Last Friday I took a walk from my company’s office on Wall Street up to a dinner party in Alphabet City. It was a lovely foggy night and lower Manhattan looked splendid and foreboding: the skyscrapers disappeared into the clouds as though they had no tops and weird glowing halos wreathed the many lights of the finance district. I decided to walk through City Hall Park (which has a big Victorian fountain surrounded by flickering gaslamps which I like to look at), however, when I walked into the park I was stunned to see a large photoshopped sculpture/poster thing of two enormous cuttlefish mating on the entire planet! What could it mean? Has the mayor been reading Ferrebeekeeper? Have the cephalopods finally won a stake in city government?

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(also note the ammonite patterns on this shirt my mom made me)

Here is a shameless selfie of me with the aforementioned work…and it turned out it was not alone: the whole park was full of tentacles, sticky lizard limbs, and planetary bodies.

These sculptures are the environmentally themed artworks of Estonian artist, Katja Novitskova. I had wandered into her show by accident! She used digital technology (and microscopes and satellite imaging) to bring us a juxtaposition of small curious grasping creatures against a background of entire worlds. She particularly specializes in creatures which are the subject of extensive biomedical or biomechanical research—literal and figurative model organisms like the axolotl, the cuttlefish, and the little hydra.
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“EARTH POTENTIAL” (Katja Novitskova, 2017, mixed media sculpture)

This theme is much in keeping with my own artwork which involves biological and historical cycles seen at differing temporal and spatial vantages. Yet because her works are so colorful and pleasing (and so photographic and digital) I am not inclined to view the successful Miss Novitskova with envy. The photographic sculptures remind me of Ranger Rick, the wonderful ecology-themed magazine of my childhood which always featured a “What in the World?” section of photographic sections removed from their original context and blown up. It was a real puzzle to figure out if you were looking at a vascular wall, a butterfly wing, or an aerial photo of the Nile Delta. Just thinking about these different scales (and the discomfiting similarities of appearance and perhaps even function) always blew my mind. So does Katja Novitskova’s artwork! I would like to thank her for putting it up in New York and wish her every success.
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EARTH POTENTIAL (Katja Novitskova, 2017, mixed media sculpture)