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Today we have an AMAZING post which comes to us thanks to good fortune (and the tireless work of archaeologists).  Datong is an ancient city in Shanxi, a province in north-central China. The Datong Municipal Institute of Archaeology has been excavating 31 tombs from throughout the city’s long history.  One of the tombs was a circular “well” tomb from the Liao dynasty.  The circular tomb featured four fresco murals painted on fine clay (and separated by painted columns of red).  These paintings show servants going about the business of everyday life a thousand years ago:  laying out fine clothes and setting the table.  One panel just shows stylized cranes perched at a window/porch.  The cremated remains of the dead upper class couple who (presumably) commissioned the grave were found in an urn in the center of the tomb.

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The tomb dates from the Liao Dynasty, which flourished between the 10th and 12th centuries.  Attentive readers, will note that this is the same timeframe as the Song Dynasty (960 AD–1279 AD), which Ferrebeekeeper is forever extolling as a cultural and artistic zenith for China (although sadly, I can never seem to decide whether to call it “Song” or “Sung”).  Well the Song dynasty was a time of immense cultural achievement, but the Song emperors did not unify China as fully as other empires.  The Liao Dynasty was a non-Han dynasty established by the Khitan people in northern China, Mongolia, and northern Korea.  To what extent the Liao dynasty was “Chinese” (even the exact nature of whom the Khitan people were) is the subject of much scholarly argument.  But look at these amazing paintings!  Clearly the Khitan were just as creatively inspired as their neighbors to the south—but in different ways.

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The cranes have a freshness and verve which is completely different from the naturalism of Song animal painting and yet wholly enchanting and wonderful in its own right.  The beautiful colors and personality-filled faces of the servants bring a bygone-era back to life.  Look at the efficient artistic finesse evident in the bold colorful lines.  If you told me that these images were made last week by China’s most admired graphic novelist, I would believe you.

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These murals are masterpieces in their own right, but they are also a reminder that Ferrebeekeeper needs to look beyond the most famous parts of Chinese history in order to more fully appreciate the never-ending beauty and depth of Chinese art.

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