion inhabited by angels, gods, and flying marvels; the primal underworld at the bottom (which is filled with wailing souls, dark sacrifice, and insatiable hunger); and, in the middle, a glistening city between the two extremes.  In the sky, Apollo, god of prophecy and the arts, rides his chariot angrily towards a blithe Icarus.  At far right, Death watches the city while, beneath the towers (beyond life?) the inhabitants…or possibly their souls walk through a Tartarus of appetites and chthonic marvels.  I am sorry that it is too small to appreciate (it took me forever to draw all of the little ghost figures and monsters which are under the fish).  The piece speaks to the larger nature of humankind’s collective existence (and our appetites) but I feel the supernatural monsters and crystal landscape with the heavens also speaks to larger possibilities we could aspire to.  I am sorry it is slightly crooked in this shot: this was the best picture I have but it is slightly distorted (until I can get a finer scan made).

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