Ferrebeekeeper has a great love of space-themed art. Yet the beginnings of western art as we know it today were not about space, but instead about religion. Christian iconography dominated: the heavens were not the literal heavens but instead the supernatural …uh…actually, never mind. This is a fresco by Giotto from the Arena Chapel. Giotto single-handedly reshaped the classical and medieval precepts of art (and remade our notion of visual culture). The Arena Chapel is his masterwork–a project where Byzantine opulence, Christian devotion, linear perspective, and new Italian realism converged to give birth to the European artistic tradition (although, to be sure, Western art had many grandparents…and lots of weird uncles that were an influence before–and after–Giotto).
Here is the birth of art…showing the birth of Christ, and there, proudly in the center of the composition, right above Jesus and the adoring Magi, is a comet which would not look out of place in nineteen-sixties space art. The flying ball of fire points directly into the manger where the astonished kings (and their even more astonished camels pay homage to the new-born savior who has appeared as a refugee child). It is a beautiful picture–and an unexpected appearance of outer space imagery right at the dawn of the 14th century as art began to manifest itself in familiar fashion.